Sheboygan County Detention Center Inmate List*
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
Teachers Guide
Teachers Guide Exhibit partially funded by: and 2006 Cartoon Network. All rights reserved. TEACHERS GUIDE TABLE OF CONTENTS PAGE HOW TO USE THIS GUIDE 3 EXHIBIT OVERVIEW 4 CORRELATION TO EDUCATIONAL STANDARDS 9 EDUCATIONAL STANDARDS CHARTS 11 EXHIBIT EDUCATIONAL OBJECTIVES 13 BACKGROUND INFORMATION FOR TEACHERS 15 FREQUENTLY ASKED QUESTIONS 23 CLASSROOM ACTIVITIES • BUILD YOUR OWN ZOETROPE 26 • PLAN OF ACTION 33 • SEEING SPOTS 36 • FOOLING THE BRAIN 43 ACTIVE LEARNING LOG • WITH ANSWERS 51 • WITHOUT ANSWERS 55 GLOSSARY 58 BIBLIOGRAPHY 59 This guide was developed at OMSI in conjunction with Animation, an OMSI exhibit. 2006 Oregon Museum of Science and Industry Animation was developed by the Oregon Museum of Science and Industry in collaboration with Cartoon Network and partially funded by The Paul G. Allen Family Foundation. and 2006 Cartoon Network. All rights reserved. Animation Teachers Guide 2 © OMSI 2006 HOW TO USE THIS TEACHER’S GUIDE The Teacher’s Guide to Animation has been written for teachers bringing students to see the Animation exhibit. These materials have been developed as a resource for the educator to use in the classroom before and after the museum visit, and to enhance the visit itself. There is background information, several classroom activities, and the Active Learning Log – an open-ended worksheet students can fill out while exploring the exhibit. Animation web site: The exhibit website, www.omsi.edu/visit/featured/animationsite/index.cfm, features the Animation Teacher’s Guide, online activities, and additional resources. Animation Teachers Guide 3 © OMSI 2006 EXHIBIT OVERVIEW Animation is a 6,000 square-foot, highly interactive traveling exhibition that brings together art, math, science and technology by exploring the exciting world of animation. -
Reply Comments to Comment 36
Reply Comments to Comment 36. David B. Carroll 19 February 2003 1. Class of Work From Comment #361: Audiovisual works as follows: foreign-language audiovisual works not available for sale in the United States but available for purchase outside the US on DVDs that are regionally encoded to prevent playback on DVD players purchased in the United States. The exemption requested is to permit circumvention of the region coding mechanism. 2. Summary of Argument Additional factual information in support of Comment #36’s initial request for an exemption is submitted. The proposed class is compared against a similar class from Comment #352, which offers some advantages over this class. 3. Factual Support / Legal Arguments 3.1.Evidence of a need to circumvent DVD region coding for works in this class. The Library’s solicitation for comments makes it clear that a demonstration of actual or likely damage is a prerequisite for a successful exemption, rather than an argument based solely on hypothetical or legal grounds. I have collected additional examples of, and documentation for, real-world demand for DVD content unavailable in Region 1 (“R1”) format. 3.1.1. DVD features unavailable on VHS. In rejecting an exemption for circumvention of DVD access controls in 2000, the Library of Congress wrote3: 1 Carroll, David B. Comment #36. 18 Dec 2002. http://www.copyright.gov/1201/2003/comments/036.pdf. 2 Von Lohmann, Fred and Gwen Hinze, Electronic Frontier Foundation, and Gigi Sohn, Public Knowledge. Comment #35. Dec 2002. http://www.copyright.gov/1201/2003/comments/035.pdf. From the comments and testimony presented, it is clear that, at present, most works available in DVD format are also available in analog format (VHS tape) as well.. -
Excellence in First-Year Writing 2020/2021
© 2021 Gayle Morris Sweetland Center for Writing Permission is required to reproduce material from this title in other publications, coursepacks, electronic products, and other media. Please send permission requests to: Sweetland Center for Writing 1310 North Quad 105 S. State Street Ann Arbor, MI 48109-1285 [email protected] Excellence in First-Year Writing 2020/2021 The English Department Writing Program and The Gayle Morris Sweetland Center for Writing Table of Contents Excellence in First-Year Writing Winners list 6 Nominees list 7 Introduction 11 Feinberg Family Prize for Excellence in First-Year Writing 13 When Pop Culture Critiques: How American TV and Film 15 Examines the Links Between Politics, Justice, and the Judiciary’s Legitimacy Did Shen Fever Really Just Predict COVID-19? 34 How White Feminism Feeds Misogynoir 43 Matt Kelley Prize for Excellence in First-Year Writing 50 Cardcaptor Sakura’s Life-Changing Guidance 52 Ratatouille the TikTok Musical 59 Excellence in Multilingual Writing Liberty Renewed—Not Just Artistically 72 Is the development of hydroelectric power in accordance with the 78 principles of sustainable development? Excellence in the Practice of Writing Remix to the Letter to Your Younger Self 92 Gene Therapy: What You Need to Know 102 4 Excellence in First-Year Writing EDWP Writing Prize Chairs Andrew Moos Ruth Li EDWP Writing Prize Committee Martha Henzy Ryan McCarty Margo Kolenda-Mason Kelly Wheeler Ellie Reese Sweetland Writing Prize Chair Gina Brandolino Sweetland Writing Prize Judges Scott Beal Shuwen -
RAJ RAMAYYA Composer for Film, Television & Games
RAJ RAMAYYA composer for film, television & games Contact: ARI WISE, agent • 1.866.784.3222 • [email protected] FEATURE FILM WOLF’S RAIN (Anime Feature – Original Songs) 2003 Go Haruna, Minoru Takanashi, prod. Bendai Visual Co., Bones, Fuji Television Network COWBOY BEBOP (Anime Feature – Original Songs) 2001 Ryohei Tsunoda, Takayuki Yoshii, , prod. Destination Films/Sony Pictures Entertainment Shinichiro Watanabe, dir. CHIN CHIRO MAI (original songs) 2000 Kazuhiko Kato, prod. Sony Music Entertainment TELEVISION/DOCUMENTARY SHADOW OF DUMONT (Documentary) 2020 Kelly Balon, Anand Ramayya, prod. Karma Film, Vision Tevor Cameron, dir. WHO KILLED GANDHI? (Documentary) 2013 Kelly Balon, Anand Ramayya, prod. Karma Film, Vision/Zoomer Television Anand Ramayya, dir. PATHS OF PILGRIMS (Documentary) 2013 Marilyn Thomas, prod. Monkey Ink Media Kate Kroll, dir. LITTLE CHARO (Series) 2010 Y. Takayanagi, Jako Mizukami, prod. NHK Japan various, dir. LANDINGS (Series) 2010 Ryan Lockwood, prod. SCN/CBC MAD COW SACRED COW (Documentary) 2009 Stephen Huszar, Ryan Lockwood, Anand Karma Film, Hulo Films, Film Option International Ramayya prod., Anand Ramayya, dir. EIGORYAN! (TV Series) 2006 K. Sato, prod. NHK Japan THE WORLD OF GOLDEN EGGS (TV Series Theme) 2005 Yoshihiko Dai, prod. PLUSheads Inc., Warner Home Video COSMIC CURRENT (Documentary) 2004 Joseph MacDonald, Graydon McCrea, prod. National Film Board of Canada Anand Ramayya, dir. GUNGRAVE-UNOS (TV Series Theme) 2004 Shigeru Kitayama, Toru Kubo, prod. Geneon Entertainment various, dir. 48 HOURS -
SHSU Video Archive Basic Inventory List Department of Library Science
SHSU Video Archive Basic Inventory List Department of Library Science A & E: The Songmakers Collection, Volume One – Hitmakers: The Teens Who Stole Pop Music. c2001. A & E: The Songmakers Collection, Volume One – Dionne Warwick: Don’t Make Me Over. c2001. A & E: The Songmakers Collection, Volume Two – Bobby Darin. c2001. A & E: The Songmakers Collection, Volume Two – [1] Leiber & Stoller; [2] Burt Bacharach. c2001. A & E Top 10. Show #109 – Fads, with commercial blacks. Broadcast 11/18/99. (Weller Grossman Productions) A & E, USA, Channel 13-Houston Segments. Sally Cruikshank cartoon, Jukeboxes, Popular Culture Collection – Jesse Jones Library Abbott & Costello In Hollywood. c1945. ABC News Nightline: John Lennon Murdered; Tuesday, December 9, 1980. (MPI Home Video) ABC News Nightline: Porn Rock; September 14, 1985. Interview with Frank Zappa and Donny Osmond. Abe Lincoln In Illinois. 1939. Raymond Massey, Gene Lockhart, Ruth Gordon. John Ford, director. (Nostalgia Merchant) The Abominable Dr. Phibes. 1971. Vincent Price, Joseph Cotton. Above The Rim. 1994. Duane Martin, Tupac Shakur, Leon. (New Line) Abraham Lincoln. 1930. Walter Huston, Una Merkel. D.W. Griffith, director. (KVC Entertaiment) Absolute Power. 1996. Clint Eastwood, Gene Hackman, Laura Linney. (Castle Rock Entertainment) The Abyss, Part 1 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss, Part 2 [Wide Screen Edition]. 1989. Ed Harris. (20th Century Fox) The Abyss. 1989. (20th Century Fox) Includes: [1] documentary; [2] scripts. The Abyss. 1989. (20th Century Fox) Includes: scripts; special materials. The Abyss. 1989. (20th Century Fox) Includes: special features – I. The Abyss. 1989. (20th Century Fox) Includes: special features – II. Academy Award Winners: Animated Short Films. -
Animation Fandom in North America and East Asia from 1906–2010 By
Animating Transcultural Communities: Animation Fandom in North America and East Asia from 1906–2010 By Sandra Annett A thesis submitted to the Faculty of Graduate Studies of The University of Manitoba in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY Department of English, Film, and Theatre University of Manitoba Winnipeg © 2011 Sandra Annett Abstract This dissertation examines the role that animation plays in the formation of transcultural fan communities. A ―transcultural fan community‖ is defined as a group in which members from many national, cultural, and ethnic backgrounds find a sense of connection across difference, engaging with each other through a mutual interest in animation while negotiating the frictions that result from their differing social and historical contexts. The transcultural model acts as an intervention into polarized academic discourses on media globalization which frame animation as either structural neo-imperial domination or as a wellspring of active, resistant readings. Rather than focusing on top-down oppression or bottom-up resistance, this dissertation demonstrates that it is in the intersections and conflicts between different uses of texts that transcultural fan communities are born. The methodologies of this dissertations are drawn from film/media studies, cultural studies, and ethnography. The first two parts employ textual close reading and historical research to show how film animation in the early twentieth century (mainly works by the Fleischer Brothers, Ōfuji Noburō, Walt Disney, and Seo Mitsuyo) and television animation in the late twentieth century (such as The Jetsons, Astro Boy and Cowboy Bebop) depicted and generated nationally and ethnically diverse audiences. -
Stalking Laws and Implementation Practices: a National Review for Policymakers and Practitioners
The author(s) shown below used Federal funds provided by the U.S. Department of Justice and prepared the following final report: Document Title: Stalking Laws and Implementation Practices: A National Review for Policymakers and Practitioners Author(s): Neal Miller Document No.: 197066 Date Received: October 24, 2002 Award Number: 97-WT-VX-0007 This report has not been published by the U.S. Department of Justice. To provide better customer service, NCJRS has made this Federally- funded grant final report available electronically in addition to traditional paper copies. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. Department of Justice. Institute for Law and Justice 1018 Duke Street Alexandria, Virginia 22314 Phone: 703-684-5300 Fax: 703-739-5533 i http://www. ilj .org -- PROPERTY OF National Criminal Justice Reference Service (NCJRS). t'Y- Box 6000 Rockville, MD 20849-6000 fl-- Stalking Laws and Implementation Practices: A 0 National Review for Policymakers and Practitioners Neal Miller October 2001 Prepared under a grant from the National Institute of Justice to the Institute for Law and Justice (ILJ), grant no. 97-WT-VX-0007 Any opinions expressed herein are solely those of the author and do not necessarily represent the views of the U.S. Department of Justice or ILJ. This document is a research report submitted to the U.S. Department of Justice. This report has not been published by the Department. Opinions or points of view expressed are those of the author(s) and do not necessarily reflect the official position or policies of the U.S. -
2001 Annual Report
wdwCovers 12/18/01 5:17 PM Page 1 The Company ANNUAL REPORT 2001 wdwCovers 12/18/01 5:17 PM Page 2 Reveta F. Bowers John E. Bryson Roy E. Disney Michael D. Eisner Judith L. Estrin Stanley P. Gold Robert A. Iger Monica C. Lozano George J. Mitchell Thomas S. Murphy Leo J. O’Donovan, S.J. Sidney Poitier Robert A.M. Stern Andrea L. Van de Kamp Raymond L. Watson Gary L. Wilson 20210F01_P01.09_v2 12/18/01 5:19 PM Page 1 The Walt Disney Company and Subsidiaries CONTENT LISTING Financial Highlights 1 Management’s Discussion and Analysis 49 Letter to Shareholders 2 Consolidated Statements of Income 60 Financial Review 10 Consolidated Balance Sheets 61 DisneyHand 14 Consolidated Statements of Cash Flows 62 Parks and Resorts 18 Consolidated Statements of Stockholders’ Equity 63 Walt Disney Imagineering 26 Notes to Consolidated Financial Statements 64 Studio Entertainment 28 Quarterly Financial Summary 77 Media Networks 36 Selected Financial Data 78 Broadcast Networks 37 Management’s Responsibility of Financial Statements 79 Cable Networks 38 Report of Independent Accountants 79 Consumer Products 44 Board of Directors and Corporate Executive Officers 80 Walt Disney International 48 FINANCIAL HIGHLIGHTS (In millions, except per share data) 2001 2000 Revenues(1) $25,256 $25,356 Segment operating income(1) 4,038 4,124 Diluted earnings per share before the cumulative effect of accounting changes, excluding restructuring and impairment charges and gain on the sale of businesses(1) 0.72 0.72 Cash flow from operations 3,048 3,755 Borrowings 9,769 9,461 Stockholders’ equity 22,672 24,100 (1) Pro forma revenues, segment operating income and earnings per share reflect the sale of Fairchild Publications, the acquisition of Infoseek, the conversion of Internet Group common stock into Disney common stock and the closure of the GO.com portal business as if these events and the adoption of SOP 00-2 had occurred at the beginning of fiscal 2000, eliminating the one-time impact of those events. -
''Star Trek: the Original Series'': Season 3
''Star Trek: The Original Series'': Season 3 PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Thu, 13 Mar 2014 18:19:48 UTC Contents Articles Season Overview 1 Star Trek: The Original Series (season 3) 1 1968–69 Episodes 5 Spock's Brain 5 The Enterprise Incident 8 The Paradise Syndrome 12 And the Children Shall Lead 16 Is There in Truth No Beauty? 19 Spectre of the Gun 22 Day of the Dove 25 For the World Is Hollow and I Have Touched the Sky 28 The Tholian Web 32 Plato's Stepchildren 35 Wink of an Eye 38 The Empath 41 Elaan of Troyius 44 Whom Gods Destroy 47 Let That Be Your Last Battlefield 50 The Mark of Gideon 53 That Which Survives 56 The Lights of Zetar 58 Requiem for Methuselah 61 The Way to Eden 64 The Cloud Minders 68 The Savage Curtain 71 All Our Yesterdays 74 Turnabout Intruder 77 References Article Sources and Contributors 81 Image Sources, Licenses and Contributors 83 Article Licenses License 84 1 Season Overview Star Trek: The Original Series (season 3) Star Trek: The Original Series (season 3) Country of origin United States No. of episodes 24 Broadcast Original channel NBC Original run September 20, 1968 – June 3, 1969 Home video release DVD release Region 1 December 14, 2004 (Original) November 18, 2008 (Remastered) Region 2 December 6, 2004 (Original) April 27, 2009 (Remastered) Blu-ray Disc release Region A December 15, 2009 Region B March 22, 2010 Season chronology ← Previous Season 2 Next → — List of Star Trek: The Original Series episodes The third and final season of the original Star Trek aired Fridays at 10:00-11:00 pm (EST) on NBC from September 20, 1968 to March 14, 1969. -
The Critical-Industrial Practices of Contemporary Horror Cinema
Off-Screen Scares: The Critical-Industrial Practices of Contemporary Horror Cinema A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joseph F Tompkins IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Richard Leppert, Adviser January 2013 © Joseph F Tompkins, 2013 Acknowledgements I would like to extend my thanks to the many friends, colleagues, teachers, and family members who provided the necessary support and advice to usher me through both the dissertation writing process and my time as a graduate student. I am grateful to the members of my dissertation committee: Mary Vavrus, Gil Rodman, John Mowitt and Gary Thomas, for their lasting guidance, scholarly advice, and critical feedback. In particular, this project was hatched in Mary Vavrus’s Political Economy of Media seminar, and for that, I’m especially indebted. Also, to Gary Thomas, who taught me, among other things, the power of good, clean prose as well as the radical possibilities of making the classroom into a vitalizing, “heterotopian” space—a rampart against the “mechanical encrustation on the living.” I would also like to convey my sincerest appreciation to my mentor, Richard Leppert, who, since my earliest days as an undergraduate, has been a source of both professional guidance and companionship. Richard is my model—as an educator and a friend. I would also like to thank Jochen Schulte-Sasse, Robin Brown, Cesare Casarino, Liz Kotz, Keya Ganguly, Timothy Brennan, Siobhan Craig, and Laurie Ouellette for their sage advice during my graduate studies. Many friends and colleagues provided me intellectual and emotional support throughout the years: Mathew Stoddard, Tony Nadler, Alice Leppert, Manny Wessels, Mark Martinez, Doyle “Mickey” Greene, Kathie Smith, and Eleanor McGough. -
Sample File PRESENTATION 3 PROTOCULTURE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ✾ PRESENTATION
Sample file PRESENTATION 3 PROTOCULTURE ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ ✾ PRESENTATION .......................................................................................................... 4 STAFF NEWS ANIME & MANGA NEWS: Japan / North America ..................................................................... 5 [CJP] — Publisher / Manager Claude J. Pelletier ANIME RELEASES (VHS / DVD) & PRODUCTS (Live-Action, Soundtracks, etc.) .............................. 6 Miyako Matsuda [MM] — Editor / Translator MANGA RELEASES / MANGA SELECTION ................................................................................. 7 Martin Ouellette [MO] — Editor JAPANESE DVD (R2) RELEASES .............................................................................................. 9 NEW RELEASES ..................................................................................................................... 10 Contributing Editors Aaron K. Dawe, Asaka Dawe, Keith Dawe Kevin Lillard, Gerry Poulos, James S. Taylor REVIEWS MANGA .............................................................................................................................. 30 Layout MODELS .............................................................................................................................. 32 The Safe House, Pierre Ouellette / Jeff Fortier ANIME ................................................................................................................................. 50 Cover Mobile Fighter G Gundam SPOTLIGHT: