The Snite Museum of Art JANUARY – AUGUST 2013 ENDOWED FUNDS FROM THE DIRECTOR

Edward M. Abrams and Family Endowment for the Snite Museum Marilynn and James W. Alsdorf Endowment for Ancient, Medieval, and Early Renaissance Art Ashbaugh Endowment for Educational Outreach Walter R. Beardsley Endowment for Contemporary Art The Kathleen and Richard Champlin Endowment for Traveling Exhibitions Mr. and Mrs. Terrence J. Dillon Endowment Susan M. and Justin E. Driscoll Endowment for Photography Mr. and Mrs. Raymond T. Duncan Endowment for American Art Margaretta Higgins Endowment Humana Foundation Endowment for American Art Fritz and Mildred Kaeser Endowment for Liturgical Art Milly and Fritz Kaeser Endowment for Photography Pat and Robert Kill Family Endowment for Excellence in Latin American Art Lake Family Endowment for the Arts of the Americas, Africa and Oceania Lake Family Endowment for Student Internships Lake Family Endowment for the Snite Museum Library Margreta Gibbs and James Larson Family Endowment for Excellence Rev. Anthony J. Lauck, C.S.C., Sculpture Endowment Virginia A. Marten Endowment for Decorative Arts Bridget O’Brien Hoyt Jennifer Millin Michael Rippy J. Moore McDonough Endowment for Art of the Americas Everett McNear Memorial Fund Bernard Norling and Mary T. Norling Endowment for 18th– and 19th−Century Sculpture I would like to welcome these three new members of the Snite Museum of Art staff: Rev. George Ross Endowment for Art Conservation John C. Rudolf Endowment for the Snite Museum In September Bridget O’Brien Hoyt joined the staff is the Museum’s primary liaison to Development donor Frank and Joan Smurlo American Southwest Art Endowment for Excellence as curator of education, academic programs, replacing services, conducts fundraising research, and prepares Snite Museum General Endowment the retiring Diana Matthias. Hoyt was previously the fundraising proposals. John Surovek Endowment tour programs manager within the Education Depart- In late August Michael Rippy replaced Photographer Anthony Tassone Memorial Art Fund ment of the Museum of Fine Arts, Houston. She has and Digital Archivist Eric Nisly, who accepted another William L. and Erma M. Travis Endowment for the Decorative Arts a master of education in arts education from Harvard Notre Dame position this past summer. Rippy was The Alice Tully Endowment for the Fine and Performing Arts Graduate School of Education; a master of arts in art senior photographer at the Indianapolis Museum of history, American art, from Boston University; and she Art for over thirteen years. He has a masters of library undertook her undergraduate work at the University Snite Museum science from Indiana University Purdue University INFORMATION of Notre Dame—double majoring in history and art Indianapolis and a bachelor of fine arts, photog- history with a concentration in Irish Studies. Hoyt is Snite Museum of Art, University of Notre Dame raphy, from Ball State University. Rippy has already responsible for myriad programs designed to make the (574) 631.5466 photographed numerous Snite Museum artworks for Museum’s collections relevant to ND teaching sniteartmuseum.nd.edu publication, exhibition installation documentation and research. www.facebook.com/sniteartmuseum and publicity. He also routinely documents Museum Jennifer Millin is the new assistant director, academic visitors and programs, both in video and with still FOOTBALL STADIUM GALLERIES OPEN MAP advancement for the arts. Millin previously worked as images. an arts advancement administrative assistant for Notre Tuesday and Wednesday The Snite Museum is centrally — Charles R. Loving 10:00 a.m.–4:00 p.m. located on the University of Notre Dame Development. She has a bachelor of science in Director and Curator, George Rickey Sculpture Archive software engineering from Colorado Technical Univer- Thursday through Saturday Dame campus, just northwest of the football stadium. sity. Millin communicates Museum fundraising needs 10:00 a.m.–5:00 p.m. Holy Cross Drive

Notre Dame Avenue to ND development employees, assists the director Sunday Visitor parking is available east of VISITOR PARKING with coordinating the Snite Museum Advisory Council, 1:00–5:00 p.m. DeBartolo Performing Arts Center at Eddy St. and Holy Cross Drive. Closed Mondays and major holidays Street Eddy

Free admission IRISH GREEN NOTRE DAME SCULPTURE PARK 3

Angela Blvd. Edison Road EXHIBITIONS

Touching Ground: Finding the American South made in these myriad places show a conflicted South: Jennifer Trausch uses one of the five 20 × 24 Polaroid 20×24 Polaroids by Jennifer Trausch hopeful and menacing, at rest and crackling with life, Cameras hand-built by Polaroid in the late 1970’s. O’Shaughnessy Galleries II and III defeated and defiant. These enormous wooden cameras resemble early large January 13–March 10, 2013 format cameras, but are unique in that the camera Prior to and throughout the project, Trausch was back includes a large pair of rollers to process instant director of photography at the 20 × 24 Studio in films as the photographer works. The film negative and Manhattan, where for eight years she worked with paper sheet are processed together with a chemical photographers and other artists to realize their visions reagent, activating the silvers in the negative to on the 239-pound analog 20 × 24 camera. migrate to a white receiving paper. The layers of the The intent of Touching Ground, at least initially, was film are then peeled apart to reveal a one-of-a-kind documentary—to explore a broad, unfamiliar place at image. Trausch’s favorite aspect of the camera is that a particular moment in time. The initial photographs it beautifully merges the incredible detail of a 20 × 24 in this series were relatively matter-of-fact, sharp negative with the soft & painterly quality of a Polaroid and didactic in their storytelling; but Trausch quickly diffusion transfer print. realized that she did not always want to give the whole story away, that for her, mystery and the South were intertwined. Working only with available light was limiting, but eventually Trausch found a way to use long exposures and limited depth of field so that light, faces, fabrics, and animals moved, shook, and danced. It was not always easy to see how these two photographic approaches fit together; through much of the project, it seemed that Trausch was making two parallel but distinct bodies of work—one sharp and real, the other loose and surreal. What united these two strands, more so than their simmering tension and dreamlike reality, was their intention to expose the essential feeling of a place and how that place is experienced. For Trausch, the small half-noticed details were the most specific, powerful tool to communicate that feeling, such as the sweet smoke of a day-long barbecue, or the flashes of suspicion or warmth in a sideways glance. Through these and a thousand other details, wandering days, nights, and memories, Trausch found the South in these images, so that you might find it too.

At left: Hunter, 2008 Jennifer Trausch, American, b. 1977 20×24 Polaroid Collection of the artist From 2006 to 2011, large-format photographer worked steadily to understand some of the South’s At right: Jennifer Trausch took the refrigerator-sized 20 × 24 essential truths through the strange moments she Trausch and assistant at work inch Polaroid camera from the predictable, comfortable happened across in each small place: at fairs, auctions, confines of its studio home out onto the winding dances, bars, and rodeos; in homes and shacks, open roads of the rural American South. Led from town to fields, swamps, forests, dirt roads and highways. The town by word of mouth, instinct, and caprice, Trausch massive, beautiful contact-print images that Trausch This exhibition was made possible by the Humana Foundation Endowment for American Art, which was established through the vision of Mr. William C. Ballard, Jr.

4 5 EXHIBITIONS

Tribe/Community from the Survival Series, 1996 Miserere (“HAVE MERCY ON ME, O GOD, Jaune Quick-to-See Smith AFTER THY GREAT GOODNESS.”), 1923 American (Flathead Salish), b. 1940 Georges Rouault, French, 1871–1958 lithograph on Arches paper etching and aquatint over heliogravure 36 x 25 inches 25.88 x 19.75 inches (sheet) Acquired with funds provided by the Gift of Mr. Leonard Scheller Humana Foundation Endowment for American Art 1974.108.006 2008.044.003 Lines Etched with the Weight of Life: Georges Rouault’s Miserere Dreams Wiser than Waking Recent Acquisitions of Native American Prints O’Shaughnessy West Gallery January 13–March 10, 2013 Milly and Fritz Kaeser Mestrovic Gallery Studio January 20–March 17, 2013 Considered a monument of twentieth-century print- Presented for the first time at the Snite Museum of making, Georges Rouault’s Miserere, a series of fifty- Art in its entirety, Miserere is described as a powerful Following the conclusion of the fall exhibition Father Mystical landscapes by James Lavadour, decorative eight large-scale prints produced using innovative lamentation of the human condition. Comparative Lindesmith’s Collection: History into Art and Anthro- allusions to flora by Emmi Whitehorse, and Wendy graphic techniques, presents visitors with one of the works by Rembrandt, Jacques Callot, Edouard Manet, pology featuring nineteenth-century examples of art Red Star’s mixed-media representation of reservation greatest modernist interpretations of religious iconog- Francesco Goya, and Honoré Daumier will establish and craft, this presentation of contemporary Native life, among other works, serve to animate the words raphy. Rouault responded to the ravages of World War I Rouault’s place within a technical and iconographic American prints illustrates the nexus of traditional of Black Elk, a holy man of the Oglala Lakota in 1932: by creating aggressive, sparse, and grand compositions, tradition. themes and modern society. Whether abstract or “Sometimes dreams are wiser than waking.” which attain a pitch of tragedy and salvation rarely figural, the works on display reveal a depth of spirit TheMiserere print series was a gift of Mr. Leonard achieved by his contemporaries. and a technical prowess that command our attention. Scheller. Research assistance for this exhibition was provided by Kirsten Appleyard, M.A. ’11.

6 7 EXHIBITIONS

In Dialogue: Marcos Raya, Opportunistic Diagnosis Art History Seminar: An Exhibition Diana with Two Putti, ca. 1680–85 Giacinto Calandrucci, Italian, 1646–1707 Scholz Family Works on Paper Gallery of Old Master Prints and Drawings pen and brown ink over black chalk on laid paper January 20–March 17, 2013 7.09 x 9.8 inches The Scholz Family Works on Paper Gallery On extended loan as a promised gift from Mr. John D. Reilly ’63 March 31–June 23, 2013 L1991.031.004 A variety of perspectives come together in this single- work exhibition exploring Marcos Raya’s enigmatic This exhibition will be the culmination of student painting Opportunistic Diagnosis (2004). coursework completed during the 2013 spring Designed to highlight the many interpretive possibilities semester and feature selections from the Museum’s an object offers, this installation brings together the collection of Old Master prints and drawings. What diverse voices of faculty, staff, and visitors to create an will it be called? Which works will be featured? open and ongoing understanding of Raya’s painting. Which artists will be represented? What ideas will be explored? Providing answers to those questions will be the task of students in Associate Professor of Art History Robert Randolf Coleman’s seminar. Opportunistic Diagnosis, 2004 Exploring the intersection of art historical research Marcos Raya, Mexican-American, b. 1948 acrylic on canvas and curatorial practice, students in the class will 43.38 x 71.68 inches Gift of Mary Cullen mine the Snite’s collection of works on paper, 2006.054 design an exhibition showcasing their ideas, and publish in an exhibition catalog their research on the works on display.

8 9 EXHIBITIONS WINTER EVENTS

THIRD THURSDAYS @ the SNITE Series Continues On the following dates we invite you to participate in creative conversations, powerful performances, exciting Kill YR Idols, 2012 exhibitions, and to enjoy delicious delicacies: Benjamin J. Funke, MA ‘12 16mm film, projectors, road cases, vinyl banners, light WEDNESDAY, FEBRUARY 20 Collection of the artist 6:00 p.m. A lecture by Native American artist Marie Watt surveying 2013 Thesis Exhibition by her work with textiles and prints offered in conjunction with the exhibition Dreams Wiser than Waking. BFA and MFA Candidates April 7–May 19, 2013 THURSDAY, FEBRUARY 21 OTHER WINTER EVENTS All-day sewing circle culminating in a reception SUNDAY, FEBRUARY 10 This annual exhibition of culminating works 5:00–7:30 p.m. reception by twelve seniors and six third-year graduate 2:00–4:00 p.m. Participate in a sewing circle led by Native American artist students in the Department of Art, Art History Public reception for Touching Ground: Finding Marie Watt in conjunction with the exhibition Dreams and Design demonstrates a broad awareness of the American South; 20x24 Polaroids by Jennifer Wiser than Waking. Students will be invited during the the themes and processes of contemporary art, Trausch, and the other winter special exhibitions day on Thursday to help with the project culminating in a and is often provocative. community-wide effort and reception. Check the website 3:00 p.m. The artworks range form industrial and graphic for more details and a schedule; no sewing experience Gallery talk by artist Jennifer Trausch design projects and complex multi-media required to participate. SUNDAY, APRIL 7 installations to more traditional art forms such Support for both events is provided in part by the 2:00–4:00 p.m. as paintings, drawings, photographs, prints, Department of American Studies. ceramics, and sculpture. Public reception for the 2013 Thesis Exhibition by BFA and MFA Candidates On Sunday, April 7 the Department of Art, Art THURSDAY, MARCH 21 3:00 p.m. History and Design awards will be announced 5:00–7:30 p.m. Department of Art, Art History and Design awards Trailer Tra$h, 2011 in the Museum’s Annenberg Auditorium Celebrate the spring equinox in the new Notre Dame announced in the Annenberg Auditorium of the Amanda Joseph, MA’13 candidate during the 2–4 p.m. opening reception for the Sculpture Park. oil on gessoboard Snite Museum of Art Collection of the artist exhibition. THURSDAY, APRIL 18 5:00–7:30 p.m. In honor of National Poetry Month, join us and our Image above: Marie Watt, sewing circle for Hearth, friends in the Creative Writing program for a poetry slam. 2010, Willamette University, Salem, Oregon 10 11 SUMMER EXHIBITIONS

Untitled (Paper and Flowers), ca. 1970–1989 Agustín Fernández (Cuban-American, 1928–2006) graphite on paper 30 x 22 inches Gift of the Agustín Fernández Foundation 2010.032.001 Form’s Transgressions: The Drawings of Agustín Fernández José Guadalupe Posada and His Legacy Milly and Fritz Kaeser Mestrovic Studio Gallery Scholz Family Works on Paper Gallery June 9–September 1, 2013 August 25–October 13, 2013

Cuban-American artist Agustín Fernández (1928-2006) The exhibition will be on view from January 12 José Guadalupe Posada (Mexican, 1852–1913), was an This small exhibition of graphic works selected from ranks as one of Surrealism’s most discerning interpreters through February 17, 2013 in the galleries of the Frost important printmaker in prerevolutionary Mexico. His the Museum’s collection will mark the centennial of and is considered to be one of the masters of modern Art Museum, then travel north to ND for a summer bold, simplified, and direct manner of communicating Posada’s death, and feature prints created by Posada, Cuban art. This exhibition, organized in collaboration installation in the Snite Museum of Art. It is accom- his political views had a profound influence on the as well as his artistic heirs, such as Leopoldo Méndez, with The Patricia & Phillip Frost Art Museum, Florida panied by an exhibition catalog designed by ND faculty work and ideology of the artists who in 1937 formed who continued his tradition of using mass-produced International University, Miami, Florida, presents member Robert Sedlack, associate professor of graphic the Taller de Gráfica Popular (Popular Graphic Arts relief prints with strong, simple, graphic images graphite drawings from the late 1960s to the 1990s design. The primary author and curator is Ricardo Workshop) in Mexico City, and subsequent generations to communicate social commentary and political that provide a comprehensive overview of his most Pau-Llosa, a Cuban-American poet, art critic, and of printmakers in Mexico, the United States, and propaganda to the general population. recognizable imagery, a visual language instilled with collector of Latin American art. Europe. Posada’s illustrations were readily understood erotic images of desire and vulnerability. His unexpected by the mostly illiterate Mexican population through juxtapositions are the product of years of philosophical his use of familiar images, such as the caricature of and aesthetic exploration that took him from Cuba’s the calavera (skeleton), to satirize Mexican social and political abuses and injustices. Concierto Sinfónico de Calaveras, 1943 vanguardia to the post-war Surrealist circle of Paris and, (The Symphonic Concert of Skeletons) starting in 1972, the gritty counter culture of downtown Leopoldo Méndez, Mexican 1902–1969 woodcut engraving on paper New York. This exhibition is the first ever to focus solely 9 x 6.625 inches on his drawings. Gift of Charles S. Hayes ’65 2009.014.008

12 13 RECENT ACQUISITIONS Little Seed is a proto-type for Randall-Page’s 70-ton Seed, which is on permanent display at the Eden Project in Cornwall, England within the Core education center. One-Ton Seed “Planted” in Randall-Page’s Seed series continues his exploration of Sculpture Park the ways natural forms can be described by mathematical formulas such as the Fibonacci sequence, which, when Seeds are fascinating structures formally. The most graphed, describes a spiral like those seen on sea shells, important thing about seeds is that they are packed with pine cones, sunflowers, seeds, etc. energy—hermetic and discrete in themselves, like an unexploded grenade of organic energy. Little Seed is the perfect symbol for the Notre Dame Sculpture Park, which seeks not only to reclaim the I have always been fascinated by plant geometry; the natural beauty of the park site, but also to call attention underlying principles that determine botanical forms. to cycles of the growing season and, metaphorically, to One of the most interesting and pervasive of these cycles of human life. geometric phenomena is spiral phyllotaxis, plants ‘use’ it because of its ability to pack things together in the most The Notre Dame Sculpture Park is a project of the Snite efficient way possible; and on the whole nature loves Museum of Art Advisory Council, University of Notre economy. This packing system is most obvious in the Dame—its construction was funded by their generous arrangements of seeds on the head of a sunflower, but gifts. The five sculptures exhibited within the inaugural the same numerical principles apply to most pine and fir exhibition were acquired through the generosity of the cones, pineapples, daisies and many other fruit, seeds following individuals and foundations: and seed heads. Humana Foundation Endowment for American Art Judith H. Kinney — Peter Randall-Page George Rickey

Additional information on the park and its first exhibition is available at sniteartmuseum.nd.edu

Little Seed, 2007 Peter Randall-Page (British, b. 1954) granite, 25 x 51 x 33 inches Acquired with funds provided by the May E. Walter Estate 2012.028

14 15 RECENT ACQUISITIONS

Old Master and Nineteenth-Century Works on Paper

Integral to teaching the history of printmaking is the The Country Wedding, ca. 1775 in this print (see page 18). The owl’s shadow is a silhou- The Country Wedding, (after Pierre Alexandre Wille) ability to demonstrate the relationship between the Pierre Alexandre Wille (French, 1748–1837) etted profile portrait of the artist. We were fortunate 1775 watercolor on wove paper Jean-François Janinet (French, 1752–1814) drawing model and the reproductive print. To that end, the 12.875 x 17.875 inches to find a rare maculature à la poupée of the same print. A etching and aquatint on laid paper Museum has added to its collection a watercolor by Pierre Acquired with funds provided by the Estate of Edith and Dr. Paul J. maculature is an impression taken to clean the excess ink 16.123 x 19.5 inches Vignos Jr. ’41 Acquired with funds provided by the Estate of Edith and Dr. Paul J. Alexandre Wille called The Country Wedding and dated 2012.042 from a printed plate. It’s not meant to go on the market Vignos Jr. ’41 ca. 1775 and the corresponding color aquatint by Jean- and is a studio byproduct. In this particular maculature, 2012.043 François Janinet. Janinet is especially important in the the print had been pulled with color added in small development of multi-plate color prints in the eighteenth sections using a pounce (à la poupée). century. While Janinet did not invent the technique of In order to illustrate the process of printmaking, it is useful producing separate plates for each color to be printed, he to have a set of progress prints, such as the six etched did perfect it. The results are finely textured prints with states of Jean Baptiste Bernard Coclers’ The Self-Portrait of subtle tonal shifts, much in evidence in this example. Adriaen van Ostade, ca. 1780, recently acquired in New York Félix Buhot is a fascinating nineteenth-century etcher who (see page 19). Here, it is easy to see each stage the print- developed a style without parallel. He frequently combined maker went through to arrive at the definitive impression. a central image with extensive marginal illustrations that Equally noteworthy are the various effects that can be are reminiscent of glosses in medieval manuscripts. He achieved simply by using different paper. took as his personal symbol, or alter ego, the owl featured

16 17 RECENT ACQUISITIONS

Old Master and Nineteenth-Century Works on Paper, continued

Above The Self-Portrait of Adriaen van Ostade, ca. 1780 Jean Baptiste Bernard Coclers (Flemish, 1741–1817) set of six progress proofs etching on laid paper (fifth state on thin Japan paper) LeBlanc 5 plates are about 7.625 x 6.75 inches The Owl (A Few for the Few), 1883 The Owl, 1883 Acquired with funds provided by the Estate of Edith and Dr. Paul J. Vignos Jr. ’41 Félix Buhot (French, 1847–1898) Félix Buhot (French, 1847–1898) 2012.049.001–.006 softground etching, salt-lift, sandpaper ground, roulette, aquatint, and etching, aquatint, drypoint, and roulette on thick wove paper drypoint on thin wove paper fifth state of five fifth state of five? Bourcard & Goodfriend 161 Bourcard & Goodfriend 161 17.5 x 12.875 inches 17.625 x 12.875 inches Acquired with funds provided by the Estate of Edith and Dr. Paul J. Vignos Jr. ’41 Acquired with funds provided by the Estate of Edith and Dr. Paul J. Vignos Jr. ’41 2012.022 2012.048

Lastly, the Snite added a fine impression of Giorgio is in such disrepair that it is difficult to determine the Ghisi’s engraving, Allegory of the Hunt after Luca Penni relationship between the painting and Ghisi’s print (1556). This purchase strengthens our holdings of after Penni’s enigmatic iconography, which includes a Italian prints especially from the sixteenth century. partially erased cross in the background. Ghisi was an important engraver who was instru- All of these acquisitions of old master and nineteenth- mental in disseminating the painted works of Raphael century prints were made with funds provided by the and Michelangelo, among others, throughout Europe. estate of Edith and Dr. Paul J. Vignos Jr. ’41. Penni was an Italian mannerist who worked at the Allegory of the Hunt, after Luca Penni, 1556 French court. While it is believed that Penni’s design Giorgio Ghisi (Italian, 1520–1582) was intended to be made into a print, there is some engraving on laid paper second state of four evidence that it may have possibly been the subject of a Bartsch 43, LeBlanc 34, Lewis/Lewis/Boorsch 21 fresco in a Burgundian château. The painting, however, 14 x 9.813 inches Acquired with funds provided by the Estate of Edith and Dr. Paul J. Vignos Jr. ’41 2012.046

18 19 EDUCATION, PUBLIC PROGRAMS

THIRD THURSDAYS @ the SNITE… A Success! The third Thursdays of September, October, and November were lively at the Snite! Each evening was programmed to encourage dialogue and connect people (with each other and with works of art in the Snite). Between 75-95 people—Notre Dame students, staff, and faculty, in addition to members of the general public— attended each of the first two programs: • September 20— Mishoe Brennecke’s talk on Sons of Daughters, performing in the courtyard “Mary Cassatt: A Woman of Real Genius” was followed by refreshments and a performance by the experimental jazz trio, Sons of Daughters, in the courtyard • October 18— “Breaking the Mold: Musical Reflections on the 19th-Century,” was performed in the Butkin Collection exhibition by the woodwind quintet of the South Bend Symphony Native American Art and Culture • November 15— “Princess Marie Gets a Face Teacher Workshop Lift,” gallery talk and demonstrations were On Saturday, October 5 sixteen area teachers spent the presented by local art conservator Monica morning at the Snite Museum of Art exploring Native Radecki American art and culture by touring the exhibition The THIRD THURSDAYS @ the SNITE program Father Lindesmith’s Collection: History into Art and will continue in the spring. If you’re feeling Anthropology and the Museum’s permanent collection intellectually curious and socially adventurous, galleries. Through gallery talks and activities, be sure to mark your calendars for the third reflection and discussion, and hands-on activities, Thursdays of February, March, and April! South Bend Symphony woodwind quintet performing in the O’Shaughnessy Galleries Curator Cheryl Snay teachers delved deeper into the art and culture of Plains Indians both in the past and today. Many followed up by scheduling tours of the exhibition for their students. To receive an e-invite to these and other Museum events, go to our new website (sniteartmuseum.nd.edu), select the “Join our mailing list” button, and then provide your e-mail address.

20 Art Conservator Monica Radecki speaks to an audience Art Conservator Monica Radecki 21 EDUCATION, PUBLIC PROGRAMS

Fight Family Cabin Fever at the Snite! Family Day Update As the weather turns colder and grayer, the walls Family Day @ the Snite will be on hiatus for the 2013 can seem to close in on you and your family. When summer while Curator of Education, Public Programs, you sense this starting to happen, bundle everyone Sarah Martin is on maternity leave. Family day will up and head to the Snite where you can bask in the resume in summer 2014—we hope to see you there! warmth of amazing works of art from around the world and throughout time. We’ve created several fun activity packs for use in the galleries that will stir the imaginations of everyone in the family. Check one out on your next visit! A Look & A Book (for ages 4 & up) Each tote bag focuses on a different work of art in Sculpture to Go (for ages 8 & up) the collection and includes questions to get everyone Designed to engage and energize, the Sculpture to Go looking closely, a fun picture book to read together, pack takes families on a search for sculpture. The pack and an in-gallery activity. Available bags include: includes objects to touch, questions to answer, a map Pottery (Native Arts of North America gallery) to follow, and opportunities to create (it also includes Weaving (Native Arts of North America gallery) a guide just for adults). Animals in Art (Arts of the Americas gallery)

22 23 MUSEUM NEWS

Snite Exhibition Catalog Receives Snite Museum Included in Kress National Publication Design Award Study of Academic Museums Associate Professor Robert Sedlack’s design of the An important study undertaken by the Samuel H. Breaking the Mold: The Legacy of the Noah L. and Muriel Kress Foundation on academic museums is now S. Butkin Collection of Nineteenth-Century French Art available on-line to download and read. The Snite New Snite Museum Council Members Margareta (Gigi) Larson and Sophia Meyers exhibition catalog received an American Graphic Museum of Art was one of the “exemplary” university Design Award from Graphic Design USA magazine. museums selected to participate in the study. New Advisory Council Members Many thanks to the Kress Foundation, President Max Marmor, the study’s author Corrine Glesne, and the Two members attended their first Snite Museum Sophia Meyers MA’10 was selected to fill one of Snite Museum staff members, Notre Dame faculty, and Advisory Council meeting, which was held during the two three-year positions on the council for recent students who participated in the study, for under- first weekend in November. ND graduates. Meyers was the guest curator of the taking this important work. Margreta (Gigi) Larson, BS ’81 and her husband, January 2012 exhibition, Artist in Residence: Working Drawings by Luigi Gregori (Italian, 1819–1896). To quote the Kress website, “The sponsored study James (Jay) B. Larson, live in Atherton, California with is intended to enhance our understanding of the their three sons: Jack, Robert, and Peter. The eldest is Meyers and her spouse, Timothy L. Casper, M. Archi- tecture ’11 have settled in Philadelphia, Pennsylvania. manifold contributions campus art museums can make enrolled at Notre Dame, so Larson can share with the to their host institutions and host cities. This study is council and museum staff both her experience as a ND He is employed by the architecture firm of Voith and Mactavish; she works for the Philadelphia Museum forthcoming in book form from MuseumEtc under the alumnae, and that of a parent of a current student. title The Exemplary Museum: Art and Academia.” She and her husband have generously established for of Art. the Snite Museum the new Margreta Gibbs and James A third new Snite Museum Advisory Council member, Currently the report is available to read in PDF format Larson Family Endowment for Excellence. Jeannie O’Neill, was unable to attend the November on their website: http://www.kressfoundation.org/ weekend meeting. research/Default.aspx?id=35388

24 25 FRIENDS OF THE SNITE MUSEUM THE SUMMER 2012 ART & ARCHITECTURE SERIES

Tours of Art Galleries and Studios in South Bend, Indiana and a Private Collection and Outdoor Sculpture in Dowagiac, Michigan

While touring Fire Arts, a collaborative New Members of the Friends Board May 2013 Annual Meeting and art studio in downtown South Bend, of Directors Board Election sculptor Tuck Langland demonstrated the complex process of “lost-wax” The following new members were elected last May The annual election of members to the Friends board casting of silicon bronze. and attended their first board of directors meeting in of directors will take place at 1:00 pm on May 20 in September (from left to right): Edward Everett, Becky the Hilton Garden Inn. All members of the Friends of Asleson, Gregory Turner and Rose Lyphout. the Snite Museum of Art are eligible to make nomina- tions, using the form available from the Friends office, and results will be announced following the meeting. Reservations are required and can be made by calling the Friends Office (574) 631-5516.

Larry Piser, owner of Piser Designs, shared his stunning, creative and resourceful furniture designs.

26 27 THE SUMMER 2012 ART & ARCHITECTURE SERIES, continued

In Dowagiac, Mayor Dale and Joan Lyons’ fully restored Victorian home charmed Artist Tuck Langland lead a tour of the fourteen outdoor sculptures installed in the quaint city of Dowagiac. everyone. Their personal car collection (below) and family-owned and operated Heddon Museum were also enjoyed during our visit.

Kathy White, owner of CircaArts Gallery, combines Arts and Crafts and Wabi Sabi to create the distinctive look of her line called “Ziggurat Tiles”.

28 29 The Snite Museum of Art FRIENDS OF THE SNITE MUSEUM thanks the generous underwriters of the 31st Annual 2012 Christmas Benefit Dinner CHRISTMAS CHRISTMAS BENEFIT FOUNDERS BENEFIT DINNER Patricia and Arthur J. Decio PREMIER University of Notre Dame President John I. Jenkins, C.S.C. Arthur J. Decio NIBCO, INC. John D. Reilly PATRON CONTRIBUTOR Richard E.A. Atkinson Burkhart Advertising, Inc. Linda and Bruce Bancroft 1st Source Bank Marcia and Tom Blum at the Pat and Bob Kill Jeannelle and Brian Brady Centier Bank DeBartolo Performing TABLE SPONSOR Corson Family Foundation, Inc. Louise and Steve Anella Century Custom Builders Arts Center Barnes & Thornburg LLP Anna Jean and William Cushwa Cardiothoracic Surgery of Northern Indiana Ann and Fred Dean Susan Ohmer and Donald Crafton Mary Pat and Robert J. Deputy 1st Source Bank - Private Banking Robin Douglass Gurley Leep Automotive Family Robert P. Doyle Holladay Properties Susan and Justin Driscoll Investment Property Services, LLC Jane and Ron Emanoil Kitty Rose and Ed Everett Charlotte Mittler Angie and Philip Faccenda, Jr. Palmer Funeral Homes Joyce and Roger Foley St. Andrew’s Plaza Jes and John Hagale Teri Stout Interiors, Inc. Catherine and John Hiler DONOR Birgitta and Dennis Hulth Afdent Dental Services Ruth Harmelink and Dennis Kaldenberg William C. Ballard, Jr. Ginger and Brian Lake Billie and David Bankoff Gigi and Jay Larson Mary Gerry and Tom Lee Suzanne and Cecil Cole Dee Ann Mattes Dixie and Richard Dougherty Deirdre and Tim McTigue Pat and Bob Kill 2012 Christmas Benefit Committee Co-Chairs: (from left to right) Electronics, Inc. Phil and Angie Faccenda, Gary and Kathy White Eileen Keough Millard Julie and Todd A. Graham, MD Mary E. Naquin Charles S. Hayes, Inc. 2012 Friends Benefit Honorees Celeste Ringuette Lake City Bank Kellner and Bailey J. Siegfried This year’s Benefit honorees are Pat and Bob Kill. The Kills funded Leighton-Oare Foundation a painting by artist Maria Tomasula, of the Virgin of Guadalupe, Laura and Jack Smith, Jr. Beverly T. and Robert E. O’Grady Betty Gallagher and John Snider which is installed within the Basilica of the Sacred Heart on PNC Bank campus. They are also funding an endowment to support Latin Joyce and Tom Sopko Kathy Beeler and Brian Regan American art at the Snite Museum of Art. Pat has been president Joyce and Dick Stifel of the Friends board, and Bob is a member of the College of Arts St. Joseph Regional Medical Center Molly and Richard Trafas & Letters Advisory Council at Notre Dame. Amy and Matthew Tyler Ida and Perry Watson III 31 FRIENDS OF THE SNITE MUSEUM ANNUAL CHRISTMAS BENEFIT DINNER FRIENDS OF THE SNITE MUSEUM OF ART IN 2012

PREMIER SUPPORTING Mr. & Mrs. Thomas Cahir Arthur J. Decio Mr. Richard Atkinson Mr. & Mrs. John Calcutt Pamela J. Austin Dr. & Mrs. Joseph J. Casey DIRECTOR’S CIRCLE Mr. Bruce Bobick Dr. Isabel Charles Mr. & Mrs. Christopher Murphy Suzanne Cole Mr. & Mrs. Don Claeys Mr. & Mrs. Christopher Craft Mr. & Mrs. Christopher Craft CONTRIBUTING Ann & Fred Dean Mrs. Elizabeth Cullity Mr. & Mrs. Richard Dougherty Kathleen Rose & Ed Everett Mr. & Mrs. William W. Cushwa Mr. & Mrs. Richard S. Dennen DONOR Mr. & Mrs. Edward Fishburne 2012 Christmas Benefit Committee Mrs. Sharon G. Donlon Mrs. Marilynn Alsdorf Joyce & Roger Foley Angie and Phil Faccenda, co-chairs Mr. & Mrs. John C. Frieden Ms. June H. Edwards Kathy and Gary White, co-chairs Mr. & Mrs. William W. Bissell Mr. & Mrs. Kent Emery Autry and Joseph Cataldo Ms. Janette Burkhart-Miller Dr. & Mrs. Todd A. Graham Diane & Nick Entrikin Suzanne and Cecil Cole Mr. & Mrs. Thomas H. Corson Ms. W&a A. Haines Kelly and Christopher Craft Dr. Peter Kesling Kathleen Rose & Ed Everett Dixie and Richard Dougherty Robin Douglass Mr. & Mrs. Philip Faccenda, Jr. Jane and Ronald Emanoil Mr. Robert P. Doyle Mr. & Mrs. James G. Lauck Mr. & Mrs. Dean Goodwin Kathleen Rose and Ed Everett Mrs. Bernard J. Hank, Jr. Joan C. & Donald L. Leone Charles Hayes Ms. Mary Lou Linnen Mr. Frank P. Herigstad, Jr. Pamela Austin and Monte Hershberger Mrs. Anne Hillman Mr. Al H. Nathe Mr. & Mrs. James Hillman Birgitta and Dennis Hulth Pat & Bob Kill Dr. & Mrs. George A. Horvath Ruth Harmelink and Dennis Kaldenberg Mr. & Mrs. Thomas J. Lee Mr. Brian Nordan Ginger and Brian Lake Mr. Richard J. Huether Mrs. Charlotte Mittler Mr. & Mrs. KR Palmer Annick and Charles Loving Carol & Jack Regan Birgitta & Dennis Hulth Deirdre and Tim McTigue Mr. & Mrs. Martin Naughton Dr. & Mrs. James P. Kelly Sara Miller William P. Tunell, M.D. Rica Simmons Spivack Dr. & Mrs. Jonathan E. Kintner Barb and John Phair Carole Walton Mr. & Mrs. Raymond M. Stout, Jr. Patty Reddy Ms. Jane Warner Maureen L. Kleiderer Karen and Don Schefmeyer PATRON Mr. & Mrs. Brian J. Lake Susan and Bob Shields Mr. & Mrs. Paul Weaver Joyce and Richard Stifel Dr. Joan Aldous Dr. Cheryl Snay & Mr. Patrick Weber Jan Lazzara Teri and Raymond Stout Dr. & Mrs. Rudolf L. Brutoco Mr. Gerald Lerman Christine and John Tirotta SUSTAINING Heidi A. Linder Amy and Matthew Tyler Guest enjoyed meeting and mingling before dinner Mr. Donald Crafton & Ms. Susan Ohmer Mr. & Mrs. Stephen A. Anella Mr. & Mrs. James L. Lyphout Mr. & Mrs. Ronald V. Emanoil Ms. Mary Mahank Barnes Ms. Patricia G. MacDonald Ruth Harmelink & Mr. & Mrs. Daniel Beauchamp Mr. & Mrs. John F. Magrames Dennis Kaldenberg Kathy Beeler & Brian Regan Mrs. Dee Ann Mattes Mrs. Robert Hiler Mr. Louis J. Behre Mark & Nancy McGowan Dr. & Mrs. J. Michael Kelbel Mr. & Mrs. Robert J. Bernhard Mr. & Mrs. William K. McGowan, Jr. Mr. & Mrs. Charles Loving Mr. Bruce Bobick Mr. Michael McLoughlin Mr. Paul Marsh Mr. & Mrs. James D. Bock Dr. & Mrs. Stephen T. McTigue Mr. & Mrs. John Phair Mrs. Aileen H. Borough Mr. & Mrs. Tim McTigue Ms. Celeste Ringuette Mr. & Mrs. Kevin J. Butler Mr. & Mrs. William L. McVey After dinner, the Notre Dame Glee Club entertained guests by singing seasonal songs. Mr. & Mrs. John T. Bycraft Dr. & Mrs. Anthony N. Michel

32 33 FRIENDS OF THE SNITE MUSEUM OF ART IN 2012, continued Ms. Maureen Conboy Ms. Tamara McNally CORPORATE DONORS Ms. Jo Ann K. Cook Mr. & Mrs. Donald B. Medow Afdent Dental Services Ms. Elizabeth Cotter Ms. Ann L. Molenda Barnes & Thornburg LLP SUSTAINING, continued Mr. & Mrs. Mauro Fonacier ACTIVE Ms. Yvonne Cullather Mary Ann Moran Burkhart Advertising, Inc. Mrs. Robert M. Moran Mr. & Mrs. Edward Hardig Phillip Backus Ms. Audrey M. Davis Ms. Mary Lou Mullen Cardiothoracic Surgery of Ms. Bonnie Morrissey Charles S. Hayes Mr. Greg Benson Mr. Davey Dawalt Dora Natella Northern Indiana Mr. & Mrs. William R. Racine Prof. & Mrs. Eugene Henry Mrs. Vittoria Bosco Mrs. Mary Derwent Mrs. Margaret Nelson CB Richard Ellis/Bradley Mr. & Mrs. J. Peter Ritten Gordon & Phyllis Hostetler Mrs. Catherine Box Mrs. Loretta A. Despres Elaine Nicgorski Century Custom Builders Dr. C. H. Rosenbaum & Ms. Elfa Jonsdottir Ms. Mary Jane Buzolich Mrs. Anna Maria Dits Mrs. Imelda O’Malley Centier Bank Ms. Mona Medow Mr. & Mrs. Matthew Kahn Ms. Josephine Ferguson Mrs. Jane Dunkle Ms. Barbara Obenchain Corson Family Foundation, Inc. Mr. & Mrs. Edward W. Schreck Prof. T. Kosel & Ms. R. Bell Ruth Kantzer Lynn Edison S&ra A. Oravec Electronics, Inc. Robert & Susan Shields Mr. & Mrs. Ray B. Larson Nancy Kilpatrick Ms. Irene M. Engel Ms. Bobbie Pabst 1st Source Bank Ms. Sonja K. Smith Mr. & Mrs. Donald Marti Mr. Tuck Langl& Ms. Winifred Caponigri Farquhar Mrs. Adele Paskin 1st Source Bank - Private Banking Mr. & Mrs. Thomas Sopko Ms. Alice McLane & Ms. Jaime Lara Mrs. Shirley Flood Mrs. Margaret Peck Gurley Leep Automotive Family Mr. Steve A. Spretnjak Mr. John Axelberg Ms. Wendy Little Mr. Richard E. Ford Mrs. Gene Pendl Hacienda Mexican Restaurants Mr. & Mrs. Richard Q. Stifel David & Maryanne Mesple Mr. Larry Makowski Ms. Laura Fuderer Becky Penn Charles S. Hayes, Inc. Dr. & Mrs. Stephen Strycker Mr. & Mrs. Sam Mirkin Ms. Catherine McCormick Mrs. Janina Goetz Ada-Eve Phillipson Robert J. Hiler Family Foundation Mr. & Mrs. George Stump Mr. & Mrs. Thomas Morris Mrs. Mary Ann McTigue Mr. & Mrs. W. Glenn Gordon Mr. William J. Reinke Holladay Properties Susan Tankersley Micheline & Norman Nilsen Mr. & Mrs. John L. Morgan Mrs. Frances H. Haidler Ms. Geraldine Ritchhart Hoosier Art Patrons Mr. William L. Tardani Mary Ellen O’Connell Ms. Bette O’Malley Ms. Nancy Hain Ms. Lenore S. Roark Investment Property Services, LLC Mr. & Mrs. Richard Trafas Ms. Ramona Payne & Ms. Jeannine Oren Mr. Anthony Fitts Mr. John P. Hart Mrs. Denise B. Roemer K & M Machine Fabricating, Inc. Mr. & Mrs. Greg Turner Mrs. Marie Priebe Donald & Marilyn Keough Mrs. Hilde Van Huffel Dr. J. R. Reineke Mrs. Robert Havlik Mrs. Mary J. Rummel Mrs. Gertrude Rubin Foundation Mr. Raymond A. Vander Heyden Mr. & Mrs. Joseph Ruppe Sally L. Hendricks Mr. Wolfgang Schmidt Ms. Joan L. Schweiger Kesling Foundation Mr. & Mrs. James C. Vanderkam Dr. & Mrs. David M. Sabato Mrs. Joan Henning Ms. Jean Sharp John J. Shields KeyBank Mr. & Mrs. Timothy Welsh Catherine Schmelter Ms. Rosemarie Hickey Mrs. Joyce Skillern Mr. Paul Stevenson Lake City Bank Kathy & Gary White Ellen &. Robert P. Sedlack Ms. Kay Hokanson Mrs. Patricia Skudlarek Mr. Raymond A. Vander Heyden Merrill Lynch Dr. & Mrs. Craig F. Williams Dr. & Mrs. William D. Shephard Ms. Joan Jaworski Ms. Jan Slaby Morgan Stanley Smith Barney Neil & Leah Silver SENIOR Mrs. Helga Jean Adrienne Sullivan FAMILY NIBCO INC. Mr. & Mrs. Charles Simon Ms. Pamela Alderton Ms. Brenda Johnson Mrs. Jackie Thomas Mr. & Mrs. Ira Anes Notre Dame Federal Credit Union Mr. & Mrs. Don Sporleder Mrs. Ilene Alpern Mrs. Susan Y. Kiang Mr. Zane P. Trinkley Dr. David Bechtold PNC Bank Adrian & Greg Sterling Mrs. Jack H. Appleton Ms. Natalie H. Klein Mrs. Rosalind Tucker Joseph Bock & Susan Lyke Palmer Funeral Homes Prof. William & Mary Strieder Ms. Eileen Balestri Mrs. Mary J. Knoll Mr. Robert H. Waechter Mr. & Mrs. Thomas J. Borger St. Andrew’s Plaza Mr. & Mrs. Duncan Stroik Mrs. Janet Berman Ms. Catherine Koscielski Ms. Jeanne Weir Mr. & Mrs. Brian Brady St. Joseph Regional Medical Center Mary E. Toll & William Heimann Ms. Martha E. Black Ms. Carol Kraabel Mrs. Eugene Weiss Dr. P. Nacu-Br&ewie Steel Warehouse Co., Inc. Mr. & Mrs. Edward Trubac Dr. Leslie Bodnar Ms. Kay Kramer Ms. Kathleen Welsh Mr. & Mrs. John E. Butkovich Teri Stout Interiors, Inc. Helen & James Voth Mrs. Dorothy J. Bollinger Mrs. Mary E. Kronstein Mr. Paul Wendzonka Mr. & Mrs. Peter D. Connolly Teachers Credit Union Ms. Lori Way Mrs. F. Peter Braasch Phyllis R. Kubale Ms. Jean Westl& Mr. & Mrs. James F. Cooke The Watson Foundation Mr. & Mrs. James R. Wenke Anita Brown Ms. Lydia Lee Mrs. Dot Wiekamp Mr. & Mrs. Paul Crowley Tom Wetzel & Kate Ranft Mrs. Eleanor R. Burke Ms. Phoebe Jo Lykowski Mrs. Barbara Williams Mr. & Mrs. William W. Dunn Kathy & Gary White Mrs. Gloria F. Carr Ms. Kay Marshall Mrs. Shirlee Wishinsky Dr. & Mrs. Howard R. Engel Mary Jane Chase Ms. Mary Ann Matthews-Derda Mrs. Gloria Wolvos Peg Coffey Dr. William B. McDonald Nada Worrell 34 35 FRIENDS OF THE SNITE MUSEUM Contributions to the Friends Endowment FundS

FRIENDS FORUM The Snite Museum of Art and its Friends member-

Meet Friends Board Member, ship organization are most grateful for endow- $5,000 ment donations made in honor of, or in memory Paul Stevenson, Vice President of, special individuals. The endowment earnings Community Relations support art education outreach programs. Cards Since joining the Friends board in 2006 Paul Stevenson of acknowledgment are sent to the honorees or to has been a great advocate for the Museum’s programs and the family of those memorialized.

exhibitions while also serving on the board of the Notre Tributes and memorials received June 28 through Friends Museum of Snite the for: Dame Club of St. Joseph Valley and as a volunteer for other November 30, 2012: community organizations. In 1978 he received a bachelor Friends Museum of Snite the of Art Box 368 P.O. IN 46556-0368 Dame, Notre of arts in business from Notre Dame and later returned to $10,000 Premier Circle Director’s Contributing $2,500 $1,000 Donor Benefactor $750 $500 Patron Supporting $250 Sustaining $100 $60 Family Individual $40 Senior $25 IN MEMORY OF: complete a master’s in 1993. Stevenson was born in New York, grew up in the Midwest, and lived in various large US William Bailey from: cities during his early professional career while working for Men & Women of the Air Force Rapid General Electric before deciding to settle in South Bend. Capabilities Office Currently he works as a sales and marketing consultant Alan Becker from: please check one: please check and is an adjunct faculty member of Trine University. You Janette Burkhart-Miller can read more about Stevenson on the Museum’s website.

Friends Board members Suzanne Cole and Paul Stevenson, Kay Donnelly from: the to enclosed a check payable I have $______. to: Please check mail the phone the may information only be exchanged over security, card credit For (574) 631-8501. (574) 631-5516, or via to fax along with other volunteers, staffed the August 2012 Art Marcia and Tom Blum

Beat information tent. Edward Goerner from: Dr. Isabel Charles Elizabeth and Bernard Doering

IN MEMORIAM Christine Goerner

Kathy Goerner zip ______Mary Alice Goerner-Funke

Advisory Council Member Rebecca and Edward Hurtik

Katherine Donnelly ______

Ji Eon Kim and Vittorio Hosle magazine. Katherine (Shields) Donnelly of Lake Macatawa, Leone and Anthony Michel ______Michigan, served on the Snite Museum of Art Runa and Asokendu Mozumder EVENTS

Advisory Council from 1987 until her death in July. Barbara and Donald Sniegowski ______state Though an alumnae of the University of Michigan, Joann and Donald Sporleder Donnelly was a fan of Notre Dame and its football Keiko and Matthew Storin

team. She served on a the boards of a number of Carole Walton e-mail address

community organizations active in the Holland, Charles W. Hillman from: __ Michigan, area, such as the Community Foundation Kathy Malone Beeler of Holland/Zeeland, Holland Area Arts Council, Frances Hoffmannfrom:

League of Women Voters, Hospice of Holland, and ______Aquinas College. Her three children—Susan, Joan Frank E. Smurlo, Jr.

and John—and seven grandchildren, survive her. Barbara Smith-Reid from: ______Her husband, John F. Donnelly, died in 1986. Frank E. Smurlo, Jr. Mary G. and Thomas F. Tobin from:

Betty Gallagher and John Snider memoryIn of of honor In for A membership or recipient; honoree family, sent the to Gifts cards acknowledged with are issue of names appear of donors following in the I choose to support to I choose by Snite Friends. becoming a member of the the individual(s) firm/corporate address city daytime phone support to I choose Friends the by making of a donation $

Katherine Donnelly IN HONOR OF: Dan Asleson from: Mrs. Rosalind D. Tucker Cut along the dotted lines 36 37 MUSEUM STAFF VOLUNTEERS MUSEUM THE FRIENDS OF THE ADVISORY COUNCIL DOCENTS SNITE MUSEUM OF ART MEMBERS Board of Directors

Douglas E. Bradley* HOUSEKEEPING Daniel Asleson Mary Allen Susan Cole, president John D. Reilly, chairman curator of the arts of the Americas, Deborah Osborn Mary Mahank Barnes Don L. Arenz Louise Anella Dr. Ann Uhry Abrams Africa, and Oceania Catherine Box Kari Black Rebecca Asleson William C. Ballard, Jr. Linda Canfield SECURITY Thomas Box assistant to the curator of education, Linda Brammer Pamela J. Austin James D. Bock Captain Daniel Kavanaugh Mary Jane Buzolich public programs Regina Chew Kathleen Malone Beeler Susan M. Driscoll security coordinator Autry Cataldo Rebeka Ceravolo William Adams Suzanne Cole Gilberto Cárdenas Kelly Kathleen Hamman registrar Joseph Cataldo Cecil Cole Emmy Dawson Christopher Craft Mrs. Joyce M. Hank Dinali Cooray Katerina Araman Linda DeCelles Ann Dean Anthony G. Hirschel administrative assistant, Elmer Bailey JoAnn Cook Friends of the Snite Museum Kelly Craft Ninette Deliyannides Richard J. Dougherty Richard H. Hunt Robert Barger Gina Costa Dixie Dougherty Julie Farmer Jane E. Emanoil Margreta G. Larson marketing and public relations specialist Leander Brown Ron Emanoil Mauro Fonacier Edward Everett III Thomas J. Lee Bridget Hoyt Rita Burks Phil Faccenda Sally Hendricks Angela M. Faccenda Dr. R. Stephen Lehman curator of education, academic programs Beverly Dempsey Charles Hayes Alice Henry Ruth Harmelink Rebecca Nanovic Lin Ann M. Knoll John Frilling Monte Hershberger associate director Birgitta Hulth Merv Kusnierek Patricia Kill Mrs. Virginia A. Marten Dennis Gaydos president emerita Charles R. Loving Denis Hulth Nancy Kuskierek William K. McGowan, Jr. Ginger Lake director and curator, Tonie Gryscha Joan Jaworski Sibylle Livingston Mrs. Marion Knott McIntyre George Rickey Sculpture Archive Tuck Langland Charles Harper Dennis Kaldenberg Sue Lowe Sophia Y. Meyers Sarah Martin Rose Lyphout Bruce Hess Brian Lake Phoebe Lykowski Eileen Keough Millard curator of education, public programs Patricia MacDonald Timothy McTigue Wanda Hughes Kay Marshall Charlotte Mittler Stephanie Mead Deirdre McTigue Sara Briggs Miller staff accountant Laccine Kabel Catherine A. McCormick Carmen Murphy John Phair Barbara L. Phair Leone Michel Aloysius H. Nathe Jennifer L. Millin Debra Kuskye Patty Reddy president emerita assistant director, academic advancement James Luczkowski Nancy Morgan Jeannie O’Neill for the arts Lenore Roark Celeste Ringuette Glenn Martin Kathleen Rose Mary Lou Mullen president emerita Dr. Morna E. O’Neill John Phegley* exhibition designer Christine Parisey Don Schefmeyer Anne Napoli Karen “Coco” Schefmeyer Mary K. O’Shaughnessy Joan Schweiger Paul W. Stevenson Michael Rippy Frederick Slaski Barbara Obenchain Christopher Scholz Robert Shields photographer, digital archivist Nancy Racine Joyce F. Stifel Frank E. Smurlo, Jr. Thomas Stafford Susan Shields Ramiro Rodriguez Donna Richter Teri Stout John L. Snider Gerald Strabley exhibition coordinator Richard Stifel Cleone Schultz Molly Trafas Courtney B. Stiefel Raymond Stout Cheryl K. Snay, PhD Ronald Suver president emerita Barbara Stump Carole Walton Michael E. Swoboda curator of European art Dian Weller Gregory Turner Christine Tirotta Helen Wellin Janet Unruh Heidi Williams Amy Tyler coordinator, John Tirotta Dr. James A. Welu Kathleen Reddy White Friends of the Snite Museum Matthew Tyler

* staff member for twenty-five Gary White years or more Front cover: detail of Allegory of the Hunt, After Luca Penni, 1556 Giorgio Ghisi (Italian, 1520–1582), See page 19 for more information

Printed in 2013 in Indiana by Evangel Press Evangel in Indiana by in 2013 Printed Smooth Cover White Options True 80 lb Mohawk Cover: Silk ECO Porcelain Body: 100lb Unisource Back cover: Little Seed, 2007 Peter Randall-Page (British, b. 1954), See page 15 for more information Snite Museum of Art Non-Profit Organization University of Notre Dame U.S. Postage P.O. Box 368 PAID Notre Dame, IN 46556-0368 Notre Dame, IN Permit No. 10 Return Service Requested