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Jojo Rabbit (2019) Screenplay by Taika Waititi
March 15, 2012 8FLiX.com SCREENPLAY DATABASE FOR EDUCATIONAL USE ONLY INT. JOJO’S HOUSE - MORNING We open with QUICK DETAIL SHOTS of a young boy dressing: - a brown shirt buttoned. - badges pinned. - belt tightened. - neck kerchief tied. - shoelaces tied and shoes polished. - socks pulled up to knees. - hair combed. - eye-pencil applied above top lip...?? - Shoes clicked together at the heels, one foot stomps down hard on the floor. He is dressed. We PULL to a CLOSE-UP, coming face to face with our HERO... JOHANNES BETZLER, (JOJO), a cute 10 year-old Boy. He stares into a full-length mirror. He has drawn a HITLER moustache on his upper lip. JOJO Jojo Betzler, ten and a half years old. Today you join the ranks of the Jungvolk. This is a great day, for you, for your family, and for all of Germany. And as “BREATHLESS” by NICK CAVE kicks in, we PULL OUT to reveal Jojo is dressed impeccably in a HITLER YOUTH uniform. He does a little dance on the spot and then looks over to a wall covered with pictures, posters and drawings of ADOLF HITLER. Jojo tries to WINK at a prominent poster of the Führer however he can’t close one eye independently so it’s more of a scrunched up BLINK. He tries again, not happening. He turns back to the mirror and does the NAZI SALUTE. JOJO (CONT’D) HEIL HITLER!!! SUPER: “VIENNA, 1944” EXT. STREET - DAY With a confident stride Jojo walks down the street admiring himself in store windows. He greets everyone he meets with the Hitler salute. -
“The Little Actor”: Performing Childhood in Nineteenth-Century British Literature
“THE LITTLE ACTOR”: PERFORMING CHILDHOOD IN NINETEENTH-CENTURY BRITISH LITERATURE Adam McCune A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English and Comparative Literature. Chapel Hill 2016 Approved by: Laurie Langbauer Beverly Taylor James Thompson Kimberly J. Stern Andrew Stauffer © 2016 Adam McCune ALL RIGHTS RESERVED ii ABSTRACT Adam McCune: “The Little Actor”: Performing Childhood in Nineteenth-Century British Literature (Under the direction of Laurie Langbauer) Lord Byron’s “To Ianthe,” Lewis Carroll’s Alice books, Henry James’s Turn of the Screw, and Rudyard Kipling’s Kim reinvent the portrayal of childhood. Didactic literature by authors such as John Newbery, Mary Wollstonecraft, Isaac Watts, John and Charles Wesley, and Hannah More, though it assumed that growing up meant the transformation of an essential inner identity, paradoxically represented childhood not as an essential quality, but as a prescribed role to be performed by the child. Children’s performance of morally or culturally approved roles was, in fact, the mechanism by which they were supposed to be transformed into successful adults. Didactic authors expected the child to imitate a single model: the moral, educated, well- mannered child. Byron, Carroll, James, and Kipling instead point to multiple models, multiple ideas of how children could behave. In their works, children can choose from different “scripts” of childhood and perform them to reinvent childhood and themselves: the children imitate models but choose which ones to emulate. James and Kipling go a step further, depicting children who use their performance of social roles to influence adults and pursue their own goals. -
LIBRARY of CONGRESS 1996, in Certain Works by Foreign the URAA Was Enacted
Friday April 17, 1998 Part II Library of Congress Copyright Office Copyright Restoration of Works in Accordance With the Uruguay Round Agreements Act; List Identifying Copyrights Restored Under the Uruguay Round Agreements Act for Which Notices of Intent To Enforce Restored Copyrights Were Filed in the Copyright Office; Notice federal register 19287 19288 Federal Register / Vol. 63, No. 74 / Friday, April 17, 1998 / Notices LIBRARY OF CONGRESS 1996, in certain works by foreign the URAA was enacted. See 17 U.S.C. nationals or domiciliaries of World 104A(h)(4). Before a copyright owner Copyright Office Trade Organization (WTO) or Berne can enforce a restored copyright against [Docket No. 97±3D] countries that were not protected under a reliance party, the copyright owner the copyright law for the reasons listed must file a Notice of Intent (NIE) with Copyright Restoration of Works in below in (2). Specifically, for restoration the Copyright Office or serve an NIE on Accordance With the Uruguay Round of copyright, a work must be an original such a party. Agreements Act; List Identifying work of authorship that on the date of An NIE may be filed in the Copyright Copyrights Restored Under the restoration: Office within 24 months of the date of Uruguay Round Agreements Act for (1) was not in the public domain in restoration of copyright. Alternatively, Which Notices of Intent To Enforce its source country through expiration of an owner may serve an NIE on an Restored Copyrights Were Filed in the term of protection; individual reliance party at any time Copyright Office (2) was in the public domain in the during the term of copyright; however, United States due to: such notices are effective only against AGENCY: Copyright Office, Library of (i) noncompliance with formalities the party served and those who have Congress. -
PUMP SIX and Other Stories Paolo Bacigalupi
PUMP SIX and Other Stories Paolo Bacigalupi Pump Six and Other Stories © 2008 by Paolo Bacigalupi This edition of Pump Six and Other Stories © 2008 by Night Shade Books Jacket art and design by Claudia Noble Interior layout and design by Jeremy Lassen "Pocketful of Dharma" © 1999 by Spilogale, Inc. Originally published in The Magazine of Fantasy & Science Fiction, February 1999. "The Fluted Girl" © 2003 by Spilogale, Inc. Originally published in The Magazine of Fantasy & Science Fiction, June 2003. "The People of Sand and Slag" © 2004 by Spilogale, Inc. Originally published in The Magazine of Fantasy & Science Fiction, February 2004. "The Pasho" © 2004 by Paolo Bacigalupi. Originally published in Asimov's Science Fiction, September 2004. "The Calorie Man" © 2005 by Spilogale, Inc. Originally published in The Magazine of Fantasy & Science Fiction, October/November 2005. "The Tamarisk Hunter" © 2006 by Paolo Bacigalupi. Originally published in High Country, June 26, 2006. "Pop Squad" © 2006 by Spilogale, Inc. Originally published in The Magazine of Fantasy & Science Fiction, October/November 2006. "Yellow Card Man" © 2006 by Paolo Bacigalupi. Originally published in Asimov's Science Fiction, December 2006. "Softer" © 2007 by Paolo Bacigalupi. Originally published in Logorrhea: Good Words Make Good Stories, John Klima, ed., Spectra, 2007 "Pump Six" © 2008 by Paolo Bacigalupi. Original to this collection. "Small Offerings" © 2007 by Paolo Bacigalupi. Originally published in Fast Forward 1: Future Fiction from the Cutting Edge, Lou Anders, ed., Pyr., Feb 2007 (only available in the limited edition). All rights reserved First Edition Trade Hardcover ISBN: 978-1-59780-133-1 Limited Edition ISBN 978-1-59780-134-8 Night Shade Books Please visit us on the web at http://www.nightshadebooks.com Pocketful of Dharma Wang Jun stood on the rain-slicked streets of old Chengdu and stared up into the drizzle at Huojianzhu. -
Federal Register/Vol. 63, No. 74/Friday, April 17, 1998/Notices
19288 Federal Register / Vol. 63, No. 74 / Friday, April 17, 1998 / Notices LIBRARY OF CONGRESS 1996, in certain works by foreign the URAA was enacted. See 17 U.S.C. nationals or domiciliaries of World 104A(h)(4). Before a copyright owner Copyright Office Trade Organization (WTO) or Berne can enforce a restored copyright against [Docket No. 97±3D] countries that were not protected under a reliance party, the copyright owner the copyright law for the reasons listed must file a Notice of Intent (NIE) with Copyright Restoration of Works in below in (2). Specifically, for restoration the Copyright Office or serve an NIE on Accordance With the Uruguay Round of copyright, a work must be an original such a party. Agreements Act; List Identifying work of authorship that on the date of An NIE may be filed in the Copyright Copyrights Restored Under the restoration: Office within 24 months of the date of Uruguay Round Agreements Act for (1) was not in the public domain in restoration of copyright. Alternatively, Which Notices of Intent To Enforce its source country through expiration of an owner may serve an NIE on an Restored Copyrights Were Filed in the term of protection; individual reliance party at any time Copyright Office (2) was in the public domain in the during the term of copyright; however, United States due to: such notices are effective only against AGENCY: Copyright Office, Library of (i) noncompliance with formalities the party served and those who have Congress. imposed at any time by United States actual knowledge of the notice and its ACTION: Publication of Eighth List of copyright law, including failure of contents. -
Rhetorical Theory Concerning the Making of a Writer in the Poetry of Charles Bukowski
RHETORICAL THEORY CONCERNING THE MAKING OF A WRITER IN THE POETRY OF CHARLES BUKOWSKI A DISSERTATION SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THE GRADUATE SCHOOL OF THE TEXAS WOMAN'S UNIVERSITY COLLEGE OF ARTS AND SCIENCES BY WILLIAM WALKER WOODS, B.A., M.A. DENTON, TEXAS DECEMBER 1992 for Stephanie, my wife, and Thomas, my son, with thanks and love iii RHETORICAL THEORY CONCERNING THE MAKING OF A WRITER IN THE POETRY OF CHARLES BUKOWSKI WILLIAM WALKER WOODS DECEMBER 1992 More than any other contemporary American poet, Charles Bukowski devotes the majority of his poetry to the topic of being a writer. As rhetorical theory must ultimately concern itself with the making of a writer, Bukowski's poetry frequently is concerned with the rhetorical theory of invention. He returns again and again to what seems to be his favorite topic, the early training of the writer, the writer's place in the world around him or her, the influences upon the writer, th·e pains and pleasures of being a working writer, and so on. Bukowski can be studied as a poet who constantly offers guidance and advice to the aspiring writer, and in this regard acts in the role of a rhetorician, not unlike Aristotle, Quintilian, Cicero, Blair, or I. A. Richards. Beneath the veneer of Bukowski's drunken brawls, charity wards, and skidrow alleys, there lies a very established and sound rhetorical theory which can be applied to the college composition course, a theory which calls for extensive early training and inspiration on the part of the writer, practice and endurance, a clear, direct style appropriate for any writing occasion, and the emergence of enjoyment in the writing process. -
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éº¥å¯ Â·å¯‡è’‚æ–¯ 电影 串行 (大全) The Colonel https://zh.listvote.com/lists/film/movies/the-colonel-3631401/actors Harun al Raschid https://zh.listvote.com/lists/film/movies/harun-al-raschid-5675824/actors The Sunflower Woman https://zh.listvote.com/lists/film/movies/the-sunflower-woman-7767412/actors The Lady with the Black https://zh.listvote.com/lists/film/movies/the-lady-with-the-black-gloves-7745202/actors Gloves Liliom https://zh.listvote.com/lists/film/movies/liliom-3240855/actors Nameless https://zh.listvote.com/lists/film/movies/nameless-3870057/actors Tartar Invasion https://zh.listvote.com/lists/film/movies/tartar-invasion-7686825/actors The Charlatan https://zh.listvote.com/lists/film/movies/the-charlatan-14624809/actors Lulu https://zh.listvote.com/lists/film/movies/lulu-6702900/actors Bánk Bán https://zh.listvote.com/lists/film/movies/b%C3%A1nk-b%C3%A1n-5004818/actors The Wolf https://zh.listvote.com/lists/film/movies/the-wolf-7775416/actors Today and Tomorrow https://zh.listvote.com/lists/film/movies/today-and-tomorrow-7812216/actors My Husband's Getting https://zh.listvote.com/lists/film/movies/my-husband%27s-getting-married-6945703/actors Married The Ugly Boy https://zh.listvote.com/lists/film/movies/the-ugly-boy-7771046/actors A Deadly Game https://zh.listvote.com/lists/film/movies/a-deadly-game-4656349/actors Boccaccio https://zh.listvote.com/lists/film/movies/boccaccio-3641481/actors The Merry Widow https://zh.listvote.com/lists/film/movies/the-merry-widow-7751105/actors The Scourge of God https://zh.listvote.com/lists/film/movies/the-scourge-of-god-7762654/actors -
Eating from the Tree of Knowledge: the Impact of Visual Culture on The
EATING FROM THE TREE OF KNOWLEDGE: THE IMPACT OF VISUAL CULTURE ON THE PERCEPTION AND CONSTRUCTION OF ETHNIC, SEXUAL, AND GENDER IDENTITY Andrés Peralta, B.S., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS December 2010 APPROVED: Rina Kundu, Major Professor Christina Bain, Committee Member Nadine Kalin, Committee Member Denise A. Baxter, Interim Chair of the Department Art Education and Art History Robert W. Milnes, Dean of the College of Visual Arts and Design James D. Meernik, Acting Dean of the Robert B. Toulouse School of Graduate Studies Peralta, Andrés. Eating from the tree of knowledge: The impact of visual culture on the perception and construction of ethnic, sexual, and gender identity. Doctor of Philosophy (Art Education), December 2010, 309 pp., 4 illustrations, reference list, 179 titles. This study explores the way that visual culture and identity creates understanding about how the women in my family interact and teach each other. In the study issues of identity, liminality, border culture, are explored. The study examines how underrepresented groups, such as those represented by Latinas, can enter into and add to the discourses of art education because the women who participated have learned to maneuver through the world, passing what they have learned to one another, from one generation to the next. Furthermore, the study investigates ways in which visual cues offer a way for the women in my family to negotiate their identity. In the study the women see themselves in signs, magazines, television, dolls, clothing patterns, advertisements, and use these to find ways in which to negotiate the borderlands of the places in which they live.