DOCSLIB.ORG

Samantha Burke Graduate Program Final

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

III. Waldesgespräch ESSENTIAL IV. Die Stille A RECITAL-DOCUMENTARY PRESENTED BY: Mörike Lieder Hugo Wolf SAMANTHA BURKE II. Der Knabe und das Immlein (1860-1903) SOPRANO Romances op. 4 Sergei Rachmaninoff from the studio of Professor Amy Shoremount-Obra I. Oh no, I beg you, forsake me not (1873-1943) in collaboration with III. In the silence of the secret night ALYSSA NEECE Producer, Videographer, Editor NAOMI NEILSEN Videographer, Editor Romances op. 14 D.D. JACKSON Video Editor, Arranger, Pianist XI. Spring Waters RICHARD HAGEMANN Collaborative Pianist TONY LEWIS Drummer (Sinnerman) RAFAEL GONÇALVES Guitarist (Black is the Color) – INTERMISSION – SILKY MARSHARIKA-CARTER Soprano (Sinnerman) JARIUS CLIETT Baritone (SInnerman) Faces of Love Album Jake Heggie NICO ORDONEZ Bassist (Sinnerman) Of Gods and Cats (1961-present) CHANTEL J. MILLER Spoken Word Poet This Master’s recital is presented in fulfillment of degree requirements. Memories Charles Ives A. Very Pleasant (1874-1954) This program is dedicated with love to Gretchen, Alexa, Jaecob, and B. Rather Sad Joshua for your never-ending love and support. In a Sentimental Mood Duke Ellington – PROGRAM – (1899-1974) Tribute Nina Simone 3 Sonei del Petrarca, S.270 Franz Liszt Black is the Color of my true love’s hair (Scoish Folksong) (1933-2003) III. I' vidi in terra angelici costumi (1811-1886) Sinnerman originally by Will Holt (1929-2015) Élégie Jules Massenet Invocation from Les Érinnyes (1842-1912) Inspired by Maslow's hierarchy of needs, this recital-documentary is intended as Liederkreis, Op. 39 Robert Schumann a social commentary of the effects Covid-19 and racial injustice that we face in I. In der Fremde (1810-1856) the United States. The culmination of this recital program came from songs that II. Intermezzo reflect the time in which we are living. 1 TEXTS & TRANSLATIONS ┃BIOS┃PROGRAM NOTES 1. I Vidi in Terra Angelici Costumi- Franz Liszt 2. Elégie- Jules Massenet I 'vidi in terra angelici costumi I saw angelic virtue on earth Ô doux printemps d'autrefois, O sweet Spring of I 'vidi in terra angelici costumi, I saw angelic virtue on earth vertes saisons, vous yesteryear, green seasons, E celesti bellezze al mondo sole; and heavenly beauty on terrestrial avez fui pour toujours! Je ne vois you have fled forever! I no Tal che di rimembrar mi giova, e soil, plus le ciel bleu, longer see the blue sky, dole: so I am sad and joyful at the Che quant'io miro, par sogni, memory, Je n'entends plus les chants joyeux I no longer hear the joyous ombre, e fumi. and what I see seems dream, des oiseaux! En songs of the birds! You have shadows, smoke: emportant mon bonheur, Ô fled, my love, and with you E vidi lagrimar que 'duo at lumi, bien-amé, tu t'en es allé! has fled my happiness. Ch'han fatto mille volte invidia al and I saw two lovely eyes that sole; wept, Et c'est en vain que revient le And it is in vain that the Ed udì 'sospirando dir parole that made the sun a thousand printemps! Oui! Sans spring returns! Yes along Che farian gir i monti, e stare i times jealous: retour, avec toi, le gai soleil, les with you, the cheerful sun, fiumi. and I heard words emerge among jours riants sont partis! the laughing days have sighs gone! Amor! senno! valor, pietate, e that made the mountains move, doglia and halted rivers. Comme en mon coeur tout est As my heart is dark and Facean piangendo un più dolce Love, Judgement, Pity, Worth and sombre et glacé, frozen, so all is withered for concento Grief, tout est flétri pour toujours! evermore! D'ogni altro, che nel mondo udir made a sweeter chorus of si soglia. weeping than any other heard beneath the Ed era 'l cielo all'armonia moon: s'intento and heaven so intent upon the Che non si vedea in ramo mover harmony foglia. no leaf was seen to move on the Tanta dolcezza avea pien l'aer e'l boughs, vento. so filled with sweetness were the wind and air. 2 TEXTS & TRANSLATIONS ┃BIOS┃PROGRAM NOTES 3. Liederkreis op.39- Robert Schumann Waldesgespräch A Forest Dialogue In der Fremde In a Foreign Land Es ist schon spät, es ist schon kalt, It is already late, already cold, Was reit’st du einsam durch den Wald? Why ride lonely through the forest? Aus der Heimat hinter den Blitzen rot From my homeland, beyond the red The forest is long, you are alone, Da kommen die Wolken her, lightning, There the clouds come Der Wald ist lang, du bist allein, You lovely bride! I’ll lead you drifting in, Du schöne Braut! Ich führ’ dich heim! home! Aber Vater und Mutter sind lange tot, But father and mother have long ‘Great is the deceit and cunning of Es kennt mich dort keiner mehr. been dead, „Groß ist der Männer Trug und List, men, My heart is broken with grief, Now no one knows me there. Vor Schmerz mein Herz gebrochen ist, The hunting horn echoes here and Wie bald, ach wie bald kommt die stille How soon, ah! how soon till that there, Zeit, quiet time Wohl irrt das Waldhorn her und hin, O flee! You do not know who I am.’ Da ruhe ich auch, und über mir When I too shall rest So richly adorned are steed and Rauscht die schöne Waldeinsamkeit, Beneath the sweet murmur of lonely O flieh! Du weißt nicht, wer ich bin.“ lady, woods, So wondrous fair her youthful form, Und keiner kennt mich mehr hier. I will be forgotten here as well. So reich geschmückt ist Roß und Weib, Now I know you—may God protect me! Intermezzo Intermezzo So wunderschön der junge Leib, You are the enchantress Lorelei. ‘You know me well—from its Dein Bildnis wunderselig I bear your beautiful likeness Jetzt kenn’ ich dich—Gott steh’ mir bei! towering rock Hab’ ich im Herzensgrund, Deep within my heart, Du bist die Hexe Loreley. My castle looks silently into the Das sieht so frisch und fröhlich It gazes at me every hour „Du kennst mich wohl—von hohem Rhine. Mich an zu jeder Stund’. So freshly and happily. Stein It is already late, already cold, Mein Herz still in sich singet My heart sings softly to itself Schaut still mein Schloß tief in den You shall never leave this forest Ein altes, schönes Lied, An old and beautiful song Rhein. again!’ Das in die Luft sich schwinget That soars into the sky Es ist schon spät, es ist schon kalt, Und zu dir eilig zieht. And swiftly wings its way to you. Kommst nimmermehr aus diesem Wald!“ 3 TEXTS & TRANSLATIONS ┃BIOS┃PROGRAM NOTES Die Stille Silence Schickt sie dich nach mir aus? Did she send you to me? Es weiß und rät es doch Keiner, No one knows and no one can guess „O nein, du feiner Knabe, ‘Oh no, you handsome boy, Wie mir so wohl ist, so wohl! How happy I am, how happy! Es hieß mich niemand Boten gehn; No one bade me bear messages; Ach, wüßt’ es nur Einer, nur Einer, If only one, just one person knew, Dieses Kind weiß nichts von Lieben, This child knows nothing of love, Kein Mensch es sonst wissen soll! No one else ever should! Hat dich noch kaum gesehn. Has she scarcely even noticed So still ist’s nicht draußen im Schnee, The snow outside is not so silent, Was wüßten auch die Mädchen, you.What can girls know So stumm und verschwiegen sind So still and taciturn Wenn sie kaum aus der Schule sind! When hardly out of school! Die Sterne nicht in der Höh’, Nor are the stars on high Als meine Gedanken sind. As my own thoughts. Your beloved sweetheart Ich wünscht’, ich wär’ ein Vöglein I wish I were a little bird, Dein herzallerliebstes Schätzchen Is still her mother’s child. Und zöge über das Meer, And could fly across the sea, Ist noch ein Mutterkind. I bring her wax and honey; Wohl über das Meer und weiter, Across the sea and further, Ich bring ihm Wachs und Honig; Farewell! – I’ve gathered a whole Bis daß ich im Himmel wär’! Until I were in heaven! Ade! – ich hab ein ganzes Pfund; pound; How your beloved will laugh! Wie wird das Schätzchen lachen, Her mouth’s already watering.’ 4. Mörike Lieder (Der Knabe und das Immlein)-Hugo Wolff Ihm wässert schon der Mund.“ Ah, if only you would tell her, Der Knabe und das Immlein The Boy and the Bee I know of something much Ach, wolltest du ihr sagen, sweeter: Im Weinberg auf der Höhe On the hill-top vineyard Ich wüßte, was viel süßer ist: Ein Häuslein steht so winderbang, There stands a hut so timidly, There’s nothing lovelier on earth Hat weder Tür noch Fenster, It has neither door nor window Nichts Lieblichers auf Erden Than when one hugs and kisses! Die Weile wird ihm lang. And feels time dragging by. Als wenn man herzt und küßt! Und ist der Tag so schwüle, And when the day’s so sultry Sind all verstummt die Vögelein, And every little bird is silent, Summt an der Sonnenblume A solitary bee Ein Immlein ganz allein. Buzzes round the sunflower. Mein Lieb hat einen Garten, My sweetheart has a garden Da steht ein hübsches Immenhaus: With a pretty beehive in it: Kommst du daher geflogen? Is that where you’ve flown from? 5. Romances op.4 and op. 14-Sergei Rachmaninoff 4 TEXTS & TRANSLATIONS ┃BIOS┃PROGRAM NOTES О, долго буду я, в молчаньи In the silence of the secret night О, нет, молю, не уходи! (op.4 O, no, I beg you, do not leave! ночи тайной (op.
Recommended publications
  • Songs by Artist

    Songs by Artist

    Reil Entertainment Songs by Artist Karaoke by Artist Title Title &, Caitlin Will 12 Gauge Address In The Stars Dunkie Butt 10 Cc 12 Stones Donna We Are One Dreadlock Holiday 19 Somethin' Im Mandy Fly Me Mark Wills I'm Not In Love 1910 Fruitgum Co Rubber Bullets 1, 2, 3 Redlight Things We Do For Love Simon Says Wall Street Shuffle 1910 Fruitgum Co. 10 Years 1,2,3 Redlight Through The Iris Simon Says Wasteland 1975 10, 000 Maniacs Chocolate These Are The Days City 10,000 Maniacs Love Me Because Of The Night Sex... Because The Night Sex.... More Than This Sound These Are The Days The Sound Trouble Me UGH! 10,000 Maniacs Wvocal 1975, The Because The Night Chocolate 100 Proof Aged In Soul Sex Somebody's Been Sleeping The City 10Cc 1Barenaked Ladies Dreadlock Holiday Be My Yoko Ono I'm Not In Love Brian Wilson (2000 Version) We Do For Love Call And Answer 11) Enid OS Get In Line (Duet Version) 112 Get In Line (Solo Version) Come See Me It's All Been Done Cupid Jane Dance With Me Never Is Enough It's Over Now Old Apartment, The Only You One Week Peaches & Cream Shoe Box Peaches And Cream Straw Hat U Already Know What A Good Boy Song List Generator® Printed 11/21/2017 Page 1 of 486 Licensed to Greg Reil Reil Entertainment Songs by Artist Karaoke by Artist Title Title 1Barenaked Ladies 20 Fingers When I Fall Short Dick Man 1Beatles, The 2AM Club Come Together Not Your Boyfriend Day Tripper 2Pac Good Day Sunshine California Love (Original Version) Help! 3 Degrees I Saw Her Standing There When Will I See You Again Love Me Do Woman In Love Nowhere Man 3 Dog Night P.S.
  • Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse

    Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse

    Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-7-2018 12:30 PM Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse Renee MacKenzie The University of Western Ontario Supervisor Nolan, Catherine The University of Western Ontario Sylvestre, Stéphan The University of Western Ontario Kinton, Leslie The University of Western Ontario Graduate Program in Music A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Musical Arts © Renee MacKenzie 2018 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Music Performance Commons Recommended Citation MacKenzie, Renee, "Rachmaninoff's Piano Works and Diasporic Identity 1890-1945: Compositional Revision and Discourse" (2018). Electronic Thesis and Dissertation Repository. 5572. https://ir.lib.uwo.ca/etd/5572 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract This monograph examines the post-exile, multi-version works of Sergei Rachmaninoff with a view to unravelling the sophisticated web of meanings and values attached to them. Compositional revision is an important and complex aspect of creating musical meaning. Considering revision offers an important perspective on the construction and circulation of meanings and discourses attending Rachmaninoff’s music. While Rachmaninoff achieved international recognition during the 1890s as a distinctively Russian musician, I argue that Rachmaninoff’s return to certain compositions through revision played a crucial role in the creation of a narrative and set of tropes representing “Russian diaspora” following the 1917 Bolshevik Revolution.
  • Songs by Title Karaoke Night with the Patman

    Songs by Title Karaoke Night with the Patman

    Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P.
  • Rachmaninoff's Early Piano Works and the Traces of Chopin's Influence

    Rachmaninoff's Early Piano Works and the Traces of Chopin's Influence

    Rachmaninoff’s Early Piano works and the Traces of Chopin’s Influence: The Morceaux de Fantaisie, Op.3 & The Moments Musicaux, Op.16 A document submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Musical Arts in the Division of Keyboard Studies of the College-Conservatory of Music by Sanghie Lee P.D., Indiana University, 2011 B.M., M.M., Yonsei University, Korea, 2007 Committee Chair: Jonathan Kregor, Ph.D. Abstract This document examines two of Sergei Rachmaninoff’s early piano works, Morceaux de Fantaisie, Op.3 (1892) and Moments Musicaux, Opus 16 (1896), as they relate to the piano works of Frédéric Chopin. The five short pieces that comprise Morceaux de Fantaisie and the six Moments Musicaux are reminiscent of many of Chopin’s piano works; even as the sets broadly build on his character genres such as the nocturne, barcarolle, etude, prelude, waltz, and berceuse, they also frequently are modeled on or reference specific Chopin pieces. This document identifies how Rachmaninoff’s sets specifically and generally show the influence of Chopin’s style and works, while exploring how Rachmaninoff used Chopin’s models to create and present his unique compositional identity. Through this investigation, performers can better understand Chopin’s influence on Rachmaninoff’s piano works, and therefore improve their interpretations of his music. ii Copyright © 2018 by Sanghie Lee All rights reserved iii Acknowledgements I cannot express my heartfelt gratitude enough to my dear teacher James Tocco, who gave me devoted guidance and inspirational teaching for years.
  • Praise & Worship from Moody Radio

    Praise & Worship from Moody Radio

    Praise & Worship from Moody Radio 04/28/15 Tuesday 12 A (CT) Air Time (CT) Title Artist Album 12:00:10 AM Hold Me Jesus Big Daddy Weave Every Time I Breathe (2006) 12:03:59 AM Do Something Matthew West Into The Light 12:07:59 AM Wonderful Merciful Savior Selah Press On (2001) 12:12:20 AM Jesus Loves Me Chris Tomlin Love Ran Red (2014) 12:15:45 AM Crown Him With Many Crowns Michael W. Smith/Anointed I'll Lead You Home (1995) 12:21:51 AM Gloria Todd Agnew Need (2009) 12:24:36 AM Glory Phil Wickham The Ascension (2013) 12:27:47 AM Do Everything Steven Curtis Chapman Do Everything (2011) 12:31:29 AM O Love Of God Laura Story God Of Every Story (2013) 12:34:26 AM Hear My Worship Jaime Jamgochian Reason To Live (2006) 12:37:45 AM Broken Together Casting Crowns Thrive (2014) 12:42:04 AM Love Has Come Mark Schultz Come Alive (2009) 12:45:49 AM Reach Beyond Phil Stacey/Chris August Single (2015) 12:51:46 AM He Knows Your Name Denver & the Mile High Orches EP 12:55:16 AM More Than Conquerors Rend Collective The Art Of Celebration (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 1 A (CT) Air Time (CT) Title Artist Album 1:00:08 AM You Are My All In All Nichole Nordeman WOW Worship: Yellow (2003) 1:03:59 AM How Can It Be Lauren Daigle How Can It Be (2014) 1:08:12 AM Truth Calvin Nowell Start Somewhere 1:11:57 AM The One Aaron Shust Morning Rises (2013) 1:15:52 AM Great Is Thy Faithfulness Avalon Faith: A Hymns Collection (2006) 1:21:50 AM Beyond Me Toby Mac TBA (2015) 1:25:02 AM Jesus, You Are Beautiful Cece Winans Throne Room 1:29:53 AM No Turning Back Brandon Heath TBA (2015) 1:32:59 AM My God Point of Grace Steady On 1:37:28 AM Let Them See You JJ Weeks Band All Over The World (2009) 1:40:46 AM Yours Steven Curtis Chapman This Moment 1:45:28 AM Burn Bright Natalie Grant Hurricane (2013) 1:51:42 AM Indescribable Chris Tomlin Arriving (2004) 1:55:27 AM Made New Lincoln Brewster Oxygen (2014) Praise & Worship from Moody Radio 04/28/15 Tuesday 2 A (CT) Air Time (CT) Title Artist Album 2:00:09 AM Beautiful MercyMe The Generous Mr.
  • The Blue and White

    The Blue and White

    THE UNDERGRADUATE MAGAZINE OF COLUMBIA UNIVERSITY, EST. 1890 THE BLUE AND WHITE Vol. XIX No. III May 2013 Lies My Teacher Told Me What you need to know before you teach for America Paying it Forward Pervasive debt at Columbia's nontraditional college ALS O INSIDE: CULTURE! AND SUB-CULTURE! Conor Skelding, CC ’14, Editor in Chief ANNA BAHR, BC ’14, Managing Editor ALLIE CURRY, CC ’13, Senior Editor Will Holt, CC ’15, Senior Editor TORSTEN ODLAND, CC ’15, Senior Editor CLAIRE SABEL, CC ’13, Senior Editor JESSIE CHASAN-TABer, CC ’16, Layout Editor LEILA MGALOBLISHVILI, CC ’16, Senior Illustrator ZUZANA GIERTLOVA, BC ’14, Publisher SOMER OMAR, CC ’16, Public Editor Staff Writers NAOMI SHArp, CC ’15 ALEXANDER PINES, CC ’16 Contributors NAOMI COHen, CC ’15 KATIE DONAHoe, BC ’16 BRITT FOSSUM, CC ’16 LUCA MARZORAti, CC ’15 MATTHEW SCHANTZ, CC ’13 DANIEL STONE, CC ’16 ALEXANDRA SVOKOS, CC ’14 HALLIE NELL SWANSON, CC ’16 Artists JULIETTE CHEN, CC ’16 BRITT FOSSUM, CC ’16 JIYOON HAN, CC ’13 ANGEL JIANG, CC ’15 KATHARINE LIN, CC ’16 ELISA MIRKIL, CC ’16 ALEXANDER PINES, CC ’16 ANNE SCOTTI, CC ’16 HANK SHORB, CC ’16 Editors Emeriti SYLVIE KREKOW, BC ’13 BRIAN WAGNER, SEAS ’13 THE BLUE & WHITE Vol. XIX FAMAM EXTENDIMUS FACTIS No. III COLUMNS FEATURES 4 BLUEBOOK Sylvie Krekow & 10 AT TWO SWORDS’ LENGTH: SHOULD YOU GRADUATE? 6 BLUE NOTES Brian Wagner Our monthly prose and cons 8 CAMPUS CHARACTERS 12 VERILY VERITAS Will Holt 13 ALL BROOKLYN BEER TASTES THE SAME 27 CURIO COLUMBIANA A B&W editor hops to Brooklyn to see what’s brewing 28 SKETCHBOOK 34 MEASURE
  • Casting Crowns Casting Crowns Songs

    Casting Crowns Casting Crowns Songs

    Casting crowns casting crowns songs Get Casting Crowns new album, "The Very Next Thing" featuring the latest singles "One Step Away" & "The Very Next Thing". Available Now!​Tour · ​The Very Next Thing · ​Music · ​The Band. Oh my soul, you are not alone There's a place where fear has to face the God you know, one more day. Casting Crowns' official music video for 'American Dream'. Click to listen to Casting Crowns on Spotify. All You've Ever Wanted · Already There · Always Enough · Angel · Blessed Redeemer · Broken Together · City On the Hill · Courageous · Dream for You · East To. Casting Crowns new songs, albums, biography, chart history, photos, videos, news, and more on Billboard, the go-to source for what's hot in music. The latest songs, albums, lyrics and reviews for casting crowns. Casting Crown's 'Oh My Soul' Comforts Parents Of Sick Girl Inspiring Performance of 'Praise You In This Storm' by Casting Crowns Casting Crowns - 'Just Be Held'. Next. Casting Crowns' has consistently delivered songs that spur listeners to evaluate their relationship with God and with each other. “The basic idea is let God define. The messages contained in the songs on Casting Crowns latest album The Very Next Thing, like "One Step Away" and "Oh My Soul," were birthed from a place. Casting Crowns is the first studio album by American Christian rock band Casting Crowns. Album opener "What If His People Prayed", described as a pop song . "Who Am I" won the awards for Song of the Year and Pop/Contemporary "Voice of Truth" was nominated for Song of the Year at the 37th GMA Dove Awards.
  • Chill Issue 1

    Chill Issue 1

    ChILL Term 1 2009 Inside this issue: Sub-committee 2 ChIP In Update 3 Editor’s CRUNCH By Jordan Hammond Geri’s Starlight 4 Welcome, welcome, wel- editing process and has sonally I have made some come to a brand new done such a fantastic job changes to my own life Personal Story 5 ChIPS year. I’m very ex- (especially considering it’s that I hope will help with cited to be leading the her first year on Refer- my health and wellbeing. I Falling into Free- 6 Publications Sub- ence), so well done Geri. joined the gym, have committee again this year, given up partying too hard Camp 7 and what a great team I We have started to plan and am focusing on my have to work with. Karen the whole year and have uni work, and so far it Lay, Eliza Masterson, Geri some great ideas for the seems to be paying off. First RefCom 7 Herd and Kevin He and newsletters and magazine Kristen’s Korner 8 myself will be your Publi- ahead. The team has Anyway I hope that you all cations team for 2009. come up with some fan- enjoy this first edition of 8Week Group 10 tastic ideas and it’s been ChILL for the year and Firstly, congratulations to great working with them, that you spend this time them for putting together even if it has only been for getting in touch with your- 8week Group 10 this wonderful master- a few months so far. self and doing the things Lyrics piece that I must admit that make you happy, like Camp Photos 11 I’ve had very little to do It’s going to be such a fan- I will be .
  • Song & Music in the Movement

    Song & Music in the Movement

    Transcript: Song & Music in the Movement A Conversation with Candie Carawan, Charles Cobb, Bettie Mae Fikes, Worth Long, Charles Neblett, and Hollis Watkins, September 19 – 20, 2017. Tuesday, September 19, 2017 Song_2017.09.19_01TASCAM Charlie Cobb: [00:41] So the recorders are on and the levels are okay. Okay. This is a fairly simple process here and informal. What I want to get, as you all know, is conversation about music and the Movement. And what I'm going to do—I'm not giving elaborate introductions. I'm going to go around the table and name who's here for the record, for the recorded record. Beyond that, I will depend on each one of you in your first, in this first round of comments to introduce yourselves however you wish. To the extent that I feel it necessary, I will prod you if I feel you've left something out that I think is important, which is one of the prerogatives of the moderator. [Laughs] Other than that, it's pretty loose going around the table—and this will be the order in which we'll also speak—Chuck Neblett, Hollis Watkins, Worth Long, Candie Carawan, Bettie Mae Fikes. I could say things like, from Carbondale, Illinois and Mississippi and Worth Long: Atlanta. Cobb: Durham, North Carolina. Tennessee and Alabama, I'm not gonna do all of that. You all can give whatever geographical description of yourself within the context of discussing the music. What I do want in this first round is, since all of you are important voices in terms of music and culture in the Movement—to talk about how you made your way to the Freedom Singers and freedom singing.
  • Rachmaninoff, Isle of the Dead, Op. 29

    Rachmaninoff, Isle of the Dead, Op. 29

    Sergei RACHMANINOFF rg Isle of the Dead, Op. 29 Sergei Vasilyevich Rachmaninoff (1 April 1873 – 28 March 1943) was a Russian composer, virtuoso pianist, and conductor. Born into a musical aristocratic family, Rachmaninoff enrolled in piano lessons at age 4, and began studying at the Saint Petersburg Conservatory at age 10. A somewhat failing domestic life, however, distracted Rachmaninoff from his early studies, as two of his sisters would die from disease before the age of 18, and his father – who lost 4 of the 5 family estates through his financial incompetence and gambling habits – left the family to live in Moscow. Upon his struggles, his cousin, Alexander Siloti – an accomplished pianist studying under Franz Liszt – suggested for Rachmaninoff to study at the Moscow Conservatory under his strict former teacher, Nikolai Zverev. Rachmaninoff would go on to study under Siloti himself, and graduated from the conservatory a year early, requesting to do his final exams prematurely to avoid studying under a new teacher after hearing that Siloti was leaving Moscow. After launching his compositional career, Rachmaninoff fell into a depression after learning of Pyotr Ilyich Tchaikovsky’s death, who had agreed to conduct his tone poem, The Rock (1893). Through his struggles, Rachmaninoff cancelled a Russian tour, pawned a gold watch given to him by Zverev, and debuted his Symphony No. 1 (1895) which was widely criticized – in large part due to conductor Alexander Glazunov’s misuse of rehearsal time and possible drunkenness during the performance. Following a 3-year writer’s block, Rachmaninoff would get counselling from Nikolai Dahl and compose his Piano Concerto No.
  • 1937 the Andrews Sisters

    1937 the Andrews Sisters

    Hans Olav Løkken Stjørdal www.historiefortelleren.no 1937 The Andrews Sisters Hun hadde gått noen meter bak de andre og tenkt på broren Ola. Han hadde overtatt Lekåa, var sersjant, skogvokter og nå "bankdirektør". Det siste forstod hun ikke helt hva var for noe. Hun tenkte på far Per, og mor Kari da, som nettopp var død, "uff nei". Og på brevene fra søsknene, Kristen og Ingeborg i Amerika. Brevene som hadde overbevist henne om å utvandre til Amerika. Det skjedde så mye på kort tid. Soffi følte det var ei tung bør å bære. En vanskelig avgjørelse. De hadde flyttet litt att og fram i byen, etter å ha giftet seg i voksen alder. Nå hadde de satt seg ned i Hårstadlia ved Bell, snudd seg en siste gang til dette øyeblikket som ville gi slik smerte. De to eldste sønnene skjønte nok hva som rørte mor og far så sterkt. En skulle tro at de andre ungene også skjønte at dette skulle bli det siste glimtet av omgivelsene deres mor hadde hatt som tumleplass. Nå satt de der alle sammen på bakken, stirret mest tilbake i tomhet, vel vitende om at dette ville bli det siste de så av "heimplassen". Aldri mer skulle de få se "heimen te'o mor" og Selbu igjen. Sterke minner. Sterke følelser. Mor Soffi tørker en tåre. Den snart toårige gamle Olga klatrer opp i hennes fang, krever litt oppmerksomhet - alt var likevel så stille, så forunderlig stille. Olga bryter brått stillheten ved et barns utålmodige lyder - en tone vandrer avsted, fremover - et forvarsel om noe som skulle komme.
  • The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection a Handlist

    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy