© 2004 J. Paul Getty Trust Why lancets Overview of the Getty vocabularies? Medieval Vocabularies stained glass Gothic pot-metal glass tracery rose window bar tracery Catherine wheel

¾ Goal is to enhance access to visual arts & material culture information ¾ People don’t always know what a person, place, or thing is called ¾ Different people use different terms for the same person, place, or Murtha Baca thing Head, Getty Vocabulary Program ¾ Vocabularies gather related terms together to improve access to Berliner Herbsttreffen zur Museumsdokumentation information for research and education October 2004

How are vocabularies used? ¾ The structure and content of the Getty vocabularies are based upon standards • Used as sources of ¾ International Organization for Standardization (ISO), standard terminology NISO (National Information Standards Organization) for use in description, ¾ Cataloguing Cultural Objects (CCO), CDWA cataloguing, and documentation apodyteria apodyterium • Used as “assistants” gymnasteria in online search gymnasterium engines, creating a semantic “road map” Note: Dressing that shows links and rooms in paths between ancient Greek We are active in concepts and terms and Roman baths and the standards- • Used as knowledge palaestrae. building bases or lookup tools communities

Standards for data values: ¾ The Getty Vocabularies ¾Controlled Vocabulary: An organized arrangement of words and phrases that are ¾ Library of Congress Name Authority File used to index content and/or to retrieve (LCNAF) content through navigation or a search ¾ Library of Congress Subject Headings (LCSH) ¾ ICONCLASS ¾Typically a vocabulary that includes preferred terms and has a limited scope or describes a specific domain

¾There are several types of controlled vocabularies: ¾Controlled list ¾Taxonomy ¾Subject headings ¾Thesaurus

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 1 anteaters Types of vocabularies armadillos Types of vocabularies bats ƒ Controlled list: A simple list of terms used to control bears ƒ Taxonomy: An orderly classification for a defined domain terminology cats ƒ In a well-constructed controlled list: ‚each term must be unique; cows ƒ Vocabularies that organize a body of knowledge into conceptual ‚ terms should all be members of same class; ‚ terms should not deer categories are classifications and taxonomies be overlapping in meaning; ‚ terms should be equal in dogs granularity/specificity; ‚ and terms should be arranged Animal Kingdom elephants alphabetically or in another logical order ...... Vertebrates (phylum) goldfish ...... Mammalia (class) ƒ May include terms from other controlled vocabulary resources horses ...... Carnivora (order) ƒ For some elements or fields in the database, a controlled list ostriches ...... Felidae (family) may be sufficient to control terminology, particularly where the pandas ...... Felis domesticus (genus-species) terminology for that field is limited and unlikely to have pigs synonyms or ancillary information zebras

Jean-Baptiste Perroneau, Portrait of Magdaleine Pinceloup, © J. Paul Getty Museum; Chat Noir, Theophile-Alexandre Steinlen, © Sta. Barbara Museum of Art. Egyptian Cat, © Metropolitan Museum. Cat and Kittens, © National Gallery of Art. Maneki Neko, Japanese, © private collection.

Types of vocabularies Types of vocabularies ƒ Subject headings: Words or phrases used to indicate the ƒ Thesaurus: A semantic network of unique concepts content of a text or other thing ƒ Thesauri may be monolingual or multilingual ƒ Pre-coordination of terminology is a characteristic of subject ƒ Thesauri may have the following three relationships: headings; subject headings typically combine several unique ƒ concepts together in a string Equivalence Animal Kingdom ...... Vertebrates ƒ Hierarchical hierarchical ...... Carnivora (order) Cat family (Mammals) -- Literary collections ƒ Associative ...... Mammalia (class) Cats -- Religious aspects ...... Felidae (family) Cats -- Egypt associative Felis domesticus (preferred, species name) Egypt -- Civilization -- to 332 B.C. Felis silvestris (preferred, species name) •wild cat (preferred, common name) •domestic cat (preferred, common name) •Felis catus equivalence •house cat

http://www.getty.edu/research/conducting_research/vocabularies/ Getty Vocabularies

™ Compiled and maintained by the Getty Vocabulary Program ¾Union List of Artist Names® (ULAN) The Getty ¾ 117,600 ‘records’; 257,241 names ¾Art & Architecture Thesaurus® (AAT) Vocabularies ¾ 33,150 ‘records’; 128,075 terms ¾Getty Thesaurus of Geographic Names® (TGN) ¾911,300 “records’” 1,102,200 names

™ Focus on Visual Arts and Architecture ™ Are compiled resources (not comprehensive) ™ Grow through contributions ™ May be licensed (vendors of collection management systems, others)

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 2 Elements of a ULAN record Elements of a ULAN record names names Gaudí, Antoni Gaudí, Antoni geographic location Gaudí y Cornet, Antonio Gaudí y Cornet, Antonio Reus (Spain) Note: The Focus of each Cornet, Antoni Gauí Cornet, Antoni Gauí Barcelona (Spain) vocabulary record is a Gaudí i Cornet, Antoni Gaudí i Cornet, Antoni concept - not a “term” nationalities notes Catalan, Spanish Gaudí was influenced by Catalonia's roles medieval history and architecture. His architect, artist works display a respect for artist 500014514 craftsmanship and structural logic. He500014514 landscape architect, was also inspired by forms in nature, furniture designer using it in structure and ornament, creating a highly personal, organic style. life dates His work is characterized by sculptural Birth Date: 1852 plasticity, the manipulation of light, and the use of mosaics and polychromy. His Death Date: 1926 later style is classifiedbibliography as Catalan related people Modernisme, a styleContemporary related to Art Architects (1987) Nouveau. studied with: Enciclopedia universal ilustrada (1978-1983)Juan Martorell Montells Encyclopedia of world art (1959-1987) Sagrada Familia, Barcelona Spain, 1882-1926. Image Grove Dictionary of Art online (1999-) © http://www.op.net/~jmeltzer/Gaudi/eltemple.html. Portrait © Encyclopedia Britannica online. LC Name Authority Headings [online] (2002-)

Equivalence Relationships in ULAN Former names, “incorrect” names NAMES: • Names for Sienese painter, active by 1337, died Sept. 4, 1378 Le Corbusier • include spelling variations, former Corbusier, Le names Corbu Names: Charles Edouard Jeanneret Bulgarini, Bartolomeo Jeanneret, Charles Edouard Bartolomeo Bolgarini Jeanneret, Charles-Edouard Bartolomeo Bolghini Jeanneret-Gris, Charles-Edouard Bartolomeo Bulgarini Bartolommeo Bulgarini da Siena Maestro d'Ovile ¾ all names refer to same person Master of the Ovile Madonna ¾ used for retrieval Ovile Master portrait photo © from Encyclopedia Britannica Online, Le Corbusier, photograph by Yousuf Karsh, 1954 ; © Karsh--Woodfin Camp and AssociatesConvent of La Tourette, by Le Corbusier, Lorenzetti, Ugolino ¾ one is “preferred” at Eveux-sur-Arbresle, near Lyon, France, 1957 to 1960. ; Photo by Donald Corner and Jenny Young; CD.2260.1012.1841.051. © Donald Corner and Jenny Young Charles-Edouard JEANNERET) ; "La caída de Barcelona”; 1939 ; Oil on canvas ; 81 x 99,5 cm; © Museo Ugolino Lorenzetti Assumption of the Virgin, Pinacoteca Nazionale, Siena image from: Carli, Enzo, Sienese Painting, Harper & Row, 1983; Nacional, Sofia; image from http://museoreinasofia.mcu.es/ The St. Catherine of Alexandria, National Gallery of Art, Washington DC, 1943.4.20, image from nga.gov

Common misspelling; married name Various transliterations, diacritics

NAMES: ¾ variant transliterations provide additional access O'Keeffe, Georgia points Georgia O'Keeffe ¾ diacritics recorded in code- extended ASCII (e.g., $07) in O'Keefe, Georgia data, maps to Unicode Stieglitz, Alfred, Mrs.

published misspellings provide additional access points

Iwan Schischkin (1831 - 1898) Im Russischen Wald, 1896; Georgia O'Keefe; Ram's Skull With Brown Leaves; Roswell Museum and Art Center; Roswell, New Öl auf Leinwand, 139 x 95 cm; image from http://www.i- Mexico from: http://www.roswellmuseum.org/ s-o.com/projekte/kh_kiel/sammlung/19_Jhdt/ct.htm

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 3 Associative Relationships in ULAN Translations ¾ common translations are also important variants for Albrecht Dürer RELATED PERSON: NAMES: son of Mato Wanartaka Albrecht Dürer the elder Kicking Bear RELATED PERSON: student of Michael Wolgemut, from 1486 through 1490 ™ student/teacher relationships ™ familial relationships if parent is also an artist

Battle of Little Big Horn, ca. 1898 Albrecht Dürer; German, 1471 - 1528; Knight, Death and Devil, 1513; engraving on laid paper, sheet: 24.8 x 19 cm ™ dates of relationship Watercolor on muslin2 ft. 11 in. x 5 ft. 10 in. (frame included) (9 3/4 x 7 1/2 in.); © National Gallery of Art, Washington, The Southwest Museum (Los Angeles, California) DC. Gift of W.G. Russell Allen, 1941.1.20

Associative Relationships in ULAN Hierarchical Relationship in ULAN - Gobelins, Manufacture Royale de Whole/Part Painting Studio ¾ hierarchical Sculpture Studio Tapestry Manufactory relationships Dye Works RELATED PERSONS: represented with Furniture Manufactory members are indention Marquetry Studio Pietra Dura Studio Richard Meier Metalwork Studio Michael Palladino Engraving Studio James R. Crawford Bernhard Karpf Reynolds Logan

¾ a corporate body may Le Cheval Rayé; artist: Gobelins tapestry be related to persons manufactory, based on sketches by Albert Eckhout; ca. 1690-1730; wool and silk; 326 x 580.2 cm ; J. Paul Getty Museum (Los Angeles, CA), 92.DD.21

Elements of a TGN record Equivalence Relationships in TGN

names notes Located on Isar river, near edge of Munich parent place Alps; established by Henry the ¾ “Preferred” English München Lion, duke of Bavaria, as mint & Germany Monaco di Baviera market for Benedictine monks from ¾ Preferred vernacular, Baveria Munichen Tegernsee 13th cen.; declined under transliterated Oberbayern occupation & plague of Thirty ¾ Other languages place Years' War; revived under Ludwig 7004333 I; damaged in WW II. ¾ Historical names geographic coordinates 48 08 N, 011 35 E

bibliography place types Baedekers: München (1955); Cambridge Italian Dictionary (1962); Canby, Historic Places inhabited place (1984); Columbia Lippincott Gazetteer (1961); dates state capital Enciclopedia Europea (1978); Times Atlas of the founded near an older World (1992); USBGN: Foreign Gazetteers; settlement in 1157 Webster's Geographical Dictionary (1988) images © Munich Tourist Board, http://www.muenchen-tourist.de/

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 4 Equivalence Relationships in TGN Hierarchical Relationship in TGN - Whole/Part Spain (nation) Andalucía (region) Almería (province) Cádiz (province) Córdoba (province) Granada (province) Huelva (province) Málaga (province) ¾ Languages Sevilla (province) ¾ Contributors ¾ Sources ¾ provinces are part of the region, which is part of the nation map of Andalucia: © Andalucia, http://www.andalucia.com/

Polyhierarchy Associative Relationship in TGN

Modern world Historical world Hazor Tel Hazor Tuscany Etruria Siena province ¾ There may be associative relationships between places ¾ deserted settlement may be related to modern town ƒ Multiple hierarchical relationships may ¾ date for relationship include historical for a deserted settlement in Israel parents Siena/Sena DESCRIPTIVE NOTE: ƒ The date of the Located over Huleh Valley, near the modern relationship may also town Hazor; for centuries it was one of most be included important cities of Canaan, in control of rich agricultural area and vital trade and military route; according to the Bible, site of victory of Joshua and other battles of Israelites.

Elements of an AAT record Equivalence Relationships in AAT

parent concept still lifes Materials Hierarchy still life ...... limestone ...... sinter names/terms still-lifes ...... travertine travertine still lives travertine marble scope note concept nature morte 11329 travertine stone A dense, crystalline or roachstone natura morta microcrystalline limestone that was lapis tiburtinus formed by the evaporation of river stilleven or spring waters. It is named after Stilleben Tivoli (Tibur in Latin), Italy, where related concepts large deposits occur, and it is tufa vie coye onyx marble characterized by a light color and sources ontbijtje ƒ multiple terms refer to the same the ability to take a good polish. It Sturgis, Russell, Dictionary of Architecture and concept is distinguished from tufa by being Building; Roberts, Michael J., Construction Industry banketje ƒ “preferred” term is flagged harder and stronger. Thesaurus; American Geological Institute, Dictionary of ƒ terms in various languages, historical Geological Terms; Encyclopaedia Britannica bodegones

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 5 Hierarchical Relationship in AAT - Polyhierarchy ƒ In the polyhierarchy, one “preferred” relationship is Genus/Species flagged for technical efficiency

funerary sculpture The “Non-preferred” relationship ....brasses (memorials) Object Genres Costume displays with an “N” ....effigies ...... gisants fragments plumes cockades ....haniwa aigrettes [N] jewelry ™ Note: Upright strips plumes of feathers of ....mintadi an egret or heron ...... bitumba arranged as a hair hair ornaments ornament or on a ....mma aigrettes turban. Also, similar ....niombo barettes ornaments, often ....tomb slabs wigs jeweled, in the shape headgear of feathers, especially ....ushabti those worn on the head. ƒ relationships depicted with indention ƒ brasses, effigies, gisants, haniwa, & ushabti are types of funerary sculpture

Associative Relationships in AAT Materials Visual Works building materials drawings coating (material) design drawings lacquer preliminary drawings plaster sinopie arriccio environmental art How We intonaco mosaics stucco paintings Build Our photographic materials finger paintings solvent frescoes watercolors Vocabularies ƒ There may be associative relationships between concepts ƒ mural painting (fresco) & the plasters, & drawing (sinopia) underneath

History of the Getty Vocabularies History of the GettyVocabularies

¾ The three Getty vocabularies date from the mid- and ™ Our role: work across Getty (and with late 1980s Ëintended to eliminate redundant authority work outside contributors), gather terms for the ¾ originally for use among Getty projects creators & users of terminology ¾ now used broadly in art and material culture ™ Use VCS (custom-built system) to do our communities work: ¾ Not comprehensive - compiled resources ™ processing contributions ¾ data is gathered, loaded/entered, edited ™ editing, merging, moving, making ¾ Grew separately, separate systems, separate locations relationships ¾ Under one roof since 1997, established common practice ™ publishing ¾ Maintained by a small staff and community ™ training participation ™ “Data standards editor” has become a job title at the Getty

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 6 Technical solutions ™ New editorial system has Contributors to Vocabularies been built (VCS), Import Batch loading of data and Export formats From various systems designed or from online forms ™ New terms come from Getty projects and In our prescribed format ™Basic editorial module is outside contributors completed ™ Ongoing ™ Current external contributors include museums, ™automatic loading of libraries, bibliographic and documentation contributions (bulk projects VCS: Processing Data and via Web form - Searching 2004) Merging Editing/adding info ™ Goal: terms Moving/adding links contributed easily, Original automatically, part of thesauri regular workflow at grow and Exporting Data the Getty change Reports for quality control over Reports for work flow Release formats time. Web, XML, Rel Tab, MARC

Contributors to Vocabularies Building Our Vocabularies

¾ Getty contributions since 1980s ™ Vocabulary Program: Getty vocabulary ¾ Getty Research Institute editors edit and add new terminology ¾ Photo Study Collection ™ Sources include standard general published ¾ GRI Library database sources, text books, scholarly articles, museum ¾ Getty Provenance Index records, etc. ¾ Bibliography of the History of Art (BHA) Hardcopy sources ¾ Avery Index to Architectural Periodicals Online sources ¾ Census of Antique Art & Arch. Known to Renaissance ¾ Vocabulary Program ¾ J. Paul Getty Museum ¾ Getty Conservation Institute William the Conquerer: from; http://www.georgetown.edu/l; Domesday Book, dated 1086; images from Domesday Book, T.Hinde, ed., New York: Crown Publishers, Inc., 1985.

Processing contributions, What do we do? Merging records What do we do? loading, tracking who contributed what, multiple records contributed for the same ‘moving,’ merging, un-moving, un-merging person; automated if possible in the load Some done automatically during load, others require editorial intervention.

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 7 Two records may become one Two records may become one

Name: Jacopo Siciliano Name: Jacopo Siciliano Name: Del Duca, Giacomo Biography: Sicilian Name: Del Duca, Giacomo Biography: Sicilian Biography: Italian sculptor architect, active in , Biography: Italian sculptor architect, active in Rome, and architect, ca. 1520-1604 + ca. 1520-1601 and architect, ca. 1520-1604 + ca. 1520-1601 ULAN ID: 10373 ULAN ID: 13784 ULAN ID: 10373 ULAN ID: 13784 • “Giacomo del Duca” is • “Giacomo del Duca” is same person as “Jacopo same person as “Jacopo Names: Del Duca, Giacomo (pref) Siciliano” Siciliano” Jacopo Siciliano • Records were “merged” • Records were “merged” Biography: Italian sculptor and into a single record into a single record architect, ca. 1520-1604, born in Giacomo del Duca. Porta San Giovanni (1574). Casino di Villa Mattei (1582) Giacomo del Duca. Porta San Giovanni (1574). Casino di Villa Mattei (1582) , active in Rome sul Monte Celio. Etchings by Giuseppe Vasi from Sulle magnificenze di Roma sul Monte Celio. Etchings by Giuseppe Vasi from Sulle magnificenze di Roma Antica e Moderna; images © Antica e Moderna; images © http://members.tripod.com/romeartlover/Vasi.html (1 Mar 2004) http://members.tripod.com/romeartlover/Vasi.html (1 Mar 2004) ULAN ID: 500016281

One record may •“naive art” was determined to be a Building hierarchies, separate concept from “outsider art”, What do we do? inserting or ‘moving’ branches become two formerly were equivalents ...... ...... Roman (style or period) ...... Monarchic ...... Tarquinian (Roman monarchy) ...... Republican ...... Late Republican Descriptor: naive art ...... Caesarian AAT ID: 300263555 ...... Sullan Scope note - Refers to art created by non-professional new level added...... Imperial (Roman) artists or artisans who have not had formal training and ...... Early Imperial are often self-taught. It typically displays the artist's poor Descriptor: outsider art grasp of anatomy and lacks mastery of conventional ...... Augustan AAT ID: 300056472 perspective and other hallmarks of trained artists. It ...... Julio-Claudian includes painting, sculpture, embroidery, quilts, toys, Scope note - Refers to art created or collected according to a ships' figureheads, decoys, painted targets, and other ...... Tiberian philosophy of avoidance of the conventional fine art tradition. objects, and often refers to such objects created ...... Flavian The term was coined in the 1940s and generally refers to art specifically in 19th- and 20th-century Europe and North that fits the ideal described by Jean Dubuffet, who posited that America. It is generally distinguished from "outsider art," ...... Trajanic art should be inventive, non-conformist, unprocessed, which includes the more extravagant psychotic drawings ...... Hadrianic spontaneous, insulated from all social and cultural influences, and other art created or collected according to a "brut," created without thought of financial gain or public philosophy of the avoidance of, rather than simply a lack ...... Antonine recognition, and based upon autonomous inspiration, in direct of, traditional training. It is also usually distinct from "folk ...... Severan contrast to the stereotypes of the traditional or official artistic art," which is created according to specific cultural Augustus Prima culture. Dubuffet sought such art in the work of psychiatric traditions...... Late Antique Porta, ca. 20 BC. patients and other insulated individuals. Height 2.03 m.; ...... Tetrarchic Vatican Museums, 1. anonymous American; Catalyntje Post, c. 1747; © National Gallery of Art, Washington DC; Gift of Edgar William and Rome; © Vatican ...... Constantinian Museums 2004 Bernice Chrysler Garbisch; 1980.62.34; 2. Guillaume Pujolle; "Les aigles - la plume d'oie”; ©Collection de l'Art Brut; Château de Beaulieu ; Lausanne; image from http://www.lausanne.ch/musees/artbrut.htm

Hierarchy may What do we do? What do we do? change over time Editing / creating records

Europe...... (continent) [1000159] Polska...... (nation) Names: Dolnoslaskie...... (voivodship) Congo (C,V) Kujawsko-Pomorskie...... (voivodship) Lódzkie...... (voivodship) République démocratique du Congo (C,V) Malopolskie...... (voivodship) Congo, république démocratique du (C,V) Mazowieckie...... (voivodship) Lubelskie...... (voivodship) Democratic Republic of the Congo (C,V).. 1964-1971, & since May 1997 Lubuskie...... (voivodship) Democratic Republic of Congo (C,V) Opolskie...... (voivodship) Podkarpackie...... (voivodship) Zaïre (H,V) Podlaskie...... (voivodship) République du Zaïre (H,V) Pomorskie...... (voivodship) Zaire (H,V) former voidvodships...... (miscellaneous) • Former preferred Babiogórskiformer Park voidvodships Narodowy...... (national park) Republic of Zaire (H,V)...... used 1971-1997 Curzon Line...... (region (general)) Kongo, Republik (H,V) Kampinoski ParkBiala Narodowy...... (national Podlaska...... (former park) administrative division) name was “Zaire” Kaszuby...... (regionBialystok...... (former (general)) administrative division) Belgisch Congo (H,V)...... 1908-1960 • In 1997 changed Bielsko...... (former administrative division) Congo Belge (H,V) to “Congo” • Former voivodships Belgian Congo (H,O)...... 1908-1960 Congo Free State (H,O)...... 1885-1908 were absorbed into new voivodships in 1999 Preferred name changes map and flag © CIA Factbook online, http://www.cia.gov/cia/publications/factbook/geos/pl.html

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 8 What do we do? What do we do? Contributions: How will users submit candidate ™ Getty contributions are processed terms? via mapping to a prescribed format • Online form • In bulk, mapped ™ We also accept contributions from from contributors’ selected outside institutions databases • using XML format ™ Two ways to contribute: Web form or database mapping ™(we provide XML format and rules)

What do we do? What do we do? Ensuring quality control Ensuring quality control • Reports are critical ™ Editorial Guidelines * to find errors * to track editorial progress, meet ™ For consistency deadlines * to produce files for release ™ For ensuring that

data is correctly rial Edito retrievable Rules ™ Additions to rules made as new issues arise

Documentation and What do we do? training are important

Implementing Vocabularies for Retrieval

Documentation Training

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 9 © 2004 J. Paul Getty Trust Using the synonyms for retrieval

giambologna

Giovanni Bologna; Triton, 16th century (1560–70); Bronze; H. 36 in; Metropolitan Museum of Art; Bequest of Benjamin Altman, 1913 (14.40.689) Attributed to Giovanni Francesco Susini, caster; or Antonio Susini, caster; after Giambologna; Female Figure; Marble; H: 48 in.; J. Paul a model by Giambologna, sculptor ; Lion Attacking a Bull; Italian, Florence, Getty Museum; 82.SA.37 1600 - 1625 ; Bronze ; H: 8 x 10 3/4 in.; J. Paul Getty Museum; 94.SB.11.2

From ULAN From ULAN Giambologna Giambologna

Bologna, Giovanni da; Christ Crucified, probably before 1588; bronze, corpus, Giovanni da Bologna height including foot rest: .371 x .254 x .078 m ; National Gallery of Art, Giovanni da Bologna Washington, DC; Gift of Mr. and Mrs. John R. Gaines in memory of Clarence Jean Boulogne; Mercure volant; Bronze; H 1,7 m; L 0,57m; Pr 1,4 m; F. and Amelia R. Gaines, and Gloria Gaines, and in Honor of the 50th Musee du Louvre, Collection du duc de Brissac (saisie en 1794)?; MR 3271 Anniversary of the NGA; 1991.16.1 Giovanni Bologna Giovanni Bologna “giambologna” OR “giovanni da Jean Boulogne “giambologna” OR “giovanni da Jean Boulogne bologna” OR “giovanni bologna” Jean de Boulogne bologna” OR “giovanni bologna” Jean de Boulogne OR “jean boulogne” OR Bologna, Giovanni da OR “jean boulogne” OR Bologna, Giovanni da “bologna, giovanni da” “bologna, giovanni da”

Images © J. Paul Getty Museum 2004, © Metropolitan Museum of Art 2004, © National Gallery of Aft Washington 2004, and © Musee du Louvre 2004 Images © J. Paul Getty Museum 2004, © Metropolitan Museum of Art 2004, © National Gallery of Aft Washington 2004, and © Musee du Louvre 2004

Using the hierarchy for retrieval Images Using associative relationships for retrieval ©Metropolitan Museum of Art; Bottle, late 13th broader terms Containers Hierarchy cen; Mamluk Attributed to Egypt ...containers or Syria; glass; Rogers Fund, 1941 ...... (41.150) ©J. Paul Getty ...... vessels Museum: Ewer; Porcelain:Chinese, ...... alembics Kangxi period, 1622-1722; Hard- ...... askoi paste porcelain, 82.DI.3; Mounted ...... basins Lidded Bowl; Porcelain: ...... louteria Japanese, Imari, about 1700; Hard- ...... beakers (vessels) paste porcelain, RELATED PERSONS: 79.DI.123; Lidded ...... boilers (vessels) Vase; Chinese, Kangxi reign, 1662 members are ...... bottles - 1722 ; Hard- paste porcelain, ...... 72.DE.73; Richard Meier Oinochoe; Greek, narrower ...... Ionia, about 625 B.C. ; Terracotta ; Michael Palladino terms ...... bowls (vessels) 81.AE.83; Red- Figure Bell-Krater; ...... covered bowls Attributed to the James R. Crawford Choregos Painter ; ...... buckets (vessels) Greek, South Italy, Apulia, about 380 Bernhard Karpf ...... cage-cups B.C. ; Terracotta ; 96.AE.29; Red- ...... cauldrons Figure Kylix; Reynolds Logan Signed by Douris, ...... craggans vase-painter; attributed to ...... crocks Python, potter; Greek, Athens, ...... dinoi about 480 B.C. ; 3-D model of Douglas House from Terracotta ; Great Buildings online; photo of ...... ewers 84.AE.569 Atheneum, New Harmony, IN, Avery Fischer Hall, New York, from ...... aquamaniles http://www.richardmeier.com/ ...... face vessels

• ULAN is used to aid retrieval on Getty site • We’re still working on user interface, etc. • Honthorst is not among the top hits, requires a second click; is this okay? • How will we use the hierarchy of the AAT & TGN • How will we search across collections, in DBs Using Vocabularies for Cataloguing

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 10 Getty Vocabularies are sets of Populated by Getty • Entity relationship diagram for an art standard terminology that typically Vocabularies work and authorities form an integral part of an institution’s local vocabulary Personal and Corporate Name Image Authority Records

• A combination of vocabularies will be Geographic s Place Authority

e

necessary i

t i Work Records • Required terms may be outside the scope r Source Records of a given vocabulary o Concept

h • No single vocabulary is comprehensive for t Authority

u

its scope A ¾ Authorities are linked to • Local authorities should be populated with Subject Work and Image published vocabularies and local Authority ¾ Work and Image are terminology linked to each other from Cataloguing Cultural Objects (CCO) ¾ Authorities are linked to each other

Work Record Populated by Getty ƒ Record Type [cont.]: item ‚ Class [cont.]: manuscripts What is an Authority? *Work Type [link to Concept Authority]: illumination Vocabularies ƒ *Title: Barefoot Youth ƒ *Creator Display: Riza (Persian, ca. Personal and ¾ Authority record: Controlled 1565-1635) Corporate Name vocabulary implementedImage for the *‚Role [cont.]: illuminator Authority Records ‚[link to Person/Corp. Authority]: Riza purpose of controlling ƒ *Creation Date ca. 1600 [cont.]: ‚ Start: 1590 terminology in catalog records. ‚ End: 1610 Geographic ƒ *Subject [link to authorities]: ‚youth ‚male Place Authority Includes one or more names or ƒ *Current Location [link]: Freer Gallery of Art headings (typically one is and Arthur M. Sackler Gallery: National Work Records Museum of Asian Art, Smithsonian “preferred”), cross references,Source Records (Washington, DC, USA) ‚ID:LTS1995.2.78 Concept notes, and other information ƒ Creation Location [link]: Esfahan (Esfahan Authority province, Iran) about a person, place, or thing. ƒ *Measurements: 30 x 18 cm (11 13/16 x 7 1/16 inches) [controlled]: ‚Value: 30 Unit: cm Type: height ‚Value: 18 Unit: cm Type: Subject ¾ Authority file: A collection of width Authority authority records. ƒ *Material /Technique: opaque watercolor, ink, and gold on paper [link to authority] ‚watercolor ‚paper ‚gold ƒ Inscriptions: Signed by Riza Abbasi Fields in a record ƒ Description: Probably created in Esfahan. for a work of art

image: © Smithsonian Institution, 2004.

Work Record Personal and Corporate Name Authority Record Geographic Place Authority Record ƒ Record Type [cont.]: item ‚ Class [cont.]: manuscripts ™Record Type [controlled]: person ¾ Authority for ™Record Type [controlled]: administrative entity *Work Type [link to Concept Authority]: illumination ™*Names: geographic ™*Names: ƒ *Title: Barefoot Youth x Riza (preferred) locations o Karnak (preferred) ƒ *Creator Display: Riza (Persian, ca. x Reza o Al-Karnak 1565-1635) x Riza-yi 'Abbasi Populated by TGN o El Kharnâk *‚Role [cont.]: illuminator x Aqa Riza Kashani ™Display Broader Context: Qina governorate, Egypt ‚[link to Person/Corp. Authority]: Riza ™*Display Biography: Persian court artist, ca. 1565-1635 ™*Hierarchical Position [link]: ƒ *Creation Date ca. 1600 [cont.]: ‚ Start: 1590™ *Nationalities [controlled]: x Persian Africa (continent) ‚ End: 1610 ™*[cont.]Birth Date : 1560 ™ Death Date : 1635 ...... Egypt (nation) ...... Upper Egypt (region) ƒ *Subject [link to authorities]: ‚youth ‚male ™*Life Roles [cont.]: x painter x court artist ...... Qina (governorate) ƒ *Current Location [link]: Freer Gallery of Art™ Place of Birth [link]: Kashan (Esfahan province, Iran) ...... Karnak (inhabited place) Work Record Ma Geographic National © photo Museum, Egyptian © image: and Arthur M. Sackler Gallery: National ™Place of Death [link]: Esfahan (Esfahan province, Iran) ™*Place Type [controlled]: ƒRecord Type [cont.]: item ‚Class [cont.]: sculpture Museum of Asian Art, Smithsonian ™Place of Activity [link]: Mashhad (Khorasan, Iran) o inhabited place (Washington, DC, USA) ‚ID:LTS1995.2.78 Related People: ƒ*Work Type [link to Concept Authority]: statue ™Coordinates [controlled]: ƒ*Title: Colossal Head of Akhenaten o ƒ Creation Location [link]: Esfahan (Esfahan ™Relationship Type¾ Authority [controlled]: Record parent for of a Lat: 25 43 00 N degrees minutes ƒ*Creator Display: unknown Egyptian, New Kingdom province, Iran) ™[link to Related Person]: Muhammad Shafi' (Persian Long: 032 39 00 E degrees minutes Person linked to a Work *‚Role [cont.]: sculptor ‚[link]: unknown Egyptian ƒ *Measurements: 30 x 18 cm (11 13/16 x 7 1/16painter, active ca. 1628-1674) (Lat: 25.7167 decimal degrees) Record ƒ*Creation Date: ca. 1350 BCE [cont.]: ‚Start: 1353 ‚End: 1336 (Long: 32.6500 decimal degrees) inches) [controlled]: ‚Value: 30 Unit: cm ™Note: Riza, son of 'Ali Asghar, was a leading artist under the ƒ*Subject [link to authorities]: ‚Akhenaten (king of Egypt, ruled ¾ When authorities are linked ™Note: Village on E bank of the Nile in Upper Safavid shah Abbas I (reigned 1588-1629). He is noted primarily for 1353–1336 BCE) Type: height ‚Value: 18 Unit: cm Type: to Works and Images, Egypt; with Luxor, Karnak is on the site of ancient width portraits and genre scenes. The various names for this artist and the ƒ*Current Location [link]: Egyptian Museum (Cairo, Egypt) attributions of paintings in hisinformation oeuvre are somewhat need beunce enteredrtain, since Thebes; location of temple of Amen, considered ƒ *Material /Technique: opaque watercolor, ƒDiscovery Location [link]: Karnak (Qina his signatures and contemporaryonly documentaryonce: e.g., references variant to him are one of the finest examples of early New Kingdom ink, and gold on paper [link to authority]ambiguous. religious architecture; also has many Middle names, dates of birth and governorate, Egypt) ‚watercolor ‚paper ‚gold ™*Source [link]: ƒStyle: Eighteenth Dynasty (New Kingdom) Kingdom remains. death, nationality, etc. ƒ Inscriptions: Signed by Riza Abbasi x Union List of Artist Names (1988- ). ƒ*Measurements: height: 153 cm (61 inches) ™*Sources [link to Source Records]: [controlled]: ‚Value: 153 Unit: cm Type: height o Getty Thesaurus of Geographic Names (1988-) ƒ Description: Probably created in Esfahan. gazine Populated by ULAN *Material /Technique: limestone [link] ‚limestone o NIMA, GEOnet Names Server (2000-) ƒDescription: From the Aton Temple . image: © Smithsonian Institution, 2004. (accessed 04/18/2003)

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 11 Work Record: Concept Authority Record: Work Record: Built Work Authority: ƒRecord Type [controlled]: item ‚ Class [controlled]: ‚Antiquities ™*Terms ƒRecord Type [cont.]: item ‚ Class [cont.:photograph ƒRecord Type [cont.]: item ‚ Class [cont.:architecture ‚vase painting ‚vessels oPanathenaic amphora (preferred, ƒ*Work Type [link]: Albumen print ƒ*Work Type [link]: observation tower ƒ*Work Type [link to Concept Authority]: singular) ƒ*Title/Name: The Eiffel Tower: State of the Panathenaic amphora oPanathenaic amphorae (preferred, plural) Construction ƒ*Title/Name: Eiffel Tower oPanathenaic amphoras ƒ*Creator Display: photographer: Louis-Emile Alternate Title/Name: Tour Eiffel ƒ*Title: Panathenaic Prize Amphora and Lid ƒ oamphora, type c neck Durandelle (French, 1832-1923) ƒ Former Title/Name: Three-Hundred-Metre Creator Display: attributed to the Painter of the Wedding ƒ* oamphora, type Iic *Role [cont.] : photographer ‚ [link]: Durandelle, Louis-Emile Tower Procession (as painter; Greek, 4th century BCE); signed by Nikodemos ƒ*Creation Date *: November 23, 1888 (as potter; Greek, active 4th century BCE in Athens) ™*Hierarchical position [links] ƒ*Creator Display: architect: Gustave Eiffel o [controlled]: ‚ Start: 1888 ‚ End: 1888 ƒQualifier [cont.] attributed to *‚Role [cont.] : painter ‚[link to Objects Facet (French, 1832-1923) Person/Corp. Authority]: Painter of the Wedding Procession .... Furnishings and Equipment ƒ*Subject [link to authorities]: ‚ Eiffel Tower *Role [cont.] : architect ‚ [link]: Eiffel, Gustave ...... Containers ‚*Role [cont.]: potter ‚[link to Person/Corp. Authority]: Nikodemos ƒ*Current Location [link]: J. Paul Getty Museum (Los ƒ*Creation Date *: 1887 to 1889 ...... Angeles, California, USA); 87.XM.121.16 ƒ*Creation Date: 363/362 BCE [controlled]: ‚ Start: -0363 ‚ ...... amphorae [controlled]: ‚ Start: 1887 ‚ End: 1889 End: -0362 ...... neck amphorae ƒ*Measurements: 17 x 13 3/4 inches ƒ*Subject [link to authorities]: ‚ industrial ƒ*Subject : Side A: Athena Promachos; Side B: Nike ...... Panathenaic amphorae [controlled] ‚Value: 17 Unit: in Type: height exposition ‚International Exposition of 1889 Value: 13.75 Unit: in Type: width Crowning the Victor, with the Judge on the Right and the ™*Note: Refers to amphorae that were filled with ƒ*Current Location [link]: Paris (France) ƒ*Materials and Techniques [link to Concept Authority]: ‚ Defeated Opponent on the Left olive oil from the sacred trees of Athena, given as ƒ*Measurements: height: 300 m (984 feet) albumin print [link to authorities]: ‚ Athena Promachos ‚ Nike ‚Victor ‚contest prizes in the Panathenaic Games. They were neck [controlled] ‚Value: 300 Unit: m Type: height amphorae with a large, broad body sharply ƒStyle [link]: Belle Époque ƒ*Current Location [link]: J. Paul Getty Museum (Los Angeles, ƒ*Materials and Techniques: wrought iron, tapering downward and a relatively thin neck. The ƒDescription: This view was made about four months California) ‚ID: 93.AE.55 exposed iron construction standard decoration included images of Athena on short of the tower's completion. Louis-Émile Durandelle ƒ*Measurements height with lid, 89.5 cm (35 1/4 inches); one side and the contest at which the prize was [link to Concept Authority]: ‚ wrought iron photographed the tower from a low vantage point to ‚structural iron ‚exposed construction circumference at shoulder, 115 cm (15 1/16 inches) [controlled]: won on the other, usually in the Black-figure emphasize its monumentality. The massive building ¾ Other authorities are ‚Value: 89.5 Unit: cm Type: height ‚Value: 115 Unit: cm Type: circumference technique. ƒStyle [link]: Belle Époque barely visible in the far distance is dwarfed under the required, e.g., for built ƒ*Materials and Techniques terracotta (wheel-turned, ™*Source [link] Art & Architecture Thesaurus ƒDescription: Commission was awarded by tower's arches... sintering) (1988-) competition; the competitionworks sought a plan for a ¾ Authority for work ƒSource: Getty Museum, Collections [online] (2000-) [link to authority] ‚terracotta ‚turning ‚sintering monument for the International Exposition of ƒStyles [link]: ‚Black-figure ‚Attic type, materials and 1889, celebrating the centenary of the French ƒInscription: signed by Nikodemos techniques, and Revolution.Getty The vocabulariestower is built almost doentirely not of ƒDescription Note: The figure of Athena is portrayed in an ArchaisticPopulated by AAT subject open-latticeprovide wrought all iron. necessary It was the entrance style. The Nike figures atop the akanthos columns flanking Athena are a gateway to the exposition. detail that allows scholars to date this vase to precisely 363/362 BCE. terminology

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Major Users of Vocabularies Finding the terms in the online source ™ Getty projects and others ™ Information Professionals

™ Museums athens ™Visual resource specialists ™Librarians ™Archivists ™ Academics ™Art history ™Architectural history ™Archaeology ™History • cataloguers consult Web ™ Systems implementors, browsers & cut & paste vendors, Vocabulary providers or transcribe terms

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 12 Data displayed in the © 2004 J. Paul Getty Trust full record

™ Retrieve 50 results

™ Browse the hierarchies Example of a cataloguing system Licensed files may be implemented in a museum system • Vocabulary may be controlled by the system • Populated with published vocabularies and local terminology

Example of a cataloguing system • Variant terms provide access Licensed files may be • Using the unique ID of the AAT implemented in a museum term allows for updates when the system AAT changes • Vocabulary may be controlled by the system • Populated with published vocabularies and local terminology andirons andiron firedogs fire-dogs dogs, fire chenets chenet

firedogs The Museum System

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 13 Example of a vocabulary tool http://www.webchoir.com/ Issues Why local vocabularies are necessary ¾Compound terms: local systems require compound terms & headings (e.g., “Baroque cathedral” = style plus object type) ¾Terms outside scope of published vocabs: local cataloguing requires terms outside the scope of 3 Getty vocabs (e.g., building names, iconography such as “Adoration of the Magi,” “Xibalbá”) ¾Terms unsuitable for published vocabs: some local terms in fact inhibit usefulness of Getty vocabs (e.g., first name only “Giovanni” disrupts useful retrieval outside the local environment) ¾Getty vocabs too big for local implementation: • Thesaurus tool local cataloguing is more consistent if a selected, may be used customized subset of Vocab terms is used (e.g., to avoid with various errors in cataloguing that occur if cataloguer can potentially information choose terms that are out-of-scope for the particular project systems or field)

Bilingual versions of the AAT ƒ Dutch: Carried out by the Netherlands Institute for Art History: www.rkd- record from Dutch translation of the db.nl/aat/index.html AAT

ƒ Spanish: Carried out by the Centro de Documentación de Bienes Patrimoniales, Santiago de Chile: www.aatespanol.cl

Tesauro Regional Arqueológico: www.tesauroregional.cl

Chilean thesaurus native terms for archaeological objects

record from Spanish translation of the AAT

Murtha Baca, 18 October 2004 Getty Vocabularies ©J.Paul Getty Trust 14