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B R I a N K I N G M U S I C I N D U S T R Y P R O F E S S I O N a L M U S I C I a N - C O M P O S E R - P R O D U C E R
B R I A N K I N G M U S I C I N D U S T R Y P R O F E S S I O N A L M U S I C I A N - C O M P O S E R - P R O D U C E R Brian’s profile encompasses a wide range of experience in music education and the entertainment industry; in music, BLUE WALL STUDIO - BKM | 1986 -PRESENT film, television, theater and radio. More than 300 live & recorded performances Diverse range of Artists & Musical Styles UNIVERSITY OF SOUTHERN CALIFORNIA Music for Media in NYC, Atlanta, L.A. & Paris For more information; www.bluewallstudio.com • As an administrator, professor and collaborator with USC working with many award-winning faculty and artists, PRODUCTION CREDITS - PARTIAL LIST including Michael Patterson, animation and digital arts, Medeski, Martin and Wood National Medal of Arts recipient, composer, Morton Johnny O’Neil Trio Lauridsen, celebrated filmmaker, founder of Lucasfilm and the subdudes (w/Bonnie Raitt) ILM, George Lucas, and his team at the Skywalker Ranch. The B- 52s Jerry Marotta Joseph Arthur • In music education, composition and sound, with a strong The Indigo Girls focus on establishing relations with industry professionals, R.E.M. including 13-time Oscar nominee, Thomas Newman, and 5- Alan Broadbent time nominee, Dennis Sands - relationships leading to PS Jonah internships in L.A. and fundraising projects with ASCAP, Caroline Aiken BMI, the RMALA and the Musician’s Union local 47. Kristen Hall Michelle Malone & Drag The River Melissa Manchester • In a leadership role, as program director, recruitment Jimmy Webb outcomes aligned with career success for graduates Col. -
Christopher Young: El Simbiòtic Házael González
Bandes de so Christopher Young: el simbiòtic Házael González vui dirigirem la nostra mi A rada sobre un compositor amb un nom que sempre ens sona i que poca gent podrá identificar amb un treball que no siguí fantastic o terrorífíc quant a temàtica o a qualitats. Ens referím, és ciar, a Chris topher Young, de qui ara s'aca- ba d'estrenar ni més ni menys que Spider-Man 3 (Sam Raimi, 2007): en aquesta pel-licula, l'Home Aranya s'enfronta a un èsser extraterrestre que té pro- pietats simbiòtiques respecte del eos a qué s'afegeix, és a dir, que du a terme una mena de fusió Í amplifica tant els seus propís poders com els del seu portador. I això, justament, és el que ha fet Young aquesta ve gada: perqué, si ho recordeu, les altres dues parts anteriors (Spider-Man, 2002, i Spider- Man 2, 2004) portaven música de Danny Elfman (encara que a la segona part, Christopher Young ja hi havía parti at 1600, Dwíght H. Little, 1997), Hard Rain (Mikael cipât afegint-h¡ dues petites peces addícionals), un Salomon, 1998), Leyenda Urbana (Urban Legend, veli amie del director que va fer una feina mes que Jamie Blanks, 1998), La Trampa (Entrapment, Jon destacada; ara, Young hà hagut de recollir moites Amiel, 1999), o Jóvenes Prodigiosos (Wonder Boys, de les composícions elfmanianes (per no parlar de Curtís Hanson, 2000). I desprès, continuant amb co les cançonetes afegídes) i començar a recosír i reta ses com Operación Swordfish (Swordfish, Dominic llar, donant-h¡ un nou i personal toc. -
Television Academy Awards
2021 Primetime Emmy® Awards Ballot Outstanding Music Composition For A Series (Original Dramatic Score) The Alienist: Angel Of Darkness Belly Of The Beast After the horrific murder of a Lying-In Hospital employee, the team are now hot on the heels of the murderer. Sara enlists the help of Joanna to tail their prime suspect. Sara, Kreizler and Moore try and put the pieces together. Bobby Krlic, Composer All Creatures Great And Small (MASTERPIECE) Episode 1 James Herriot interviews for a job with harried Yorkshire veterinarian Siegfried Farnon. His first day is full of surprises. Alexandra Harwood, Composer American Dad! 300 It’s the 300th episode of American Dad! The Smiths reminisce about the funniest thing that has ever happened to them in order to complete the application for a TV gameshow. Walter Murphy, Composer American Dad! The Last Ride Of The Dodge City Rambler The Smiths take the Dodge City Rambler train to visit Francine’s Aunt Karen in Dodge City, Kansas. Joel McNeely, Composer American Gods Conscience Of The King Despite his past following him to Lakeside, Shadow makes himself at home and builds relationships with the town’s residents. Laura and Salim continue to hunt for Wednesday, who attempts one final gambit to win over Demeter. Andrew Lockington, Composer Archer Best Friends Archer is head over heels for his new valet, Aleister. Will Archer do Aleister’s recommended rehabilitation exercises or just eat himself to death? JG Thirwell, Composer Away Go As the mission launches, Emma finds her mettle as commander tested by an onboard accident, a divided crew and a family emergency back on Earth. -
Cbs Corporation
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 8-K CURRENT REPORT Pursuant to Section 13 or 15(d) of the Securities Exchange Act of 1934 Date of Report (Date of earliest event reported): March 13, 2007 CBS CORPORATION (Exact name of registrant as specified in its charter) Delaware 001-09553 04-2949533 (State or other jurisdiction of (Commission File Number) (IRS Employer Identification incorporation) Number) 51 West 52nd Street, New York, New York 10019 (Address of principal executive offices) (zip code) Registrant’s telephone number, including area code: (212) 975-4321 Check the appropriate box below if the Form 8-K filing is intended to simultaneously satisfy the filing obligation of the registrant under any of the following provisions (see General Instruction A.2.): o Written communications pursuant to Rule 425 under the Securities Act (17 CFR 230.425) o Soliciting material pursuant to Rule 14a-12 under the Exchange Act (17 CFR 240.14a-12) o Pre-commencement communications pursuant to Rule 14d-2(b) under the Exchange Act (17 CFR 240.14d- 2(b)) o Pre-commencement communications pursuant to Rule 13e-4(c) under the Exchange Act (17 CFR 240.13e- 4(c)) Item 5.02. Departure of Directors or Certain Officers; Election of Directors; Appointment of Certain Officers; Compensatory Arrangements of Certain Officers. (e) On March 13, 2007, CBS Corporation (the “Company”) announced the entering into of an amendment to the employment agreement between the Company and Sumner M. Redstone, the Company’s Executive Chairman of the Board of Directors and Founder (the “Redstone Amendment”). -
Lennie Petze Profile
LENNIE PETZE A SENIOR LEVEL, RECORD COMPANY EXECUTIVE WITH OVER 50 YEARS EXPERIENCE IN THE MUSIC INDUSTRY. SPECIALIZING IN THE ARTIST & REPERTOIRE FIELD WITH OVER 100 GOLD, PLATINUM AND MULTI-PLATINUM AWARDS FOR RECORDING ARTISTS SIGNED AND RECORDS PRODUCED WITH SALES OF OVER 150 MILLION UNITS. SOLELY RESPONSIBLE FOR THE DISCOVERY OF CYNDI LAUPER AND BOSTON. The Early Years: It's a Friday night in early 1957. Fourteen year old Lennie Petze was excited to be at what was his first high school dance, "A Record Hop." A Disc Jockey was playing the hit 45's of the day. The sound was loud and bouncing off the wooden walls in the Weymouth Massachusetts High School gymnasium. A new sound of guitars, drums, pumping bass and vocals bred energy for all the teenagers anxious to dance, to a sound created by "Rock and Roll" The DJ replayed "Party Doll" by Buddy Knox five times in three hours! He also played "Poor Butterfly" by Charlie Gracie, "Roll Over Beethoven" by Chuck Berry, "Eddie My Love" by The Teen Queens and "I'm Sticking With You" by Jimmy Bowen. Lennie had heard all these songs on Boston radio, but this environment added another dimension of excitement. One that left him longing to create that environment for himself and become a bigger part of it. It was this experience that lead to experimenting with the formation of bands. Teens from the suburbs of Boston, Massachusetts; Weymouth, Quincy and Braintree that called themselves "The Rhythm Rockers", "The Rainbows"", and The Reveleers" kicking off a hugely successful music career lasting over 50 years. -
Prospering in the Pandemic: the Top 100 Companies the First in an FT Series on Corporate Resilience in a Year of Human and Economic Devastation
FRIDAY 19 JUNE 2020 FT SERIES Coronavirus economic impact Prospering in the pandemic: the top 100 companies The first in an FT series on corporate resilience in a year of human and economic devastation In a dismal year for single day in April, up from 20m drawing more users into an most companies, a 1. Amazon in late 2019. ever-expanding ecosystem of minority have shone: wearables and services. pharmaceutical groups SECTOR: ECOMMERCE Apple executives predicted boosted by their hunt HQ: SEATTLE, US $269.9bn sales of some items would even for a Covid-19 vaccine; MARKET CAP ADDED accelerate, as millions of technology giants buoyed Key stat: Amazon anticipates consumers working from home by the trend for working it could spend $4bn to keep its Microsoft’s shift to the cloud would opt to upgrade their from home; and retailers logistics running during the under Satya Nadella has left it electronics. Investors crowned offering lockdown coronavirus crisis. well-placed for a world where Apple the first $1.5tn company. necessities online. large numbers of people are Patrick McGee in San Francisco Public companies working remotely. The Teams had the tailwind of a $401.1bn communication app has MARKET CAP ADDED become a way for workers to surprisingly robust stock stay in touch. The Azure cloud 4. Tesla market — which many As world leaders ordered their computing platform has become believe is a bubble. citizens indoors, Amazon became a more critical part of the digital SECTOR: AUTOS To rank companies the emergency port of call for backbone for many companies. -
Cas Awards April 17, 2021
PRESENTS THE 57TH ANNUAL CAS AWARDS APRIL 17, 2021 SCHEDULE OF EVENTS PRE-SHOW MESSAGES PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Non-Theatrical Motion Pictures or Limited Series PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Documentary PRESIDENT’S REMARKS Karol Urban CAS MPSE Year in Review, In Memoriam INSTALLATION OF NEW BOARD OF DIRECTORS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – Half-Hour PRESENTATION OF THE CINEMA AUDIO SOCIETY Student Recognition Award PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Production PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Product for Post-Production CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Non-Fiction, Variety, Music, Series or Specials PRESENTATION OF CAS FILMMAKER AWARD TO GEORGE CLOONEY PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Animated CAS RED CARPET PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Television Series – One Hour PRESENTATION OF CAS CAREER ACHIEVEMENT AWARD TO WILLIAM B. KAPLAN CAS PRESENTATION OF THE CINEMA AUDIO SOCIETY AWARD FOR Outstanding Achievement in Sound Mixing for Motion Pictures – Live Action AFTER-AWARDS VIRTUAL NETWORKING RECEPTION THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 1 THANK YOU TO OUR SPONSORS DIAMOND SPONSORS PLATINUM SPONSORS STUDENT RECOGNITION AWARD SPONSORS GOLD SPONSORS GROUP SILVER SPONSORS THE 57TH ANNUAL CAS AWARDS CINEMA AUDIO SOCIETY 3 PRESIDENT’S LETTER Welcome to the 57th CAS Awards! It has been over a year since last we came together to celebrate our sound mixing community and we are so very happy to see you all. -
Video Game Composers Apm's Adam Taylor Nathan Barr
FILM MUSIC pdalnkbaooekj]hrke_akbiqoe_bknbehi]j`pahareoekj VIDEO GAME COMPOSERS TOP GAME COMPOSERS ON THE ART, CRAFT AND BUSINESS OF VIDEO GAMES APM’S ADAM TAYLOR MUSIC LIBRARIES AND VIDEO GAME MUSIC NATHAN BARR SCORING HORROR AND HOSTEL: PART II ALF CLAUSEN THE SIMPSONS’ 400TH EPISODE JEFF & MYCHAEL THE FIRST BROTHERS OF FILM SCORING DANNA FINALE TIPS FOR COMPOSERS RKHQIA3JQI>AN/ 2*1,QO 4*1,?=J=@= + PLUS THE BUSINESS OF BUYOUTS RE@AKC=IA?KILKOANO 5GD8NQKCNE (".& $0.104*/( BY PETER LAWRENCE ALEXANDER WITH GREG O’CONNOR-READ 14 ! filmmusicmag.com In a rapidly changing technological environment that’s highly competitive, composers the world over are looking for new opportunities that enable them to score music, and for a livable wage. One of the emerging arenas for this is game scoring. Originally the domain of all synth/sample scores, game music now uses full orchestras, along with synth/sample libraries. To gain a feel for this industry, and to help you, the reader, decide if game scoring is something you want to pursue, Film Music Magazine has established an unprecedented panel in print: six top video game composers with varying styles and musical tastes, plus top game composer agent Bob Rice of Four Bars Intertainment. As you read the interviews, it will become quickly apparent that while there are many Let’s pretend that you’ve started a new music school course just for game composers. Given your experience, similarities between film and TV, and game what would you insist every student learn to master, and scoring, one major difference arises that is why? Rod Abernethy and Jason Graves:E^Zkgrhnklmk^g`mal literally within the mind of the composer. -
Fletcher: "Bitter" Feat
VENERDì 2 OTTOBRE 2020 Dal 2 ottobre è in radio il nuovo singolo di Fletcher, "Bitter", in collaborazione con Trevor Daniel e prodotto dal DJ Kito (Diplo, Empress Of, Aluna George). Fletcher: "Bitter" feat. Trevor Daniel il nuovo singolo da oggi in Fletcher è il nuovo volto del pop americano. Con Capitol Records ha radio pubblicato il primo singolo, "Undrunk", a marzo del 2019. Da allora si è concentrata a scrivere canzoni che raccontano in particolare storie femminili e a settembre di quest'anno è uscito l'EP "The S(ex) Tapes" , dove compare il brano "Bitter" prodotto da Kito. La versione del singolo con Trevor Daniel è la prima collaborazione di ANTONIO GALLUZZO Fletcher con un artista maschile, una decisione che va di pari passo con la convinzione di usare la sua produzione creativa come mezzo per esplorare se stessa, la sua sessualità e il mondo che la circonda. Trevor è un artista così visionario che ho colto al volo l'opportunità di collaborare con lui. E' stato in grado di dare una prospettiva [email protected] completamente nuova alla canzone e credo che siamo ancora entrambi SPETTACOLINEWS.IT 'amareggiati' a causa dei nostri "ex", dice Fletcher, "Nel video ho voluto esplorare i temi dell'energia maschile e femminile in termini della scoperta di sé. Ho voluto raccontare la paura di uscire ed esplorare il mondo e il proprio rapporto con se stessi, temendo che la propria persona trovi qualcuno di nuovo durante questo processo. Non ho mai capito il detto "se ami qualcosa, lascialo andare". Ma questa è la vita. -
Song of the Year
General Field Page 1 of 15 Category 3 - Song Of The Year 015. AMAZING 031. AYO TECHNOLOGY Category 3 Seal, songwriter (Seal) N. Hills, Curtis Jackson, Timothy Song Of The Year 016. AMBITIONS Mosley & Justin Timberlake, A Songwriter(s) Award. A song is eligible if it was Rudy Roopchan, songwriter songwriters (50 Cent Featuring Justin first released or if it first achieved prominence (Sunchasers) Timberlake & Timbaland) during the Eligibility Year. (Artist names appear in parentheses.) Singles or Tracks only. 017. AMERICAN ANTHEM 032. BABY Angie Stone & Charles Tatum, 001. THE ACTRESS Gene Scheer, songwriter (Norah Jones) songwriters; Curtis Mayfield & K. Tiffany Petrossi, songwriter (Tiffany 018. AMNESIA Norton, songwriters (Angie Stone Petrossi) Brian Lapin, Mozella & Shelly Peiken, Featuring Betty Wright) 002. AFTER HOURS songwriters (Mozella) Dennis Bell, Julia Garrison, Kim 019. AND THE RAIN 033. BACK IN JUNE José Promis, songwriter (José Promis) Outerbridge & Victor Sanchez, Buck Aaron Thomas & Gary Wayne songwriters (Infinite Embrace Zaiontz, songwriters (Jokers Wild 034. BACK IN YOUR HEAD Featuring Casey Benjamin) Band) Sara Quin & Tegan Quin, songwriters (Tegan And Sara) 003. AFTER YOU 020. ANDUHYAUN Dick Wagner, songwriter (Wensday) Jimmy Lee Young, songwriter (Jimmy 035. BARTENDER Akon Thiam & T-Pain, songwriters 004. AGAIN & AGAIN Lee Young) (T-Pain Featuring Akon) Inara George & Greg Kurstin, 021. ANGEL songwriters (The Bird And The Bee) Chris Cartier, songwriter (Chris 036. BE GOOD OR BE GONE Fionn Regan, songwriter (Fionn 005. AIN'T NO TIME Cartier) Regan) Grace Potter, songwriter (Grace Potter 022. ANGEL & The Nocturnals) Chaka Khan & James Q. Wright, 037. BE GOOD TO ME Kara DioGuardi, Niclas Molinder & 006. -
Contemporary Film Music
Edited by LINDSAY COLEMAN & JOAKIM TILLMAN CONTEMPORARY FILM MUSIC INVESTIGATING CINEMA NARRATIVES AND COMPOSITION Contemporary Film Music Lindsay Coleman • Joakim Tillman Editors Contemporary Film Music Investigating Cinema Narratives and Composition Editors Lindsay Coleman Joakim Tillman Melbourne, Australia Stockholm, Sweden ISBN 978-1-137-57374-2 ISBN 978-1-137-57375-9 (eBook) DOI 10.1057/978-1-137-57375-9 Library of Congress Control Number: 2017931555 © The Editor(s) (if applicable) and The Author(s) 2017 The author(s) has/have asserted their right(s) to be identified as the author(s) of this work in accordance with the Copyright, Designs and Patents Act 1988. This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. -
May 2018 Newsletter
May 15, 2018 Creators of Film and Television Music NEWSLETTER A n E n t e r t a i n m e n t I n d u s t r y O r g a n i z a t i on The President’s Corner Journey’s End from Charley Londoño My term as president of the California Copyright Conference (“CCC”) has been one of the most rewarding and fast-moving periods of my life. When I was elected as president, I spoke about (1) increasing membership; (2) increasing the visibility of the John Braheny Scholarship Fund; and (3) providing quality panels with interesting topics. Rarely is reality better than the dream. However, in this case, I believe, collectively as an organization, the CCC surpassed imagination. I wish space permitted me to list all of the accomplishments with specificity, but, I think the growth in membership, increased donations to the scholarship fund, and increased attendance at our panels, speaks volumes of the CCC’s accomplishments. Moreover, to add to the CCC’s accomplishments, the Apollo Awards, as well as the CCC’s Mentorship/Ambassador program, were both launched this year and have now become staples of the CCC’s initiatives. No one succeeds in this business without the help of others, and, I would like to thank the CCC’s officers, board, and members for a successful year. My heart is humbled by the amazing privilege of service as your president. Thank you for the opportunity and the journey. Best, J. Charley Londoño, Esq. President, California Copyright Conference (2017-2018) !1 Suggested Reading 10 GREAT FILM SCORES BY FEMALE COMPOSERS & Female Composers & Artists Are Gaining Ground in Television CrucialMusic & UNIVERSAL MUSIC PUBLISHING GROUP proud co-sponsors of : "Creators of Film and Television Music" Co-moderators : Jonathan David Neal — Composer and SCL Recording Secretary Jonathan David Neal is a composer and orchestrator with 25+ years’ experience in composing music for film, TV and recording projects.