Northwest Ottawa County Encyclopedia of History
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"AUSTRALIA and HER NAVIGATORS" [By the President, COMMANDER NORMAN S
78 PRESIDENTIAL ADDRESS "AUSTRALIA AND HER NAVIGATORS" [By the President, COMMANDER NORMAN S. PIXLEY, C.M.G., M.B.E., V.R.D., Kt.O.N., F.R.Hist.S.Q.] (Read at a Meeting of the Society on 24 September 1970.) Joseph Conrad in his writings, refers to "The mysteriously born traditions of seacraft, command, and unity in an occu pation in which men's lives depend on each other." Still true today, how much more was this so with the mariners of long ago, who sailed in smaU ships for thousands of lonely leagues through unknown seas, for on them alone rested the safety of the ship and all on board. Dr. Johnson wrote "No man will be a saUor who has con trivance to get himself into jaU, for being in a ship is being in a jail with the chance of being drowned." There was more than an element of truth in this, for the seaman who refused to sail could be clapped in jail; whUst THE PRESIDENT, COMMANDER NORMAN S PIXLEY 79 those who did sail faced months in a confined space with acute discomfort, severe punishment at times, and provisions and water which deteriorated as the voyage proceeded. Scurvy kiUed more than storm and shipwreck until James Cook in his first voyage proved that it could be prevented. Clothing was rarely changed, the sailor coming wet to his hammock from his watch on deck in bad weather. Rats and cockroaches lived and thrived amongst the pro visions, adding to the problems of hygiene and health. -
A Steel-Hulled Bulk Freighter Measuring 610.9 in Length, with a Beam of 60.0 Feet, and a Depth of Hold of 32.6 Feet
NFS Form 10-900 OMB No. 1024-0018 (Rev. 8-86) United States Department of the Interior National Park Service NATIONAL National Register of Historic Places REGISTER Registration Form This form is for use in nominating or requesting determinations of eligibility for individual properties or districts. See instructions in Guidelines for Completing National Register Forms (National Register Bulletin 16). Complete each item by marking "x" in the appropriate box or by entering the requested information. If an item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, styles, materials, and areas of significance, enter only the categories and subcategories listed in the instructions. For additional space use continuation sheets (Form 10-900a). Type all entries. 1. Name of Property_________________________________________________ historic name Freighter WILLIAM A. IRVIN other names/site number N/A 2. Location street & number Minnesota Slip. Duluth Harbor I_| not for publication N/A city, town Duluth I I vicinity N/A state Minnesota code MN county St . Louis code 137 zip code 55802 3. Classification Ownership of Property Category of Property Number of Resources within Property I I private I I building(s) Contributing Noncontributing I~x1 public-local I I district ____buildings I I public-State I I site ____ sites I I public-Federal Pn structure ____ structures I I object ____ objects ____Total Name of related multiple property listing: Number of contributing resources previously listed in the National Register _Q______ 4. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1966, as amended, I hereby certify that this S nomination EH request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. -
The Mythologizing of the Great Lakes Whaleback
VERNACULAR IN CURVES: THE MYTHOLOGIZING OF THE GREAT LAKES WHALEBACK by Joseph Thaddeus Lengieza April, 2016 Director of Thesis: Dr. Bradley Rodgers Major Department: Maritime Studies, History The “whaleback” type of bulk commodity freighter, indigenous to the Great Lakes of North America at the end of the nineteenth century, has engendered much notice for its novel appearance; however, this appearance masks the essential vernacularity of the vessel. Comparative disposition analysis reveals that whalebacks experienced longevity comparable to contemporary Great Lakes freighter of similar construction material and size, implying that popular narrative overstates whaleback abnormality. Market and social forces which contributed to the rise and fall of the whaleback type are explored. VERNACULAR IN CURVES: THE MYTHOLOGIZING OF THE GREAT LAKES WHALEBACK A Thesis Presented To the Faculty of the Department of Maritime Studies East Carolina University In Partial Fulfillment of the Requirements for the Degree Master of Arts in Maritime Studies by Joseph Thaddeus Lengieza April, 2016 © Joseph Thaddeus Lengieza, 2016 VERNACULAR IN CURVES: THE MYTHOLOGIZING OF THE GREAT LAKES WHALEBACK By Joseph Thaddeus Lengieza APPROVED BY: DIRECTOR OF THESIS:_________________________________________________________ Bradley Rodgers, Ph.D. COMMITTEE MEMBER: _______________________________________________________ Nathan Richards, Ph.D. COMMITTEE MEMBER: _______________________________________________________ David Stewart, Ph.D. COMMITTEE MEMBER: _______________________________________________________ -
The Art Show 2018 Press
DOWNLOAD HI-RES IMAGES AT: HTTP://BIT.LY/2EVIOWJ THE ART SHOW 2018 HIGHLIGHTS 303 GALLERY D8 ALTMAN SIEGEL D20 Mary Heilmann Liam Everett 303 Gallery presents a solo exhibition of Altman Siegel presents a solo booth of new works by Mary Heilmann, whose highly work by Liam Everett. Building on investiga- inventive approach to abstraction has tions explored in his 2017 solo exhibition at made her one of the foremost painters SFMOMA, Everett will present a suite of new of her generation. Recent paintings, glazed paintings that unfold interrelated systems and ceramics and an arrangement of furniture made interpretations of support. Everett’s installation by the artist appear alongside several examples will continue along these investigative threads: in these mediums from previous decades. By jux- the physical act of supporting a painting and taposing new works with historic ones, the exhibition the routine practice an artist undertakes daily, becomes a storyboard, charting the evolution of her as well as pedagogical rituals shaped through practice while allowing visitors to draw parallels across rehearsal. Focused on what he calls “systems time periods. Brightly colored chairs transform the booth of support,” Everett’s framed paintings—like into a social space akin to a living room or the artist’s studio, previous bodies of work—will implicate the floor, inviting viewers to relax and spend time in Heilmann’s world. wall and body, exposing the animate qualities of 1 3 the artworks and affirming his interest in investi- Mary Heilmann. Shadow Cup 2, 1985. Glazed ceramic, 21 ⁄4 × 24 × 1 ⁄4 in. © Mary Heilmann. -
Maine Woods, Phillips, Main?, Au Gu St 26, 1915
■s VOL. XXXVIII NO. 5. MAINE WOODS, PHILLIPS, MAIN?, AU GU ST 26, 1915. PR IC E 4 CENT* TRIED TO DUNHAM AND KINNEY REUNIOiN The Dunham and Kinney reunion SELL TEAM was held at the home of James Dur ham in Madrid Friday, August 20. T lie re were 178 in attendance. All j With a team whicih they had stol-1 seemed to enjoy the day immensely. [ en from J. H. Goddard, 103 Park At the business meeting James j St., Lewiston, two young men drove Dunham was chosen president; Bert into the stable of N. J. Hackett, late j Kinney, vice president; May Dun-, Saturday afternoon fend tried to sell1 ham, secretary; Grace Pillsbury, | the rig for $200. , The team had > treasurer. evidently depreciated in value since | A short pregram was rendered that! leaving Farmington for they had of-j was much enjoyed. A fine picnic j fered it to Clark & Russell for $250. ( dinner was served t! at was also; They later knocked the price way , much enjoyed. A hall game was an down and tried to get rid of it 1 interesting feature for the hoys. for $$0. Descriptions of Che pair j The reunion will be held next year vary somewhat. Th-^ir ages are I with Mrs. .'Myrtle Wilbur in .Mad given at about 20 and *25. They both rid. r wore dark suits and gray raincoats. The" older man wore a hat and his VOTER FAMILY ASSOCIATION comp&uion a mixed gray cap and white tennis shoes. The Seventh Annual Reunion of the Voter Fam ily Association will be One of the Finest Appointed Resort Hotels in the State of Maine They gave the names of Frank held on August 31, 1915 at the and Walter Brooks, claiming to be Grange hail at Phillips, Me. -
VOL. 5 JUNE 1956 N0.6 W T I T B T a P T PUBLISHED BY
( L d e s c o p e 2 5 0 VOL. 5 JUNE 1956 N0.6 W t i t B t a p t PUBLISHED BY G r eat L a k e s M o d e l S hipbuilders ' G u il d J. E. JOHNSTON, 54Q1 Woodward Avenue R- H DAVISON, E d ito r:____ Detro.t 2> Michigan — Associate_Editor Membership $3.00 Subscription $2.50 Supported in part by the Detroit Historical Society EDITORIAL Cooperation is the key to whatever success we have achieved in our effort to preserve the history of Great Lakes commervial shipping. There have been so many examples of good cooperation, within the past month, it might be well to mention it here. The U.S.Naval Reserve, Chicago office, came up with plans and photo graphs of the "Willmette", ex "Eastland”. The brothers, Frank and Robt. Kuhn, dropped in at the museum with a lot of good leads, and the sheets from the plans of the "Virginia" which are missing from our set. Mr.Wil- liam McDonald sent in the histories of the steamers shown on the last pages of this issue. Mr.Dexter Goodison, of Erieau, Ontario, presented us with the plans of a modern, welded-steel gill netter. Frank Slyker brought in his completed plans of the U.S.Michigan (later the gunboat "Wolverine"). The American Shipbuilding sent us the plans of the flat top "Wolverine" which was formerly the "Seeandbee". All this is very gratifying, and confirms our belief that through regional cooperation there is hardly any end to what we may achieve in the field of Creat Lakes history. -
Nineteenth-Century Settlement Patterning in the Grand River Valley, Ottawa County, Michigan: an Ecological Approach
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1982 Nineteenth-century settlement patterning in the Grand River Valley, Ottawa County, Michigan: An ecological approach. Donald Walter Linebaugh College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Linebaugh, Donald Walter, "Nineteenth-century settlement patterning in the Grand River Valley, Ottawa County, Michigan: An ecological approach." (1982). Dissertations, Theses, and Masters Projects. Paper 1593092075. https://dx.doi.org/doi:10.21220/m2-20t8-xg05 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. NINETEENTH-CENTURY SETTLEMENT PATTERNING IN THE GRAND RIVER VALLEY, OTTAWA COUNTY, MICHIGAN: AN ECOLOGICAL APPROACH A Thesis Presented to The Faculty of the Department of Anthropology The College of William and Maiy in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Donald W. Linebaugh 1982 (Revised 1990) APPROVAL SHEET This thesis is submitted in partial fulfillment of the requirements for the degree of Master of Arts Donald W. Linebaugh Author Approved, June 1982 Norman Barka Edwin Dethlefsen Darrell Miller Ill ACKNOWLEDGEMENTS The author would like to express his appreciation to Professor Richard E. Flanders for his suggestions and guidance in choosing and researching this topic. The writer is indebted to Professor Norman F. -
Leslie Wayne on Sculpting Paint and Repairing What Is Broken
Est. 1902 home • ar tnews • ar tists Artist Leslie Wayne on Sculpting Paint and Repairing What Is Broken BY FRANCESCA ATON June 15, 2021 5:57pm Artist Leslie Wayne (https://www.artnews.com/t/leslie-wayne/) molds and manipulates oil paint to create surfaces that blur the confines of painting and sculpture. Wayne found “an approach to [paint] that was very dimensional,” as she told Brooke Jaffe (https://www.artnews.com/t/brooke-jaffe/) in a recent interview for “ARTnews Live,” our ongoing IGTV series featuring interviews with a range of creatives. Wayne, the daughter of a concert pianist and a writer, began painting lessons at the age of 7 and lived in what she describes as a very open and “encouraging” household. Dissatisfied with the body of abstract geometric paintings featured in her first show—she says they felt formally rigorous but “hollow”—Wayne soon began integrating sculptural techniques into her paintings, which she says “helped me kind of build a vocabulary that was fresh and new to me.” It was then that Wayne realized “paint could be used like you would use any other material to build a work of art.” Her advice to aspiring artists is to “be courageous in the studio.” Wayne said her latest body of work, currently on view at Jack Shainman Gallery (https://www.artnews.com/t/jack- shainman-gallery/) in New York, was born from reflection. “I was looking inward as I gaze outside,” she wrote, referring to time spent indoors during the pandemic. Her paintings depict objects that she has been surrounded by in her studio, including work tables and rolling carts as well as stacks of marble that her husband, sculptor Don Porcaro, uses in his work. -
US Geologic Survey
round goby<br /><br /> (Neogobius melanostomus) - FactSheet http://nas.er.usgs.gov/queries/factsheet.aspx?SpeciesID=713 NAS - Nonindigenous Aquatic Species Home Alert System Database & Queries Taxa Information Neogobius melanostomus Collection Info (round goby) HUC Maps Fishes Point Maps Exotic to United States Fact Sheet ©Dave Jude, Center for Great Lakes Aquatic Sciences Neogobius melanostomus (Pallas 1814) Common name: round goby Synonyms and Other Names: Apollonia melanostoma (Pallas, 1814), Apollonia melanostomus (Pallas, 1814) See Stepien and Tumeo (2006) for name change. Taxonomy: available through Identification: Distinguishing characteristics have been given by Berg (1949), Miller (1986), Crossman et al. (1992), Jude (1993), and Marsden and Jude (1995). Young round gobies are solid slate gray. Older fish are blotched with black and brown and have a greenish dorsal fin with a black spot. The raised eyes on these fish are also very distinctive (Jude 1993). This goby is very similar to native sculpins but can be distinguished by the fused pelvic fins (sculpins have two separate fins) (Marsden and Jude 1995). Size: 30.5 cm; 17.8 cm maximum seen in United States (Jude 1993). Native Range: Fresh water, prefers brackish (Stepien and Tumeo 2006). Eurasia including Black Sea, Caspian Sea, and Sea of Azov and tributaries (Miller 1986). 1 of 6 7/21/2011 2:11 PM round goby<br /><br /> (Neogobius melanostomus) - FactSheet http://nas.er.usgs.gov/queries/factsheet.aspx?SpeciesID=713 Alaska Hawaii Caribbean Guam Saipan Interactive maps: Point Distribution Maps Nonindigenous Occurrences: DETAILED DISTRIBUTION MAP This species was introduced into the St. Clair River and vicinity on the Michigan-Ontario border where several collections were made in 1990 on both the U.S. -
The Mystery of the Deadwater Wreck
The Mystery of the Deadwater Wreck By Rupert Gerritsen Abstract Historical research indicates there may be the remains of a 17th century Dutch shipwreck in part of an estuarine system in the south west of Western Australia. A variety of highly credible informants described the wreck in the 19th century, yet is seems to have ‘disappeared’. This paper endeavours to explain what happened to the wreck, why it ‘disappeared’ and where it is now. In 1611, as the Dutch were building their trading empire in the East Indies, one of the captains of the Vereenigde Oost-Indische Compagnie (VOC), Hendrik Brouwer, tested out the idea that the Indies could be reached more quickly and easily by sailing due east from the Cape of Good Hope, following the Roaring Forties across the southern Indian Ocean, and then turning north to make for Java. The experiment was a great success, it halved the time such voyages took, and in 1616 the VOC officially adopted the ‘Brouwer Route’ and instructed their captains to follow it. Unbeknownst to them, the Brouwer Route took them very close to the west coast of Australia. At that time all that was known of Australia was 250 kilometres of the west side of Cape York in northern Australia, charted by Willem Janszoon in the Duyfken in 1606. Following the Brouwer Route, Dutch ships soon began encountering the west coast of Australia, the first being Dirk Hartog in the Eeendracht in 1616. Hartog landed at Point Inscription on 25 October 1616 and left behind an inscribed pewter plate, now held by the Rijksmuseum in the Netherlands, signifying his historic ‘discovery’. -
Limited IOC-IHO/GEBCO SCUFN-XIV/3 English Only
Distribution : limited IOC-IHO/GEBCO SCUFN-XIV/3 English only INTERGOVERNMENTAL INTERNATIONAL OCEANOGRAPHIC HYDROGRAPHIC COMMISSION (of UNESCO) ORGANIZATION Japan Oceanographic Data Center Tokyo, Japan 17-20 April 2001 SUMMARY REPORT IOC-IHO/GEBCO SCUFN-XIV/3 Page intentionally left blank IOC-IHO/GEBCO SCUFN-XIV/3 Page i ALPHABETIC INDEX OF UNDERSEA FEATURE NAMES CONSIDERED AT SCUFN XIV AND APPEARING IN THIS REPORT (*=new name approved) Name Page Name Page ABY Canyon * 19 ARS Canyon * 94 AÇOR Bank * 26 ATHOS Canyon * 93 AÇOR Fracture Zone 26 'ATI'APITI Seamount 98 AÇORES ESTE Fracture Zone * 26 AUDIERNE Canyon * 90 AÇORES NORTE Fracture Zone 26 AUDIERNE Levee * 90 AÇORES-BISCAY Cordillera 26 AVON Canyon * 78 AEGIR Ridge 23 BAOULÉ Canyon * 19 AEGIS Spur * 87 BEAUGÉ Promontory * 85 AGOSTINHO Seamount * 26 BEIJU Bank * 58 AIGUILLON Canyon * 94 BEIRAL DE VIANA Escarpment * 6 AIX Canyon * 94 BELLE-ILE Canyon * 92 AKADEMIK KURCHATOV 12 BERTHOIS Spur * 86 Fracture Zone * AKE-NO-MYOJO Seamount * 52 BIJAGÓS Canyon * 11 ALBERT DE MONACO Ridge * 27 BIR-HAKEIM Bank 96 ALVARO MARTINS Hill * 27 BLACK Hole * 71 AMAMI Rise 62 BLACK MUD Canyon * 86 AMANOGAWA Seamounts * 69 BLACK MUD Levee * 89 AN-EI Seamount * 74 BLACK MUD SUPERIEUR 95 Seachannel ANITA CONTI Seamounts * 18 BLACK MUD INFERIEUR 95 Seachannel ANNAN Seamount 10 BOGDANOV Fracture Zone * 81 ANTON LEONOV Seamount * 11 BORDA Seamount * 27 ANTONIO DE FREITAS Hill * 27 BOREAS Abyssal Plain 23 ARAKI Seamount * 65 BOURCART Spur 97 ARAMIS Canyon * 93 BOURÉE Hole * 27 ARCACHON Canyon * 92 BRENOT Spur -
Antipodes: in Search of the Southern Continent Is a New History of an Ancient Geography
ANTIPODES In Search of the Southern Continent AVAN JUDD STALLARD Antipodes: In Search of the Southern Continent is a new history of an ancient geography. It reassesses the evidence for why Europeans believed a massive southern continent existed, About the author and why they advocated for its Avan Judd Stallard is an discovery. When ships were equal historian, writer of fiction, and to ambitions, explorers set out to editor based in Wimbledon, find and claim Terra Australis— United Kingdom. As an said to be as large, rich and historian he is concerned with varied as all the northern lands both the messy detail of what combined. happened in the past and with Antipodes charts these how scholars “create” history. voyages—voyages both through Broad interests in philosophy, the imagination and across the psychology, biological sciences, high seas—in pursuit of the and philology are underpinned mythical Terra Australis. In doing by an abiding curiosity about so, the question is asked: how method and epistemology— could so many fail to see the how we get to knowledge and realities they encountered? And what we purport to do with how is it a mythical land held the it. Stallard sees great benefit gaze of an era famed for breaking in big picture history and the free the shackles of superstition? synthesis of existing corpuses of That Terra Australis did knowledge and is a proponent of not exist didn’t stop explorers greater consilience between the pursuing the continent to its sciences and humanities. Antarctic obsolescence, unwilling He lives with his wife, and to abandon the promise of such dog Javier.