M M

Jack Tilton, in Betty Parson’s studio, Southold, L.I., 1981. (see interview in this issue) Courtesy: Tilton Gallery, New York

in the art world.

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Beverage sponsors Media partners Media sponsor Publications supporters FRAGMENTALMUSEUM.NET he past is a foreign country; they do things differently Tthere — Leslie Poles Hartley. Actually I never read the th eMmag.com novel this prescient quote is attributed to, The Go-Between (1953). But with the recent death of Harold Pinter, who wrote the screenplay for the 1971 film adaptation, I’ve REVIEWS been sifting through fragments of language that resonate across time. Seems like a lot of people want to go back in time . Who would have thought we would be debating 10 Margaret Morrison the merits of The New Deal nearly a hundred years after at Woodward Gallery By Joel Simpson the The Great Depression . (Whose idea was it to call the Depression “Great” by the way?) 12 Nicky Nodjoumi at Priska Juschka Fine Art As inconvenient truths go, unfortunately when all of the By Mary Hrbacek economic stimulus plans and protectionist plans of the 14 Mary Ellen Mark 1930s failed to turn around the most significant worldwide at Staley-Wise Gallery economic depression to date, the worldwide war economy By Joel Simpson — yeah, that one, World War Two, rather conveniently 18 Jack Tilton “happened” in 1939 and all of a sudden everyone was Interview: After 25 Years back at work. Sure do hope that today’s economic stimulu s By M. Brendon MacInnis plans and protectionist plans don’t fail; you never know what can happen. Just a thought. Then again, lots of people want to live in the future; they’re saving other peoples’ money for a rainy day or a nuclear winter, whichever comes first. What’s your pleasure; hot or cold? In any case, money is not money unless you spend it. Like blood, it has to circulate or it’s useless. The more you save, the more you lose. Where’s that “irrational exuberance” when we really need it? Yes, the world is changing; no, nothing’s changed at all. The past is a foreign country — How does that go again? in the art world. ® the M magazine

LISTINGS Vol. 12, No. 7, March, 2009 ISSN 1534-5394 43 New York City 59 Miami Publisher / M. Brendon MacInnis • Advertising / Susan Chung 59 Shanghai •New York/ Ken Kim •Chicago/ Kristin Reger /• Executive 59 Beijing Edit or / M. Brendon MacInnis • Design / Sachi Honda /• Copy editor Intern / Claudia Eve Beauchesne /Circulation s Manager / / •Staff Writers / BASICS Steven Rodriguez Mary Hrbacek / Joel Simpson • Contributing Writers / Nicolette 8 News Ramirez / Natane T akeda / Joyce Korotkin / • Photo Editor / Joel 61 Openings Simpson • Staff Photogra pher / Y. Nagasaki • Architecture Editor / 64 Index Guy Reziciner • Webmaster / Orin Buck

MAPS Asia Bureau • Editor / Vivi HE Ying 42 Village • LES MBM Publications, Room 104, building 2, 91 Tai An Rd Shanghai 44 Soho • Tribeca 200052 China. Tel /+86 13386192569 /13761300987 email/ vivi@ the Mma g.c om 48 Chelsea the Mma g.c om 52 Midtown • 57th Street Advertising / RHI Ltd. Tel /+86.21.6279.2815 54 Uptown 56 Brooklyn • Williamsburg ® 57 Queens • LIC the M magazin e is published monthl y by MBM Publications . 58 Miami • Wynwood All requests for permission and reprints must be made in writing to 60 Shanghai MBM Publications 303 West 42nd Street, fifth floor 62 Beijing New York, NY 10036. Tel 212.956.0614 editor@ the Mma g.c om Printed in Korea 7 News

Art Fair 7TH ANNUAL LATIN AMERICAN ART FAIR Pool Art Fair New York 2009 takes place at the Wyndham Garden Hotel, 37 West 24th St., March MARCH 27-30, 2009 6, 7 & 8. Vernissage Friday March 6 from 6PM to MIAMI BEACH CONVENTION CENTER 10PM. For more information, please visit: www.poolartfair.com

The Armory Show takes place at Piers 92 and 94, THE FAIR the M magazine is seeking March 5-8 . For more information please visit: www.thearmoryshow.com TOP GALLERIES OF qualified candidates for intern LATIN AMERICAN ART positions at its New York and Scope New York takes place at Lincoln Center, March 4-8 . For more information please visit: Shanghai offices. PROJECT ROOM www.scope-art.com SCULPTURE AND INSTALLATIONS Individuals must have good Pulse New York takes place at Pier 40, March 5-8, administrative and technical located in Lower Manhattan. For more information , YOUNG DISTRICT please visit: www.pulse-art.com/newyork YOUNG + CONTEMPORARY skills: Excel, Acess, Outlook , GALLERIES WITH NEW AND Powerpoint, Dreamweaver, Volta New York, the Berlin based art fair that is EMERGING ARTISTS Illustrator, Flash, Quark, affiliated with The Armory Show (both shows are owned by Chicago based Merchandise Mart Prop - In Design, QuickBook, erties, Inc) takes place at 7 West 34th Street, VIDEO BOX THE BEST LATINAMERICAN FileMaker . across from the Empire State Building, March 5-8, VIDEO ARTISTS with a VIP Preview Thursday, March 5, from 11 AM Foreign languages and to 1 PM. For more information please visit: knowledge of Asian arts ny.voltashow.com arteamericas.com are a plus. Fountain New York takes place at Pier 66, located at 26th St in Hudson River Park, March 5-8, with a Please submit your resume VIP Preview Thursday, March 5, from 11 AM to 7 PM. and cover letter via email. Bridge New York announced plans for a fair in New York to be held at the Terminal Building in [email protected] Chelsea, March 5-8. For more information , please visit: www.bridgeartfair.com

Art Fair Cancelled The International Asian Art Fair 2009, which had been scheduled to take place March 11 - 15 at the Park Avenue Armory, has been cancelled.

The Red Dot New York 2009 art fair which was to take place March 5 - 8 has been cancelled .

Gallery Closes Reece Galleries on New York’ 57th Street, has closed. The owners have retired.

Roebling Hall which was started 2000 in Brooklyn before moving to Chelsea, has closed.

8 Art Review

Margaret Morrison Woodward Gallery

By Joel Simpson eticulous transfiguration of the ordinary into Mthe extortionary via paint on canvas has long served as an effective gambit to create novel images of reassuring subjects. From teacups to thumbtacks, such paintings typically offer more pleasure than challenge. But this work is different; Margaret Morrison, in her series of rather large paintings of candies and cupcakes, renders in loving detail the essence of our collective memory. The candies in the painting, Gummy Worms, are prac - tically alive; the chocolates in Hershey’s Kiss emerge from their foil wrapping, reflected on a table, and assume the dignity of a Tartar crown; the treats in Candy Corn are virtually aromatic, they’re so real; and the Hostess Cupcakes , in which one cupcake has been broken open to revea l the creme inside, makes one yearn for a grade school lunch. On the surface it’s all retro self-indulgence, the fruits of Halloween and pre-adolescent birthday parties, a celebration of the childhood fantasy of the pure pleasure diet, devoid of “parent foods” like broc - coli and other villains. But in another sense, Morrison’s paintings offer a highly ironic critique of eating and health trends in today’s obese and diabetes afflicted America. The scale and realism of these paintings render them readable as quasi-holy images. These are the saints of comfort, fueled by the grace of refined sugar and its avatars, one of the major addictions of our overly addicted times. The title of the show then becomes doubly ironic. If sweets, like alcohol, are only safe in small doses, then rendering them in this scale — like ubiquitous larger-than-life liquor ads — reverses priorities. “Larger than life” equals “more importan t than life,” which is the subtext of every addiction. But, for the moment, I wonder where I can find one of those Hostess Cupcakes... M Margaret Morrison Wax Lips , 2008. Oil on canvas, 28 x 58 inches. Courtesy: Woodward Gallery, New York www.theMmag.com 10 11 www.theMmag.com Nicky Nodjoumi Priska Juschka Fine Art By Mary Hrbacek icky Nodjoumi’s Iranian background com - Nbined with American influences allows for a unique perspective in this work, an ironic metaphoric world view. His large-scale oil paintings employ visual conceptual puzzles to express obliquely his outrage at life’s modus unfortunate operandi. He communicates this outrage metaphorically to the viewer, who is challenged to analyze these hermetic works to discover clues to their alarming implications. The beauty and perversity of the images add allure to the challenging iconography; they take the edge off the unknowable. Moody skies serve as empty backdrops for his sophisticated scenarios where men and women, animals and morphed hybrids thereof, enact who maintain this pervasive control of individ - visual narratives that evoke classic literary works ual and group behavior. such as The Trial by Kafka , Fahrenheit 451 or Animal Farm . His works are philosophical tes - The presence of Mullahs and Ayatollahs juxta - taments to the consequences of instability and posed with bureaucrats dressed in business suits change, the only constant in an evolving uni - signifies a repressive response to the uncertainty verse of incomprehensible social systems. of life. Intractable ideological constructs foster a heavy-handed religious culture in Iran; domi - Nodjoumi utilizes images of cut legs placed nation and repression recur, of course, from the asymmetrically over one another to evoke the earliest cultures to the present day. Nevertheless, shifting fortunes in an unstable social order; the artist’s outrage at the intrusion of authorities there is nourishment and rebirth. In many cultures enigmatic anecdotes are characterized by the the frog is connected with witchcraft or magic. complexity of the oblique situations they mimic. Nodjoumi’s fearsome image of a human-frog Groups of men in suits appear as judges, con - hybrid being beaten publicly with sticks evokes demning all spontaneous human expression. a sense of shame and foreboding. His use of Nodjoumi depicts images of Mullahs in robes metaphoric hybrids adds to the tension and with virtually the same societal role as the West - drama of the works. ern white male figures in suits, who exercise power behind the scenes. These works explore the relationship of the pow - erful to the powerless The holders of power are Beneath the painted ground structure, various seen conversing in groups, observing what they figures appear; repetitions of ape heads, upside consider transgressions performed by individuals down feet and legs, and chairs lying sideways. or by the populace at large. Such “transgres - These chaotic underpinnings stress the repressed sions” involve the most innocuous actions, as a animal instincts and unconscious confusion that man and a woman holding hands in public. drive insecure authority figures toward sexual Some scenes resemble a show trial where the and social repression. It is all about their fear alleged perpetrators are placed on tables to be of losing control. Ultimately, the artist speaks out beaten, interrogated or ridiculed. Anything that against a totalitarian climate that crushes natural threatens the status quo is summarily isolated human instincts and desires. As such, this work and denounced. Nodjoumi’s works articulate comes across as a call for individual freedom outrage at the ignorance and prejudice of those and reason. M Nicky Nodjoumi Night Watch , 2008. Oil on canvasl. 85 x 65 inches. Courtesy: Priska C. Juschka Fine Art, New York www.theMmag.com 12 13 www.theMmag.com Mary Ellen Mark Staley-Wise Gallery

By Joel Simpson e mustn’t let the early work of Cindy Sherman Wfix our notion of the Movie Still as the single frame that summarizes a key scene of an escapist feature film that trades in smooth-skinned stereotypes or voyeuristic peeks at the star powdering her nose. Mary Ellen Mark doesn’t even go near that kind of movie . The images in this exhibition of photographs, Seen Behind the Scenes , focus on the masterpieces of cinematic literature from the 1960s through the present decade. The 1970s and 1980s , became reference points for the political and aesthetic growth of “baby - boomers” who took their movies very seriously. Mark’s thirty-nine 20x24 inch and 16x20 inch black and white photographs catch film directors at work with actors, creating scenes that would touch us and live from one generation to the next. The black and white medium inherently shuns embel - lishment, placing these photographs in the context of photojournalism; we sense that we are seeing our film icons as they really are, which would be a cliché, except that there’s so much playfulness in it all, and this is the show’s ballast. We see Fellini feigning sleep on the Satyricon set as his photographer, Giuseppe Rotunno, hugs him from behind; and actors Karen Black and Bill Atherton naked in bed together, while the bed is moved to an - other location on the set of The Day of the Locust ; and a stunt elephant on elephantine water skis on the Honky Tonk Freeway in Sarasota , and there’s even Donald Sutherland, stretched out naked on his stom - ach in a bathtub, his toes protruding beyond the tub. There are many more such images in the show cat - alogue published by Phaidon Press, including Duston Hoffman making a cross-eyed bunny face at Sir Lawrence Olivier (who was playing a secret Nazi in Marathon Man ) behind his back. The thirty-nine photographs on view, though, seem to favor more poignant moments and static portraits, including an 84-year-old Henry Miller outdoors in a wicker rocking chair, attended to by the voluptuous Twinka Thiebaud in 1975; and Luis Buñuel conferring with star Fernando Rey dressed as a Guardia Civil in Tristana; a closeup of Dennis Hopper’s face from the set of Apocalypse Now (1976); double portraits of Woody Allen and Mia Farrow on the set of Shadows and Fog (1991) and those of Jessica Lange and Dustin Hoffman in Tootsie (1982). Mary Ellen Mark Karen Black and Bill Atherton being moved to another location on the set of The Day of The Locust , Los Angeles, California, 1974. Courtesy: Staley-Wise Gallery, New York www.theMmag.com 14 15 www.theMmag.com But Mark is not afraid of ambiguity; indeed, she seems to embrace it in the portrait of a solemn and menacing Marlon Brando playing the auto - cratic Kurz in Apocalypse Now with a large beetle ensconced on his bald head, and the eternal Lone Ranger, Clayton Moore, at home in full regalia — mask, hat, and neatly pressed trousers, shirt and bandana — staring fixedly at the camera beneath an ornately framed photo - graph of his ancestor, and behind an 18-inch tall plastic polychrome effigy of himself on a rearing Silver (his horse), seemingly ready to be called back into action. Mark captures real ten - derness (as opposed to the movie kind) when she photographs Louis Malle in 1980 excitedly kissing his new bride, Candace Bergen, who seems unprepared for his impulsiveness; and her father Edgar Bergen two years earlier, the year of his death, lifting the ever perky and imperti - nent Charlie McCarthy out of his suitcase. In addition to the film directors and actors, Mark has also caught a number of the cinematogra - phers, including Fellini’s Rotunno and Bergman’s Sven Nyquist, and most significantly, Conrad (“Connie”) Hall (1926–2003) the legendary master of light, to whom the Phaidon Press catalogue is dedicated. The story Mary Ellen Mark tells in these photo - graphs, supplemented by texts contributed to the catalogue by her subjects, transcends those of the individual movies whose creation she documented. It is the story of the most visionary , the most idealistic sector of the movie industry, and although this can be no more than a rep - resentative selection of all the “art” films of the period, it’s broad enough and nuanced enough to allow viewers to revel in momentary intimacie s with our heros — we, who do not read movie magazines . M

Mary Ellen Mark Guiseppe Rotunno with Federico Fellini who pretends to sleep on the set of Fellini’s Satyricon, Rome, Italy 1969. Courtesy: Staley-Wise Gallery, New York www.theMmag.com 16 17 www.theMmag.com Interview

Twenty-Five Years Later: A Conversation with Jack Tilton

By M. Brendon MacInnis

here is an uncanny resemblance between Ed Sullivan, Where in New Hampshire? In the White Moun - Tthe iconic host of a television variety show that for two tains, in a little town up there. decades introduced “cutting edge” performance artists who often became superstars, and Jack Tilton, the deadpan poker I’m also from around there, from Boston. My face gallery owner who, over the course of two decades, family used to vacation in New Hampshire. has introduced many cutting edge emerging artists who have Oh, whereabouts? often gone on to achieve art star status. Like Ed Sullivan, Tilton I don’t remember anymore, just a bunch of trees exudes an utterly unpretentious “let’s see what they can do” and lakes. I think it was called “Big Island Pond” spirit in showing emerging artists, and a keen eye for what’s where we used to stay; it was a pond with a big coming around the corner. This conversation took place at island in it. Sometimes we would go up to the Jack’s favorite luncheonette nearby, on the occasion of the coast too, and get some lobsters. Winnipesaukee 25th anniversary of the Tilton Gallery. We both ordered has islands... tunafish on rye. Oh, okay. That’s the biggest lake; there’s a lake region. I thought we might start with a little biography. But we were doing art in New Hampshire. You’ve been around a long time in the art world No, and you’re associated with showing some pretty hip You were doing art to New Hampshire? referring to art… Nature is an important part, that’s artists. You manage to be contemporary, and at the why a lot of artists, the Hudson River guys used to go same time you’ve got all of this blue chip stuff going up. Of course back then you had the train, you could on too. I thought it might be interesting to talk about take the train in New Hampshire and be at the White how you started out; how got from there to here. You want a Charlie Rose type summary? Mountain Hotel, and the train went right to the port of the hotel. You could get out — if you got on a sleeper Yeah. I think one uncle said it was like the family train — the following day you’d be at the hotel, right curse; this art thing. My grandmother and my great- in front of the hotel. It was very convenient. grandfather, and my father were either part-time artists or artists. So I grew up always aware of art. I love the trains in Europe, but I never... They used to be great [in America]. You grew up where, in New York? No, I grew up in New Hampshire; but my father was from New Oh, I’m sure. Actually I tried taking the train once York City and my mother was from Montclair New from New York to Chicago; I thought it would be Jack Tilton talks about his 25 years in the art world; from 57th Street, to Soho, to Chelsea, New York’s Upper East Side and Beijing, China . Jersey. this great American experience. But it turns out (Above and opposite page) Photos ©MacInnis, 2008. www.theMmag.com 18 19 www.theMmag.com Gallery Director Janine Cirincoine (high heels) shows visitors artwork during a recent show at Jack Tilton’s newest gallery, located in a townhouse on New York’s Upper East Side at 8 East 76 Street. Photo: ©MacInnis, 2008. www.theMmag.com 20 21 www.theMmag.com that the freight trains have all the priority here; there; he was actually writing to Ezra Pound, trying to called “artists bluff” where the artists used to sit and for a while with the Christmas cards; he didn’t make you would just sit there stuck in the middle of get him out of prison I think. paint the White Mountains. it off his art. More often an artist has to do commer - nowhere, somewhere in the Midwest, waiting until cial work to survive. He never made it off his artwork. So, you know, even though it’s devoid of culture, there Well it makes a lot of sense, even today, to get And his style would go from sort of a WPA American these huge freight trains went by and the tracks are hints of culture even within that place. As a kid my were free again. Anyway, you had; I think because away to a retreat in nature or something like that regional style, to later in life, a folk or primitive style. of the nature thing, it was a magnet for artists. Even dad would take me to Saint Johnsbury in Vermont, and do art. I remember that Roni Horn did an So then at college, I did buy a work of art in my senio r Alfred Barr, he used to go to Vermont, but occasion - and there in this museum they had the great Bierstadt artist residency program in Iceland where it was year, which was unusual. Then I was interviewing at ally he would dip into New Hampshire. I mean, paintings, or we would go down to Boston to a Jasper all about getting in touch with nature. Yeah, she banks in New York to, you know, try and get a job, Wallace Stevens, Robert Frost; a lot of great writers Johns show. So even though you’re up in the middle loved that. So then, well I didn’t go become an artist; and then I realized it wasn’t cut out for me. I went wrote about the old man in the mountain, right near of nowhere, people did come to New Hampshire, I went to business school. back to graduate school for about two semesters, this where I was. Robert Frost lived in Franconia a third of and there was Boston, as you pointed out, which was was at the university they had in New Hampshire, Where... In Boston? Wellesley Mass . his life. the major city nearby. and I thought, I’m not going to hang here; I got to get That’s my old neighborhood, basically. And I was in the real world. So my grandmother knew Betty That’s in New Hampshire; it’s And then the fact that my father was, sort of a strug - Where’s Franconia? studying finance and math. But I was still interested, Parson s, and there was also this connection with in the White Mountains basically. And then, in the gling artist who worked with a Christmas card company to design Christmas cards; and my grandparents, you know; I would read on this side about exhibitions Marlborough. Sixties there was a thing called Franconia College. occasionally. I think Kenneth Nolan, when they were all in Vermont, I mean my great-grandfather, he could paint; he Yeah, the original partner in the would paint scenes like the Bierstadt church up on the Marlborough? there was a group of them, and they would come When you say your father was a struggling artist, Marlborough Gallery. So I came down and I inter - hill. They would set up the umbrellas on the side of the to Franconia. Robert Creeley was teaching writing did he make a living at it eventually? Well he did viewed with Marlborough and Betty Parsons. At that mountain and do pictures. There was actually a thing time it was the h eight of the big war between Betty and Marlborough ; Marlborough being very corporate, and Betty not. Betty basically said if you get a little experience comeback in the fall.

You wanted to be the director there? No, I just wanted to work.

When was that? This was 1975. So I took Betty’s advice; I did about three jobs in one summer on Long Island. I went with the Benson Gallery, Elaine Benson; then at a museum, and I think I collected tickets at a movie center for a while. But then I came back in the fall; Betty said come in and “I’ll see...”. she was very vague. So I came in and she was unwrapping a painting. She was with her gallery secretary, and she said, well, like “What you want?”. I said well, I was here to hopefully work, you know, and so forth and so on. Basically she said if you want to work then help me out. So I started working. She’s short, you know, and her secretary is short, and they were trying to unwrap this humongous painting, trying to get the plastic off, it was really hard for them. So I started working. Then the two guys that were supposed to come in, the art handler and the director, they never showed that day. I think they came in like a week later; it was very casual back then. So I helped hang the show; I was, you know, doing everything from painting the walls to doing the accounting. And then by the time they arrived [the art handler and the director] I had already sort of made myself invaluable. I was working for free at that point, and then after a while I worked long enough that I convinced them to give me like eighty -five bucks Jack Tilton, Marlene Dumas, Nicole Eisenman, May 1994. Courtesy: Tilton Gallery, New York www.theMmag.com 22 23 www.theMmag.com a week plus commission if I sold stuff. Then I slowly just and getting around. From 1983 until now, it’s been in the late 1920s. So it really hit everybody hard; it Okay. Now I’m Solo [in New York]. I have partners worked my way into a job, basically. an evolution. was about 3 ½ years is of pain . in different cities; I have a partnership in LA, I have a partnership in China, 70/30. In LA it’s 50/50 Was this in Soho? No, her gallery was always on After 57th Street you went to Soho; what brought That was 1990 to 1993?. Yeah. After that it picked 57th Street, 15 East 57th, and then 24 West 57th. you down there? The dot-com bubble burst, and up. But there were three years where it was very In China it’s 70/30? Yeah, I’m 70% Most of the guys showed at 15 East 57th. The space things got too expensive. It was a common joke painful . I lost, I might have lost 100 grand, and some wa s designed by Tony Smith, and certain details were then, that people said to each other: “Have you people lost millions. I’m from New Hampshire, I’m a How did you manage that? I thought you couldn’t done by Barney Newman; the rounded corners were heard anything new; like any telephone calls?” And little conservative; but it was painful. go over 50% in China. Maybe not in business; but Barry Newman, and the actual proportions and the then the answer would be: “No, all I can hear is my in real estate you could. But that’s all changed now. layout of the space was Tony Smith. It was a white overhead.” So it was disastrous for most galleries. Did you have backers? I’ve had backers through - When you moved to Soho, were the rents cheaper box, with a gray floor. And the space at 24 West 57th Pace was sold to raise money; a lot of big guys felt out; but I don’t have any now. I’ve always bought than on 57th Street? Didn’t the dot-com bubble Street; she moved in, in 1961. the pain. Wildenstein said in his book that that them out or paid them off. Yeah, I did have backers driv e the rents up in Soho too? Well, we were recession hit him harder than the Great Depression at the beginning, I had one partner and another She had a very famous fight with Sidney Janis at 15 partner; I had three transformations of partnerships. below Broom Street; below Broome it was reason able, East 57th — I don’t know how much art history you want to do — basically Sidney was trying to get her lease at 15 East 57th. She had an option to renew her lease, but Sydney cut a deal with the landlord behind her back, and Betty took Sydney to court and won the case and then left the space anyway, to teach him a lesson, so to speak.

Today, 24 West 57th Street is known as a major gallery building in Midtown. Yeah, Marian Goodman was up on the 10th floor and I told Mary, I said, look, on the fourth floor there are high ceilings, there’s a big space that just opened up and you should take it.

I remember seeing that space when it was under renovation. I was amazed that someone would take the whole floor; those floors are usually cut up into several galleries . Well she’s grown into it; she’s a great dealer.

What happened with Betty? She died in 1982, and I started my gallery in 1983.

Where did you start it? In Betty’s old space at 24 West 57th. So I was there for about ten years, and then the recession hit; the dot-com bubble in 1990, 1991 .

That’s around the time I came to New York myself, in 1992, to open a gallery in an artist studio building on 42nd Street. It’s the same building where Jim Dine had his studio. Rita Ackermann had a studio there too, and Moriko Mori also did a project in one of the studio spaces . Kiki Smith had some bar or some - thing in a space over there.

Yeah? It could be; there was a lot going on around the edges, it was basically a red-light district so you could do anything. Now of course it’s all gone, they turned 42nd Street into a Disneyland family destination. The world keeps changing.

Sure. So, how do you do that with your gallery? It’s a wild balance between staying in one place, Jack Tilton in front of his Upper East Side gallery, New York. Photo: ©MacInnis, 2008. www.theMmag.com 24 25 www.theMmag.com Tong Xian Art Center, Artist Residence, Architect: Office dA, Boston . Courtesy: Tilton Gallery, New York www.theMmag.com 26 27 www.theMmag.com Visitors during a recent show at the Tilton Gallery, New York. Photo: ©MacInnis, 2008. www.theMmag.com 28 29 www.theMmag.com Xiang Jing Your Body , 2005. Paint, fiberglass, 105 x 62 x 58 inches. From the show Jiang Hu (Installation View), 2006. Courtesy: Tilton Gallery, New York www.theMmag.com 30 31 www.theMmag.com above Broome it was pricey. Below Bromme, I mean, Did you give the Lower East Side [LES] any thought? my neighbor was David Zwirner and Marianne No. No, I’m too old for that. I mean I don’t mind Boesky. We all went there about the same time. I left visiting, but there are only so many moves left in me. a little bit late; I should have left a little earlier for I want to move to a place where I want to stay, and Chelsea, and because of that I sort of decided to not keep moving. I’m active with the New Museum, do a contrarian thing. It was too late for me to do I’m friends with a bunch of the people near the New something economically feasible in Chelsea, it wasn’ t Museum. But the Bowery and Christie, they’re not viable for me to move there; so I did the jump from cheap; your talking $9000 to $15,000 a month, Soho to 76th Street. and those rents are not cheap. It’s not such a deal. I mean I have a deal, compared to what they’re paying , I did have, say, a millisecond thing with Kustera- because I was early enough in this neighborhood. Tilton in Chelsea, but I decided to let her run that; I think I got the deal, I don’t think they’re getting a deal. I’m actually a partner in that, but I’m a silent partner. I let her do her thing. Do you own your place on 76th Street now? The bank owns it. But yeah; I technically own it. It is, but I’m hoping she’ll buy Is that a 50/50 thing? But I control my costs because of that. Down there me out, or that she’ll make a ton of money. But that [LES] it usually escalates, and then when the lease isn’t the… runs out you usually have to move. But you know, What’s it called now? It’s called Anna Kustera, the I can see getting a little tributary space at some point, Kustera Gallery. but I’m in no rush.

You’ve got a pretty impressive space where you’re I mean Larry; you have to understand, Larry Gagosian at now on 76 Street. I mean; it’s a townhouse. and Acquavella, C&M Arts — a lot of the big guys Yeah, It took me two years to find it, a lot of my friends — Gagosian, he’s never in Chelsea. All of his action like David Hanks and Richard Tuttle said, you know, is up here [Upper East Side]. So you get an interesting Chelsea is pretty saturated. Why not try something perspective being Uptown; you may get less lookers different? but the people that do come in and are really serious. Usually they are the movers and shakers in the museums

Jack Tilton talks with an art patron in his Upper East Side gallery, New York. Photo: ©MacInnis, 2008. www.theMmag.com 32 33 www.theMmag.com Tong Xian Art Center, Exhibition Space, Architect: Ai Weiwei Courtesy: Tilton Gallery, New York www.theMmag.com 34 35 www.theMmag.com — on the board and trustees. High-end people . For the But he and the others, it was four guys, left because efficiency of time put in, it’s very well spent. Whereas of the massacre. And now; now they’ve all come in Chelsea you’ve got to answer still zillions of back and are doing, fabricating their work in China. questions, a lot of tire--kickers, here you’ve got people They are very involved in China. ready to buy. It’s different. Did they leave because of persecution, or because But you still do art fairs; do you need to do art fairs? they didn’t like the situation? They didn’t like the I hate art fairs, but it’s partially advertising for your situation; some of the kids that were killed were their artists. It’s good to do a bit of it for the sake of the students. That upset them tremendously, you know, to artists; I don’t think it really shows their work properly, see a tank roll over the head of a student, stuff like or helps the integrity of the art properly. that. No, they didn’t like that at all. But now we’ve had enough post-trauma healing that they’re all back So you don’t really count on selling work at art fairs? there in the globalization, fabricating stuff there, and I do; but I just want to break even. It’s not like I’m then there’s people — the big collectors that own their going to get rich on these art fairs; it’s more about PR. work over there. So, it’s all changed.

Do you believe all of these stories, when they say so Who are the collectors? There are about 22 in and so sold this amount, or that their booth sold out China, but outside of China there are thousands or everything and so on? I never publish any of those more buying Chinese art. So, well, let’s go back to figures the fairs send us because we can’t verify New China ; Xu Bing and I picked, I think it was five them. But you read that stuff all the time in other artists, he had tons of publications. He picked what magazines. Well, some of that’s been true lately; but he liked and I picked what I liked; we went back and now that we’re going in recession that’s probably forth and so then we came to five. going to change dramatically. It’s going to be like: How much did you lose? Versus: How much did you New China? That’s the name of the show nine years make? I’ve been personally responsible for some of ago. Then I decided, okay; I did the show and that stuff too, but we’re due for a slowdown now, so I really liked the art and so I said, I got to go and visit that will all change. I think it usually magnifies, you China. So, a year after that I visited China, and then know, the prices. I did a second version.

What are you doing in China? Well, China started So this was eight or nine years ago you did that? about nine years ago for me. I did this show with Xu Yeah. Bing. He came to me with an idea; he said let’s do a show about China. You were really way ahead of everybody on this Asian thing. And then I did a second version… He’s a very important Chinese artist. Who is Xu Bing? No, here. And then in the second He’s here in Brooklyn, but now he moved back —a In Beijing? version, there was one year — I think I pissed off lot of them have moved back — to the Academy after some of my artists — about 60% of my artists in shows Tiananmen Square. He’s now the head of the Acad emy.

Making the gallery rounds in New York. Photo: ©MacInnis, 2008. www.theMmag.com 36 37 www.theMmag.com Visitors during a recent show at the Tilton Gallery, New York. Photo: ©MacInnis, 2008. www.theMmag.com 38 39 www.theMmag.com So, are there galleries opening up around that area too? No, there are more artists; I mean the galleries aren’t far, 798 [the art gallery district] is in that direction, but we’re a little farther.

Did you have to build everything there? Yeah, we had to build everything, all of the buildings. You can build them for between — one of them was very expensive, I won’t give you the cost of that — but you can build buildings for between $30,000 and $60,000. One of them was over $200,000 because we had to hire an architect from Boston to do it. They are terrific architects, they did the first building.

When was the first year that you went to China? Eight years ago; now I go twice a year. The problem with going is the jet lag on the way back. Going, you can adapt in about two days, but coming back takes a full week to adjust.

It’s a tough flight; it’s like 14 hours [from New York]. Yeah, it’s murder. You’ve got to drink a lot of fluids, stretch; and it’s like you’re an astronaut really. If you’re blessed with a plane full of adopted babies, you get screaming all the way. You got to be very careful…

Yeah, I guess I was pretty lucky the first time I went. This space you have in China [in Tong Xien], is it a gallery? No, no it’s not. We have exhibition space, we’ve done one or two exhibitions, but they were not-for-profit.

What’s it like doing business there? China; doing business there is not easy. You sort of start out thinking that the system is like your own, like something you’re used to. But they are figuring out a whole new way, like a post-capitalist way of doing business. So I did Jack Tilton, Rirkrit Tiravanija and others, 1994. a bunch of shows and then I slowed down a bit. Courtesy: Tilton Gallery, New York. Then I picked up again. I did, like three years where I did a lot, and then I slowed down for a couple years. Now I’m very active again. So it wasn’t like, the last nine years I was fully concentrated [in China]; statesman African-American. We have a group of were all Chinese. Well, Fred Thomas and some of of there — t o lease a piece of land. I leased a piece because I’m involved with artists from Amsterdam, sculptors from Yale, and some photographers. these guys, they all got their egos up because of it. of land and, it’s been a long time coming, but now Germany and all parts of Europe; LA and New York. we’ve got four buildings. We’ve had like maybe eight No, it’s just the artists; It’s not just China; now were involved with India and So then, after multiple visits to China I realized that all visitors, but this summer [2008] we have some from Is it connected to the city? of the artists lived in this one area called Tong Xien, they’re the heart of it. I mean within walking distance, looking at Russia. I just bought some artists stuff from Yale, some from Hunter [Hunter Collage], people from just across the street, there are the most famous artists, Brazil. So we’re looking at young art, emerging art it’s a district on the outskirts of Beijing. It’s like a farm - all over the world a are visiting now. ing village, if you drove off the road, you know, the right across the street. You can just walk across the everywhere. M street. And all of the big guys, they’re like within car would sink into the mud. It was really pretty gnarly You mean students in exchange programs, and stuff bicycle distance. And you walk down the street and back then. But now it’s gentrified; there are some like that? Not really exchange; they’re just welcome there’s this restaurant where they all hang out. Also at Ed. Note: 3000 of the top painters, they all live in Tong Xien. to stay there. I mean we have space. There are some The Tilton Gallery is located in a landmark upper east side So I decided; I had this crazy idea to do an art ce nter friends of the Thomas’s staying there, and like an elder the restaurant there are collectors. We’re right in the townhouse, at 8 East 76 St., New York, NY 10021.The gallery center of the art community there. marked its 25th year anniversary this year.

www.theMmag.com 40 41 www.theMmag.com Broadwayroadway WWindowsindows Village The PPenen and Brush,Brush, Inc BLT Gallery The Phatory llc Jan Frank: “Kissinger and the Ladies” thru 3/15. Gary Sherman, 2/13 thru 4/12. l P

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Che lse a 42 43 Soho Soho Chelsea Brooke Alexander The Drawing Center OK Harris Works of Art 303 Gallery Richard Artschwager, Bruce Nauman: “Artschwager / Sun Xun: “Shock of Time”, 2/20 thru 3/28 Five one-person shows of new work, 2/14 thru 3/14. Please call gallery for schedule. Nauman”, Prints, Multiples, Paintings and Works on Paper, 35 Wooster, 10013 Masao Gozu, Daniel Lee, Ben Matthews, Herb Stratford, 525 W 22, 10011 1/15 thru 3/14 212. 219.2166 [email protected] Marlene Vine, 3/21 thru 4/18 212.255.1121 [email protected] 59 Wooster, 2nd fl, 10012 www.drawingcenter.org Tue–Fri 10– 6; Sat 11–6 383 West Broadway, 10012 www.303gallery.com Tue-Sat 11-6 212.925.4338 [email protected] 212. 431.3600 www.baeditions.com Tue–Sat 10–6. 532 Gallery / Thomas Jackel Ronald Feldman Fine Arts www.okharris.com Tue–Sat 10–6 Please call gallery for schedule. Rico Gatson: “Dark Matter”, video, installation, 2/13 thru 3/14. Art In General 52 W 25, 10011 Bruce Pearson, Painting, 3/ 21 thru 4/18 Lemmons Contemporary Please call gallery for schedule. 917.701.3338 [email protected] 31 Mercer St, 10013 Marc Lambrechts, Painting, 3/26 thru 4/23 79 Walker, 10013 www.532gallery.com Tue-Sat 10-6; 10:30-6 212. 226.3232 [email protected] 155 Hudson St, 10013 212.219.0473 [email protected] www.feldmangallery.com Tue-Sat 10-6 212.336.0025 info@ lemmonscontemporary.com ACA Galleries www.artingeneral.org Mon-Fri 10-6. www.lemmonscontemporary.com Mon-Fri 11-6 Group Show: “Small and Everlasting”, Paintings, Draw - Artists Space Gallery West 4th Leslie/ Lohman Gay Art Foundation ings, Sculpture, thru 3/21.Doug Safranek, Scherer and Please call gallery for schedule Ouprov, Fred Wessel, and Robert Vickrey: “Layered Lu - West 3rd Great Jones St “Treasures of Gay Art”, 3/10 thru 4/11 . minescence: The Art of Egg Tempera”, Egg Tempera, 3/26 38 Greene, 3rd fl, 10013 Leica 26 Wooster, 10012 Gallery thru 4/25 . 212.226.3970 info-at-artistsspace.org Bleacker 6 212.673.7007 [email protected] www.artistsspace.org Tue, Thu, Fri 12-6; Wed 12-8; Sat 12-5 529 W 20, 10011 Houston www.leslielohman.org Tue-Sat 12-6 B D F Q 212.206.8080 [email protected] Ethan Cohen Fine Arts 594 Broadway Jonathan The Painting Center www.acagalleries.com Tue-Sat 10-6; 10:30-6 “Contemporary Chinese Prints”, 3/5 thru 4/30. “Asian DIA Gallery Bldg. Shorr Phyllis 580 Broadway “Water”, 3/3 thru 1/28 Ink Masters”, 3/11 thru 4/30. Kind Agora Gallery Gallery Bldg. 52 Greene, 2nd fl , 10013 Group Show: “Matrix of the Mind: Fine Art by Japanese 79 Walker, 10013 June Kelly 212.343.1060 info@ thepaintingcenter.org 212.625.1250 [email protected] 568 Broadway www.thepaintingcenter.org Tue-Sat 11-6 Artists”, Copper Plate Engraving,Painting, Digital, 2/24 www.ecfa.com Mon-Fri 10-6 Gallery Bldg. thru 3/17; Group Show: “The Dexterity of Form and The Ward-Nasse Prince N Soho Photo Gallery Rhythm of Color”, Painting, 2/24 thru 3/17; Group Show: Deitch Projects R “11th Annual National Krappy Kamera® Competition “Quintessential Color, Sensorial Realities and Spatial Ar - Please call gallery for schedule 560 Broadway Gallery Bldg. Winners, Brian Paul Clamp, Juror”, Photography, 3/3 thru ticulation”, Painting, 3/ 21 thru 4/10 . Stayley-Wise 76 Grand and 18 Wooster, 10013 CFM 4/ 4; “16th Annual Soho Photo Members’ Krappy Kamera® 530 W 25, 10001 SOHO ISE 212. 343.7300 [email protected] Culture 212.226.4151 [email protected] Ettinger Exhibit”, Photography, 3/3 thru 4/4; “Salon de Refusés - www.deitch.com Tue–Sat 12-6 C Spring Open www.agora-gallery.com Tue-Sat 11-6 Center 6 3rd Annual Krappy Kollage”, Photography, 3/ 3 thru 4/4 . E 15 White Street, 10013

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s www.sohophoto.com Fri-Sun 1-6; Thurs 6-8 t t e n b a p e w s c s e o COUNTERS”, Painting, Sculpture, Watercolor, 3/14 thru r y d o r o

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o C 4/7; Robert Glick, Helen Joynson, Silja Talikka Lahtinen: G M h t Staley-Wise Gallery a W r s T L B e Brooke Alexander Group Show: “America the Beautiful”, Photography, “ABSTRACTION from ALHPA to OMEGA”, Painting, Sculpture, W Swiss Institute 3/6 thru 5/9 Watercolor, 3/14 thru 4/7; Bakker, Ozbrey,St. John, Kato, Broome St. 560 Broadway, 3rd fl, 10012 Purser, Smith: “INTERMEZZO INTERLUDES/FORISSIMO Treasures Broome 212.966.6223 [email protected] of the SOUL”, Painting, Sculpture, Watercolor, 3/14 thru 4/ 7 . 55 Mercer www.staleywise.com Tue–Sat 11–5 511 W 25, 4th fl, 10001 Painting Center 212.255.9050 [email protected] of Gay Art Spencer Brownstone Ward Nasse Gallery www.amsterdamwhitneygallery.com Tue–Sat 11–5:30 Artists Amanda Dolan: “Heart Attack”, paintings, 3/1 thru 3/31. Drawing Ctr Space The gallery that gives artists a chance and the public a Barry Friedman Ltd. Grand choice. A non profit artist run gallery. Michael Eastman, Ingrid Donat, Toots Zynsky, Anne-Karin Deitch Projects Furunes, Wendell Castlet: “Group Exhibition of Gallery Ronald 178 Prince, 10012 A Feldman 212.925.6951 [email protected] Artists”, 3/1 thru 3/31; Michael Glancy, Yoichi Ohira, March 10 - April 11, 2009 C Leslie E Lohman Howard www.wardnasse.org Mon-Fri 10-6 Laura de Santillana, Akio Takamori,: “Group Exhibition of Gallery Artists”, 4/1 thru 4/30 . A v Can e al 515 W 26, 10001 n

V u e 212.239.8600 [email protected] a N r o Lispenard 6 M i f Z www.barryfriedmanltd.com Tue-Sat 10-6 c t R k h J e

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44 45 Chelsea Chelsea Blue Mountain Gallery Chelsea Art Museum , Home of the Miotte First Street Gallery Jim Kempner Fine Art Deborah Stern: “Reverberation”, Paintings, thru 3/21; Foundation Tim Kennedy: “Perry Four” Figures in domestic interior Recent Aquisitions by artist such as Robert Motherwell, Robert Sievert: “New Figures”, Paintings, Prints and Pan - Chelsea Art Museum: Permanent Collection, includes or exterior yard settings and town landscapes, Paintings Robert Rauschenberg, Richard Diebenkorn, Helen Franken - els, 3/24 thru 4/18. many European abstract artists often labeled as Informel. in oil, 3/3 thru 3/28. David Hewitt: “Urban Remains”, thaler, Donald Sultan and many others. 530 W 25, 4th fl, 10001 The collection also holds American abstract artists Fran - Paintings in oil, 3/31 thru 4/25 501 W 23, 10011 646.486.4730 [email protected] cis, LaNoue, Mitchell, Motherwell, Riopelle; a large body 526 W 26, 9th fl, 10001 212.206.6872 [email protected] www.bluemountaingallery.org Tue-Sat 11-6 of works by the Affichiste Mimmo Rotella; and works by 646.336.8053 [email protected] www.jimkempnerfineart.com Tue–Sat 10–6 Jean Arp, Olivier Debré, Jean Fautrier, Sam Francis, Ellen www.firststreetgallery.net Tue–Sat 11–6 China Square Levy, and J. P. Riopelle. Anton Kern Gallery Please call gallery for schedule. 556 W 22nd, 10011 Gagosian Gallery Lothar Hempel: Kats, Nerves, Shadows & Gin , 2/12 545 W 25, 8th fl, Chelsea Arts Tower, 10001 212.255.0719 [email protected] Please call gallery for schedule. thru 3/21 . 212.255.8886 [email protected] www.chelseaartmuseum.org Tue-Sat 12-6; Thu 12-8 555 W 24, 10011 532 W 20, 10011 www.chinasquareny.com Tue-Sat 10-6 212.741.1111 [email protected] 212. 367.9663 [email protected] James Cohan Gallery www.gagosian.com Tue-Sat 10-6 www.antonkerngallery.com Tue–Sat 10–6 Mary Boone Gallery Please call gallery for schedule. “Image Matter”, curated by Klaus Kertess, 2/21 thru 3/28. 533 W 26, 10001 Galeria Ramis Barquet Leo Kesting Gallery 541 W 24, 10011 212.714.9500 [email protected] Please call gallery for schedule. Brian Leo: “Brian Leo Is Every Soldier In The World”, Painting , 212.752.2929 [email protected] www.jamescohan.com Tue-Sat 10–6 532 W 24, 10011 3/ 7 thru 3/29 www.maryboonegallery.com Tue-Sat 10-6 212.675.3421 [email protected] 812 Washington St, 10014 Cristinerose Gallery Bortolami www.ramisbarquet.com Tue–Sat 10-6 917.650.3760 [email protected] Please call gallery for schedule. www.caplakesting.com Tue–Sat 11–6 Please call gallery for schedule. 508 W 26, Suite 5A, 10001 Gana Art Gallery 510 W 25, 10001 212.206.0297 [email protected] Group Show: “The Garden at 4 AM”, 2/12 thru 3/ 7 Kips Gallery 212.727.2050 [email protected] www.cristinerose.com Tue–Sat 11-6 564 W 25, 10011 "Work on Paper", Fay Ku, thru March. www.bortolamigallery.com Tue–Sat 10–6 212.229.5828 531 W 25, 10001 Betty Cuningham Gallery Bose Pacia http://english.ganaart.com Tue–Sat 10-6 212.242.4215 [email protected] Clytie Alexander: “Diaphans”, 2/ 5 thru 3/14; Group Show: www.kipsgallery.com Tue–Sat 11–6 “Some Icebergs Easy to Avoid” 2/13 thru 3/7 “Core”, 3/19 thru 5/2 . George Billis Gallery 508 W 26, 10001 541 W 25, 10001 Tim Saternow, Tom Gregg, and Chris Wright, 3/3 thru Yvon Lambert Gallery 212.989.7074 [email protected] 212.242.2772 [email protected] 3/28; Jorge Santos, Richard Orient, and James A. Willis, Candice Breitz: “Him + Her”, Video installation, 2/19 www.bosepacia.com Tue-Sat 11-6 www.bettycuninghamgallery.com Tue–Sat 10-6 3/31 thru 4/25 thru 3/21 J. Cacciola Gallery 511 W 25, ground fl,10001 550 W 21, 10011 DFN Gallery 212.645.2621 [email protected] 212. 242.3611 [email protected] “Drawing - Not Drawing”, new works by Danielle Frankentha l, Clare Kirkconnell, Michelle Doll , 3/12 thru 4/4 www.georgebillis.com Tue-Sat 11-6 www.yvon-lambert.com Tue-Sun 10-6 Hollis Heichimer, and Ron Kingswood, runs thru March. 210 Eleventh Ave, 10001 617 W 27, 10001 212.334.3400 [email protected] Gladstone Gallery Lehmann Maupin Gallery 212.462.4646 [email protected] www.dfngallery.com Tue-Sat 11-6 Andrew Lord: "Whitworth" 2/27 thru 3/28 “The Glamour Project”, 2/24 thru 3/21; Mickalene www.jcacciolagallery.com Tue– Sat 10:30-6; Sun 12-4 515 W 24, 10011 [email protected] Thomas: “She's Come UnDone!”, 3/26 thru 5/2 . Andrew Edlin Gallery Chambers Fine Art www.gladstonegallery.com 212. 206.9300 540 W 26, 10001 Frank Calloway, 3/5 thru 5/2 212. 255.2923 [email protected] Please call gallery for schedule. 529 W 20, 6th fl, 10011 Gallery Henoch www.lehmannmaupin.com Tue-Sat 10-6 210 Eleventh Ave, 4th Fl, 10013 212.206.9723 [email protected] Please call gallery for schedule 212.414.1169 [email protected] www.edlingallery.com Tue-Sat 11-6 555 W 25 St, 10001 Florence Lynch Gallery www.chambersfineart.com Tue-Sat 10-6 917.305. 0003 [email protected] S Adhami, M. Cevoli, G. Gatewood, A. Gozdz, M. Labad, S. Exit Art Haim Chanin Fine Arts www.galleryhenoch.com Tue-Sat 11-6 Prasad, L. Skinner.: “We Burn Daylight. RISD MFA Photo “Corpus Extremus (LIFE+)”, 2/ 28 thru 4/18, 2009 Exhibition”, Photography, 3/ 5 thru 4/1. Dominique Labauvie, “Turning Point”, thru 3/7. 475 Tenth Ave, 10018 Ippodo Gallery 531-539 W 25, 10001 121 W 19, 10th fl, 10011 212.966.7745 [email protected] Mikiko Hayashi: Bid Adieu to the millennium “The Tale of 212.924.3290 [email protected] 646.230.7200 [email protected] www.exitart.org Tue-Thu 10-6; Fri 10-8; Sat 12-8; Sun 12-6 Genji” , 3/3 thru 4/30 www.florencelynchgallery.com Tue-Sat 10-6 www.haimchanin.com Tue-Fri 10-6; Sat 11-6 521 W 26, basement floor, 10001 Flag Art Foundation Robert Mann Gallery Cheim & Read 212.967.4899 [email protected] Wall Rockets: Contemporary Artists and Ed Ruscha, cu - www.ippodogallery.com Tue-Sat 11-6 Gail Albert Halaban: “Out My Window”, Photography, 2/5 thru Paul Morrison, 2/12 thru 3/21 . rated by Lisa Dennison 10/3, 2008 thru 4/18, 2009 3/28 . Mary Mattingly: “Nomadographies”, Photography and In - 547 W 25, 10001 545 W 25, 9th fl, 10001 Kent Gallery stallation, 4/2 thru 5/23 212.242.7727 [email protected] (Tel not published) [email protected] Emily Prince: “The Way it Used to Be” , 2/26 thru 4/4. 210 Eleventh Avenue, 10001 www.cheimread.com Tue-Sat 10-6 www.flagartfoundation.org By Invitation 541 W 25, 2nd fl, 10001 212.989.7600 info@ robertmann.com 212. 627.3680 [email protected] www.robertmann.com Tue-Sat 11-6 www.kentgallery.com Tue-Sat 10-6

46 47 33rd Penn N R 6 32nd Sta F Hun Gallery V Amsterdam Whitney 31st B Gallery r o 30th a d w Exhibition Dates: March 14 -April 7, 2009 29th a Peter Blum Sean Kelly y Cynthia Broan Morgan Lehman FROM OF THE 1 N-LIGHTENED ABSTRACTION INTERMEZZO ORISSIMO Derek Eller 28th N R 6 9 N-COUNTERS ALHPA TO OMEGA INTERLUDES SOUL Term Black & White 547 W. 27th Chelsea The Museum John Connelly at F.I.T. W Bldg . Gallery Bldg. Park Paul Kasmin 27th David Culp Robert Glick Marion Bakker Tomiko Kato Walter Randel Sragow Rare Mixed Greens Kevin McCaffrey Helen Joynson Nina Ozbey Preston Purser Visual Arts Gallery James Cohen Arario New York Tony Shafrazi Barry Friedman Shannon Sternweis Silja Talikka Lahtinen Margie St. John Laurie Smith Lehmann Maupin 508-526 W. 26th 26th Jan Stiff Dillon Robert Miller Gallery Bldg. PPOW Galerie Lelong Henoch J. Cacciola Yosi Milo Kips Gallery 511 West 25th Street • Chelsea • New York, N Y 10001 Von Lintel Cheim China Square Florence Lynch Cunningham &Read Tina Kim Soho20 Marlborough Arts India Phone 212-255-9050 • Fax 212-255-9020 • Hrs Tue-Sat 11-5:30 • www.amsterdamwhitneygallery.com Gana Art 511 W. 25th 25th Nabi Stricoff Pace 532 Stux Gallery Bldg. Wildenstein Gallery Allen Madison Sheppard

Square h Chelsea t Reeves Mathew Marks e e v 210 11th Av. u Mary Boone Andrea Rosen Metro Pictures Park v o Gallery Bldg. A Charles Cowels Luhring Augustine

Gladstone A S

Matthew Marks Gallery

The Museum at FIT Sepia n n e o

Gagosian t o 24th v Elsworth Kelly, 2/6 thru 4/11 g s Group show: “Gothic: Dark Glamour”, Garments, Sep 5-Feb 21;

Mike Weis A i

n i Baumgartner d k x r Stellen Holm a 522 W 22, 10011 Group show: “Seduction: 250 Years of Sexuality in Fashion”, Gar - e I-20 Perry Rubenstein a M

InterArt L Buia P 212. 243.0200 [email protected] ments, Dec 9-Jun 16 Daniel Reich Caren Golden Van de Weghe Jim Kempner www.matthewmarks.com Tue–Sat 11–6 Seventh Ave at 27th, 10001 C 1 F S P 23rd 212.217.5800 [email protected]

k N m R 6 E 9 V

i Matthew Marks Gallery t www.fitnyc.edu/museum Tue-Fri 12-8; Sat 10-5 h

h W h t h t h h

h Please call gallery for schedule. h t n t t n t t h f e n n e x i i i g v

v NYCoo Gallery e

i 523 W 24, 10011 F N S e 535 W. 22nd e 303 Gallery T E l C

Gallery Bldg S E Proposition Krepps Max Protetch 212. 243.0200 [email protected] The gallery is in the process of relocating. Please see our

h

e www.matthewmarks.com Tue–Sat 10–6 22nd website for update. l Chelsea s Art Museum e Matthew Sikkema 212. 380.1149 [email protected] Marks Jenkins & Co B a r Kathryn Markel Fine Arts o www.nycoo.com P a d i Arden Scott: “Various Forms of Mischeif”, Sculpture, 2/12 e w r a thru 4/4 . P.P.O.W Gallery s Casey y Matthew Kaplan Bonakdar CHELSEA Marks 529 W 20, 6th fl,10011 Carolee Schneemann: “Painting, What it Became” 212.366.5368 [email protected] Eye Paula Kustera 21st Curated by Maura Reilly, 2/21 thru 3/28. c

Beam Cooper r k www.markelfinearts.com Tue-Fri 10-6; Sat 11-6 e r 555 W 25, 10001 a m

529 W. 20th P a Maya 212.647.1044 [email protected] r Stendhal Gallery Bldg. NYEHaus y McKenzie Fine Art W Dee Shainman G www.ppowgallery.com Tue-Sat 10-6 e

s 20th Merge Gallery Julie Allen, 2/12 thru 3/14; Laura Sharp Wilson, 3/19 thru t Anton s

i Kern 4/25. d Max Protetch

e

H Postmasters 511 W 25, #208, 10001 Siah Armajani

i David Zwirner g 212.989.5467 [email protected] h 19th Three Pieces Three Drawings , 2/28 thru 4/18. w Gasser The Kitchen Alexander Bonin &Grunert www.mckenziefineart.com Tue-Fri 10-6; Sat 11-6 a Cohan Leslie Brown 511 W 22, 10011 y 212. 633.6999 [email protected] Christine Burgin 1 Merge Gallery 18th www.maxprotetch.com Tue-Sat 10-6 Axis 9 Please call gallery for current show Murry Guy 205 W 20, 10011 17th Reeves Contemporary 212.929.7505 [email protected] Wade Kavanaugh, 2/13 thru 3/21. www.mergegallery.com Tue–Sat 11–6 535 W 24, 2nd fl, 10011 Union H Square Metro Pictures Gallery 212.714.0044 [email protected] u www.reevescontemporary.com Tue-Sat 10-6 d 16th Park Tony Oursler: “Cell Phones Diagrams Cigarettes

s l o Searches and Scratch Cards”, Video installation, 2/ 28

Chelsea Market P Ricco / Maresca n g thru 4/11 . n 15th i Laura Craig McNellis , 2/28 thru 4/11 R Milk Gallery v 519 W 24, 10011 r

Philips Auctions I i 529 W 20, 3rd fl, 10011 v 2 212.206.7100 [email protected]

e A F Q W www.metropicturesgallery.com Tue-Sat 10-6 212.627.4819 [email protected] r 3 14th www.riccomaresca.com Tue–Sat 11–6 Heller C L V 4 5 6 N R L 1 W Pratt E 4 Robert Miller Gallery Manhatten t a 9 h Yancey Richardson Gallery s G l Walter Niedermayr 2/12 thru 3/14. h r A P

e i B v n Rachel Perry Welty, 2/12 thru 3/28. M.P.D. e y r e G Tenri t g n Synchronicity 524 W 26, 10001 13th i o t r w Kesting Sperone W s a o e 535 W 22, 10011 r Fine Art Westwater h d 212.366.4774 [email protected] n e e i Parsons e w s n c v B 646.230.9610 [email protected] t i S w h School of a www.robertmillergallery.com Tue–Sat 10–6

n o H 4 y t Design h t A w U www.yanceyrichardson.com Tue–Sat 10–6 u i h v c e d S e h s r t y o A White n West 12th Little West 12th v Columns

e S ort t esvo Gan

48 49 Chelsea Soho20 Chelsea Van de Weghe Fine Art Please call gallery for schedule. Please contact gallery for information. 511 W. 25, 10001 521 W 23, 10011 212.367.8994 [email protected] 212.929.6633 [email protected] www.soho20gallery.com Tue-Sat 12-6 www.vdwny.com Tue–Sat 10–6 Sragow Gallery Von Lintel Gallery Please call gallery for schedule. Izima Kaoru, photography, 1/29 thru 3/14. Izima Kaoru: “New 153 W 27, 5th fl, 10001 Work”, photography, 3/19 thru 4/25 212.219.1793 [email protected] 555 W 25, 2nd fl, 10001 www.sragowgallery.com Tue-Sat 12-6 212. 242.0599 [email protected] www.vonlintel.com Tue–Sat 10–6 Robert Steele Gallery Mike Weiss Gallery Betsy Cain, 4/9 thru 5/9; Joe Segal: “Counting Lines”, 4/9 Piet van den Boog: “Ophelia” . 2/26 thru 3/28 thru 5/9. 520 W 24, 10011 511 W. 25 St. suite 101 , 10011 212.691.6899 [email protected] 212.243.0165 [email protected] www.mikeweissgallery.com Tue-Sat 10-6 www.robertsteelegallery.com Tue-Sat 11-6 World Fine Art Gallery Maya Stendhal Gallery “Group Show” 3/3 thru 3/28. Please call gallery for schedule. 511 W 25, 10001 545 W. 20th St., 10011 646.336.1677 [email protected] 212.366.1549 [email protected] www.worldfineart.com Tue-Sat 12-6 www.mayastendhalgallery.com Tue-Sat 11-6 Viridian Gallery Stricoff Robert Smith, “A Child’s Garden of Photographs”, 3/10 thru 4/14 Represents Paul Beliveau, Gerard Charruau, Jeff Cohen, Randy 530 W 25, 10001 Cooper, Michael Cutlip, Debra Goertz, Jylian Gustlin, Jane La - Farge Hamill, Peter Hoffer, James Hollingsworth, David 212.414.4040 www.viridianartists.com Tue-Sat 11-6 Janssen, Kevin Kearns, Catherine Mackey, Micheal Madigan, Mirabelle, Ernesto Montenegro, Emma Rodgers, Wendy Rouse, Pt. Lobos, CA Chelsea Christopher Schulz, Winston Snow, Justin Wiest, Rimi Yang Pet Rock, Andrea Rosen 564 W. 25, 10001 Andrea Zittel, Rose Laughter, 2/6 thru 3/27 . 212. 219.3977 [email protected] www.stricoff.com Tue–Sat 11-6 525 W 24, 10011 212. 627.6000 [email protected] Studio 601 www.andrearosengallery.com Tue–Sat 10–6 Paul Kolker: “Digital Is In∑Go Digital! The Prologue”, Julie Saul Gallery Painting, sculpture, video, photography, 2/26 thru 5/8. ROBERT SMITH Julie Evans: “Lesson from a Guinea Hen” 3/5 thru 4/1 . 511 West 25th Street, 10001 535 W 22, 6th fl, 10011 212.367.7300 [email protected] 212. 627.2410 [email protected] www.paulkolker.com Mon-Sat 10-6 A CHILD’S www.saulgallery.com Tue–Sat 11–6 Stefan Stux Gallery GARDEN OF Lucas Schoormans Gallery Ruud van Empel: “Souvenir, Dawn, Moon, World 1/29 Please call gallery for schedule. thru 3/7 . PHOTOGRAPHS 508 W 26, 11B, 10001 530 W 25, 10001 212.243.3159 [email protected] 212.352.1600 [email protected] www.lucasschoormans.com Tue–Sat 11–6 www.stuxgallery.com Tue–Sat 10–6 March 10 - April 14, 2009 Jack Shainman Gallery Tenri Cultural Institute Of New York Hank Willis Thomas, 2/2 thru 3/14. The Institute hosts a variety of traditional and contemporary 513 W. 20, 10011 cultural programs that promote the study of Japanese language 212. 645.1701 [email protected] and the appreciation of international art forms. www.jackshainman.com Tue–Sat 10–6 43A W 13, 10011 212.645.2800 [email protected] Allen Sheppard Gallery www.tenri.org Mon-Thu 12–6; Sat 12-5 VIRIDIAN Intersection, Molly Cliff Hilts, painting 12/18 thru 1/24 . 530 W 25 St 530 W 25, 10001 NY NY 10001 212. 989.9919 [email protected] www.allensheppardgallery.com Tue–Sat 12–6 212 414 4040 WWW.VIRIDIANARTISTS.COM

50 51 Midtown Midtown Alexandre Gallery Forum Gallery Howard Greenberg Gallery Japan Society Lois Dodd: “Fire”, 3/26 thru 4/24. Alex Melamid: “Holy Hip-Hop! New Paintings by Alex Group Show: “Sacred Sight: Photographs from India”, 1/23 Please call gallery for schedule. 41 E 57, 13th fl, 10020 Melamid”, Painting, 1/15 thru 3/14; Stevel Assael: thru 3/7. “Edward Steichen: 1915-1923”, Photography, Mar 333 E 47, 10017 212. 755.2828 [email protected] “Paintings & Drawings”, painting, drawing, 3/19 thru 20 thru 5/16. Martin Munkacsi: “Vitality”, Photography, 3/ 20 212.832.1155 [email protected] www.alexandregallery.com Tue–Fri 10–5:30 5/2; Paul Fenniak: “Paul Fenniak”, paintings, 2/26 thru 5/16 www.japansociety.org Tue-Thu 11-6; Fri 11-9; Sat & Sun 11-5 thru 4/11 41 E 57, 14th fl, 10022 Asia Society 745 Fifth Ave, at 57th, 4th & 5th fl, 10151 212.334.0010 [email protected] The Museum of Modern Art MOMA Yang Fudong: “Seven Intellectuals in a Bamboo Forest”, 212.355.4545 [email protected] www.howardgreenberg.com Tue-Sat 10–6 “A shimmer of possibility”, photographs by Paul 3/3 thru 9/13 www.forumgallery.com Mon-Fri 10-5:30 Graham, thru 5/18 725 Park Ave at 70th, 10021 Nohra Haime Gallery 11 W 53, 10019 212.288.6400 [email protected] Fountain Gallery “Gisele Croes: Multiple Facets of Chinese Art”, 3/13 212.708.9400 [email protected] www.asiasociety.org Tue-Sun 11-6; Fri 11-9 “Size Doesn't Matter”, a group exhibition of small works, thru 3/21 www.moma.org Sat-Mon, Wed-Thu 10:30-5:30; Fri 10:30-8 curated by Jennifer Baron, 3/6 thru 4/22 . 41 E 57, 6th fl, 10022 Pace/Prints Gallery Mary Boone Gallery 702 Ninth Ave, 10019 212.888.3550 [email protected] Jim Dine : Recent Edition , thru 3/7 Patricia Coffie, photographs, 1/7 thru 2/14. 212.262.2756 [email protected] www.artnet.com Mon–Sat 10–6 745 Fifth Ave, 4th fl, 10151 www.fountaingallerynyc.com Tue-Sat 11-7; Sun 1-5 32 E 57, 3rd fl, 10022 212. 752.2929 [email protected] Bill Hodges Gallery 212. 421.3237 [email protected] www.maryboonegallery.com Tue-Sat 10-5 Galeria Ramis Barquet Group Show: “Works from the Private Collection”, Paint ings , www.paceprints.com Tue–Fri 9:30–5:30; Sat 10–5 Selected works from the Nineties: Bedia, Galain, Kuitca DC Moore Gallery Drawings, Sculpture and Photography, 2/24 thru 4/11 Pace/Wildenstein Gallery and Senise. 24 W 57, 10019 Ad Reinhardt and Tony Smith: A Dialogue, Ad Reinhardt, “Janet Fish: Recent Paintings”, 2/11 thru 3/14; “Charles 41 E 57, 5th fl, 10022 212.333.2640 [email protected] Tony Smith, 12/12 thru 1/24 . Burchfield 1920: The Architecture of Painting” , 3/18 212.644.9090 [email protected] www.billhodgesgallery.com Tue-Fri 10:30-6; Sat 12:30-5:30 thru 4/ 25 . www.ramisbarquet.com Mon–Fri 10-6 32 E 57, 2nd fl, 10022 724 Fifth Ave, 8th fl, 10019 Edwynn Houk Gallery 212. 421.3292 [email protected] 212. 247.2111 [email protected] Galerie St. Etienne Elliott Erwitt: “New York”, 1/30 thru 3/7 www.pacewildenstein.com Mon–Fri 9:30–6 www.dcmooregallery.com Tue–Sat 10–5:30 Group Show: “They Taught Themselves: American Self- 745 Fifth Ave, 10151 Katharina Rich Perlow Gallery Taught Painters Between the World Wars”, Painting, 212. 750.7070 [email protected] William Clutz: “Paintings 1960s and 1970s”, 3/19 drawing, 1/6 thru 3/14. Group Show: “From Brücke to www.houkgallery.com Tue-Sat 11-6 Bauhaus: The Meanings of Modernity in Germany, 1905- thru 4/16 . 1933”, Works on paper, 3/31 thru 6/26 Hunter College / Times Sq. Gallery 41 E 57, 13th Fl.,10022 212.644.7171 [email protected] 24 W 57, 8th fl, 10019 Please call gallery for schedule Asia www.artnet.com Tue-Sat 10-5:30 A Central Park Christie’s Society 4 212.245.6734 [email protected] 450 W 41, btw 9th & 10th Ave, 10036 W 59th C 1 9 N R Edwynn Houk N R 5 www.gseart.com Tue-Fri 11-5 212. 772.4991 [email protected] Mckee Michael Rosenfeld Gallery B Forum Spanie rman 6 www.hunter.cuny.edu/artgalleri Tue–Sat 1–6 W 58th Mary Boone “Charles White: Let the Light Enter, Major Drawings, D Gallery Korea 1942-1969”, drawings, 1/10 thru 3/7; “Norman Lewis: 41 E 57 Throckmorton “Form/Norm”, the second show from the finalists of “Call Leonard Hutton Galleries Nippon Fuller Fine Art Abstract Expressionist Drawings, 1945-1978”, works B Hammer Gallery Bldg For Artists 2009” with Hyun Kyung Yoon(ceramic), Jungsu “Born in Russia”, Feb 17-Mar 24; “The Armory Show Ma rlborough Gallery

W 57th B on paper, 1/10 thru 3/7. “Abstract Expressionism: Greenberg Korea Han(sculpture), Kakyoung Lee(video), Michelle Eunsil r Q Van Doren Pier 92 Booth 207”, 3/5 thru 3/ 8 o 50 W 57 Pace / Further Evidence, Part I: Paintings”, 3/14 thru 5/16 a 30 W 57 Wildenstein Lee(installation), Tae-Young Chang(photography) and Ujin d 24 W 57 41 E 57, 3rd fl, 10022 w 24 W 57, 7th fl, 10019 20 W 57 724 Fifth Lee(mixed media), 3/4 thru 3/27. a 212.751.7373 [email protected]

W 56th y Gallery Gallery Bldg 212.247.0082 [email protected] Bldgs 460 Park Ave, 6th fl, 10022 www.leonardhuttongalleries.com Tue-Sat 10-6 W 55th Sutton Galler www.michaelrosenfeldart.com Tue-Sat 10-6 MoMA Btw. 1st Av & 212.759.9550 [email protected] W 54th Museum of Sutton Pl www.koreanculture.org Mon–Fri 10–7; Sat 10-4 It’l Center of Photography Modern Art Sutton Gallery W 53rd E F F Group Show: “Weird Beauty: Fashion Photography Now”, E Spanish artist, Angel Uranga, photography, 2/20 thru Marian Goodman Gallery 1/16 thru 5/3; Group Show: “This Is Not a Fashion Photo - W 52nd 3/15. Dan Graham, 3/3 thru 3/28. graph: Selections from the ICP Collection”, 1/16 thru 5/3 407 E 54, (bet. 1st Ave & Sutton Pl) , 10022 Jadite MIDTW 5O1st WN 6 24 W 57, 10019 1133 Avenue of the Americas at 43rd, 10036 C 1 212.753.0884 [email protected] 212. 977.7160 [email protected] 212.857.0000 [email protected] E 9 B D F W 50th Tue-Sat 10-6 N www.mariangoodman.com Mon–Sat 10-6 www.icp.org Tue-Sat 10-6; Fri 10-8 Q n n Fountain W 49th o t R o h h Throckmorton Fine Art, Inc. g h k s h h t t i h t r The Gabarron Foundation, Carriage House t n t Jadite Galleries f t n x i d a i h i n n e x i a “Faces of Eternity Chinese Buddhist Sculpture” , 3/5 F P g S e i e T Center for the Arts

N M.Benedetti,M.I. Barros,C.Jaramillo,F.Reyes,A.Salcedo: M v L E e W 47th Group Show: “I have a Dream. An International Tribute to Dr. thru 4/18

S “Ibero-American Fine Artists in New York”, Paintings, 3/3 Martin Luther King Jr.”, Painting, Sculpture, Video, 1/21 thru 3/6. 145 E 57, 3rd, 10022 W 46th thru 3/14; J. Brunes Riera,X.Gamuncio Piedrabuena, J.De B Ramon de Soto: “Ramon de Soto. Reflexiones sobre la 212.223.1059 [email protected] r St.Aubin,M.Paz Gonzales, E.Montero S.: “Ibero American o a W 45th memoria.”, Painting and sculpture, 3/17 thru 5/1. www.throckmorton-nyc.com Tue-Sat 10-6 d l Reviews in New York”, Paintings, 3/ 17 thru 3/31. n w a d r o 149 E 38, 10016 n t a i

W 44th t 413 W 50, 10019 n y ICP a Zabriskie Gallery a r e International t 212.573.6968 x10 [email protected] G C Center of S 212.315.2740 [email protected] Photograph y W 43rd www.gabarronfoundation.org By appointment only Abraham Walkowitz: “Early Years”, 3/24 thru 5/2 . MBM www.jadite.com Tue-Sat 12-6 Publications S 7 41 E 57, 4th fl, 10022 Greenberg Van Doren Gallery 212.752.1223 [email protected] B D F W 42nd 4 5 6 A Jain Marunouchi Gallery y t l k i 1 9 N r A Jasper Johns Prints 2/11 thru 3/14.

a www.zabriskiegallery.com Tue–Sat 10–5:30 y o P r

n 7

h Q i t

t Christiane Middendorf, Nobuaki Yamanaka , Michiyo 2 a u 3 r

R n m C 730 Fifth Ave, at 57th, 10019 B A r b a

i t

e S r r y

L W 41st Yamanaka, Hiroyo Ishikawa: group show, 3/3 thru 3/28 . r T o E o 212. 445.0444 [email protected] P

a B d www.gvdgallery.com Tue-Sat 10-6 24 W 57, 6th fl, 10019 w W 40th Hunter College a W 39th 212. 969.9660 [email protected] Gallery y W 38th www.artin2000.com Tue-Sat 11-5

52 53 E 96th www.joniweyl.com Tue-Sat 10-6 Uptown A C B El Museo Del Barrio 6 (at 104th St.) D The Americas Society W 95th E 95th Uptown Please call gallery for schedule Goedhuis Contemporary Metropolitan Museum of Art E 94th 680 Park Ave at 68th, 10021 W 94th Gu Gan, Gu Wenda, Qin Feng, Qiu Zhijie, Wang Dongling, Cast in Bronze: French Sculpture from Renaissance to 212. 277.8300 [email protected] Jewish Wang Tiande, Xu Bing, etc: “The New Calligraphy”, 3/4 Revolution 2/24 thru 5/24 . W 93rd Museum E 93rd www.as-coa.org Wed–Sat 12–6 thru 4/10 . Fifth Ave at 82nd, 10028 W 92nd E 92nd 42 E 76, 10021 212. 879.5500 Björn Ressle Gallery Cheryl www.metmuseum.org Tue–Thu & Sun 9:30–5:30; Fri–Sat 9:30–9:00 McGinnis 212. 535.6954 [email protected]

Jene Highstein: “Lines In Space” , 3/7 thru 4/11 . t W 91st s E 91st www.goedhuiscontemporary.com Mon-Sat 10-6 e

K Allan Galerie Mourlot

16 E 79, 2nd fl, 10021 W

Stone k 212. 744.2266 [email protected] W 90th r E 90th James Stroud: “Urban Grids” 1/29 thru 3/14

a Richard Gray Gallery Cooper Hewitt Museum P www.ressleart.com Tue-Fri 10:30-6; Sat 10:30-5:30 l Nat’l Academy Museum 16 E 79, 10021

a Contemporary and modern masters. r

W 89th t E 89th

n 212.288.8808 [email protected] R 1018 Madison Ave, 10021 China Institute e Guggenheim C Museum 212. 472.8787 [email protected] www.galeriemourlot.com Mon-Sat 10-6 Noble Tombs at Mawangdui: Art and Life in the Chang - W 88th E 88th Doyle www.richardgraygallery.com Tue-Sat 10-5:30 sha Kingdom, First Century BC – Third Century AD, 2/12 New York El Museo Del Barrio W 87th E 87th thru 6/7. A Guggenheim Museum Please call gallery for schedule UPTOWN 4 125 E 65th St, 10065 B Neue Galerie The Third Mind: American Artists Contemplate Asia, 1860– 1230 Fifth Ave at 104th, 10029 212.744.8181 [email protected] W 86th E 86th 5 212. 831.7272 [email protected] C 6 1989, 1/30 thru 4/19 www.chinainstitute.org Sun-Sat 10-5; Tue & Thu 5-8 W 85th P E 85th 1071 Fifth Ave at 89th, 10128 www.elmuseo.org Wed-Sun 11-5 212. 423.3500 [email protected] Cook Fine Art E 84th Neue Galerie New York W 84th Metropolitan www.guggenheim.org Sat–Wed 10–5:45; Fri 10–8 Museum of Art

By appt only. Public opening beginning on 9/2 in corpora - BRÜCKE: “THE BIRTH OF EXPRESSIONISM IN DRESDEN Irena Hochman tion with The Whitney Museum and Vanity Fair Magazne W 83rd Goethe Institut E 83rd Hirschl & Adler AND BERLIN, 1905-1913” 2/ 26 thru 6/ 29 n s o n u among several photgraphers. t 1048 Fifth Ave, 10028 o k

h John Moore: “Thirteen Miles From Paradise: Four New b g r t

W 82nd s E 82nd f n i

a m i 1063 Madison Ave, 10028 i 212.288.0665 [email protected]

d Paintings”, 2/12 thru 3/14 P u F x l a e

212. 737.3550 [email protected] o B www.neuegalerie.org Thu, Sat-Mon 11-6; Fri 11-9 M W 81st E 81st L 21 E 70, 10021 www.cookfineart.net Mon–Fri 11–6; Sat 11–4 C Cook Hayden C 212. 535.8810 [email protected] Plane ta rium Barbara Mathes Michael Rosenfeld E 80th www.hirschlandadler.com Tue-Fri 9:30-5:15; Sat 9:30-4:45 Dickinson Roundell Inc. Museum of Bjorn Ressle Czech Center Please call gallery for schedule . Nat. Hist. Rosenfeld Acquavella Old Masters, Impressionist, Modern and Post-War Art W 79th Leo Castelli E 79th Irena Hochman Fine Art Ltd 16 E 79 at Madison, 10021 Richard Gray from the gallery's inventory. Viewings by appointment L & M Arts Hirst, Hockney, Judd, Katz, Maloney, Matisse, Myslowski, 212. 734.0900 [email protected] LTMH 19 E 66, 10021 W 78th E 78th Jo-An Picasso, Ryman, Warhol. www.michaelrosenfeldart.com Mon-Fri 10-5 Flowers Fine Art 212. 772.8083 [email protected] Adelson 1100 Madison Avenue, 10028 W 77th E 77th www.simondickinson.com Mon-Fri 9-5 Gemini G.E.L. at 6 The Anita Shapolsky Gallery NY Historical Joni Moisant Weyl 212. 772.2227 [email protected] Society Michael Werner Gagosian Seymour Boardman: A Master of Abstract Expression - W 76th E 76th www.artincontext.com Tue-Sat 10-6 Flowers Goedhuis ism: Colorfield & Geometry, 3/3 thru 5/16 Sindin Contemporary

Nadav Kander, March. LTilton 152 E 65 (patio entrance), 10021 W 75th E 75th The Jewish Museum Whitney 1000 Madison, 2nd fl, 10021 Museum Culture and Continuity: “The Jewish Journey” 212. 452.1094 [email protected] 212. 439.1700 [email protected] Martin www.anitashapolskygallery.com Wed-Sat 11-6 W 74th Kouros E 74th 1109 Fifth Ave at 92nd, 10028 Praxis Erik www.flowerseast.com Tue-Sat 10-6 Artemis Thomsen 212. 423.3200 [email protected] A Asian Art Allan Stone W 73rd E 73rd www.thejewishmuseum.org Sun, Mon, Wed, Thu 11–5:45, Tue 11–8 The Frick Collection Lorraine Shemesh, 2/28 thru 4/11. B Masterpieces of European Painting from the Norton W 72nd E 72nd Jo-An Fine Art Gallery 113 E 90, 10128 C Ma rbella

Simon Museum, thru 5/10 R 20th Century Paintings and Fine Art Prints by Old and 212. 987.4997 [email protected] W 71st Jensen 1 E 70, 10021 E 71st New Masters Theresa Bernstein, Frank Mason, Terence www.allanstonegallery.com 212. 288.0700 [email protected] Hirsch l/Adler W 70th Frick Knoedler E 70th Coyle, Anthony Palumbo and others www.frick.org Tue-Sat 10-6; Sun 11-5 Collection Paul Thiebaud Gallery T 247 E 77, 10021 Please call gallery for schedule. W 69th Feigen&Co. E 69th 212. 717.9111 [email protected] Gagosian Gallery Americas 42 East 76th St. (at Madison), 10021 Society www.jo-an.com Tue-Sat 10-5:30 Please call gallery for schedule. W 68th Keith E 68th 6 212. 737-9759 [email protected] De Lellis Hunter

980 Madison at 76, 10021 N www.paulthiebaudgallery.com Tue-Sat 10-6 Hall & College Knoedler & Co. 212.744.2313 [email protected] W 67th Knights Barry Friedman E 67th James Castle: “Drawings”, 3/12 thru 4/25 Erik Thomsen LLC Asian Art www.gagosian.com Tue-Sat 10-6 19 E 70, 10021 W 66th E 66th Japanese screens, paintings and works of art.

E 212. 794.0550 [email protected] Gemini G.E.L. at Joni Moisant Weyl China Institute www.knoedlergallery.com Tue-Fri 9:30-5:30;Sat 10-5:30 44 E 74, 2nd Fl, 10021 W 65th Richard York E 65th Ann Hamilton: “Ann Hamilton at Gemini G.E.L.: New Anita 212. 288.2588 [email protected] Works”, Prints & Editioned Sculpture, 2/12 thru 3/28. Shapolsky Lincoln Center Gallery W 64th Wildenstein E 64th Richard Serra: “Richard Serra: New Large Scale Etch - Lincoln C Jane Manus, performance-inspired sculptures. ings”, Etchings, 4/2 thru 5/16 Center W 63rd Academy of Art E 63rd 136 W 65, 10023 & Science 980 Madison at 76th, 5th fl, 10021 212. 875.5017 [email protected] 212. 249.3324 [email protected] W 62nd E 62nd www.lincolncenter.org

W 61st E 61st

W 60th E 60th R R UBU 1 9 D S N E 59th 4 5 6 N

54 55 www.erikthomsen.com Mon-Fri 2-6; Sat 10-2 Brooklyn Uptown Art 101 , Inc. Ubu Katherine Koos: “New Work”, sculpture, 2/20 thru 3/15 . Please call gallery for schedule Arthur May: “PAINTINGS”, 3/20 thru 4/12 416 E 59, 10022 101 Grand Street, 11211 212. 753.4444 [email protected] 718.302.2242 [email protected] www.ubugallery.com Tue-Sat 11-6 www.art101brooklyn.com Fri-Sun 1-6 Michael Werner Black & White Gallery Peter Doig, paintings 1/17 thru 3/14 4 E. 77, 10021 Inaugural Exhibition: Alina & Jeff Bliumis: “Casual Conversa - 212. 988.1623 [email protected] tions in Brooklyn”, 3/5 thru 6/14. http://www.michaelwerner.com/ Mon-Sat 10-6 483 Driggs Ave, 11211 718.599.8775 [email protected] Whitney Museum of American Art www.blackandwhiteartgallery.com Fri-Mon 12-6 Alex Bag, thru 4/12 945 Madison Ave at 75th, 10021 Bond Street Gallery 212. 570.3676 [email protected] Please call gallery for schedule. www.whitney.org Wed, Thu, S at, Sun 11–6, Fri 1–9 297 Bond Street, 11231 Brooklyn Queens 718.858.2297 [email protected] Williamsburg Art & Historical Center (WAH) Jamaica Center for Arts & Learning Wildenstein & Co. Inc. www.bondstreetgallery.com Mon-Fri 10-6 Representing some of America's foremost living Carmen Julia Porfido & Ed Lopez, 1/11 thru 3/8 . Women Changing Queens: Guest Curator, Danny Simmons, 2/5 artists as well as the estates of major figures of Brooklyn Museum of Art Forward: Part 1. First Biennial, Judy Chicago, Faith Ring - thru 5/2 modern art. Gilbert & George, pictures and art in other media, thru 1/11 gold, Toshiko Takaezu, Liz Surbeck Biddle, Lili Bita, Hildy 161-04 Jamaica Ave, 11432 718.658.7400 [email protected] 19 E 64, 10021 200 Eastern Parkway, 11238 Burns, Janet Fish, Regina Granne, Amy Greenfield, Samia www.jcal.org Mon-Sat 10-6 212. 879.0500 [email protected] 718638.5000 [email protected] Halaby, Gloria Kennedy, Donna Moran, Carmen Porfido, www.wildenstein.com Mon-Sat 10-5 www.brooklynmuseum.org Wed-Sun 10-5; Sat & Sun 11-6 Carol Quint, Kunie Sugiura, Cynthia Winik, 3/7 thru 4/12 Juvenal Reis Studios 35 Broadway, 11211 Ch’i Contemporary Fine Art 718.486.6012 [email protected] A community of international, professional and emerging “Ingenious Methodology” Group Show, photography 2/12 www.wahcenter.net Sat-Sun 12-6 artists. thru 3/9 . Howard Gross, paintings, 3/12 thru 4/6 43-01 22nd St., 11101 718.875.2098 [email protected] 293 Grand St, 11211 www.juvenalreisstudios.com Mon-Fri 9-5 718.218.8939 [email protected]

www.chicontemporaryfineart.com Wed-Sun 11-7, Mon 9-5 Queensboro Brid ge M55 Art d n s Queens Blvd r o t r s k Kurnatowski a s e Van Dam St

d r r h y o t Silvercup Jeff Way “Paintings & Drawings”; Robert Schecter McCarrren Park a r i a a h F B c Kentler International Drawing Space P Bldg

i W R 42nd Rd “New Work” 2/19 thru 3/8. Michael Sanzone: 3/12 thru N 12th o r artMoving f Please call gallery for schedule. o o

o 43rd Ave 3/29: Michael Biddle: “The Respondent Surface-Paint - b r p 353 Van Brunt St, 11231 s

N 11th e Juvenal Reis n BROOKLYN r ings 2005-2009”, 3/12 thru 3/29; Randee Silv: "endan - i t

e h F h 718.875.2098 [email protected] Studios n

d d t t h e d e n t t v n h 8 7 h h gered gestures", 4/2 4/19 h c y n l s u h t l t t 4 t 3

www.kentlergallery.org Thu-Sun 12–5 2 2

N 10th s t 2 k 1 2 B 1 2 3 0 Q 2 e

WILLIAMSBURG o 9 2 2 1 Black & White 1 r 44-02 23rd Street, ground floor, 11101 r 1 1 o n e r

C t o

Jack the Pelican B n

r 718.729.2988 [email protected] McCaig-Welles Gallery n u N 9th Pierogi r ve Long Island City H e th A Supreme Trading e 44 Arts Center www.55mercergallery.com Thu-Sun 12-6 v

V

i Please call gallery for schedule.

r s M55 Art ve

e Rd r R N 8th 4th u y g 4 P 129 Roebling St, 11211 e n t e t y i Sculpture P.S.1 Contemporary Art Center l r h s n m r t

b 718.384.8729 [email protected]

e Center e e y a N 7th L L e Current artists: Yael Bartana, NeoHooDoo: “Art for a v K B o W

E CitiGroup a www.mccaigwelles.com Tue-Fri 11-7; Sat-Sun 12–7 r V E R

H Tower Forgotten Faith”, Leandro Erlich: “Swimming Pool”, In - e 4th Dr Figure 4 G n y N 6th v

Works i o a ternational and National Projects Fall 2008: Robert e e Parker's Box Court s R v v w L.I.C. k Ave A

N 5th A s th Square c t 5

“When A River Changes Its Course” John Bjerklie 1/23 4 Boyd, Ana Horvat, Minus Space, and Patrick O'Hare,

s a Sq s d rt

s u

e J r Co r g a o thru 3/22 . Gino De Dominicis, Børre Sæthre f p g McCaig-Welles i

E d d R

x LONG ISLAND CITY N 4th r 45th on 22-25 Jackson Ave, LIC 11101 e rs

E 193 Grand Street, 11211

D a 2 e

P B Stripeman A.G. 1 718.784.2084 [email protected] — 718.388.2882 [email protected] s is N 3rd QUEENS 1 av

s t D 1 www.ps1.org Thu-Mon 12-6

n www.parkersbox.com Fri-Mon 1-7 e k t e

r h v t e a Riviera A

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u n P ra C n QCC Art Gallery r Room Q

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v e r t 46th Ave m

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e — h r e Norman Gorbaty, “Works of a Modern Master” 2/13 p Rail l

R o H Brian Dewan, Nadja Bournonville, 2/6 thru 3/8; Ward Pepsi Cola n i v

F l

N 1st Filmore n o Yard k Sign B d 46th Rd S Parker’s y n s thru 4/3

l Shelley, 3/13 thru 4/12 . n Tracks n Box B a k e r 47th Ave e 222-05, 56th Ave, 11364 l

Art o Ch’i v G Grand 177 North 9th St, 11211 u 101 o d Q k r 718.631.6396 [email protected] 718.599.2144 [email protected] r 47th Rd B a 7

P www.qccartgallery.org Tue-Fri 10-5; Sat-Sun 12-5 S 1st www.pierogi2000.com Thu-Mon 12–6 48th Ave 32nd Pl r e

t y e

a V c 49th Ave an t 7 Da r v G m Socrates Sculpture Park S i S 2nd Sideshow a 50th Ave Hunters Point Ave y R M r

2008 Emerging Artist Fellowship Exhibition 9/7 thru 3/8

t Queens t n

s S 3rd 51st Ave Midtown Long Island Express a Broadway @ Vernon Blvd, LIC 11106 G a Tunnel

E 718.956.1819 [email protected] S 4th Ferry P Borden Ave A.M. Richard Landing u www.socratessculpturepark.org Daily 10-6 l 54th Ave a Williamsburg Bridge s k

i S 6th WAH Ctr Broadway J M Z Newtown Creek

Brooklyn 56 57 National - Miami, FL International - Shanghai NW 44 St Luis Adelantado Miami Gallery James Cohan Gallery Shanghai NW 43 St Jose Noguero: “Hidden Treasures” Current Show. Yinka Shonibare, MBE. photographs and sculptures , thru 11/8 98 NW 29th Street, Miami, FL 3312 1/F Building 1, No.1 Lane, 170 Yue Yang Rd, Shanghai 200031 NW 42 St 305.438.0069 info@ luisadelantadomiami.com +86.21.54.66.0825 fax 21.54.66.0823 DESIGN www.luisadelantadomiami.com Wed-Sun 10-6 www.jamescohan.com Hrs Tue-Sat 10-6, Sun 12-8 NW 41 St ArtSpace Virginia Miller Galleries Creek Art Arthur Godfrey Road 41 St Moore Artformz Please call for schedule . Please call gallery for schedule Space e NW 40 St e 169 Madeira Ave, Coral Gables (Miami), FL 33134 v v 423 Guang Fu Road, (Rear) Shanghai 200070 A A

305.444.4493 [email protected] t d y +86.21.63809172 [email protected] s NW 39 St n w www.virginiamiller.com Mon-Fri 11-6, Sat and evenings 1

2 s

www.creekart.org Tue-Sun 11-7 C E NW 38 St E MIAMI Lecia Dole-Recio, Jake Ewert and Jacob Ro -

N e

N l tt Contrasts Gallery 195 expwy u bihcaux. paintings. Curated by Sam Gordon. DOT 51 Studio 17 T a Please call gallery for schedule NW 36 St 27 expwy li BEACH 2/14 thru 3/ 11 u

e Damian B. Steinbaum Roberto J 181 Middle Jingxi Rd, Shanghai 20002 v 2249 NW 1st Place, Miami, FL 33127 g

A Clemente +86.21.6323.1989 [email protected]

NW 34 ter n i n Park Spinello 305.576.2000 info@ kevinbrukgallery.com o p www.contrastsgallery.com i n www.kevinbrukgallery.com Tue-Fri 10-6; Sat 12-5 p h s NW 34 St o a

Hardcore h a

F Collins Park & Beach ShanghaiART Gallery e

Signature S The Dorsch Gallery v d e

i v A Bass Liu Weijian: Solo Exhibition, 2/20 thru 3/31

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l Celluloid Drag: some spaces between film and architecture: l A i m Museum 21 St NW 33 St a a 50 Morganshan Rd, Building 16 & 18, Shanghai 200060 B i m k i

t A group show curated by Terri C. Smith, 3/14 thru 4/4.

Bakerhouse r a c i n a M

e +86 21 6359 3923 [email protected] y NW 32 St e P

M 151 NW 24 Street, 33127 n

n e a d ww.shanghartgallery.com/ Daily 1-6, closed Mon i h v y 305.576.1278 [email protected] w

NW 31 St t s O B A r a o

e t

o www.dorschgallery.com Tue-Sat 11-6 s

c

d MOCA Shanghai R N n i s

i e WYNWOOD NW 30 St Rubell i l & M l Please call for schedule. n

e MOCA at Goldman Warehouse

Collection B o e v v y C c People’s Park, 231 Nanjing West Road, Shanghai 200003 A

A Please call for schedule.

a i t d r

s +86.21.6321.9900 [email protected] Luis c 404 NW 26th St, Miami, FL 33127 3 1

Townhouse t

Margulies Adelantado s 20 St 305.573.0658 info@ www.mocanomi.org www.mocashanghai.org Mon-Sun 10-6; Wed 10-10 i r W

W Hotel t

Collection r N N B l www.mocanomi.org closed for installation D C n

a

r t c n 1918 ArtSPACE Shanghai NW 27 St Kessler NE 27 St i e C n

n d a n r e

Von Hartz Gary Nadar t a o

v “Remembering how the air shimmers”, HEN Chen - HE o a o i i t A t G Ambrosino B

l n

NW 26 St NE 26 St n Shore Club n e Peng - YANG Liming, curated by ZHAO Yonggang & Irina

MOCA a v e d n i t r o

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e Internationl - Beijing Lyle O. Reitzel C NE 25 St n

Pan American M

o Raleigh No,78 Changping Rd , Jing’An District, Shanghai 200041 5

City Hall A C 9 NW 24 St Dorsch Gallery Catalina Pekin Fine Arts +86.21.5228.6776 [email protected] Delano Ingalls Locust 17 St Huang Zhiyang: “Peripheral Vision”, Solo Exhibition 2/21 thru www.1918artspace.com NW 23 Ter Lincoln Gleason South Sagamore 4/30 Bruk Theater Theater Seas Castillo NE 22 St Lincoln Road No. 241 Cao Chang Di Village, Cui Ge Zhuang, Chaoyang NW 22 Ter e l Colony v Art Ctr i a District, Beijing 100105 r

Praxis Snitzer e Theater S Fl x

NW 22 St v D e +8610.5127.3220 A r n NW 21 St D a n www.pekinfinearts.com Wed-Sun 10-6 e Facchini Flamingo o

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i 175 E 87, NYC, NY 10128 T 212.427.2730 F 212.369.0892 NE 15 St m

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D Museum Please call gallery for schedule u R a P.O Box 8502 No.2 Jiuxianqiao Rd. Chaoyang District, C n Phillips de Pury & Co.

r o t 2 St Beijing 100015 u l Marrriot 450 W 15, NYC, NY 10011 T 212.940.1200 www.phillips - h NW 14 St NE 14 St t A +8610-84562054 [email protected] Carnival Center r depury.com A www.whitespace-beijing.com Tue-Sun 10-6 for the Performing Arts c Biscayne St a Sotheby’s M Dolphin Expwy 395 South Pointe Park 1334 York Ave, NYC, NY 10021 T 212.606.2000 F 212.606.7833 www.sothebys.com NW 10 St CIFO MAM Swann Galleries 104 E 25, NYC, NY 10010 T 212.254.4710 F 212.979.1017 www.swannGalleries.com

58 59 六号岛艺术中心 Openings Island6 AArtrt Ct 香格纳画廊 东廊艺术 ShanghARTShanghART 芸術工作室 ElephantElephant ArtArt Loft 复兴画廊 Eastlink 双城现代手工艺术馆 五五 Gallery 55 Fu Xin M50 March 3 Tuesday March 12 Thursday TwoTwo CitiesCities

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the M magazine

in the art world. theMmag.com January 2009

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63 303 Gallery 29 Gemini G.E.L. at Joni Moisant P A Weyl 38 P.P.O.W Gallery 33 ACA Galleries 29 George Billis Gallery 31 P.S.1 Contemporary Art Center 41 Luis Adelantado Miami Gallery 43 Gladstone Gallery 31 Pace/MacGill Gallery 37 Agora Gallery 29 Goedhuis Contemporary 39 Pace/Prints Gallery 37 Brooke Alexander 28 Marian Goodman Gallery 36 Pace/Wildenstein Gallery 37 Alexandre Gallery 36 Richard Gray Gallery 39 The Painting Center 29 The Americas Society 38 Howard Greenberg 36 Parker's Box 40 Amsterdam Whitney Gallery 29 Greenberg Van Doren Gallery 36 Pekin Fine Arts 43 Art 101 40 Guggenheim Museum 39 The Pen and Brush, Inc. 27 Art In General 28 H Katharina Rich Perlow Gallery 37 Artists Space Gallery 28 Nohra Haime Gallery 36 The Phatory llc 27 ArtSpace Virginia Miller Galleries Hirschl & Adler 39 Phillips de Pury & Co. 43 43 Irena Hochman Fine Art Ltd 39 Pierogi 40 Asia Society 36 Bill Hodges Gallery 37 Max Protetch 33 B Edwynn Houk Gallery 37 Q Barry Friedman Ltd. 29 Hunter College 37 QCC Art Gallery 41 Björn Ressle Gallery 38 Leonard Hutton Galleries 37 R Black & White Gallery 40 I Reeves Contemporary 33 BLT Gallery 27 International Center of Photogra - Ricco / Maresca 33 bond street gallery 40 phy 37 Yancey Richardson Gallery 34 Mary Boone Gallery 30 , 36 Ippodo Gallery 31 Andrea Rosen 34 Bortolami 30 J Michael Rosenfeld Gallery 37 Bose Pacia 30 Jadite Galleries 37 Michelle Rosenfeld 39 Brooklyn Museum of Art 40 A Jain Marunouchi Gallery 37 S Kevin Bruk Gallery 43 Jamaica Center for Arts 41 Sutton Gallery 37 C James Cohan Gallery Shanghai Sunday L.E.S. 27 CVZ Contemporary 27 43 Soho20 Chelsea 34 J. Cacciola Gallery 30 Japan Society 37 Julie Saul 34 Ch’i Contemporary Fine Art 40 The Jewish Museum 39 Lucas Schoormans Gallery 34 Chambers Fine Art 30 Jo-An Fine Art Gallery 39 Jack Shainman Gallery 34 Haim Chanin Fine Arts 30 Juvenal Reis Studios 41 ShanghaiART 43 Cheim & Read 30 K The Anita Shapolsky Gallery 39 Chelsea Art Museum 30 KUMUKUMU 27 Allen Sheppard Gallery 34 China Institute 38 Jim Kempner Fine Art 31 Socrates Sculpture Park 41 China Square 30 Kent Gallery 31 Soho Photo Gallery 29 Christie’s 43 Kentler International Drawing 40 Sotheby’s 43 James Cohan Gallery 30 Anton Kern Gallery 31 Sragow Gallery 34 Ethan Cohen Fine Arts 28 Leo Kesting Gallery 31 Staley-Wise Gallery 29 Contrasts Gallery 43 Kinz, Tillou + Feigen 30 Robert Steele Gallery 34 Cook Fine Art 38 Kips Gallery 31 Maya Stendhal Gallery 34 Creek Art 43 Knoedler & Co. 39 Allan Stone 39 Cristinerose Gallery 30 Stricoff 34 L Betty Cuningham Gallery 30 Studio 601 34 Lehmann Maupin 27 Stefan Stux Gallery 35 D Yvon Lambert Gallery 31 Swann Galleries 43 DC Moore Gallery 36 Lehmann Maupin Gallery 31 Deitch Projects 28 Lemmons Contemporary 29 T DFN Gallery 30 Leslie/ Lohman 29 Tenri Cultural Institute 35 Dickinson Roundell Inc. 38 Lincoln Center Gallery 39 Paul Thiebaud Gallery 39 Dorsch Gallery 43 Florence Lynch Gallery 31 Erik Thomsen LLC Asian Art 39 Doyle New York 43 Throckmorton Fine Art, Inc. 37 M Dr. Gallery 43 U The Drawing Center 28 M55 Art 41 Robert Mann Gallery 31 Ubu 40 E Kathryn Markel Fine Arts 33 V Envoy 27 Matthew Marks Gallery 31 , 33 Van de Weghe Fine Art 35 Andrew Edlin Gallery 30 McCaig-Welles Gallery 40 Von Lintel Gallery 35 Exit Art 30 McKee Gallery 37 W F McKenzie Fine Art 33 White Box Bowery 27 Feature Inc 27 Merge Gallery 33 Ward Nasse Gallery 29 Ronald Feldman Fine Arts 28 Metro Pictures Gallery 33 Mike Weiss Gallery 35 First Street Gallery 31 Metropolitan Museum of Art 39 Michael Werner 40 Flag Art Foundation 31 Robert Miller Gallery 33 White Space Beijing 43 Flowers 38 MOCA 43 Whitney Museum 40 Forum Gallery 36 MOCA Shanghai 43 Wildenstein & Co. Inc. 40 Fountain Gallery 36 Galerie Mourlot 39 Williamsburg Art & Historical Cen - Franklin 54 Gallery 27 El Museo Del Barrio 39 ter (WAH) 41 The Frick Collection 38 The Museum at FIT 33 Woodward Gallery 27 G Museum of Modern Art 37 World Fine Art Gallery 35 Gallery Korea 36 N Z The Gabarron Foundation, Car - NY Studio Gallery 27 Zabriskie Gallery 37 riage House Center for the Arts 36 Neue Galerie New York 39 Gagosian Gallery 31 , 38 The New Museum 27 Galeria Ramis Barquet 31 , 36 NY Coo Gallery 33 Galerie St. Etienne 36 O Gallery Henoch 31 OK Harris Works of Art 29 Gana Art Gallery 31

Index 64 303 Gallery 29 Gladstone Gallery 31 The Painting Center 29 A Goedhuis Contemporary 39 Parker's Box 40 ACA Galleries 29 Marian Goodman Gallery 36 Pekin Fine Arts 43 Luis Adelantado Miami Gallery 43 Richard Gray Gallery 39 The Pen and Brush, Inc. 27 Agora Gallery 29 Howard Greenberg 36 Katharina Rich Perlow Gallery 37 Brooke Alexander 28 Greenberg Van Doren Gallery 36 The Phatory llc 27 Alexandre Gallery 36 Guggenheim Museum 39 Phillips de Pury & Co. 43 The Americas Society 38 H Pierogi 40 Amsterdam Whitney Gallery 29 Nohra Haime Gallery 36 Max Protetch 33 Art 101 40 Hirschl & Adler 39 Q Art In General 28 Irena Hochman Fine Art Ltd 39 QCC Art Gallery 41 Artists Space Gallery 28 Bill Hodges Gallery 37 R ArtSpace Virginia Miller Galleries Edwynn Houk Gallery 37 Reeves Contemporary 33 43 Hunter College 37 Ricco / Maresca 33 Asia Society 36 Leonard Hutton Galleries 37 Yancey Richardson Gallery 34 B I Andrea Rosen 34 Barry Friedman Ltd. 29 International Center of Photogra - Michael Rosenfeld Gallery 37 Björn Ressle Gallery 38 phy 37 Michelle Rosenfeld 39 Black & White Gallery 40 Ippodo Gallery 31 S BLT Gallery 27 J Sutton Gallery 37 bond street gallery 40 Jadite Galleries 37 Sunday L.E.S. 27 Mary Boone Gallery 30 , 36 A Jain Marunouchi Gallery 37 Soho20 Chelsea 34 Bortolami 30 Jamaica Center for Arts 41 Julie Saul 34 Bose Pacia 30 James Cohan Gallery Shanghai Lucas Schoormans Gallery 34 Brooklyn Museum of Art 40 43 Jack Shainman Gallery 34 Kevin Bruk Gallery 43 Japan Society 37 ShanghaiART 43 C The Jewish Museum 39 The Anita Shapolsky Gallery 39 CVZ Contemporary 27 Jo-An Fine Art Gallery 39 Allen Sheppard Gallery 34 J. Cacciola Gallery 30 Juvenal Reis Studios 41 Socrates Sculpture Park 41 Ch’i Contemporary Fine Art 40 K Soho Photo Gallery 29 Chambers Fine Art 30 KUMUKUMU 27 Sotheby’s 43 Haim Chanin Fine Arts 30 Jim Kempner Fine Art 31 Sragow Gallery 34 Cheim & Read 30 Kent Gallery 31 Staley-Wise Gallery 29 Chelsea Art Museum 30 Kentler International Drawing 40 Robert Steele Gallery 34 China Institute 38 Anton Kern Gallery 31 Maya Stendhal Gallery 34 China Square 30 Leo Kesting Gallery 31 Allan Stone 39 Christie’s 43 Kinz, Tillou + Feigen 30 Stricoff 34 James Cohan Gallery 30 Kips Gallery 31 Studio 601 34 Ethan Cohen Fine Arts 28 Knoedler & Co. 39 Stefan Stux Gallery 35 Contrasts Gallery 43 Swann Galleries 43 L Cook Fine Art 38 T Creek Art 43 Lehmann Maupin 27 Yvon Lambert Gallery 31 Tenri Cultural Institute 35 Cristinerose Gallery 30 Paul Thiebaud Gallery 39 Betty Cuningham Gallery 30 Lehmann Maupin Gallery 31 Lemmons Contemporary 29 Erik Thomsen LLC Asian Art 39 D Leslie/ Lohman 29 Throckmorton Fine Art, Inc. 37 DC Moore Gallery 36 Lincoln Center Gallery 39 U Deitch Projects 28 Florence Lynch Gallery 31 Ubu 40 DFN Gallery 30 Dickinson Roundell Inc. 38 M V Dorsch Gallery 43 M55 Art 41 Van de Weghe Fine Art 35 Doyle New York 43 Robert Mann Gallery 31 Von Lintel Gallery 35 Dr. Gallery 43 Kathryn Markel Fine Arts 33 W The Drawing Center 28 Matthew Marks Gallery 31 , 33 White Box Bowery 27 McCaig-Welles Gallery 40 Ward Nasse Gallery 29 E McKee Gallery 37 Envoy 27 Mike Weiss Gallery 35 McKenzie Fine Art 33 Michael Werner 40 Andrew Edlin Gallery 30 Merge Gallery 33 Exit Art 30 White Space Beijing 43 Metro Pictures Gallery 33 Whitney Museum 40 F Metropolitan Museum of Art 39 Wildenstein & Co. Inc. 40 Feature Inc 27 Robert Miller Gallery 33 Williamsburg Art & Historical Cen - Ronald Feldman Fine Arts 28 MOCA 43 ter (WAH) 41 First Street Gallery 31 MOCA Shanghai 43 Woodward Gallery 27 Flag Art Foundation 31 Galerie Mourlot 39 World Fine Art Gallery 35 Flowers 38 El Museo Del Barrio 39 Z Forum Gallery 36 The Museum at FIT 33 Zabriskie Gallery 37 Fountain Gallery 36 Museum of Modern Art 37 Franklin 54 Gallery 27 N The Frick Collection 38 NY Studio Gallery 27 G Neue Galerie New York 39 Gallery Korea 36 The New Museum 27 The Gabarron Foundation, Car - NY Coo Gallery 33 riage House Center for the Arts 36 O Gagosian Gallery 31 , 38 OK Harris Works of Art 29 Galeria Ramis Barquet 31 , 36 Galerie St. Etienne 36 P Gallery Henoch 31 P.P.O.W Gallery 33 Gana Art Gallery 31 P.S.1 Contemporary Art Center 41 Gemini G.E.L. at Joni Moisant Pace/MacGill Gallery 37 Weyl 38 Pace/Prints Gallery 37 George Billis Gallery 31 Pace/Wildenstein Gallery 37

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