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The Studio Museum in Harlem Ma∂azine/Fall•Winter 2007 02 What’s Up / Kori Newkirk /Jacob Lawrence / Glenn Ligon / Labor, Love, Live / Harlem Postcards 12 Projects on View / My Barbarian / Keneth Wingard 14 Upcoming Exhibitions / Flow / Charles Ethan Porter 16 Artist in Residence / Leslie Hewitt / Tanea Richardson / Saya Woolfalk 18 Elsewhere / Martin Puryear / Aaron Douglas / Quisqueya Henriquez / Berni Searle / Gee’s Bend / New Photography / Mark Bradford / Kara Walker /Unmonumental/ London Is the Place for Me/ International Slavery Museum / Otabenga Jones & Associates / Robin Rhode / Infinite Island / Francis Alÿs / Cinema Remixed and Reloaded/ Blacks In and Out of the Box/ Robert Colescott/ William Pope.L/ Elizabeth Catlett / Artis Lane 24 Studio Visit / Felicia D. Megginson 25 3Q’s / Brenna Youngblood/ Brain Keith Jackson 32Feature / Jacob Lawrence/ Future designs on Harlem / Black is the New Black 46 Education & Public Programs 54Profiles / Open Call for Submissions/ The Ghetto film School / Performa / Kenneth Wingard / Frank Morrison 58 Colorin∂ 60 New York University Host Here&Now 61 Overheard / 48 Hair Wars 66 Staff Picks / The Langston Hughes House 68 Development News / Fabulous Faces / Members 2006—07 / 74 Museum Store Go with the Flow see page 14 Adel Abdessemed/ Practice Zero Tolerance, 2006/ Courtesy the artist/ Photo: Marc Domage sm018_10_05_07.indd 1 10/6/07 1:37:09 PM 3 Studio / Fall•Winter 2007 01/ Kori Newkirk Hutch What’s Up 2004 Collection of the Orange County Museum of Art, Kori Newkirk: 1997—2007 Newport Beach, CA Courtesy The Project, November 14, 2007—March 9, 2008 New York Called the “absolute essence of the thing, cool, subtle and totally inside,” 1 Kori Newkirk (b. 1970) consistently makes work that grabs one’s attention and engages the mind. Whether a neon sign, a photo- graph of a part of his body or a brightly beaded curtain depicting a landscape, his work makes one stop and think while giving something visually stunning to look at. Kori Newkirk: 1997–2007 presents work produced after Newkirk received his MFA from the University of California at Irvine through today. Newkirk is a celebrated multimedia artist whose practice is based on transforming every- day materials into loaded signifiers and making viewers think not only about concepts of African-American culture and beauty, but also of new and ever- changing ways of making art. This exhibition illuminates how the varied but interrelated strands of Newkirk’s practice have converged and developed over time. Newkirk, who was born in the Bronx, raised in Cortland, New York, and currently lives and works in Los Angeles, creates work informed by his whole life and experience. This exhibition is designed and installed to create a dialogue between the disparate aspects of Newkirk’s practice. It allows for an understanding of his larger projects through informed juxtaposition of various bodies of work. Kori Newkirk: 1997–2007 is initiated and sponsored by the Fellows of Contemporary Art. This exhibition is also made possible, with major support from Altria Group, Inc. and The Horace W. Goldsmith Foundation. 1Peter Goddard, “Beads Speak of Suburban Dreams and Delusions,” Toronto Star, January 29, 2005. 01 sm018_10_05_07.indd 2-3 10/6/07 1:37:10 PM 5 Studio / Fall•Winter 2007 FPO sm018_10_05_07.indd 4-5 10/6/07 1:37:11 PM 7 Studio / Fall•Winter 2007 Previous Page/ 02/Kori Newkirk 04/ Kori Newkirk Kori Newkirk Closely Guarded Par Catalo∂ue Excerpt Take What You Can 2000-01 2004 2002 Collection of Lois Plehn Courtesy The Project, Courtesy The Project, Courtesy The Project, New York Kori Newkirk: 1997—2007 New York New York 01/Kori Newkirk 03/ Kori Newkirk Channel 11 Testing the Wind (detail) 1999 2004 Collection of Barry Sloane, Courtesy The Project, Los Angeles New York Courtesy The Project, New York BOOK COVER tis nos nos accummodit vullutpat velent aliquatis eummodo leniat, quatue feuisit nit amconsecte min exercil iquisit, quis aut aute digna augait dio od tem ipsum ipsummy nulla feuis autat nonsectem vendreetue feugiatie magna feugiam, veliscipsum incil del dit ilismod min ullaor irilluptat. 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Ut volesenim quate delit 03 04 luptate faciliquisit at. venibh et vent lum dolore magna corem vulla commy num- Rud etue delissecte do esenim vulpute magnim irit adipisit at. modigna conulla ndionse dio odionul lamcon utpat, vullan utem Ad magna facing el utpat, si tat ut aliqui blaore conse feui ea dolor alis at ver sumsandre dolobor ing euismodolore dio et con ulla conullaore conulla con henit prat, sequat ea feumsan adipsuscil ut laoreet eriure commy nibh eriure vulputat exercil diamcor sismodolenim dip esto commy num zzriurem deliqui lutpat, quipit praessim quamet, commodolor se feumsan velis psuscipsum auguerostio coreriureet at lor sustrud dunt utpat eugue conum vel inim vel ut wisl ulput ad exercing erat praesse- prat wis del incipis atis dunt in verat, con vent adigna aciliqua- quam quipit dolore venissi el dolendre tin ut lut lorperos nos sm018_10_05_07.indd 6-7 10/6/07 1:37:11 PM 9 Studio / Fall•Winter 2007 01-02/ Jacob Lawrence 03/ Odili Donald Odita in front The Migration Series of Give Me Shelter at the Italian What’s Up Panels 51, 45 The Studio Museum Inau∂urates Pavilion Venice Biennale 1940-41 2007 Casein tempera Courtesy of Jack Shainman Jacob Lawrence’s Migration Series: on hardboard 18 x 12 in. Our New Project Space Gallery, New York The Phillips Collection, 04/ Elizabeth Catlett-Mora Washington, D.C., Acquired 1942 Separation © Artist Rights Society, New York* On view from November 14, 2007 Selections from The Phillips Collection 1954 The Studio Museum in Harlem; November 14, 2007—January 6, 2008 gift of the artist 72.9.5 Celebrated for his paintings, which tell some of the This fall season will witness the opening of the new greatest stories in American history, Jacob project space in the Museum’s renovated lower level. Lawrence (1917–2000) is one of the most prominent Accessible through the main gallery and adjacent to the and revered American artists of the twentieth century— new theatre, the space is a dynamic new gallery well-known as an artist, teacher, and of course, some- dedicated to site-specific works and other projects and one who spent years living and working in Harlem.
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  • October 18, 2019 – February 2, 2020

    October 18, 2019 – February 2, 2020

    October 18, 2019 – February 2, 2020 Nordhausen & Callaway Galleries ince 2006, Saya Woolfalk has been imagin- universe is populated by fragments, ideas, and forms ing and creating an alternative universe that uploaded to the ChimaCloud by people from around the combines science fiction, ceremonial ritual, world. The multi-media installation demonstrates the technology, identity, and art. This other uni- ChimaCloud’s various functions, most importantly how verse exists in the future and past simultane- it is accessed using custom headdresses built with S ously. Overall, Woolfalk’s ongoing project 3D-printed objects, colorful ceramic disks, and metal considers identities and influences across cultures, espe- mandalas. cially in relation to our contemporary world. Each muse- Woolfalk has reimagined the Callaway Gallery um that hosts one of the artist’s fantastical, immersive, as a ChimaTEK day spa. It features three stations that multi-sensory installations helps continue and expand foster mindfulness, guided meditation, and self-actual- the story of this fictional world. ization for visitors. With the help of directional prompts, Woolfalk’s alternative universe is inhabited by ChimaTEK’s Visionary Reality Outpost allows users to en- beings from the future called the No Placeans. Part hu- act their desires for a positive possible future. This instal- man and part plant, they can change gender and color. lation includes porcelain tiles that Woolfalk made during In Woolfalk’s narrative, a group of modern-day women an Arts/Industry residency at the Kohler Company facto- in Upstate New York stumbled on a set of No Placean ry in Wisconsin in 2018. bones covered in fungi.