One Flew Over the Cuckoo's Nest (Film)
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See It Big! Action Features More Than 30 Action Movie Favorites on the Big
FOR IMMEDIATE RELEASE ‘SEE IT BIG! ACTION’ FEATURES MORE THAN 30 ACTION MOVIE FAVORITES ON THE BIG SCREEN April 19–July 7, 2019 Astoria, New York, April 16, 2019—Museum of the Moving Image presents See It Big! Action, a major screening series featuring more than 30 action films, from April 19 through July 7, 2019. Programmed by Curator of Film Eric Hynes and Reverse Shot editors Jeff Reichert and Michael Koresky, the series opens with cinematic swashbucklers and continues with movies from around the world featuring white- knuckle chase sequences and thrilling stuntwork. It highlights work from some of the form's greatest practitioners, including John Woo, Michael Mann, Steven Spielberg, Akira Kurosawa, Kathryn Bigelow, Jackie Chan, and much more. As the curators note, “In a sense, all movies are ’action’ movies; cinema is movement and light, after all. Since nearly the very beginning, spectacle and stunt work have been essential parts of the form. There is nothing quite like watching physical feats, pulse-pounding drama, and epic confrontations on a large screen alongside other astonished moviegoers. See It Big! Action offers up some of our favorites of the genre.” In all, 32 films will be shown, many of them in 35mm prints. Among the highlights are two classic Technicolor swashbucklers, Michael Curtiz’s The Adventures of Robin Hood and Jacques Tourneur’s Anne of the Indies (April 20); Kurosawa’s Seven Samurai (April 21); back-to-back screenings of Mad Max: Fury Road and Aliens on Mother’s Day (May 12); all six Mission: Impossible films -
A Brief History of Civc Space in Portland Oregon Since World War II Including Origins of Café Soceity
A Brief History of Civc Space in Portland Oregon Since World War II Including Origins of Café Soceity In post World War II Portland, Portlanders were in love with their automobiles, while civic leaders and engineers planned freeways and expressways and vacant land in the central city was paved over for parking lots. Robert Moses came to Portland in 1943 and laid out a blueprint for the future of Portland, one hatch marked with freeways and thoroughfares slicing and dicing the city into areas separated by high speed cement rivers. Freeways completed during this period, such as Interstate 5, tore through minority and poor neighborhoods, such as Albina, with little collective resistance. It was a good time to be a road engineer, a poor time if you were African American. Portland was proud of its largest mall, Lloyd Center; for a short period of time the largest mall in the country. It was a sign of progress. Teenagers spent their time driving between drive-in restaurants and drive-in movies, or cruising downtown streets to be seen. Adults spent their time at home in front of that marvelous new invention, the television, or often in private clubs. Nearly a quarter of all civic associations were temples, lodges or clubs. During this period, civic leaders in Portland took pride in early urban renewal projects such as the South Auditorium project that required the demolition of 382 buildings and the relocation of 1,573 residents and 232 businesses. The project effectively terminated one of Portland's Jewish and Eastern European enclaves, and dispersed a sizable gypsy population to the outer reaches of southeast Portland. -
THE BUCKET LIST (Adapted from the Session Developed by Peter Bowden)
THE BUCKET LIST (adapted from the session developed by Peter Bowden) OPENING WORDS & CHALICE LIGHTING: To Risk To laugh is to risk appearing the fool. To weep is to risk appearing sentimental. To reach out for another is to risk exposing our true self. To place our ideas – our dreams – before the crowd is to risk loss. To love is to risk not being loved in return. To hope is to risk despair. To try is to risk failure. To live is to risk dying. #658, Singing the Living Tradition PURPOSE: We come together to build connections and to talk about what deeply matters. CHECK IN: What you share may be about your physical or spiritual health, cares or concerns for loved ones, issues you are facing. What are you leaving behind to be here today? READING OF GROUP COVENANT FOCUS: The Bucket List Each person in the group speaks uninterrupted; if time remains, general response and conversation are welcome. Background for this session: In the movie “The Bucket List”, a billionaire played by Jack Nicholson and a mechanic played by Morgan Freeman befriend each other in the hospital as they discover they each have only 6 months to a year to live. Freeman has a “bucket list” – things he wants to do before he “kicks the bucket”. Nicholson offers to finance the adventure and the two of them head off to tackle a joint “bucket list”. Questions for reflection: In this movie the two main characters are in a unique situation – they know when they will die, more or less, and they have the means to live their final days as they wish. -
Eat the Film
EATEAT AT HOME THETHE FILMFILM WESTERNS AVAILABLE AT PARTICIPATING HOMES FOR A FEW HOURS MORE Slow-cooked B.B.Q beef brisket with desert dry rub BLAZIN' RIGHT THROUGH THE SADDLE Campfire beans and griddled corn bread TRUE GRITS Grits 'n' molasses pie with vanilla cream WAY PAST HIGH NOON Orange, lemon, lime and housemade grenadine with raspberry shrub Enjoy a Mexican sunset ROXY CINEMA STAFF PICKS HELL OR HIGH WATER (USA 2016) One of the most enthralling and tightly plotted films of the last decade. A brilliant neo-western that takes risks aplenty and gets its rewards. Strong performances all round, although particular mention must go to Ben Foster who de- livers a career best. This film also firmly established writer Taylor Sheridan (Sicario, Wind River), as one of the best scriptwriters of his generation. If you are looking for an insight into the new west, look no further than here folks! – Liam UNFORGIVEN (USA 1992) Directed by and starring CLINT! One of my favorite Westerns with my favorite actor. The line “It’s a hell of a thing, killing a man “ensures Eastwood delivers a raw well-constructed western that is a daring and provocative vision of the old west. Great performances also from Gene Hackman and Morgan Freeman. The violence feels remarkably realistic and the extraordinarily thrilling climatic shootout is worth the wait! – Jamie THE GRAND DUEL (Italy 1972) Ex-Sheriff (Lee Van Cleef) tracks down and begrudgingly helps a man framed for murder in this fantastic Spaghetti Western. Opening with a very 'flippy' gunfight and escape, things just get better as these two trade barbs while beinchased across country. -
One-Word Movie Titles
One-Word Movie Titles This challenging crossword is for the true movie buff! We’ve gleaned 30 one- word movie titles from the Internet Movie Database’s list of top 250 movies of all time, as judged by the website’s users. Use the clues to find the name of each movie. Can you find the titles without going to the IMDb? 1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 EclipseCrossword.com © 2010 word-game-world.com All Rights Reserved. Across 1. 1995, Mel Gibson & James Robinson 5. 1960, Anthony Perkins & Vera Miles 7. 2000, Russell Crowe & Joaquin Phoenix 8. 1996, Ewan McGregor & Ewen Bremner 9. 1996, William H. Macy & Steve Buscemi 14. 1984, F. Murray Abraham & Tom Hulce 15. 1946, Cary Grant & Ingrid Bergman 16. 1972, Laurence Olivier & Michael Caine 18. 1986, Keith David & Forest Whitaker 21. 1979, Tom Skerritt, Sigourney Weaver 22. 1995, Robert De Niro & Sharon Stone 24. 1940, Laurence Olivier & Joan Fontaine 25. 1995, Al Pacino & Robert De Niro 27. 1927, Alfred Abel & Gustav Fröhlich 28. 1975, Roy Scheider & Robert Shaw 29. 2000, Jason Statham & Benicio Del Toro 30. 2000, Guy Pearce & Carrie-Anne Moss Down 2. 2009, Sam Worthington & Zoe Saldana 3. 2007, Patton Oswalt & Iam Holm (voices) 4. 1958, James Stuart & Kim Novak 6. 1974, Jack Nicholson & Faye Dunaway 10. 1982, Ben Kingsley & Candice Bergen 11. 1990, Robert De Niro & Ray Liotta 12. 1986, Sigourney Weaver & Carrie Henn 13. 1942, Humphrey Bogart & Ingrid Bergman 17. -
OREGON Hello! My Name Is Nathan Cooper, I Work at the U.S. Mission
OREGON Hello! My name is Nathan Cooper, I work at the U.S. Mission to International Organizations in Vienna, and I come from the beautiful state of Oregon. It’s a state with majestic natural resources and a fiercely independent character. Before I talk a bit more extensively about the state’s history and culture, let me quickly dispel three common misconceptions about my home state: First, many people often guess Oregon is “somewhere in the middle of the country.” Actually, Oregon is on the West Coast of the United States, just above California. Second, although you may have heard it called “Or-ee-GONE,” locals pronounce it “ORE-gun.” And last, contrary to what weather maps often depict, Oregon is not the wettest, rainiest place in America (that’s actually in Hawaii). Oregon is perhaps most famous for its dramatic and diverse landscape. Its rugged coastline contains sprawling beaches and a fascinating array of marine life, including noisy sea lions and vibrant tide pools. The Western half of the state is dominated by the volcanic Cascade mountain range. There you’ll find famous peaks like Mt. Hood, dense evergreen forests and rushing rivers. The western Willamette Valley is also home to the state’s two largest cities, Portland and Eugene, as well as a world-class winemaking region. And a vast high-elevation desert covers the eastern half of the state. Southern Oregon’s Crater Lake is the deepest lake in the US. It was formed by a collapsed volcano in the Cascades. These kinds of natural resources have attracted explorers and adventurers to Oregon since its earliest days. -
One Flew Over the Cuckoo's Nest
A Level Film Studies - Focus Film Factsheet One Flew over the Cuckoo’s Nest (1975, Forman, USA) Component 1: Varieties of Film wilderness. The car delivering McMurphy to the & Filmmaking – Section A psychiatric institution cuts the frame in two. Core Study Areas (02:05:31) Freedom: virtually the last shot Key Elements of Film Form of the film. Another ELS, low key image but Meaning & Response this time of an individual, Chief, escaping The Contexts of Film into the Wilderness. Free at last. Specialist Study Area Hollywood Comparison CORE STUDY AREAS 1 - STARTING POINTS - Key Elements of Film Auteur Form (Micro Features) Rationale for study Cinematography This is a film famous for winning the top five The cinematography is remarkable for its Oscars (Best film, actor, actress, director and realism. Filmed on location in a real psychiatric screenplay) in 1976 – a rare feat. The film remains institution the film is largely shot in a clinical, a hugely admired counter-culture classic from the high key lit, environment. There are no New Hollywood era. Its stark realism, brilliantly shadows within which to hide from the stony, performed by an ensemble cast, produces a gripping, disapproving glare of Nurse Ratched. often hilarious and harrowing drama that perfectly 01:44-2:07 reflects the counter culture of the 60s and 70s. Nurse Ratched (Louise Fletcher) enters the The film concerns a protagonist anti-hero, film in a long take, deep focus shot, dressed McMurphy (Jack Nicholson), who is sent from an in villainous black. She dominates the frame. American work-farm prison for petty criminals to A baleful red light hanging over her head a locked psychiatric unit for assessment. -
How Do You Go from Bridgemaker to Filmmaker? Woodcliff Lake Native
LIFE STORY reel ambition How do you go from bridgemaker to filmmaker? Woodcliff Lake native Jon Doscher parlayed his construction gig into a chance to head his own movie company — and it all started with a box of cigars he sent to Jack Nicholson. You’ll never guess what happened next BY JIM WALTZER • PHOTOGRAPHY BY JOHN BLAISE Some moviemakers are born clutching a Saddle River–based “indie” is courting big May 2000, Doscher’s Restoration Co. camera. But long before founding the names and big dreams. And what’s even had a job at the Saddle River home of independent production company more intriguing is its artistic aim. Current veteran character actor Danny Aiello. Starline Films, Jon Doscher was busy projects include a pair of searing true “So here I am at Danny Aiello’s house as with more ponderous hardware. stories, one an echo of Truman Capote’s a contractor,” says Doscher. “I took a “I was hanging columns, drilling steel, chilling In Cold Blood, the other based on shot — it was totally unplanned.” making good money,” the Woodcliff Lake an ill-advised state police action turned Doscher, who had just begun studying native says of his construction job right cause célèbre. Each is being developed as acting at the famed Lee Strasberg Theater out of high school. “I said to myself, ‘I a documentary and a feature film. Institute in New York City, “auditioned” guess I’m gonna be an ironworker.’” That’s pretty heady fare for a fledgling for Aiello by doing a dead-on impression It was a reasonable guess. -
150 Oregon Books for the Oregon Sesquicentennial
150 Oregon Books for the Oregon Sesquicentennial Is there a better way to celebrate Oregon’s 150th birthday than by curling up with a good Oregon book? Here are 150 books, carefully selected for your reading enjoyment by librarians at the Oregon State Library in Salem. The list includes books for young readers as well as for older readers. It includes fiction, non-fiction, history and poetry. Some of these books are in-print and available at bookstores, and some are long out-of-print classics. Your local library should have many of them, or library staff can get them for you. Print out this list and start reading! Books for Young Readers Across the Wide and Bess's Log Cabin Quilt Lonesome Prairie: Dear (1995) D. Anne Love. America (1997) Kristina With her father away and Gregory. In her diary, her mother ill with fever, thirteen-year-old Hattie ten-year-old Bess works chronicles her family's hard on a log cabin quilt to arduous 1847 journey on the save the family farm. Oregon Trail. Apples to Oregon: Being the (Slightly) True Narrative of How a Brave Pioneer Father Bobbi: A Great Collie Brought Apples, Peaches, (1926) Charles Alexander. Pears, Plums, Grapes, and The true story of Bobbie, Cherries (and Children) who was separated from his Across the Plains (2004) owners in Indiana and made Deborah Hopkinson. A his way home unaided to pioneer father moves his Silverton, Oregon. family and his beloved fruit trees across the country to Oregon. An Oregon Reads 2009 selection. B is for Beaver: An Oregon Bound for Oregon (1994) Alphabet (2003) Marie and Jean Van Leeuwen. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
"The Writer Speaks" Oral History Collection
http://oac.cdlib.org/findaid/ark:/13030/c8gt5vgn Online items available "The Writer Speaks" Oral History Collection Finding aid created by Writers Guild Foundation Archive staff using RecordEXPRESS Writers Guild Foundation Archive 7000 West Third Street Los Angeles, California 90048 (323) 782-4680 [email protected] https://www.wgfoundation.org/archive/ 2021 "The Writer Speaks" Oral History WGF—IA—001 1 Collection Descriptive Summary Title: "The Writer Speaks" Oral History Collection Dates: 1994-2013 Collection Number: WGF—IA—001 Creator/Collector: Extent: 63 interviews; approximately 90 hours of video footage Online items available https://www.youtube.com/playlist?list=PL1cpvBEDotV7pSBwLB55MhqSmZ5O831Bc Repository: Writers Guild Foundation Archive Los Angeles, California 90048 Abstract: “The Writer Speaks” interview series, conducted by the nonprofit Writers Guild Foundation from 1994 to 2013, consists of 63 videotaped oral history interviews with prominent film and television writers. Interviewees include Billy Wilder, Robert Towne, Julius Epstein, Garry Marshall, James L. Brooks, Norman Lear, Carl Reiner, William Goldman and Sidney Sheldon. Among the major topics discussed are early childhood, inspiration and influence, big breaks, career milestones, process and craft, the Hollywood blacklist, and advice to aspiring writers. The collection is available on DVD as well as on the Writers Guild Foundation’s YouTube channel. Language of Material: English Access Access to this collection is unrestricted. Publication Rights The rights belong to the Writers Guild Foundation. Please contact the Archive for requests to reproduce or publish materials. Preferred Citation "The Writer Speaks" Oral History Collection. Writers Guild Foundation Archive Acquisition Information The series was produced by the Writers Guild Foundation between the years 1994 and 2013 and is part of the institutional archive. -
The Pledge La Retraite De Jerry La Promesse, États-Unis 2001, 124 Minutes Philippe Théophanidis
Document généré le 25 sept. 2021 19:42 Séquences La revue de cinéma The Pledge La retraite de Jerry La promesse, États-Unis 2001, 124 minutes Philippe Théophanidis Numéro 212, mars–avril 2001 URI : https://id.erudit.org/iderudit/59216ac Aller au sommaire du numéro Éditeur(s) La revue Séquences Inc. ISSN 0037-2412 (imprimé) 1923-5100 (numérique) Découvrir la revue Citer ce compte rendu Théophanidis, P. (2001). Compte rendu de [The Pledge : la retraite de Jerry / La promesse, États-Unis 2001, 124 minutes]. Séquences, (212), 44–44. Tous droits réservés © La revue Séquences Inc., 2000 Ce document est protégé par la loi sur le droit d’auteur. L’utilisation des services d’Érudit (y compris la reproduction) est assujettie à sa politique d’utilisation que vous pouvez consulter en ligne. https://apropos.erudit.org/fr/usagers/politique-dutilisation/ Cet article est diffusé et préservé par Érudit. Érudit est un consortium interuniversitaire sans but lucratif composé de l’Université de Montréal, l’Université Laval et l’Université du Québec à Montréal. Il a pour mission la promotion et la valorisation de la recherche. https://www.erudit.org/fr/ -LES FILMS CRITIQUES -^ THE PLEDGE présumé tueur en série. Or, ces pistes, maigres et floues, semblent La retraite de Jerry être principalement le résultat du travail d'interprétation de Jerry. L'inévitable question que suscite chaque scène (posée directement par l'entourage de Jerry, par Jerry lui-même ou par le spectateur) est la suivante : est-il possible que notre homme s'imagine des choses qui n'existent pas parce que l'idée de la retraite ne lui revient pas ? Jerry s'accroche malgré tout (que peut-il faire d'autre : c'est d'un tueur de fillettes dont on parle ici).