Safety and Vulnerability in Reality Storytelling
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Music Television Käynnistää Syyskauden Vauhdikkaasti! - Luvassa Paljon Uusia Sarjoja, Musiikkia Sekä Tietenkin MTV Europe Music Awards 2009
Tiedote 10.9.2009 Music Television käynnistää syyskauden vauhdikkaasti! - Luvassa paljon uusia sarjoja, musiikkia sekä tietenkin MTV Europe Music Awards 2009 MTV:n uudet showt takaavat viihdyttävän syksyn. Koko loppuvuosi on täynnä toinen toistaan mielenkiintoisempia ohjelmauutuuksia tietenkään musiikkia unohtamatta. Lisäjännitystä MTV:n syyskauteen tuo MTV Europe Music Awards 2009, jota vietetään viides päivä marraskuuta. Tänä vuonna näyttävä gaalatunnelma loihditaan Berliiniin. Musiikki on MTV:n sielu ja sydän ja syksystä onkin tulossa musiikintäyteinen. Musiikkivideoiden lisäksi MTV World Stagella päästään seuraamaan tasokkaita live-keikkoja. MTV:n kaikkien aikojen nuorin musiikkipäällikkö Axl Smith pitää huolen siitä, että musiikki ylittää kuulijoiden vaatimukset. Musiikkilistat päivittyvät kaiken aikaa ja kanavalla soi paljon uutuuksia, jotka hivelevät kuulijoiden korvanystyröitä. Musiikkimaailman villeimpiä uutuuksia, artisteja ja videoita esittelee Spanking New, joka tarjoilee katsojille kuumimmat, vielä pinnan alla porisevat hitit nyt joka päivä. - Soittolistamme syntyvät omissa käsissämme, mistä olen ylpeä. Muistan itse MTV:n yhteisöllisenä mediana, joka esitteli kuumimmat musiikkiuutuudet ja tavoitteenani on säilyttää se sama fiilis myös tämän päivän MTV:llä. Olen saanut huippuduunin, jonka koen positiivisella tavalla haasteellisena, kertoo MTV:n musiikkipäällikkö Axl Smith. Music Televisionin syksy on myös täynnä viihdettä sekä vauhtia ja vaarallisia tilanteita. Siitä pitävät huolen kanavalla käyntiin pyörähtävät ohjelmauutuudet -
Building Cold War Warriors: Socialization of the Final Cold War Generation
BUILDING COLD WAR WARRIORS: SOCIALIZATION OF THE FINAL COLD WAR GENERATION Steven Robert Bellavia A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2018 Committee: Andrew M. Schocket, Advisor Karen B. Guzzo Graduate Faculty Representative Benjamin P. Greene Rebecca J. Mancuso © 2018 Steven Robert Bellavia All Rights Reserved iii ABSTRACT Andrew Schocket, Advisor This dissertation examines the experiences of the final Cold War generation. I define this cohort as a subset of Generation X born between 1965 and 1971. The primary focus of this dissertation is to study the ways this cohort interacted with the three messages found embedded within the Cold War us vs. them binary. These messages included an emphasis on American exceptionalism, a manufactured and heightened fear of World War III, as well as the othering of the Soviet Union and its people. I begin the dissertation in the 1970s, - during the period of détente- where I examine the cohort’s experiences in elementary school. There they learned who was important within the American mythos and the rituals associated with being an American. This is followed by an examination of 1976’s bicentennial celebration, which focuses on not only the planning for the celebration but also specific events designed to fulfill the two prime directives of the celebration. As the 1980s came around not only did the Cold War change but also the cohort entered high school. Within this stage of this cohorts education, where I focus on the textbooks used by the cohort and the ways these textbooks reinforced notions of patriotism and being an American citizen. -
Chapter 4: Acting
096-157 CH04-861627 12/4/03 12:01 AM Page 96 CHAPTER ᪴ ᪴ ᪴ ᪴ ᪴ ᪴ ᪴ ᪴ ᪴ ᪴ 4 Acting No role is too small. In this scene from Julius Caesar, the varied responses of the crowd members to Caesar’s death give the scene more depth. One can see Mark Antony, played by Al Pacino, judging the crowd’s mood and planning how to manipulate it. cting is a question of absorbing other Apeople’s personalities and adding some of our own experience. —PAUL NEWMAN, ACTOR 96 096-157 CH04-861627 12/4/03 12:02 AM Page 97 SETTING THE SCENE Focus Questions What special terminology is used in acting? What are the different types of roles? How do you create a character? What does it mean to act? Vocabulary emotional or straight parts master gesture subjective acting character parts inflection technical or objective acting characterization subtext leading roles primary source substitution protagonist secondary sources improvisation antagonist body language paraphrasing supporting roles So now you’re ready to act! For most students of drama, this is the moment you have been waiting for. You probably share the dream of every actor to create a role so convincing that the audience totally accepts your character as real, for- getting that you are only an actor playing a part. You must work hard to be an effective actor, but acting should never be so real that the audience loses the theatrical illu- sion of reality. Theater is not life, and acting is not life. Both are illusions that are larger than life. -
Outstanding Lighting Design/Lighting Direction for a Variety Special
2021 Primetime Emmy® Awards Ballot Outstanding Lighting Design/Lighting Direction For A Variety Series The Amber Ruffin Show Episode 117 In this episode of The Amber Ruffin Show, Amber’s first audience member is attacked after stealing her sidekick’s joke, Amber previews a movie chronicling Harriet Tubman’s true dream, sings a song about her fear of the coronavirus, and coaches the parents who opposed transgender representation in a school book program. America's Got Talent The Finals The top 10 acts perform one last time from Universal Studios for their chance to win $1 million and be named the most talented act in America. American Idol Episode 419 Season 4 of American Idol concludes with the top three finalists taking the stage one last time in hopes of securing America’s vote to becoming this season’s winner. In addition to the top 3, former contestants returned to join renowned music artists for unforgettable performances throughout the show. Antiques Roadshow American Stories Antiques Roadshow transports audiences across America to discover captivating stories about items ranging from the everyday to the extraordinary. For the first time, Antiques Roadshow visits with notable people from comedy, film, TV, literature, music, and sports to learn about their personal treasures while exploring our collective history. A Black Lady Sketch Show If I’m Paying These Chili’s Prices, You Cannot Taste My Steak! A common Black figure-of-speech comes alive; commentators analyze a high-stakes search for a cafeteria seat; a fast-paced nail appointment gets pricey; a woman uses a cult-like seminar to scare off her friend; a psycho tampers with his hostage’s purse; a woman reaches hair nirvana; the women stage a presidential debate. -
From Designing in Protected Environment to Designing in Real Contexts Piloting Digital Services for Elderly Independent Living
From designing in protected environment to designing in real contexts Piloting digital services for elderly independent living. Daria Cantù*, Francesca Rizzo**1 * Politecnico di Milano, Department of Design, [email protected] ** Politecnico di Milano, School of Design, [email protected] Abstract: In the last decade the role of designers is moving from designing a product or service to facilitating and leading participatory processes due to the changing social and economic conditions and the emerging of new social needs. This is true for example in projects that aims to boost a kind of societal change that affects people behaviours in their everyday life. On this assumption relies Life 2.0, a European Project whose aim is to prototype and pilot a digital social network service dedicated to 65+ years old people to improve their social relationships, their independent living and their role in the society as agents and sources for new social services. The paper discusses how design methods and competences are applied in the development of this project, eliciting the lessons learnt especially from the piloting phase, where the Participatory Design approach played a major role. The paper starts by introducing the topic and discussing the role of Design and Participatory Design in leading these projects typologies; then the Life 2.0 project and its development process are described; finally the project experience is discussed providing guidelines for piloting digital services in a real context of use. The paper concludes reflecting on the designers’ role and competences applied. Key words: Participatory Design, Services Prototyping, Piloting 1. Introduction In the traditional product design context the designers’ task has been clear: creating aesthetic and functional solutions that can be manufactured and that have novel and innovative ideas in them. -
Cultural-Relations-I
Cultural Relations in the New Normal Handbook of Project Models1 ALTERATION—a programme that consisted of a series of online events for THE UKRAINIAN INSTITUTE professionals in the cultural field running from April to July 2021. It was aimed at The Ukrainian Institute is a public institution affiliated with the Ministry of Foreign defining new, efficient approaches to establishing, building, and developing inter- Affairs of Ukraine. The mission of the Ukrainian Institute is to strengthen Ukraine’s cultural relations and connections between EU and Ukrainian cultural and civil international standing through the means of cultural diplomacy. As such, this insti- society actors in conditions of pandemic-induced uncertainty, changes, and in- tute facilitates international connections between people and institutions, thereby stability. Alteration was the result of a mutual initiative of the EU Delegation to creating opportunities for Ukraine to interact and cooperate with the world. Ukraine and the Ukrainian Institute, supported via the EU-funded Cultural Rela- tions Platform. The strategic goals of the Ukrainian Institute are to: → Improve understanding and the visibility of Ukraine among foreign The programme covered such questions as: how should international cultural audiences; relations adapt to this “new reality?” How should digital tools be used for better Ensure a stable demand for professional interaction with Ukraine; efficiency? What best case practices exist in international cultural relations and → among cultural institutions in the EU and in Ukraine that can be of use to other in- → Build the capacity of Ukrainian actors in the cultural, educational, stitutions? And, lastly, how can cultural initiatives and products be promoted using and scientific spheres—as well as civil society—for international digital tools? cooperation; → Increase Ukraine’s involvement in current global cultural processes; This handbook is also part of the Alteration programme, drawing on key les- → Nurture and expand the usage of the Ukrainian language in the world. -
Read Excerpt (PDF)
CHB-ChinkstarCov#7Out.indd 1 2015-06-09 10:46 AM CHINKSTAR Jon Chan Simpson Coach House Books | Toronto copyright © Jon Chan Simpson, 2015 first edition Published with the generous assistance of the Canada Council for the Arts and the Ontario Arts Council. Coach House Books also acknowledges the support of the Government of Canada through the Canada Book Fund and the Government of Ontario through the Ontario Book Publishing Tax Credit. library and archives canada cataloguing in publication Simpson, Jon Chan, author Chinkstar / Jon Chan Simpson. isbn 978-1-55245-306-3 (pbk.). I. Title. ps8637.i4866c55 2015 c813’.6 c2015-900110-2 Chinkstar is available as an ebook: isbn 978 1 77056 405 3 Purchase of the print version of this book entitles you to a free digital copy. To claim your ebook of this title, please email [email protected] with proof of purchase or visit chbooks.com/digital. (Coach House Books reserves the right to terminate the free digital download offer at any time.) For Mom and Dad. I owe you guys pretty much everything. 1 The Text n the dead grass and dusk we waited. Stretched out on the hoods Iof our parents’ cars we sipped warm beer and contemplated synch- ing the radios, turning up the top-40 braintrash to drown out our disappointment. Not a good look if the man of the night actually managed to show – if he fixed the tire on his dropkit honda, say, or slayed that final ho, or just sobered up enough to remember that this was supposed to be his grand fucking finale as a smalltown superstar. -
January 2016 Newsletter (PDF)
The Georgetown County A monthly e-newsletter produced Chronicle by Georgetown County, S.C., for its residents and visitors. Inside this Issue Volume 4, Issue 5 January 2016 Firefighters receive Meri- torious Action Award, Page 2 SafeRack announces expansion, will create 100 jobs Library’s First Thursday Program returns, Page 3 Registration under way for adult softball, soccer and football, Pages 3 & 5 Winter safety tips, Page 5 Senior centers crown kings and queens, Page 6 County monitoring Santee River flooding, Page 8 afeRack, LLC, located in the Georgetown County sion. SafeRack plans to add more than 100,000 square Calendar S Business Center in Andrews, is expanding its feet to its facility at 219 Safety Ave. With SafeRack’s Jan. 7 – Tea and Poetry Series existing operations. The expansion will include a $20 customer base growing, expansion is necessary to begins. See page 7 million investment in Georgetown County and crea- meet demand, said Rob Honeycutt, SafeRack CEO. tion of 100 new jobs over the next five years, in addi- “Many companies opt for customer service and Jan. 9 – Manners Club for tion to temporary construction jobs. manufacturing facilities overseas,” Honeycutt said. Children begins at the The announcement was made this week, following SafeRack has always been committed to maintaining Waccamaw Library. an agreement with Georgetown County that provided its base in Andrews. Having all customer service rep- See page 8 incentives to the company to assist with the expan- See “SafeRack,” Page 7 Jan. 11 – Meeting to discuss upcoming spring quilt show Popular country music artists to perform on Front St. -
Little Italy Artwalk Welcomes All Integrates People Who Have Struggled with Homelessness and Mental Heath Condi- Tions with Those Who Have Not
P.O. BOX 633031, San Diego, CA, 92163 • T 619 269 8001 • F 619 839 3118 www.mancecreative.com VOLUME 13 ISSUE 4 April 2012 Columbia • Core/Civic • Cortez Hill • East Village • Gaslamp/Horton Plaza • Little Italy • Marina ➤➤ EAST VILLAGE BLOCK PARTY P. 13 Cedar Gateway complex hosts CLIENT PROJECT VERSION CLIENT APPROVAL DATE SAN DIEGO Logo Design DOWNTOWN NEWS FINAL X 1/9/12 grand opening Supportive Housing Model, integrating affordable housing and supportive East Village celebrates Padres services, opens in Cortez Hill opener with block party April 5 By Ashley Mackin ➤➤ DINING P. 17 Downtown News On March 21, the Cedar Gateway Multifamily Apartments, an afford- able housing community for families and individuals, celebrated its grand opening. Cedar Gateway has 42 units of affordable housing in addition to 23 units designated for accommodating supportive services for seniors and adults with mental health disabilities. The apartment complex is located Attendees at last year’s Mission Federal Credit Union ArtWalk in Little Italy cheer on one of the musicians. at 1612 Sixth Ave., bounded by Cedar Gaslamp’s Red Light This year’s event is April 28 – 29. (Photo by Paul Nestor) street and Fifth and Sixth avenues. Gary Squier, president of Squier Prop- erties LLC, the project’s developer, said ➤➤ MUSIC P. 22 the model implemented at Cedar Gateway is called a Supportive Housing Model and Little Italy ArtWalk welcomes all integrates people who have struggled with homelessness and mental heath condi- tions with those who have not. Celebrating its 28th year, the free arts festival offers art, music and dance Squier said the Supportive Hous- ing Model has “proven to be effective wherever it’s been tried, by layering By Bart Mendoza Despite the large number of attendees, it is a tes- on community services [and] social Downtown News tament to event organizers that ArtWalk rarely feels services. -
My Spiritual Journey by Andrew Urbanowicz
My Spiritual Journey By Andrew Urbanowicz TABLE OF CONTENTS Volume 1 INTRODUCTION CHAPTER 1 - My Early Childhood CHAPTER 2 - The Second World War CHAPTER 3 - Warsaw Uprising CHAPTER 4 - Prisoner of War Camps / End of the Second World War CHAPTER 5 - Switzerland / Escape to Italy / Joining Polish Armed Forces after the War in Italy / England Volume 2 CHAPTER 6 - My Civilian Life in England Before I Got Married CHAPTER 7 - My Married Life in England CHAPTER 8 - Coming to Canada Part 1 1957 – 1993 My Married Life in Canada Part 2 1993 – present My Life On My Own CHAPTER 9 - Reflections / Flashback Thoughts CHAPTER 10 - Visiting My Childhood Homeland Information tidbits Introduction All text in italics was imported from other sources All Bible quotations are from the New International Version (NIV) Only 12 copies of “My Spiritual Journey” Volume 1 were printed in 2015 INTRODUCTION “My Spiritual Journey” is a follow-up book to “God’s Leading in My Life,” which I published earlier. The two books need to be read side by side. My first book “God’s Leading in My Life” is an overview of my life, without too much detail or too many personal stories. It concentrated on high points only. The book’s purpose was to be my testimony as a witnessing tool to unbelievers, and an encouragement to believers. “My Spiritual Journey” is meant to fill those gaps, giving far more of my own personal reflections and details to the events that took place in my life. As such, I am going to follow similar chapters and high points in that story. -
Appello Della Welby: «Libertà Di Scelta Sulle Cure»
[] MessaggeroVeneto MERCOLEDÌ 15 DICEMBRE 2010 SPETTACOLI & TV 19 Torna Paperissima Un monologo Gli Oscar del Cec al cinema friulano Panariello debutta Premiati con l’Arlef gli sceneggiatori Peressutti e Sabbadini con un nuovo show presto anche a Udine La targa Quargnolo a De Stefano, Pittini e Beltramini UDINE. Il nuovo e atteso show di Giorgio Panariello Pa- UDINE. La valorizzazione del friulano passa anche attraverso opere cinematografiche – spiega il direttore del Concors Fabiano nariello Non esiste, debutta al- Concerto il cinema. Lo sa bene il Cec che dagli anni Novanta porta avanti il Rosso – noi già ci impegniamo per diffondere il piú possibile i l’auditorium Conciliazione di Concors par tesci cinematografics in lenghe furlane, che ogni due testi». La sceneggiatura vincitrice, che ha ricevuto un premio di Roma il 27 dicembre. La tour- anni premia i migliori soggetti, saggi e sceneggiature friulane, 1.500 euro sarà pubblicata sul numero 9 della rivista di cinema née, che si snoderà per tutta la Un grande Gidon Kremer insieme all’Arlef, la Provincia e il Comune. Serata di premiazioni, Segnâi di lûs e gli altri due lavori, premiati con 300 euro l’uno, penisola fino ad aprile 2011, ieri al Visionario, dove sono stati assegnati i riconoscimenti ai usciranno sul numero successivo della rivista. In più, è in uscita il porteràloshowmannei princi- un grandissimo Pletnev sette premiati delle quattro sezioni: Andro Peressutti e Riccardo secondo volume della collana dedicata al cinema friulano edita pali teatri e palasport italiani passando per Firenze, Milano, Sabbadini per la sceneggiatura de Il cjapitani e il tamon; France- dal Cec: Il cine furlan in lenghe furlane (in friulano, italiano in Torino,Bologna, Napoli,Paler- UDINE.Pienone ieri sera alTeatro scoDella Moraper il saggioUna rida- inglese) di Sara De Simon che parla mo e tantissime altre città. -
CHAPTER 9: Taking the Stage ■ 149 Ow It Is Time to Think About Taking Your Scene Or Play to the Stage for Re- N Hearsal and Production
9 Taking the Stage LESSON 1 ◆ Types of Stages 150 LESSON 2 ◆ Stage Terminology 154 LESSON 3 ◆ Acting Technique 157 ◆ acting areas ◆ level ◆ apron ◆ planes ◆ arena stage ◆ proscenium stage ◆ blocking ◆ stage ◆ body positions ◆ stage picture ◆ flexible staging ◆ thrust stage ◆ grand drape ◆ wings ◆ house ■ CHAPTER 9: Taking the Stage ■ 149 ow it is time to think about taking your scene or play to the stage for re- N hearsal and production. In this chapter, you will be introduced to dif- ferent types of stages and to the specialized language used in directing and staging a play. You will begin to see why acting requires a great deal of hard work, intense discipline, and years of training. Types of Stages LESSON OBJECTIVES ◆ Understand performance space. 1 ◆ Recognize basic types of stages. A play must have a performance space. This space should provide a stage , or area where the players perform, and a separate area where the audience watches. The stage in your school might be in a theatre ith your acting company, or auditorium, or it might be part of the classroom. A performance W discuss how the stages at your school differ from the space can be any area designated for acting that is set apart from the stages illustrated in this audience. textbook. Where are the stages located in your school? What The Proscenium Stage other events take place in those spaces? The most common stage in educational theatre is the proscenium stage. A proscenium stage is usually a raised picture-frame stage, or box stage (see Figure 9–1).