DOCSLIB.ORG

COLUMBIA UNIVERSITY STUDY on WHITE PEOPLE The

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
COLUMBIA UNIVERSITY STUDY on WHITE PEOPLE The COLUMBIA UNIVERSITY STUDY ON WHITE PEOPLE The Reminiscences of Alexis Stark INCITE Columbia University 2017 PREFACE The following oral history is the result of a recorded interview with Alexis Stark conducted by Whitney Dow on September 23, 2017. This interview is part of the Study on White People. The reader is asked to bear in mind that they are reading a verbatim transcript of the spoken word, rather than written prose. 3PM Session #1 (video) Interviewee: Alexis Stark Location: Battle Creek, MI Interviewer: Whitney Dow Date: September 23, 2017 Q: [unclear]. Okay, so you’re just going to talk to me right here. Stark: Okay. Q: So first of all, can you tell me your name, where you’re from, what you do and a little bit about yourself? Stark: [13:26:09] Okay. My name is Alexis Stark. I grew up most of my life in Michigan. Well, we moved to Michigan when I was three and settled in Albion, Michigan, when I was seven. And then I grew up there and went to Western Michigan University for my degree in choral education, and now I am teaching private voice lessons and performing as much as I can in the area. [Interruption] Q: Nice. I need one thing. You’ve only got a flyaway hair that I’m going to smooth out here. Stark: That happens all the time. Q: Yeah, yeah. There you go. So you said Albion? Stark – Session 1 – 4 Stark: Yes. Q: Can you tell me a little bit about Albion? What’s that community like? Stark: It’s one of the— Q: [unclear]. Stark: —many. Oh, yeah. Q: In Albion, it’s [unclear]. Stark: [13:26:58] Growing up in Albion, it was one of the many shrinking cities in Michigan. I remember when I got there we had four elementary schools and a middle school and a high school and a Catholic school. And I know that now they only have—well, they don’t even have an Albion community school anymore. They all bus to Marshall. So growing up in Albion, I was aware that the city’s population was shrinking, and it was a rather economically depressed area for Michigan. But most of Michigan, at the time, was also an economically depressed area. But Albion is also a rather diverse community. Growing up, half of the population was black, and the other half was white. We had a few, you know, Hispanic, Latino people living in the community and a few Arab American people living in the community, but it was mostly this dichotomy of the white population and the black population. Stark – Session 1 – 5 Q: Is that typical of neighborhoods in this area that it would be integrated like that? Stark: [13:28:08] Well, no. I mean, most of the smaller cities in Michigan, I think, are mostly white. You have to come to slightly bigger cities like Battle Creek or Kalamazoo to have a more noticeable black population. And I don’t know if Albion is as integrated. You know, there are black neighborhoods and white neighborhoods, so it’s still somewhat segregated. But at the schools, you know, there were so few choices that at least the schools weren’t segregated. Every school had black students and white students I think at about the same rates. Q: How did growing up in an integrated community like Albion shape your understanding of your own race? Stark: [13:28:58] I always knew I was white. I’m a particularly pale white person, and my best friend actually was a black girl named Alexis as well. We met when we were on the bus going home and we realized that we had the same name. And so, of course, as second graders, that’s enough to make a friendship. And so growing up, I would hang out with my white friends or with my black friends. I was aware that - I could see that some families just had different ways of expressing themselves. I remember being at a birthday party for one of my black friends, and there were mostly other black kids there at the party and thinking that it was louder than it was at my house. Stark – Session 1 – 6 But on the other hand, they liked to play with toys and interact in similar ways too, but I thought there might be some differences between what my black friends experienced at home and what I experienced at home. But it was really cool, though. I was also aware that, like, the neighboring cities did not have large black populations, so that I knew that I was getting an experience that other people in other communities weren’t getting. So I kind of liked that, and I thought it was kind of special for our community. Q: What motivated you to get involved with this project? Stark: [13:30:28] Well, actually, I don’t know if I knew that this was the topic for this project. I think my understanding was more that it was about, like, declining populations in Michigan and, you know, the flight of people out of the state, which I had ideas about too. So I think that was more what I thought the thing was about, but then when I read the survey earlier today, I thought, “Oh, well, now I’m even more interested.” Q: And why were you even more interested? Stark: [13:30:58] Because I think I have something to say about, you know, having the experiences that I have and knowing that even though I grew up with a lot of exposure to black people, but I still think that I have probably some stereotypes just that get perpetrated [perpetuate?] in the news and in culture kind of en masse that I still think I have some prejudices that might come. If I’m walking down the street and there’s a taller black guy walking by, maybe my heart will start beating faster. And so even though I grew up with that exposure, I don’t think Stark – Session 1 – 7 that I’m immune to the stereotypes that still exist. So I was really intrigued by the idea of this project, and I think it’s really important. Q: How does it make you feel when you have those reactions and the prejudices that you feel, despite the fact that you, intellectually, seem to have a pretty good handle on your relationship to race? Stark: [13:32:17] Yeah, when that happens, when I think I’m succumbing to some sort of deep- seated, lingering prejudice, it upsets me. I don’t like that, and I wish that it wouldn’t happen. I wish that whatever subconscious feelings that I have were as smart as the superconscious feelings that I have, that I know that it’s not more likely for a black person to be a danger. It’s just something that has been in the culture for long enough that it’s in me, and I don’t like that. Q: When you talk about being white, what do you think it is that makes someone white? Stark: [13:33:20] Well, obviously, my skin tone is a lot closer to an actual white. I’m not exactly white. I have pink and the slightest tan but not much. So, physically, I am quite - very white, and my friends that I grew up with darker skin, even my white friends with darker skin, you know, it looks really, [laughs] really big contrast. So there’s obviously a cosmetic factor to it. But on the other hand, we all have the same DNA, so I know that it’s more of a social construct. But because I’m so white I don’t know that I have the distinction in my brain yet of white culture versus nonwhite culture. So for me, it’s about the look right now. Stark – Session 1 – 8 Q: Because of social construct, does that make it any less real? Stark: [13:34:36] I guess not. I mean, black people are still going to be treated differently, and they don’t even have to be very dark skinned. So it’s very real for the experiences that they’ll have to go through. And probably for whatever privileges that I get, it’s very real for that too. Q: You know, absolutely people say that race is social construct as if somehow that erases the reality of it— Stark: Right. Q: —and maybe they’re just trying to erase the justification. But that sort of [unclear] opinion, that’s something a lot of people will talk about. Stark: Yeah. Q: I’m always a little bit confused by it because it’s so clearly something— Stark: Yeah. Q: —that actually has—The fact that there’s social construct doesn’t change people’s experience with it. Stark – Session 1 – 9 Stark: [13:35:20] Exactly. The experiences are going to happen regardless of if all of our DNA is the same or if race really is an actual genetic thing. Q: Can you describe an experience where you became really hyperconscious of your race? Stark: [13:35:44] I actually used to substitute teach a lot when I first graduated from college. Like most post grads, I floundered for a little bit, and so substitute teaching was a really great, available and sustainable sort of job for quite a while. And so I actually did a lot of substitute teaching at my old schools in Albion.
Load more

Recommended publications
  • Lakisha Jones
    LaKisha Jones Best known to millions of TV viewers as a top four finalist during the 2007 season of “American Idol,” LaKisha Jones is ready to reclaim center stage in music, theatre and television. Her last album, “So Glad I’m Me” was full of Jones’ expressive, full-bodied and arresting vocals, the same voice that electrified “American Idol” viewers with the Dreamgirls showstopper “And I Am Telling You” and later the Broadway stage in the Oprah Winfrey produced, Tony Award-winning musical, The Color Purple. Having worked with hit-making songwriters and producers including Tony Nicholas (Patti LaBelle, Luther Van- dross), Ro & Sauce (Brandy, Ne-Yo) and Greg Curtis (Keyshia Cole, Yolanda Adams), Jones’ album featured a spirited mix of R&B and soul. A few noteworthy songs included the single “Same Song,” penned by award-win- ning songwriter Dianne Warren, Whitney Houston’s “You Give Good Love,” the gospel song “Just As I Am,” and Jones’ soaring ballad to her daughter, “Beautiful Girl.” She auditioned for “American Idol” once before in 2003 but didn’t make the cut. Jones drove to New York to audition again for “Idol” and made it to the 2007 season where she became the fourth finalist. She segued from “Idol” to the Broadway stage for “The Color Purple” where she played two roles: that of a “church lady” and of the pivotal character “Sophia.” The latter role she alternated with R&B icon Chaka Khan, who became her mentor. Jones participated in Khan’s 35th Anniversary Tour. Following her Broadway stint Jones provided vocal coaching on MTV’s reality competition “Legally Blonde: The Search for Elle Woods,” a show designed to find and hone Broadway’s next star.
    [Show full text]
  • Gstar-072807-A-01.Qxd
    NORTHEAST FLORIDA’S OLDEST, LARGEST, MOST-READ AFRICAN-AMERICAN OWNED NEWSPAPER The Florida Star Presorted Standard Jacksonville Symphony Armed Man Randomly The Florida Star, U.S. Postage Paid Orchestra P. O. Box 40629 Jacksonville, FL Shoots Through The Georgia Star! Jacksonville, FL 32203 Permit No. 3617 and Neighborhood Impact Radio Can’t Get to the Store? Alvin Ailey And At Police Officers AM1360 Get your Free Tickets See (904) 766-8834 Have The Star Delivered! Call 904-766-8834 Crime & Justice SINCE 1951 An Award Read The Florida Winning and Georgia Star Newspapers. Publication, Listen to IMPACT serving you Radio Talk Show. since 1951. www.thefloridastar.com Rated “A” by Still the people’s the Better choice, striving to Business Bureau www.thefloridastar.com make a difference. FEBRUARY 25, 2012 - MARCH 3, 2012 VOL. 61 NO. 44 50 CENTS Jacksonville Musician Attends Whitney Houston’s Funeral Man Charged with Formerly played drums for Cissy and Whitney Houston By Frances Calhoun Bradley Three Felonies Photo furnished by Erics Brown by Kevin Kim Erics Brown was devastated when he heard of the death of friend, Whitney Houston, in her suite at the Police say Jaquez Beverly Hilton Hotel on the eve of the Grammy Roland, 34, had pulled a Awards, February 11, 2012. Brown, a Jacksonville gun out on a clerk in a native, played drums for Cissy and Whitney Houston hotel demanding money for 23 years and 14 years, respectively, during the New from a safe. When the Hope Baptist Church Gospel Choir’s Sunday radio clerk wasn’t able to broadcasts.
    [Show full text]
  • Body As Evidence
    Chapter 1 Pop Goes Democracy Mediating Race, Gender, and Nation on American Idol Parallels between presidential elections and the hit TV series are not hard to make. Indeed, they had become punch lines in comedyAmerican routines: Idol from Comedy Central’s Stephen Colbert complaining that it took too long to determine the next American Idol (in a gag that had audiences assuming he was referring to the next U.S. president) to ABC’s Jimmy Kimmel quipping that, after watching the vice presidential debate during the U.S. presidential campaign in 2008, he “voted four times for Sarah Palin and six times for David Archuleta,” in reference to the popular Republican vice presidential candidate and frontrunner contestant that year. Interestingly, movie critic RogerAmerican Ebert Idol’s mounted criticism against Palin for being “the American Idol candidate,” in which he argued the following: I think I might be able to explain some of Sarah Palin’s appeal. She’s the “American Idol” candidate. Consider. What defines an “American Idol” finalist? They’re good‑looking, work well on television, have a sunny personality, are fierce competitors, and so talented, why, they’re darned near the real thing. There’s a reason “American Idol” gets such high ratings. People identify with the contestants. They think, Hey, that could be me up there on that show! . My problem is, I don’t want to be up there. I don’t want a vice president who is darned near good enough. I want a vice president who is better, wiser, well‑traveled, has met world leaders, who three months ago had an opinion on Iraq.
    [Show full text]
  • Edition 6 | 2019-2020
    Letter from the Executive Director ...............5 Elizabeth Schulze Bio Letter from the Music Director .....................7 Staff / Board of Directors ............................. 9 Letter from the Board President ............................................11 Elizabeth Schulze Biography ......................16 Mozart + Mahler ..........................................19 16 About the Artist ...........................................21 Program Notes .............................................23 Mozart + Mahler Make the Most of Your Concert Experience ......................................34 Acknowledgements .....................................36 Endowments ................................................37 Friends of the Symphony ............................ 40 19 ADVERTISING Onstage Publishing Contact Information: Advertising Department The Maryland Symphony Orchestra 937-424-0529 | 866-503-1966 21 S. Potomac Street, 2nd Fl www.onstagepublications.com e-mail: [email protected] Hagerstown, MD 21740 This program is published in association with Onstage Publications, marylandsymphony.org 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not [email protected] be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2020. All rights reserved. Printed in the U.S.A. 4 Bravo! Official Magazine of the Maryland Symphony Orchestra LETTER FROM THE EXECUTIVE DIRECTOR ear MSO Friends, DWhile there are still a lot of exciting
    [Show full text]
  • American Idol Stars Showcase Their Vocal Talents As They Take the Stage
    MEDIA RELEASE MEDIA CALL: FOR IMMEDIATE RELEASE Friday, January 10, 2014 American Idol stars showcase their vocal talents as 11:00 am - 11:30 am they take the stage for WSO's Symphony Idol MEDIA: For more information or to schedule an interview, please contact: Sarah Panas, Marketing & Communications Co-ordinator, Winnipeg Symphony Orchestra, at 204.949.3970 or [email protected]. Winnipeg, MB - January 7, 2014 - Starting on January 10, three American Idol finalists will light up the Centennial Download the Concert Hall for the Winnipeg Symphony Orchestra Air 2013/2014 season Canada Pops Symphony Idol, a three show spectacular guide here. accompanied by the symphonic sounds of the WSO. The WSO is integral A top four finalist on the 2007 season of American Idol, to Winnipeg's rich LaKisha Jones has a voice to be reckoned with. After cultural life, delighting American Idol wrapped, LaKisha segued to the Broadway more than 100,000 stage in the Oprah Winfrey produced, Tony Award-winning audience members each year with musical, The Color Purple. She then went on to record her innovative debut album So Glad I'm Me, released in 2009. She is a programming and soulful singer influenced by Whitney Houston, Aretha musical excellence. Franklin and Patti Labelle. LaKisha is no stranger to the The WSO presents WSO. She performed at the WSO Broadway Rocks pops educational programs concert in March of 2012 and is back by popular demand. for more than 25,000 students annually and tours outside the city reaching out to communities across Manitoba. Click the above image to watch LaKisha sing And I'm Telling You.
    [Show full text]
  • Brian Mcknight Evolution of a Man Album Download Better
    brian mcknight evolution of a man album download Better. After the release of More Than Words, Brian McKnight established his own label, Brian McKnight Music, through the artist-friendly Kobalt Label Services, and went about making his third proper studio album outside the major-label system. Even more organic than what immediately preceded it, Better is filled with lively songs that are well crafted but don't seem the least bit fussed over. McKnight sounds like he's having as much fun as ever, gleefully flitting from falsetto disco-funk jams to lonesome, modern country-flavored ballads. It's all free and easy and allows for some whimsical moves, like the reggae backing on "Goodbye" and the tricky prog/pop-funk hybrid "Key 2 My Heart," the latter cut being where his love for Swedish trio Dirty Loops is most evident. There are occasional odd quirks, like the winking manner in which he slips "bitch" into the chorus of "Strut," and the way he throws a sharp curve, the tipsy newfound-love rocker "Just Enough," so early in the sequence. Several tracks do keep it simple and heartfelt, the qualities for which McKnight is most known, heard best on the humble title track, "Uh Oh Feeling," and "Like I Do." Mercifully, this material is a lot less erratic than the back cover typography (which displays McKnight's name as "B. McKnight," "B. Mcknight," "brian mcknight," "Brian McKnight," and "BRIAN MCKNIGHT"). Brian mcknight evolution of a man album download. It won't be long now until Brian McKnight unleashes his new album Evolution Of A Man (October 27th).
    [Show full text]
  • High-Energy Pairing of Classic Rock and Broadway Hits the Show Brings
    The Art of Jazz with a Dia de los French twist Muertos at Ashland Sun Gallery Cherryland 5K Fun Run Page 32 Page 40 Page 11 Scan for our FREE App or Search App Store for TCVnews 510-494-1999 [email protected] www.tricityvoice.com October 15, 2019 Vol. 17 No. 42 High-energy pairing of classic rock and Broadway hits The show brings together three of Broadway’s brightest stars, including American Idol finalist LaKisha Jones continued on page 5 While there are many back stories to why Diwali is celebrated, victory of good over evil is the underlying theme. It is one of the most pious and joyous festivals among Indian celebrations. The word Diwali (or Deepavali as it’s sometimes called) means “row of lights” in Sanskrit, an ancient language of India. During this festive season, people decorate their homes with lights and oil lamps, called “diyas.” The festival lasts for five days; the exact dates change each BY JUI SADEKAR year and are determined by the position of the moon, but it PHOTOS SUBMITTED BY RITU MAHESHWARI usually falls between October Want to visit India? Here’s your chance to and November. SUBMITTED BY SUCY COLLAZO experience the colors, sounds, rhythms, and flavors Diwali also honors the of India right here in the Bay Area. With Diwali, Hindu goddess of wealth, PHOTOS BY OSCAR RODRIGUEZ also known as Festival of Lights, around the Lakshmi. The lights and lamps corner, it’s time to jazz up and spread a positive “Dia de los Muertos” is a celebration of the souls of those who have gone on before vibe in the community.
    [Show full text]
  • The Winonan - 2000S
    Winona State University OpenRiver The inonW an - 2000s The inonW an – Student Newspaper 4-18-2007 The inonW an Winona State University Follow this and additional works at: https://openriver.winona.edu/thewinonan2000s Recommended Citation Winona State University, "The inonW an" (2007). The Winonan - 2000s. 177. https://openriver.winona.edu/thewinonan2000s/177 This Newspaper is brought to you for free and open access by the The inonW an – Student Newspaper at OpenRiver. It has been accepted for inclusion in The inonW an - 2000s by an authorized administrator of OpenRiver. For more information, please contact [email protected]. 10 0 Wednesday, April 18 2007 Volume 85 Issue 23 INSIDE: The transition of News • • • • • • • • • • Students explore a • Shanthal Perera First Ammend- • WINONAN ment rights • Chartwell's Campus dining service will • be ditching the food transfer policy at the . Winona sex- end of the fall semester. offender update: • Under the new rules, meals plans • available at the café have been decreased How to protect while the amount of Kryzsko cash, a form yourself • of credit used to pay for meals, will be • increased, said Bruce Bechtle, Jack Kane manager. III Graduation is • The new meal plans will also change a few weeks • the number of meals required per week at Jack Kane cafeteria. Students can away: What are • choose, from seven, 10 or 14 meals per students doing • week compared to the current plan which allows a minimum of 10 and maximum of to prepare for • 19 meals. the real world? • Currently, food transfers allows • students under Chartwell's meal plan to buy four meals from the Smuag between Arts • 1 and 3 p.m.
    [Show full text]
  • How American Idol Constructs Celebrity, Collective Identity, and American Discourses
    AMERICAN IDEAL: HOW AMERICAN IDOL CONSTRUCTS CELEBRITY, COLLECTIVE IDENTITY, AND AMERICAN DISCOURSES A Dissertation Submitted to the Temple University Graduate Board In Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy By Amanda Scheiner McClain May, 2010 i © Copyright 2010 by Amanda Scheiner McClain All Rights Reserved ii ABSTRACT This dissertation is a three-pronged study examining American themes, celebrity, and collective identity associated with the television program American Idol. The study includes discourse analyses of the first seven seasons of the program, of the season seven official American Idol message boards, and of the 2002 and 2008 show press coverage. The American themes included a rags-to-riches narrative, archetypes, and celebrity. The discourse-formed archetypes indicate which archetypes people of varied races may inhabit, who may be sexual, and what kinds of sexuality are permitted. On the show emotional exhibitions, archetypal resonance, and talent create a seemingly authentic celebrity while discourse positioning confirms this celebrity. The show also fostered a complication-free national American collective identity through the show discourse, while the online message boards facilitated the formation of two types of collective identities: a large group of American Idol fans and smaller contestant-affiliated fan groups. Finally, the press coverage study found two overtones present in the 2002 coverage, derision and awe, which were absent in the 2008 coverage. The primary reasons for this absence may be reluctance to criticize an immensely popular show and that the American Idol success was no longer surprising by 2008. By 2008, American Idol was so ingrained within American culture that to deride it was to critique America itself.
    [Show full text]
  • Cha Ttanooga Sym Phon Y & Opera
    POPS SERIES HOME FOR THE HOLIDAYS chattanooga symphony & opera symphony chattanooga MUSICIANS VIOLIN DOUBLE BASS TROMBONE Nicholas Naegele, Taylor Brown, Principal Douglas Warner, Principal Assistant Concertmaster Dexter Bell Prentiss Hobbs Jeanne Johnson Given Arnold Jeff Koonce Calvin Lewis Bret Alford Bryony Stroud Watson TUBA Wendy Case FLUTE Chris Combest Anna Gibbons Kristen Holritz, Principal J.P. Brien-Slack Erin O’Shea Harrell TIMPANI Mary Margaret Neel Amelia Dicks Alex Wadner, Principal Samuel Miller Principal Piccolo/Utility Flute John L. & Norma B. Anderson Chair PERCUSSION VIOLIN II Chad Crummel, Principal Sheri Peck, Principal OBOE David Pedigo Rachael McFarlane Jessica Smithorn, Principal Keith Lloyd Jennifer Whittle Teresa Spilko Nathan Shew Rebecca James Carey Shinbaum Jessica Peck HARP Lee Smith CLARINET Caroline Brown Hudson, Mary Benno Robert West, Principal Principal Anne Hendrix Steven Tonkinson Emily Bowland KEYBOARD VIOLA Alan Nichols, Principal Megan Chisom, Principal BASSOON Tamara Hobbs Eric Anderson, Principal Casie Runkle G Eddie McCrary Nichole Pitts Susan Kemp FRENCH HORN Michael Holub Gordon James, Principal Joseph Demko CELLO Eric Reed, Principal TRUMPET Suzanne Sims David Hobbs, Principal Spencer Brewer Clayton Chastain Sharon Reed Joseph Gray Annie Camp David Peyton POPS SERIES HOME FOR THE HOLIDAYS CSO CHORUS Darrin Hassevoort, Director SOPRANO ALTO TENOR BASS Nancy Berg Bonnie Bryant Chris Asmussen Brady Arendale Nancy Collum Lara Butler Jim Magnuson Bart Boyd Cassandra Cooksey Annette Cooksey Duane
    [Show full text]
  • 2019 Calendar of Events Oceancityvacation.Com DOWNLOAD the OFFICIAL OCEAN CITY, NJ VACATION APP to KEEP up to DATE with OCEAN CITY, NEW JERSEY!
    X 2019 Calendar of Events oceancityvacation.com DOWNLOAD THE OFFICIAL OCEAN CITY, NJ VACATION APP TO KEEP UP TO DATE WITH OCEAN CITY, NEW JERSEY! AUGUST Sundays and Wednesdays The Ocean City POPS Orchestra will perform their 91st professional concert season at the Ocean City Music Pier on select Sundays and Wednesdays throughout August. All concerts will begin at 7:30pm. For more information call 609-399-6111 or visit oceancityvacation.com AUGUST Every Monday Beach Exercise on 6th Street Beach. 8:00am - 9:00am Free! Bring a towel & a friend. Hosted by the Ocean City Aquatic & Fitness Center AUGUST Every Tuesday Funtastic Tuesdays – 10am – 1pm on Asbury Ave. Entertainment, Face Painters, Balloon Sculptors. Mummers Night – Strutting 7pm – 9pm on the boardwalk, 6th – 14th Streets Beach Walks – South End Location: 59th St. & Central Ave., (Entrance to Corsons Park) Tuesdays-9am, Wednesdays-6:30pm. Tickets may be purchased on-site. Adults $1.00 Children $.50 Fun Runs (Short & Kids Distances) – 6:00pm, Carey Field, 6th & Atlantic Ave. All Ages! FREE! For More information [email protected] AUGUST Every Wednesday Beach Exercise on 6th Street Beach. 8:00am - 9:00am Free! Bring a towel & a friend. Hosted by the Ocean City Aquatic & Fitness Center. For more information call (609) 398-6900. Farmer’s Market at the Tabernacle Grounds every Wednesday 8am – 1pm. Crafters in the street at 6th & Asbury Ave. Ends September 4 Beach Walks – South End Location: 59th St. & Central Ave., (Entrance to Corson’s Park) Tuesdays- 9am, Wednesdays-6:30pm. Tickets may be purchased on-site. Adults $1.00 Children $.50 Wacky Wednesdays - Wacky But Not Tacky events and contests that are fun for the entire family.
    [Show full text]
  • Edition 1 | 2019-2020
    Letter from the Music Director .....................5 Elizabeth Schulze Bio Staff / Board of Directors ..............................7 Letter from the Board President ............................................ 9 Elizabeth Schulze Biography ......................14 Carmina Burana ............................................18 About the Artists .........................................22 14 Program Notes .............................................27 Orchestra Roster ..........................................45 Carmina Burana Make the Most of Your Concert Experience ......................................47 Acknowledgements .................................... 49 Endowments ............................................... 50 Friends of the Symphony .............................53 18 ADVERTISING Onstage Publishing Contact Information: Advertising Department Maryland Symphony Orchestra 937-424-0529 | 866-503-1966 30 W. Washington Street www.onstagepublications.com e-mail: [email protected] Hagerstown, MD This program is published in association with Onstage Publications, marylandsymphony.org 1612 Prosser Avenue, Dayton, Ohio 45409. This program may not [email protected] be reproduced in whole or in part without written permission from the publisher. Onstage Publications is a division of Just Business, Inc. Contents ©2019. All rights reserved. Printed in the U.S.A. LETTER FROM THE MUSIC DIRECTOR reetings and Welcome! GThis season, my 20th with the Maryland Symphony as Music Director and Conductor, offers me an opportunity
    [Show full text]