www.diako.ir www.diako.ir ContentsContents MAIN FEATURE BUSINESS ENGLISH PROFESSIONAL
IS READING ALOUD ALLOWED? 4 NOT ‘THEM’ BUT ‘US’ 29 Jeremy Harmer rehabilitates round-the-class reading Monica Hoogstad uses humour to break down cultural barriers
FEATURES TEACHER DEVELOPMENT CLASS-CENTRED TEACHING 8 Rose Senior finds group dynamics are key to establishing ALONE TOGETHER 51 a good classroom climate Deniz Kurtoglu Eken feels personal development is a fundamental factor in professional development WALKING STICKS 12 Ji Lingzhu arms her students with supportive listening strategies TECHNOLOGY
ACTIVITIES UNDER ANALYSIS 16 CHOOSING ONLINE MATERIALS 56 Myrian Casamassima explains why we need to make Rafael Sabio puts forward some suggestions for a close assessment of the tasks we assign selecting texts and videos
REVISING NEW WORDS 17 FIVE THINGS YOU ALWAYS WANTED 60 Angela Noble demonstrates that a vocabulary column TO KNOW ABOUT: MOODLE on the board has many benefits Nicky Hockly looks at a virtual learning environment
LANGUAGE LEARNING IS LIKE ... 18 WEBWATCHER 61 Dede Wilson’s wall posters provide insights for students Russell Stannard has all his questions answered and teachers alike
PHRASAL VERBS? THEY’RE EASY! 4 21 REGULAR FEATURES John Ryan finishes up his look at up ACTIVITY CORNER: 37 OVER THE WALL 27 PHONICS FUN Jon Marks Alan Maley recommends books that inspire creative writing
ELUSIVE ESSAY WRITING SKILLS 34 PREPARING TO TEACH ... 40 Cheryl Morris finds innovative ways to teach academic Colourful language 2 John Potts writing
A VOYAGE OF ADVENTURE 35 LET’S GET ENGAGED 63 Rose Senior James Porcaro sets goals and objectives for students and teachers IT WORKS IN PRACTICE 42 WHAT DO FOREIGNERS NEED TO SAY? 46 Peter Wells believes in teaching language that students REVIEWS 44 actually need to use SCRAPBOOK 54 LITERACY IN TWO LANGUAGES 49 Lois Spitzer sees success in skills transference between COMPETITIONS 41, 64 L1 and L2
TEACHING YOUNG LEARNERS INTERNATIONAL SUBSCRIPTION FORM 32
READY TO READ 23 Includes materials designed to photocopy Ana Lado examines criteria for choosing books for children
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www.diako.ir www.diako.ir www.diako.ir MAIN FEATURE Despite the fact that all of the readers spoke impeccable English, some of them stumbled over the words. One couldn’t pronounce a name, one got mixed up with concatenation and another found the last sentence of the extract almost impossible to read intelligibly, at sight. Afterwards, we discussed what they IsIs readingreading felt like, and it wasn’t good! Amongst other things, they were nervous, they didn’t understand what they were reading or why, and they hated the experience of not being able to pronounce things correctly in front of their peers, or of fighting to make sense aloud of long, complicated sentences. aloud And yet all they were doing was what has been happening in language classrooms all over the world for ages
I have never really allowed?allowed? worried about reading Jeremy Harmer t a recent teacher-training aloud before, but for workshop in Bucharest, I recommends reading, handed out a text (see the various reasons it has box below) and asked the suddenly become more teachersA to read it out, one by one, repeating and rehearsing. sentence by sentence. I wanted this first interesting for me activity to start a discussion of what it felt like to read aloud. and ages – though, of course, I had History, Karen Bailey used to tell specially chosen a text that would challenge even the most competent her students before the whistle at English speakers. The question that Siete Vientos changed everything, arises, therefore, is whether it has always is the random concatenation of been that bad for students, even with states and events, nothing more. less challenging texts. And if it has, does The job of the historian is to check it have to be? that each of these happenings, I have never really worried about each of the realities under reading aloud before, beyond feeling investigation, is as unambiguous, faintly negative about it, but for various as verifiable as possible, so that reasons it has suddenly become more when describing the past, one interesting for me. In the first place, I could have confidence that one have recently observed it taking place was telling truths, not weaving when watching lessons – something fantasies. This was the kind of way which I haven’t seen for some time, she talked, and she was thought of despite many years of observation. as very academic, very precise. But Secondly, its value – or lack of it – became a point of discussion in a the stories of Siete Vientos and writing project where I am one member what happened there banished that of a team. And finally, in the last few style from her repertoire completely months I have read three articles on this because it suddenly seemed to her topic, which is all the more remarkable that history, people’s histories, the since for many years hardly anyone history of a place breathed in the talked about it at all. air and sticking to the rocks, is Sally Gibson, for example, explains more than dusty accretions of the reasons why people have been sources and references.1 against reading aloud, but argues for its many virtues. Costas Gabrielatos says
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www.diako.ir www.diako.ir www.diako.ir www.diako.ir IN THE CLASSROOM Class-centredClass-centred teachingteaching Rose Senior ponders the principles of group development.
ccepting that classes function Teachers can readily discern – often in class-centred ways with the myriad as groups is central to all through a spontaneous collective occurrences that are part of everyday effective teaching. Whether response by the class to an unforeseen classroom life. we like it or not, powerful occurrence – when the tipping point has The box on page 9 contains a groupA forces are at work in all been reached. From this point on, their selection of concepts from general classrooms. Classes of learners are not confidence grows and they feel more at research into group dynamics upon simply collections of individuals who ease with their class. which the ten principles of class group happen to be studying the same learning If teachers do not behave in class- development which I will describe in materials in the same room under the centred ways, their classes can quickly this article are based. direction of a teacher: they are groups tip in the opposite direction, with their of students whose individual or students either becoming a fragmented Group development collective behaviour both influences and learning community or, worse still, principles is influenced by the individual or uniting against their common enemy: collective behaviour of others in the the teacher. The following principles were developed room. Teachers, too, participate in class Class-centred teachers have a higher by examining a wide range of social group processes – with their teaching proportion of classes that function in a processes occurring during intensive and class management practices closely cohesive manner than do other teachers. English language classes containing related to the social evolution of their With their intuitive understanding of adult learners from a range of cultural class groups. group behaviour, class-centred teachers and linguistic backgrounds. Language teachers who keep in mind sense when to go with the flow and 1 that their classes function as groups allow social processes to occur naturally, Creating the climate have a class-centred focus and teach in and when to pull back and adopt their As with any new skill, learning to speak class-centred ways. Through their own more traditional teacher roles. a new language involves trial and error. behaviour and the ways that they relate Confidence, combined with consistency Nobody wants to appear foolish in to their students, class-centred teachers in personal behaviour and a willingness public and yet, especially in encourage their classes to evolve into to be flexible, are the hallmarks of communicative classrooms where learning communities in which the effective class-centred teachers. students are expected to interact with overall atmosphere of the class their peers in English, errors are influences the behaviour of individuals. Research principles inevitable. Students become easily upset The crucial moment when a critical when they mispronounce or misuse a mass of the students in a class starts to The relevance of group dynamics to word, or fail to understand something behave in ways that promote the education is well known. In their classic that somebody says – particularly when development of class cohesion has been book, Schmuck and Schmuck relate those around them are amused. defined by Malcolm Gladwell (quoted insights from research into how groups Class-centred teachers make an effort by Tollefson and Osborn) as the develop and function in classroom to create classroom climates in which it situations. Dörnyei and Murphey
Phillip Burrows ‘tipping point’. is clear that making errors is a natural provide an invaluable introduction to part of the learning process and nothing The tipping point group dynamics for language teachers, to be ashamed of. Such teachers while Hadfield presents an extensive regularly model desirable behaviour, collection of classroom activities for including behaving confidently and encouraging classes to develop and openly when they themselves make maintain a positive group feeling. In my mistakes. By smilingly admitting their own work I describe how teachers deal error (and thanking the person who
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www.diako.ir whispering with friends or using Group dynamics concepts mother-tongue talk in ways that make others feel excluded. ● A variety of social processes occur as ● The assigned group leader plays a small groups develop into cohesive key role in developing and 4 Convincing the customers groups, capable of maximum maintaining the unique culture of In any new group of learners one productivity. each group. question is always foremost in the students’ minds: is the teacher going to ● Group development processes are ● Leadership is not the sole prerogative often categorised into discrete stages of the group leader: many group treat me respectfully and fairly, and such as ‘forming’, ‘storming’, ‘norming’, members play roles that assist the teach me useful things in an effective ‘performing’ and ‘adjourning’ (Tuckman functioning of the overall group. and engaging way? This question is and Jensen). particularly important to students ● Leadership roles are of two types: whose whole future may depend on ● Distinct stages of small-group those that help the group progress being able to learn as much English as development, such as those listed towards its goals and those that help possible in as short a time as possible. above, must be treated with caution: the group to maintain its sense of If the teacher lacks an aura of they may not be readily identifiable, may togetherness. Both kinds of roles are professionalism because of their not be sequential and often overlap. important. appearance, manner of speaking or ● Challenging behaviour is a natural part ● Groups do not remain cohesive level of preparedness for the lesson, the of the group development process. unless progress is made towards the students are likely to feel put out. achievement of clearly-articulated Class-centred teachers are aware of ● Groups have a powerful normative goals. influence over the behaviour of group the need to gain the confidence of the members, encouraging individuals to ● Each group develops a unique culture students by demonstrating high levels of conform to the behavioural norms of that is shared and understood by all professionalism. Often answering the the overall group. the group members. question of a single student in a satisfactory way not only puts that student’s mind at rest, but reassures pointed it out) class-centred teachers flow from time to time, and so on. Once others, too. Even if a teacher cannot unconsciously create climates that they have established a connection with answer a tricky question, all is not lost: encourage students to use English in their class, teachers find themselves they can simply say they will check and less inhibited ways. included in a range of positive group provide the answer in the following lesson processes. (and, of course, remember to do so). 2 Making connections Most teachers are aware of the value of 3 Establishing expectations 5 Defining directions organising ‘ice-breakers’ for the first For classroom teaching to be effective, it The key feature that unites classroom lesson of any new class. These give is essential that the students know the communities is an overall sense of students the opportunity not only to behavioural expectations of their purpose: the idea that the students are learn each other’s names but also to teachers: which behaviours will be going with their teacher on a collective learn something about the backgrounds, condoned and which will not, what the learning journey. In their desire to have personalities, likes and dislikes and boundaries are, and what the their students engage in small-group skills of their classmates. Making consequences of uncalled-for behaviour interactive activities and tasks – or in connections at an interpersonal level, will be. Some teachers lay down the law their rush to complete a planned unit of even with limited levels of English, with sets of rules, others discuss (and work – language teachers sometimes paves the way for students to regard sometimes negotiate) with their classes forget the importance of making clear fellow class members – including those appropriate codes of behaviour and the the learning goals for each particular from cultural and linguistic reasons behind them, while other lesson. backgrounds that differ from their own teachers are neither clear nor consistent Class-centred teachers ensure that – as ‘one of us’ rather than ‘them’. This about their behavioural expectations. their students understand from the start makes it less likely that nationality or Class-centred teachers expect student the broad learning goals for the course friendship groups within the class will behaviour that encourages classes to and the rationale behind their teaching solidify into cliques. evolve into mutually-supportive approach. They also give their students Class-centred teachers recognise the classroom communities in which the the opportunity to express personal importance, not only of encouraging students feel comfortable, safe and learning needs and aspirations, students to make connections between protected. These teachers expect their explaining how these will be met. When themselves, but also of connecting students to behave in generous-minded students appear doubtful or personally with their classes. Developing ways towards their peers, helping and unconvinced, class-centred teachers rapport involves teachers trusting their supporting them wherever possible and negotiate learning goals with the class. students to behave appropriately, never behaving offensively. Typical Clear in their minds about the selection, treating all members of the class fairly, behavioural expectations of class- sequencing and purpose of each refraining from admonishing or centred teachers include respecting segment of the lesson, they maintain a punishing harshly, keeping their others at all times, laughing with but feeling of direction and collective emotions under control, going with the never at fellow students, and never progress towards achievable goals.
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www.diako.ir history. Apart from knowledge about have been together in the same class for Class-centred how individuals (including the teacher) up to 20 hours a week, emotions often routinely behave, and what the run high, with students exchanging teaching particular idiosyncrasies of individual email addresses, posing for group class members are, classes develop photos and pledging undying friendship. 6 Harnessing the headstrong collective memories of key events and Feelings are particularly strong if the All teachers are readily able to identify shared learning experiences in the life of class has functioned cohesively. high-profile students who have the the class: the day the electricity failed, Class-centred teachers know that it is potential to become troublemakers and the day when the class won an inter- important to mark the end of a course upset the social equilibrium of their class competition, and so on. by organising a special activity such as a classes. A natural instinct is to repress the Class-centred teachers make a quiz or a special sing-along session. behaviour of troublesome individuals by conscious effort to develop and Without this symbolic closure at the admonishing or punishing them harshly. maintain the collective memories of end of the course, term or school year, However, this is at best a temporary their classes, sensing that by so doing it can take students longer to sever ties solution and one that commonly leads they sustain a feeling of solidarity. with their present teacher and adjust to to an increase in undesirable behaviour. Their actions may include smiling and the teaching practices of their new one. Class-centred teachers recognise that making brief appreciative responses a preferable approach is to get tricky when individuals bring up shared class ૽ ૽ ૽ students on-side by harnessing their knowledge, or encouraging their classes energies for the good of the class. to remember previous lessons: who did I hope teachers will find these ten Ironically, this is often best achieved by what, what was learnt, what was principles of class group development giving individuals the benefit of the amusing or memorable, and so on. useful to remember as they go about doubt: praising them for initiatives that their daily teaching. Guided by these 9 can be construed positively, paying Maintaining momentum principles, they will be in a better them additional attention in the early Just as a spinning top gradually slows position to encourage their classes to days of the class, identifying specific down to the point where it eventually evolve into the kinds of groups that are roles for them, and so on. The topples over, so any group of people not only rewarding to teach, but that classroom behaviour of ‘difficult’ working together can lose their also provide optimal environments for students can change radically when they collective energy and enthusiasm. The language learning. ETp perceive that their teacher no longer situation is no different in language regards them as a threat. classes, particularly where lessons follow a well-trodden path and feelings of Dörnyei, Z and Murphey, T Group 7 Recognising roles inevitability and lethargy set in. Dynamics in the Language Classroom CUP 2003 The majority of students in most classes Class-centred teachers sense the Hadfield, J Classroom Dynamics OUP behave in relatively low-key ways, going importance of revitalising their class 1992 with the flow and rarely causing trouble. groups – and are able to do so even Schmuck, R A and Schmuck, P A Group Although they may not make their when using textbooks containing Processes in the Classroom (8th ed) presence felt in obvious ways, these routine texts and exercises. Such McGraw Hill 2001 students are just as vital to the ongoing teachers engage the interests of their Senior, R ‘The good language class: development and maintenance of class students by creating a feeling of teacher perceptions’ Edith Cowan cohesion as their more high-profile suspense or mystery at the start of University http://adt.ecu.edu.au/adt- public/adt-ECU2006.0002.html 1999 classmates – and they need to have their lessons, by behaving spontaneously in classroom presence recognised and valued. ways that lift the mood of the class, or Senior, R The Experience of Language Teaching CUP 2006 Class-centred teachers make an effort by having students complete learning Tollefson, K and Osborn, M K Cultivating to be inclusive, remembering something activities in novel ways. They are also the Learner-centred Classroom Corwin distinctive about individual class able to change the pace of lessons by Press 2008 members and, where appropriate, adjusting planned activities so that Tuckman, B W and Jensen, M A ‘Stages singling them out for special attention. students remain active and involved. By of group development’ They recognise that all students need to injecting a feeling of freshness and www.chimaeraconsulting.com/tuckman. feel that they are contributing vitality into their lessons, class-centred htm 1977 (individually or collectively) to the lives teachers are able to renew the sense of forward momentum that is vital to the of their classes. The kinds of roles that Rose Senior is a students can play include those that ongoing maintenance of a spirit of language teacher they assume for themselves and those cohesion within their classes. educator who runs workshops and that gradually emerge as the course presents at 10 progresses. Many of these roles facilitate Formalising farewells conferences around the world. the development of unique shared When any group experience comes to an classroom cultures. end, it is usual to mark it in a memorable way, with a ceremony, a party or an 8 Sustaining solidarity outing – which often involves the sharing Any class that has been together for any of food. When students from a range of length of time develops a shared cultural and linguistic backgrounds [email protected]
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www.diako.ir www.diako.ir LISTENING order to achieve final understanding. To achieve this goal is no easy task. Learners not only need the necessary linguistic competence, but also appropriate listening strategies. Listening strategies Listening is a receptive linguistic skill, but it is not a passive one. When you WalkingWalking listen, you have to connect what you receive from the speaker with what is already in your mind. In order to process linguistic messages efficiently, learners have to employ listening strategies, including predicting, inferring, responding and clarifying. These are all advanced ‘top-down’ stickssticks processing strategies. However, our students often have problems with Ji Lingzhu offers her hen you listen to someone distinguishing sounds, identifying words talking in your mother and understanding the relationships students support strategies tongue, you don’t always between agents and objects in spoken have to pay close Wattention. By simply listening out for for improvement. the important words, you can usually get the whole message. In many Students situations, you may find yourself one need to be able to step ahead of the speaker: you can predict what they are going to say – recognise and use perhaps not always the exact words, but the signals that are at least the main idea. You can also get the implied message almost at the same provided in the target time as the speaker finishes the literal sentence. My students tell me that they language to predict, lose all these abilities when they listen in guess and infer English. Beginner-level English learners rely very much on ‘bottom-up’ processing English. This means that they still need when they listen; they listen word by help in bottom-up strategies. Research word or even sound by sound. Many suggests that linguistic signals are concentrate on the first few sentences processed through several levels: and start translating them into their auditory phonetic, phonemic, syllabic, native language. While they are doing lexical, syntactic, prepositional, this mental translating, the speaker has pragmatic and interpretive. moved far ahead. They often listen very Comprehension breakdown can occur attentively at the beginning, and then fall at any of these levels. If learners still asleep later. When they listen to long have problems in segmenting the word sentences, they can generally only boundaries in connected speech, they remember the first half of the sentence will certainly not be able to use and are at a loss when asked to transfer advanced top-down processing. information from a listening passage in What is needed is strategy training, order to complete post-listening exercises. and this should be integrated within the According to Gillian Brown, the accepted pedagogical sequence of pre- goal of teaching listening listening, while-listening and post- comprehension is to enable learners to listening. listen like native speakers. To do this, students need to be able to recognise 1 and use the signals that are provided in Pre-listening the target language to predict, guess and During the pre-listening phase, teachers infer. As David Mendelsohn points out, need to recognise that all students bring they then have to be taught to link these different beliefs, attitudes and prejudices
signals to their world knowledge in to the listening experience, which will iStockphoto.com / © Andrzej Tokarski
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www.diako.ir affect their understanding of the Build up prior knowledge as a 1 Situation ...... message. In addition to being aware of warm-up activity this themselves, teachers need to make You are likely to be fairly familiar with Speaker’s name ...... their students aware of it. Before they what your students know and don’t Date ...... listen, the students need assistance in know. When you suspect that they won’t activating what they already know know anything about a listening text, Occasion ...... about the things they are going to hear. you can provide appropriate 2 What is the general topic of this Simply being told the topic is not background information: about the talk? enough. Pre-listening activities are speaker, the topic, the purpose of the needed, which will establish what is listening text and the concepts and ...... already known about the subject, build vocabulary that are likely to be 3 What is the main point or message? up the necessary background, and set a embedded in it. When using listening purpose for listening. The most texts from coursebooks, teachers should ...... important strategy to cultivate at this read the transcript in advance, if it is 4 How has the speaker organised the stage is prediction. available, and they can also glean talk? Predicting is very easy for native- information about the content of the ...... speaker listeners because their previous listening from the exercises which are experiences of how the language is used provided for the while-listening and 5 What transitional expressions (eg in everyday life enable them to bring post-listening stages. firstly, secondly, in contrast, in top-down processing to bear on any In most coursebooks for teaching conclusion, etc) does the speaker obscure phonetic signal. They will be English, there are exercises designed to use? able to use their expectations to narrow check the learners’ listening ...... it down to what is likely to be said, and comprehension. We can make use of all to predict what the speaker will say these exercises to help our students to 6 Does the speaker digress from the next. However, it is not so easy for non- predict the coming passage. The main point? native listeners, who have to build up students can be trained to look at them ...... knowledge from scratch. There are in order to find the topic, the key several strategies that students can be content words and even the speaker’s 7 What is your personal reaction to taught and teachers can use to help opinions. the talk? them predict what they will hear. Here are some true/false questions ...... for a listening passage: Activate existing knowledge to 1 The schools in this area are not good, predict the unknown but the teachers are very good. 2 When students know the topic of a While-listening listening text, we can help them to 2 The children at these schools don’t People can listen and think at four times predict what content words might be like learning. the normal conversation rate. Students used, since the topic largely decides the 3 Few children at these schools can have to be encouraged to use this ‘rate vocabulary. Students may also be read. gap’ to process actively what they hear. encouraged to ask themselves what they In order to use this extra time wisely, 4 The children at these schools often already know about a given topic, and there are several things students can be fight and some even smoke and drink. can use this to determine what encouraged to do: they can think about information they will need in order to Of course, we don’t know whether these what they are hearing; they can get the most from the message. They statements are true or false before we question it; they can repeat it in their can brainstorm ideas, discuss, read, listen, but from them we can predict the heads in order to remember it; they can view films or photos, and write and topic of the passage (the schools in the jot down key words or key phrases. share journal entries. Their predictions speaker’s area), several key words which They can also wonder about whether it can then be assessed during the while- will appear (school, children, teachers, is true or if the speaker is revealing listening stage. read, fight, smoke) and something personal feelings rather than making an about the speaker’s opinion (they are objective assessment. complaining about the schools). Effective listeners often make Effective listeners If there are no pre-designed connections with people, places, coursebook exercises for a particular situations and ideas they already know, make and confirm listening task, giving the students a determining what the speaker is saying predictions and try ‘listening guide’ is a good idea. There about them and paying special attention are many forms that a listening guide to any words and ideas that are unclear. to determine what might take. It could provide an overview They make and confirm predictions and of the listening text, giving its main try to determine what will be said next will be said next by ideas and suggesting questions for the by ‘listening between the lines’ – inferring ‘listening between students to think about while they are meaning that the speaker does not listening. It might provide a summary actually make explicit. They also reflect the lines’ or outline of the talk for the students to and evaluate by responding to what complete. Here is an example: they have heard and passing judgement.
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www.diako.ir www.diako.ir B: Yes. I asked them to feed it for ten Conducting a ‘post-mortem’ is days. (They are going to be away for another very useful technique. Ask the ten days; nobody will be at home to students to talk about what the speaker ENGLISH feed their parrot, so they have asked said, question any statements of EACHING their neighbours to help.) opinion, amplify certain remarks and TEACHING identify parallel incidents from life and professional 2 literature. Man: I am worried about those classes I Get the students to review any notes This is your magazine. missed when I was sick. (The man is a they have made and to add any We want to hear from you! student. He has been sick. He is information that they did not have an concerned about the work he has opportunity to note down while they missed.) were listening. They can also summarise ߜ what was said orally, in writing or by Woman: I will try to bring you up-to- producing an outline. In addition to the IT WORKS IN PRACTICE date on what we’ve done. (The woman traditional outline format, students is either a fellow student or the man’s Do you have ideas you’d like to share could use timelines, flow charts, ladders, teacher. She was present at the classes with colleagues around the world? circles, diagrams, webs or maps. the man missed. She is willing to help Tips, techniques and activities; Students can be given opportunities him catch up.) simple or sophisticated; well-tried to engage in activities that build on and or innovative; something that has develop concepts acquired during an Organisational patterns and worked well for you? All published oral presentation. These may include transitional devices contributions receive a prize! writing (eg a response journal, learning Comprehension can be improved Write to us or email: log or composition), reading (eg further enormously if the speaker’s research on a topic or a contradictory [email protected] organisational pattern is perceived by viewpoint), art or drama (eg designing a the listener. We can teach our students cover after a talk on a book or about the various genres they may roleplaying a mock trial based on the encounter (eg short story, essay, poetry, topic). TALKBACK!TALKBACK! play), the organisational patterns that Do you have something to say about may be used (eg logical, chronological, ૽ ૽ ૽ an article in the current issue of ETp? spatial), and about transitional devices, This is your magazine and we would key signal expressions which structure a My experience suggests that listening text and give clues as to the direction it really like to hear from you. strategies, especially top-down is taking. These transitional devices Write to us or email: strategies, are like walking sticks for include example words (such as, for language learners. In the early stages, [email protected] example, for instance, thus, etc), time students often forget to rely on these words (first, second, third, meanwhile, sticks and, as a result, they fall down a next, etc), addition words (in addition, lot. Teachers can raise their students’ Writing for ETp also, furthermore, moreover, another awareness of the strategies they can use, Would you like to write for ETp? We are example, etc), result words (as a result, and can help them transfer the natural always interested in new writers and so, accordingly, therefore, thus, etc) and listening strategies they employ in their fresh ideas. For guidelines and advice, contrast words (however, but, in native language to English. By doing write to us or email: contrast, on the other hand, nevertheless, this, they will help their students etc). Effective listeners can follow [email protected] become more effective listeners in spoken discourse when they recognise English. ETp these transitional devices. Visit the Brown, G Listening to Spoken English 3 After-listening (2nd ed) Longman 1990 ETp website! After listening, the students need to act Mendelsohn, D and Rubin, J (Eds) A The ETp website is packed with practical upon what they have heard in order to Guide for the Teaching of Second tips, advice, resources, information and Language Listening Dominie Press 1995 clarify meaning and extend their selected articles. You can submit tips thinking. Well-planned post-listening or articles, renew your subscription Ji Lingzhu is an activities are just as important as those associate professor in or simply browse the features. employed before and during listening. the English Department at Taiyuan Normal www.etprofessional.com Strategies such as clarification, University, P R China. summarisation, elaboration and She is currently doing research in applied personalisation should be cultivated linguistics. ENGLISH TEACHING professional during this stage. Keyways Publishing Ltd, PO Box 100, Students can ask themselves Chichester, West Sussex, PO18 8HD, UK questions to clarify their understanding, Fax: +44 (0)1243 576456 confirm their assumptions and evaluate Email: [email protected] their own use of listening strategies. [email protected]
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www.diako.ir IN THE CLASSROOM by its glamour! What are we asking the students to do with the language? What cognitive processes are involved? Once we have answered these two questions, we can move on to the next step. Do the students have the tools to Activities enjoy the challenge? Notice the verb enjoy. We do not want situations that can be frustrating for both the students and the teacher. If the answer is no, we need to plan a sequence of activities under analysis that will pave the way towards what we want the students to do, giving them the Myrian Casamassima advocates adjusting our attitudes tools to perform it. If the answer is yes, to classroom activities. we still need to plan a sequence for revision purposes; it is important not to take the students’ ability for granted. If ave you ever stepped out of the the right tenses and vocabulary, write we have a closer look at these sequences, classroom after having tried the sentences, connect them into we will see that they comprise activities out a new activity saying to paragraphs, edit their work, and so on. H of a smaller scale in comparison with yourself ‘It didn’t work as I had The list of required actions may turn our main activity, which may be placed expected’? This has often happened to out to be quite long and complex, right at the end of the string or half- me and I have heard the same complaint especially if the students are not way through it so that later on we can from teacher trainees many times. familiar with the activity or if we add have additional activities that derive Picture the situation. You have put a elements such as a time limit or group logically from it. The result will be a lot of time and energy into choosing an interaction. It is worth noting that plan: a series of actions leading us exercise and producing the materials that working in groups is not necessarily towards our goal. are necessary for its implementation. easier if the students do not actually Contrary to your expectations, however, have the skills required to work in ૽ ૽ ૽ the students do not feel motivated by it groups. Likewise, a time limit does not and the general tone of the class drops. necessarily help the students get I propose that challenging activities As a result, you feel frustrated. What themselves organised more quickly, and should mean ‘challenging the activities could have gone wrong? it may well exert additional pressure. we give our students’ rather than The activity may have failed because However, there is something else to ‘activities that are challenging’. the students habitually take little consider in the nature of activities, Teachers’ intuition is generally reliable interest in the class. Or it may have besides the two aspects described above. when it comes to deciding what is likely failed because you did something wrong We often tend to think that activities to be a challenging activity for their during the procedure. One way or the stand on their own, but in reality, any students. My suggestion is to challenge other, you are beginning to play the activity – especially a communicative one each activity by analysing it at its two blaming game, which really takes us – is generally part of a string of tasks. levels and by questioning its nowhere. The answer to the question This means that there will be something independence from other activities in a does not really lie in whose fault it is, that has to be done before and after it. sequence. If we do this, we will be more but in the analysis of the activity itself. We naturally want to assign likely to produce lessons that progress activities which are challenging for our smoothly and are well sequenced, Assigning activities students. These are the kinds of enabling us to make the most of the activities that will help them develop, activity that triggered the process. ETp When we assign an activity in class, we and they are the types of activities that are asking our students to do something students find most motivating. with the language. For example, if we For a full discussion of task analysis, However, it is not enough simply to see: ask them to write a biography of their choose activities that are challenging. favourite singer, they will have to write Skehan, P A Cognitive Approach to We must remember that the more Language Learning OUP 1998 several paragraphs, probably using the challenging the activity, the more past simple tense and, if the singer is complex it may be in terms of both Myrian Casamassima still alive, the present and future tenses, language and cognition, and we need to is an English teacher too. This, then, is one aspect of the from Lenguas Vivas look at the context of that activity in ‘J R Fernández’, Buenos activity, its linguistic side. terms of the things the students are Aires, Argentina, where There is also another aspect, a she has been a teacher required to do before and after it. trainer for ten years. She cognitive one, that has to do with the holds a Trinity College mental processing that is required to do Diploma in TESOL and Analysing activities an MA in Cognitive the activity. This means that the Psychology from the students will be expected to interact Our first step in deciding whether or not Universidad Autónoma with the input, select the relevant an activity is suitable should be to look de Madrid, Spain. information, rank it, organise it, choose at it more closely. Let us not be dazzled [email protected]
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www.diako.ir VOCABULARY A revision lesson Step 1: Ask the students to look through their notes and find between three and five items of vocabulary that were new to them this week. Stress that Revising these do not have to be single words but can include collocations, phrases and idioms. Step 2: Once the students have done new words this, distribute board pens and ask them new words to come up and write the words on the Angela Noble does more than just write lexis on the board. board. You may want to limit the number of words here to save time. he other day, I looked at my I’ve done from my very early days of Step 3: Hand out one sticky note per whiteboard half-way through the teaching, and I’ve found that it has student and ask them to fold it in half. In lesson. In the vocabulary column various benefits: T the top half, they should draw a happy were these words: bagpipes, haunting, ● You can use the list for wind-down face and in the bottom half a question kilts, saliva. Hmm – eclectic, to say the activities if you have five minutes mark. Explain that the top half is for least! The first had arisen from an spare at the end of a lesson. For words they remember, understand and IELTS practice listening which involved example, students can be asked to are comfortable with, while the bottom labelling the parts of a bagpipe. At the make example sentences using the half is for words they don’t know or can’t planning stage, this had seemed most words, or play ‘Back to the board’ remember. They should write three words unpromising. I had wondered whether (see Step 5 opposite). from the board on each half. my class would really find this ● interesting. Nevertheless, I decided to You can use the lists of words for a Step 4: When they are ready, the persevere and see what came out of it. focus on pronunciation. Get the students stick their notes somewhere As it turned out, they have a very similar students to mark the word stresses or on themselves and mingle. They look at traditional instrument in Libya with a practise saying weak forms. each other’s notes, and if there is an beautiful, haunting sound. As a result, ● You can have a competition to see item of vocabulary that a classmate the word haunting was added to the list. how many of the words the students understands but they don’t, they can A couple of well-travelled students can use in a dialogue. ask for an explanation and an example sentence. Monitor at this point to make had recently been to Scotland, and told ● As a collaborative effort, students can sure that their descriptions are not me they liked the ‘skirts’ worn by the add any other new words they have misleading. men. ‘Is it true they don’t wear come across to share with their underwear?’ asked another. After eight classmates. Step 5: When the students are sure they years of teaching, my students still understand all the words on their notes, manage to surprise me every day. I On Fridays I have revision lessons and in split them into two teams and play ‘Back taught them the word kilts while trying these I focus on all the words that have to the board’. One student from each not to blush, and put that up on the gone up in the column throughout the team sits facing the class and you circle board, too. week. To do this, I make sure that I have one word on the board behind their The second stage of the activity made a note of the words that I have back. The other members of the team involved listening to an account of the written up over the week so that I can must help the chosen student to guess history and workings of the trumpet. elicit them from the students for revision, the word by describing it. The first of We’d warmed to our subject now, and and to see what they have remembered! the two students at the front to say the had a lively discussion about the sounds This can lead to very productive, free word wins a point for their team. Rub of different musical instruments (the writing and speaking classes where the word off the board, choose two saxophone was the overall favourite). In students get the opportunity to revise more students and circle another word. the listening text there was a description new vocabulary and use it in context. Step 6: When all the words have been of the ‘water key’, which trumpeters use The revision lesson in the box takes an guessed and rubbed off the board, put to drain saliva out of their instruments. hour to an hour and a half. ETp the students into pairs or groups of As a result, saliva went up on the board. Angela Noble has three. Between them, they should have worked for eight years between 12 and 18 words on their as a teacher and teacher Whiteboard words trainer in Prague, Czech sticky notes. Explain that they now have Republic, and the UK. 15 minutes to write a dialogue using as The point of this account is that She is currently head of designating a column on your EFL at a small language many of the words as possible correctly, whiteboard for vocabulary, which you school in Leeds, UK, and in a suitable context. where she is developing then use to add words that come up in her interest in ways to Step 7 (optional): Get the students to each lesson, can be very useful and teach vocabulary effectively. perform and listen to the dialogues, and provides you with a surprisingly then vote on the best. versatile teaching tool. It’s something [email protected]
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www.diako.ir IN THE CLASSROOM class. The real bonus is that everyone can hear what is said and comment on it. However, not all classroom layouts allow for this, so I have included alternative procedures below. You can also adapt the posters for different skills, eg Writing is like ... Listening in English is like … . You will Learning probably find that the students’ attitudes are very different for each skill. Posters First, make six or seven Learning a language is like .... posters using things language from the box below or your own ideas. Make sure they are relevant to the culture and likely experience of your students, eg making sushi in Japan. (Try to include being in a dark room and being in the army, as these always provoke a good discussion.) Make the is like... posters large enough that they can be Dede Wilson explores the perceptions seen and read from all around the room. This is particularly important if and expectations of her students. your classroom layout does not permit the students to get up and move around. Laminate them if possible so s teachers, one of the first they can be used again. things we do early in a course is to find out more about Learning a language is like ... who we are teaching – not making friends Ajust what our students’ English is like, but also their interests and how they feel climbing a mountain about learning a language. To do this, I being in a dark room use a fun student-centred activity, which training to be an athlete gives me an insight into their learning making bread/noodles strategies and attitudes and also helps students are in a small group, they learning to ride a bicycle them to gel as a class. This activity is naturally want to compare and discuss being in the army adapted from one described by Jill their choices and talk about their reasons learning to drive Hadfield and it compares learning a and experiences. The groups provide a learning to fly a kite language to other life events. sense of security. Many students expect learning to play the piano Colourful posters are displayed their perceptions to be similar and are working on a farm around the room making various surprised at how different they really are. learning to swim comparisons such as, Learning a This creates a real buzz around the room. language is like learning to fly a kite or The students’ expectations of Learning a language is like climbing a language learning and their perceptions Possibilities mountain. Once the students’ curiosity is of their own ability become apparent as aroused, they begin relating the they speak. It also becomes clear what 1 Mobile groupwork different images to themselves and their their attitudes to learning are – ● Put the posters around the room where beliefs about learning. informed by what has worked for them they can be seen by the whole class. and what hasn’t. I never cease to be With classes of up to 25 students, I ● put the posters on the walls and get the surprised when the quietest students Tell the students to read each poster students to walk around the room. They suddenly and effortlessly become fluent and then decide which best describes decide which poster best describes their articulate speakers! what learning a language is like for learning experiences and then stand To be fully inclusive, students face them. underneath it. Others come and join each other from different parts of the ● Ask them to go and stand under the them as they decide between different room and speak openly to the class with poster that best describes their feelings. posters, weighing up the differences everyone from the same group Instruct them to discuss with the other between being in a dark room and the contributing and the teacher guiding the students who are standing under the army, or learning to ride a bicycle rather proceedings from the centre. This same poster why they think learning a than drive a car. arrangement creates a focal point and language is like this. (If there is only The beauty of this is that when the generates interest in each other as a one student under a particular poster,
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www.diako.ir ask them to join one of the smaller ● Walk around the groups as they work opportunity to encourage the idea that groups and take turns to describe the and make notes for delayed feedback making mistakes when speaking is not reasons for their choices.) on language accuracy. losing face, but a natural part of ● Allow the students to talk for a few learning, like learning to ride a bicycle minutes and monitor their discussion 3 Using an interview grid or play the piano. by walking around and listening. ● Put the posters on the walls as before, Teacher trainers Make a note of any ideas that you and have the students form groups For teacher trainers, it may come as a would like to draw out in an open according to which poster they feel surprise to see so many in the army with iStockphoto.com / © ElementalImaging discussion, such as comparisons most applies to them. incomprehensible rules or never finding between their choices of bicycle rather their way out of the dark room! ● Give each group a grid (see below) and than car. It provides an insight into what may ask them to work together to interview ● affect the trainees’ approach to teaching. When the initial discussion is over other students in the class about their (you might like to set a time limit), choices and their reasons, and complete ૽ ૽ ૽ stand in the middle of the room and the grid. The groups then work invite the students to speak. Start with together to produce a new poster or I have done this activity with every class one group and ask different students write about each other for homework. within the group to explain their I have taught, whether they were students from elementary levels to reasons to the class. Encourage the Name Learning is Reasons rest of the class to listen carefully by like ... proficiency or trainee teachers. No two asking what they agree and disagree classes have ever been the same. I have with. Change the focus by moving on found that you cannot make to groups on other sides of the room. assumptions about what the students will say or whether something will be ● As options are discussed, ask about regarded as positive or negative. You similarities or differences, eg how might expect making friends to be always climbing a mountain might be similar a good experience, but for some it’s to learning to fly a kite. To give added Potential hard, you have to work at it, overcome incentive for listening to each other, shyness, take risks and even fight. Being tell the students they are going to Each of the procedures outlined above in a dark room can be a positively write about some of the definitions has its own benefits. I feel much is to be enlightening experience: it may be worth they liked the best or disagreed with, gained from the first procedure because the effort to find the light switch. For giving their reasons. it involves the whole class working together, but this may not be possible one Chinese girl I taught, being in the ● Ask the students to work in groups to with very large classes. army had always been her dream, it write about the definitions they have provided structure and a future. chosen. They can do this in the form Students Finding out so much of another poster to stick on the wall. For the students, this activity is about your students in Remind them to give reasons for their motivating because it is personal and one activity is often a choices, whether positive or negative. linked to their own experience. It revelation for everyone. provides a chance to use the language As we don’t often talk they have learnt, and an opportunity to 2 Seated groupwork about our language be imaginative and express their learning experiences, ● Put the students in groups of 4–6. opinions. It promotes active listening it can also bring an (With fixed seats, get the odd-number for recognition and interaction. Fluency element of self- rows to turn around to face the even and accuracy become an unconscious discovery. Most numbers.) Ask the students to look at focus as they try to express themselves importantly, it is the posters and choose the one that clearly. There is even some semi- genuine. ETp best describes their feelings. controlled language practice of gerunds, ● Encourage the students within each language of comparison and contrast group to do a survey of the different and metaphor. Hadfield, J Classroom Dynamics opinions, finding out which poster Teachers OUP 1982 each student in the group has chosen The activity not only enables teachers to and why. Dede Wilson trains evaluate their students’ linguistic ability native- and non-native- ● With mixed-ability groups, one student for fluency and accuracy, but gives them speaker language teachers around the could take on the role of monitor, a chance to see how well the students world. With a background pointing to a poster and asking who are able to put language together, make in teaching young learners and adults, she thought language learning was like, for comparisons, express reasons and use has taught international example, learning to ride a bicycle. language learnt. Additionally, it gives development courses since 1990. She has a The students raise their hands. Other insights into different learning styles, BA in Psychology and students can become monitors as they anxieties and overall feelings about a Masters in ELT and Applied Linguistics. can change positions after they have learning English and therefore assists in spoken, and call on each other. learner training. For example, it is an [email protected]
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www.diako.ir www.diako.ir GRAMMAR ● I brushed up on my French last year on holiday. ● I need to brush up on my computer skills. Phrasal verbs? Up to you We saw earlier that there is a big difference between being dressed and being dressed up. With the next group of verbs, however, up is optional. You They’re easy! 4 don’t have to say it. If you do say it, the image is the same, just more complete. John Ryan ties up his exploration of verbs that take up. For example, the shop is closed and the shop is closed up are more or less the same. The only difference is that with n Issue 64 of ETp, I looked at verbs don’t grow up, they just grow. They get closed up, the shop is more closed (if which take up and concentrated on bigger. Growing up is not just about you can imagine that). If I say the shop two possible meanings. getting bigger and fatter; it’s about I is closed, it could be for lunch, whereas developing. Plants don’t grow up, cities 1 The direction ł (primarily with verbs the shop is closed up is likely to be for don’t grow up. Only humans do. When of movement) the night or much longer. we grow up, we develop, we come closer 2 Creation or death (signifying the Here are more verbs which behave to an idea of perfection. beginning or the end of something) like this. Notice that all of them mean Look at that man. He’s wearing closing in some way, but with some Now I would like to look at more verbs better clothes than normal. He’s not there really isn’t much difference with up, but this time covered by the just dressed. He’s dressed up for a whether you use up or not. third category I mentioned in my last special occasion. He looks perfect! ● article: the road to perfection. Turn up the TV! In this case, the You can board the windows or you volume is too low. Turn it up. Perfect! can board up the windows. What is perfection? Have you ever seen Thank you. ● You can tie your shoelaces or tie up it? Have you ever smelt or tasted it? No? Speak up! Speak louder. Louder! your shoelaces. I think it is fair to say that outside a Perfect! Thank you. ● You can lock the house or lock up religious context, nothing is perfect. Why do women wear make up? Do the house. (However, you lock, not Even the most ‘perfect’ circle you can they see it as a development towards lock up, the door.) draw with the most advanced computer perfection? In this case, maybe it’s ● You can button your shirt or button won’t look perfect when viewed under a perfect femininity. up your shirt. powerful microscope. However, we all He’s always trying to butter me up. ● have an idea of perfection. For example, I’m his boss, and he’s always saying nice You can tape or tape up a box. I can imagine my perfect holiday, my things to me. Why? Because he wants a ● You can block or block up a gap or perfect partner or my perfect meal. favour, a raise or extra holidays! He hole. When you put up beside some verbs, wants to develop our relationship to a ● The drains can be clogged or it moves the action closer to this idea of perfect level. clogged up. perfection. Imagine an empty glass. ● You can parcel or parcel up What is its job? To hold liquid. So when Cleaning up something to be sent. the glass is absolutely full, can I say it’s ● You can seal or seal up a building or perfect? I believe so because it is doing Very often, verbs associated with a room. its job 100%, or completely. That 100% cleaning are verbs with up. After all, ● means it’s fulfilling all of its potential. when you clean up something, you are Some string can become tangled or We cannot ask the glass to do more developing it towards perfection! Here tangled up. than this. Therefore the road, the are some examples: ● You can zip or zip up your jacket. ● I mopped up the floor. journey to perfection is the verb to fill In the next issue, I will look at verbs up. Now, you may say that in this case, ● I tidied up my bedroom. with across and through. ETp up means ł. But we also fill up a tyre ● I cleaned up the house. with air, and this is in every direction! John Ryan is the Director ● I wiped up the spilt milk. of Studies at Delfin School of English, Dublin, ● I swept up the leaves. Ireland, and believes that Growing up the English language is ● I smartened up the room with some accessible to all learners Here’s another example. When we give cushions. as there is an underlying our children food and education, we are logic, which exists even ● I jazzed up the living room with some in the most idiomatic of bringing them up. We are developing phrases. Bringing this them towards perfection. (Of course, flowers. logic to the learner is his goal in training. unfortunately, they never arrive!) ● Last week I did up my house. Children grow up. Animals and plants (I decorated it – now it’s perfect.) [email protected]
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www.diako.ir www.diako.ir TEACHING YOUNG LEARNERS ૽૽૽૽૽૽૽૽૽૽૽૽૽
which the teacher says and demonstrates verbs, and students imitate them until the gestures are no longer needed). Building expressive skills I examine books in order to check that new language is introduced ReadyReady to to read read incrementally and to ensure that they will engage students in beginner-type Ana Lado considers some criteria for selecting interactions. Books with five or more books for beginners. questions embedded in the text can be used with guessing games. hildren’s picture books are and the stages within these levels. Finding Developing language knowledge an invaluable resource for the right book for beginners, whose I look for books with predictable teachers wanting to provide needs vary depending on the different sentence patterns to highlight grammar. students with experiences of stages they are at, entails knowing such These can be used with substitution Cauthentic English. A problem arises, things as the amount of vocabulary, exercises and dictation. however, when a book is above the grammatical difficulty, topic complexity Facilitating fluency students’ comprehension level. In this and other information. It is also difficult Books with repetition are extremely case, teachers must spend time to find books with beginner-level English useful. If they have five or more developing complementary activities to that are also appropriate for school-aged repetitions of a sentence, they can be bridge the gap between the level of the beginners. Many books which contain the used for developing fluency through students and that of the text. However, simplest English are, in fact, unappealing jazz chanting. we can avoid some of this work by to school-age early beginners because carefully selecting books of appropriate of their babyish topics and illustrations. length, simplicity and accessibility. Three stages for Carefully selected books can Criteria for choice selection introduce new English without In class, teachers accommodate their In general, the criteria used to select overwhelming beginners and thus language to the different stages of books for teaching English language sacrificing enjoyment. When books beginner-level language learners, from learners need to take into account match student abilities, the students are the earliest beginner students who are many characteristics of both books and able to use them for independent reticent to speak, to intermediate students. Once I have taken these into practice and this reduces the amount of beginners who can use formulaic account and selected a set of books for time the teacher must spend in preparing phrases and predictable short phrases, beginners, I additionally consider developmental activities. Essentially, to productive beginners who have a whether a particular book addresses a when books match students and the much larger range of abilities. balance of opportunities for language teaching strategy, they are ready-to-use. Rote and structured interactions are learning. I search for books with Finding a useful picture book for a interim communicative exchanges for embedded features that clarify meaning, beginner-level student at first seems easy. teaching English. Teachers should build expressive skills, develop language It is a matter of selecting among those balance their activities, giving equal time knowledge and facilitate fluency. Books with little text, interesting visuals and to comprehension activities which with these features are compatible with repetition. This type of information can be clarify meaning, communication a communicative language teaching found in annotated book lists. However, activities which allow personal interests programme. When I find books which a difficulty arises when a teacher is to be expressed, direct language contain these four features, I match searching for an ideal book for a learning through elaboration, and each book with a teaching strategy. particular English proficiency level. This fluency activities with repetition. These include using realia (real objects is not easy because it involves knowing Teachers can examine books to brought to the classroom), Total Physical more information than is readily available match their use of language with the Response (TPR), guessing games, on annotated book lists. These lists usually students’ capabilities. For the earliest substitution, dictation and jazz chanting. only provide enough information about a beginners, books should be introduced book to enable the teacher to match it to Clarifying meaning with activities involving rote interaction. a broad-brush level of English proficiency. Books with closely corresponding visuals Once the students have acquired some Teachers wishing to select books for and text help to clarify meaning. I look skills, they can participate in structured particular students need descriptions for ones I can use in conjunction with interactions. Successful participation in with information related to narrower realia, and ones which contain action these eventually leads to more complex definitions of English proficiency levels, verbs to use with TPR (a strategy in and open-ended communication.
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www.diako.ir www.diako.ir www.diako.ir www.diako.ir Over the wall ... Alan Maley investigates the urge to write.
y last article (in ETp Issue 64) books can help in several important focuses on getting started, character, plot, ended when the fictional ways. They can inspire us, stimulate our dialogue and setting. There are some eye- Queen of England in Alan ideas, offer encouragement and support, catching metaphors: ‘Writing a first draft MBennett’s novel The and validate our belief that we can write. is … like watching a Polaroid develop’ or, Uncommon Reader, having discovered They can point out directions and even quoting E L Doctorow, ‘… writing a novel the joys of reading, decides to take up sometimes show us the nuts and bolts, is like driving a car at night. You can see writing as the next step. Like the Queen, the techniques we may need, and offer only as far as your headlights, but you can many if not most of us, at one time or us practice. In varying degrees, all these make the whole trip that way’. In Part II, another, have felt the itch to write. This is books do some of these things. she offers more personal advice on the often expressed in soulful sighs, ‘I wish I need to develop close observation, to be could write…’. Unlike the Queen, we Writing Down the Bones true to yourself, to trust intuitions, and to rarely act upon our wish, although, as Dr still the voice of the negative internal Nathalie Goldberg’s Writing Down the Johnson bluntly asserts, ‘Any man may critic (and the uncritical voice of the self- Bones is essentially an inspirational book, write at any time, if he will set himself regarding admirer!). Part III offers advice somewhat in the Beat Generation style, doggedly to it’. No one gets to write on where to get help: by using index cards with a goodly dose of self-exposure. It is unless they start to write. It is as easy – for taking notes, using other people’s sometimes overly effusive and and as difficult – as that. specialist knowledge, writing in groups for distractingly discursive, but it rides on the For language teachers, there are few mutual support, finding a reliable critical author’s genuine enthusiasm for and long more effective ways of re-activating and reader for your work, writing a letter experience of writing creatively. It is a extending their grasp of the language, when you get stuck, and general advice sprawling, almost random, collection of and of restoring their taste for linguistic on dealing with writer’s block. In Part IV, short chapters, most of which could risk-taking and playfulness, than creative she discusses some of our motivations to stand alone: a mix of personal anecdote, writing (and that goes for non-native write, apart from publication. memoir, reflections on most aspects of speakers as well as for native speakers). writing, some sound advice, and even a It opens the gates to the figurative and few practical ideas for generating writing. Rose, Where Did You lyrical aspects of language. It pushes I find myself returning to it once or twice Get That Red? them to, and over, the edge of their a year and always with profit. comfortable plateau. In Rose, Where Did You Get That Red? In this article I will be examining five Kenneth Koch brings us closer to teaching, books which address this urge to write Bird by Bird though in the context of teaching the creatively. Of course, reading a book about A more organised, though still inspirational, mother tongue in a New York City public creative writing does not teach us to write. version of the writing process for fiction school (from grades 3 to 9). His book is As I have said, to learn to write, we need is offered by Anne Lamott in Bird by Bird. based on the idea that children and to write. There is no other way. Yet such The book is in four parts. Part I, Writing, adolescents can, and should, be exposed
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www.diako.ir The first chapter, A Personal Introduction, conclude each chapter (something I found Over may therefore sound some unfamiliar well worth working through). He illustrates notes to the uninitiated. He makes it clear points with his own tailor-made verse, and that this is not simply an exploration of with subtly-chosen work from a wide the the word, but of the world and the self in range of poets. This is an irresistible book the world. He links the four basic – the best I have come across in years. wall ... sentence types: Command, Exclamation, Coincidentally, but highly relevant to the Question and Statement with the four message of this series of articles, I came temperaments: Choleric, Sanguine, upon it in a second-hand bookshop in Melancholic and Phlegmatic, and the four distant Vientiane, Laos. What better elements: Earth, Water, Air and Fire, and example of the serendipity of the with three characteristics of language: worldwide confederacy of readers? Image, Sound and Movement (rhythm). This may all sound a bit esoteric, but the ૽ ૽ ૽ ideas for developing writing are in fact to ‘real’ poems by great poets from all highly practical and imaginatively There are, of course, many other books on periods, and that they can then use these stimulating. He groups them, all 307 of creative writing, and I have included a few poems to spark poems of their own. The them, in five chapters: one each for The of them in the further reading references ten sample lessons he offers are based Command, The Exclamation, The Question below. But we should not forget the on poems by Blake, Herrick, Donne, and The Statement, plus one called The obvious truth that we don’t learn to write Shakespeare, Whitman, Wallace Stevens, Hearth, which explores stories. The book from books about writing. We learn to Carlos Williams, Lorca, Ashbery and is a fantastic quarry of original ideas for write by doing it. Happy writing! ETp Rimbaud – not readings for the faint- writing (mainly poetry), a cornucopia of hearted. He makes it clear in his source material for anyone wishing to Books reviewed introduction, however, that we should never explore their own writing or to incorporate surrender to ‘difficulty’ before it has been it into their teaching. But these are not Fry, S The Ode Less Travelled: Unlocking the Poet Within Arrow Books 2005 experienced. ‘In deciding on poems, I pre-cooked formulae – they require wasn’t put off by some of the difficulties individual effort for their full realisation. Goldberg, N Writing Down the Bones teachers are often bothered by. Unfamiliar Shambhala 1986 words and difficult syntax, for example, and Koch, K Rose, Where Did You Get That allusions to unfamiliar things. ... To reject The Ode Less Travelled Red? Vintage Books 1990 every poem the children would not Stephen Fry is better known to most Lamott, A Bird by Bird Pantheon understand in all its detail would mean people as a writer, actor and broadcaster, Books/Random House 1994 eliminating too many good things.’ And so it comes as something of a surprise to Matthews, P Sing Me the Creation Hawthorn Press 1994 later, ‘What matters for the present is not learn that he is totally enthused by poetry. that the children admire Blake and his The pun in the title of his book, The Ode Further reading achievement, but that each child be able Less Travelled, gives us a clue to the witty Angwin, R Writing the Bright Moment: to find a tyger of his own’. This refusal to treatment of the subject to come, but it Inspiration and Guidance for Writers Fire condescend to children and his trust that does not prepare us for the passion of it. in the Head 2005 He makes a number of points in his Bell, J and Magrs, P (Eds) The Creative We don’t learn to write Writing Coursebook Macmillan 2001 Drury, J Creating Poetry Writer’s Digest from books about writing: we learn by doing it Books 1991 Clark, T (Ed) The Writer’s Digest foreword: everyone is capable of writing Handbook of Novel Writing Writer’s poetry, there is a need to learn how to do Digest Books 1998 they will make their own understandings of it better (‘talent is inborn but technique is Novakovich, J Fiction Writer’s Workshop the poems seem to have paid off amply learned’), poetry is language, not a special Story Press 1995 in the quality of the examples of kind of language but a special way of Whitworth, J Writing Poetry A and C children’s work provided in the sample deploying it, and writing poetry makes us Black 2001 lessons. The final section is a stimulating better appreciate the poems of others. anthology of poems, with suggestions on There are three main chapters – on metre, Alan Maley has worked in rhyme and form, with a coda about poetic the area of ELT for over how they might be used. This is certainly 40 years in Yugoslavia, an inspirational book, too, but it primarily diction and the state of poetry today. The Ghana, Italy, France, style is light-hearted and delightfully China, India, the UK, offers insights into teaching creative writing, Singapore and Thailand. and is a great source of original poems. disrespectful (he refers graphically to Since 2003 he has been some poetry as ‘arse drizzle’…) but the wit a freelance writer and consultant. He has conceals an encyclopaedic knowledge of published over 30 books Sing Me the Creation the subject. I know of no other book and numerous articles, and was, until recently, Paul Matthews’ take on poetry in Sing Me which makes metre so fascinating. He Series Editor of the the Creation is somewhat different. He is addresses his readers directly throughout, Oxford Resource Books very much part of the anthroposophical in a tone of gentle banter, and expects for Teachers. [email protected]
iStockphoto.com / © Steven Robertson movement founded by Rudolph Steiner. them to complete the exercises which
28 • Issue 65 November 2009 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir BUSINESS ENGLISH professional ⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢⅢ NotNot ‘them’‘them’ butbut ‘us’‘us’ Monica Hoogstad tackles division in the classroom by advocating the right kind of laughter.
he global village has become a trends: the upsurge of nationalist citizens. This can be achieved only melting pot of cultures, the tendencies and the movement against through a paradigm shift, as a result of European Union regularly political correctness. Nationalism which the global corporate sector would opens its doors to new manifests itself through identifying and have to redefine their goals. As Evelin Tmembers, societies are increasingly pillorying out-groups, ie any group that Lindner asserts, meaningful ought to heterogeneous, yet individuals remain embodies ‘otherness’ – a fluid concept, bear the same weight as successful when staunchly conservative in their influenced by specific circumstances in describing communication in the monoculturalism. Ignorance, lack of the Western nations themselves. workplace. Non-measurable and non- information, an obstinate sense of According to Morris Narrelle, whenever standardised factors, such as kindness, superiority, xenophobia, racism and confidence crises related to national consideration, helpfulness, compassion, prejudice inevitably widen the cultural identity arise, frustrations, anxieties and unselfishness, conciliatory attitudes and gap between nations and lead to resentment are directed towards miscommunication and clashes. scapegoat groups. The second trend – A few years ago, I conducted a evident in programmes involving public Very few organisations business English training programme for humiliation on prime-time TV – was born are aware of their an insurance company in a European in shows like The Weakest Link and Pop Union country, and the groups were Idol, which have rapidly spread across responsibility in comprised of European and Japanese Europe, becoming the norm for evening creating emotionally advisers. From the outset, I found myself entertainment. Bootcamp-mannered facing a pedagogical and moral dilemma, presenters are hailed as national heroes and socially proficient as the soft-spoken and overly courteous for breaking social taboos and launching employees Japanese were a constant target of teasing verbally abusive attacks against and banter. Japanese habits and traits unassuming guests, while the fans can’t were ridiculed (‘giving and receiving’ get enough of their vitriolic, ad-lib jibes. sense of humour, have been downplayed rituals, pronunciation of English words), systematically. As soon as employers dismissed a priori (bowing) or ignored Emotions acknowledge that employees’ emotions completely (non-tactility). Another and the way they are managed have a typical reaction in the Western corner While many organisations aspiring to huge impact on job performance, job was perplexity and anger at certain become global players have recognised satisfaction, decision making, creativity, ‘unacceptable’ behaviours, such as falling the importance of upgrading their productivity, turnover, teamwork, asleep during presentations, showing moral standards, very few are aware of negotiations and leadership, they will reluctance to ask questions at meetings, their responsibility in creating no doubt strive to delve into their staff’s taking moments of introspective silence, emotionally and socially proficient emotional intelligence. By increasing reaching decisions by consensus and employees. Sitting on the fence is not an their Emotional Quotient (EQ), putting emphasis on seniority. option for business English teachers, employees would learn to regard In hindsight, I realise that this tension since we play a major part not only in emotions as valuable data when dealing wasn’t an isolated case, and that it raising students’ ethical awareness, but with situations – a skill which would be actually reflected two recent Western also in developing competent global advantageous in any area of business.
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inclusive teasing), but also carrying students’ background, level and aggressive undertones (sarcasm, irony, expectations. Laughing at oneself shows Not ‘them’ cynicism). In order to use humour as an a strong sense of identity, it’s a non- effective and affective instruction tool, threatening, easy-to-share type of we have to make sure that both we and humour, it helps us accept our mistakes but ‘us’ our students are aware of the power and it enforces equality. Laughing at a that words have and, therefore, use them mutual problem relieves tension and Laughter wisely and responsibly. Humour, appeases emotional turmoil, as it How should we tackle this issue? First laughter and verbal play require a provides perspective, makes crises more and foremost, with great care, ensuring minimal social distance, characterised manageable, and gives a sense of that we don’t impose our views on our by solidarity and familiarity among the reassuring companionship in difficulty. students, which would be inappropriate, participants. To steer the group dynamics According to Paul McGhee, when used patronising and unethical. The language towards such levels of intimacy, we have appropriately, humour creates trust and classroom ought to be a negotiated to initiate a negotiating process, aiming cooperation, encourages communication space, in which mutual respect is the at creating a risk-free zone and a strong on sensitive matters, is a source of starting point of all activities and cooperative atmosphere. By using the insight into conflict, helps overcome discussions. What we can do is subjects we teach – language and formality, stiffness and standoffishness, encourage our students to bury the culture – as a means of bringing people and facilitates the acting out of hatchet and engage in a series of peace- together, we can change the aggressive impulses in a safe way. Humour can be pipe-smoking rituals. What we need is image that English still has in certain a useful tool to teach tolerance, alleviate an emergency kit to be able to take conflicts, eradicate humiliation and immediate action against put-downs, enforce dignity in the classroom. This non-inclusive teasing and banter, Laughing at a can be achieved by approaching mockery, ridicule and stereotyping. The mutual problem language teaching as a system that helps medicine I’d prescribe is laughter, whose learners grow intrapersonally and therapeutic, cognitive, care-giving and makes crises more interpersonally, intraculturally and humanising effects are widely acclaimed manageable and gives interculturally. by physicians, psychologists, sociologists and anthropologists alike. Laughter a sense of reassuring Rapport increases the release of endorphins, the Language shouldn’t be regarded only as body’s natural painkillers and companionship in a socio-economic currency in today’s antidepressants. It’s a discovery tool difficulty corporate world, but also as a that boosts creativity and causes peacemaker and a peacekeeper. We have information to stick in our memory. It to work on enhancing our students’ also has an undeniable impact on our parts of the globe, and turn it from a ability to adapt to all intercultural emotional response to stress, anger and conqueror and divider into a contexts from a cognitive, affective and anxiety. It contributes to improving the peacemaker and unifier. Every time we behavioural point of view. With that sense of wellbeing and reducing start teaching a group, we build a new purpose in mind, we must drop the burnout. Laughter helps us cope with English-speaking community, whose ‘teacherese’ and have a real conversation and better adjust to negative situations. cultural background isn’t English but a for a change. The purpose of asking It has a bonding effect, as it builds trust mixture. We don’t start with a blank questions mustn’t be of a solely through a gradual discovery process. It cultural slate, but we have the cognitive nature, but should aim at consolidates rapport and it has the opportunity to develop an emotionally finding out what students’ thoughts and ability to transcend social class, ethnic intelligent community that embraces all beliefs are. and racial background, gender and age. the useful and functional aspects of its members’ commonalities and ‘What did you do at the weekend?’ Community differences, without stifling their unique ‘Go to park for walking.’ identities. The rules of this community ‘Good!’ I believe that it is high time humour should emerge as a result of a became a recognised asset in the collaborative process and should include ‘No, not good. Raining.’ workplace. This doesn’t necessarily mean peace-promoting language, globally- ‘Excellent!’ that business English teachers should inclusive attitudes and positive humour. ‘No. Me no have umbrella.’ metamorphose into stand-up comedians; ‘Great! Now let’s move on to the present the role of ‘humour brokers’ seems more perfect.’ appropriate to me. One cannot ignore Growth the fact that humour is the venom of Humour is conceptualised differently, Warm-up conversations of this kind communication: it has healing attributes, and thus expressed differently, in may be initiated with good intentions, but it can also be deadly. Verbal humour various cultures, ranging from low-brow but they certainly don’t contribute to operates at multiple levels: partly slapstick to subtle wordplay, so it developing rapport, nor do they test or creating intimacy (shared laughter, requires adjusting and adapting to the improve the students’ fluency.
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Identity some of their hopes and dreams. When vowels or /e/ and /æ/ sounds. they have finished, get them to discuss Consequently, you may hear your Asian In order to make the learning process their mandala with their classmates. students say things like: more meaningful, and to contribute to bolstering the students’ sense of self- Favourite jokes ● We hope you enjoyed your fright and esteem, mutual respect, empathy, To underline the fact that despite being will fry with us again. multiperspectivity, openness, flexibility, culturally-specific, humour is a ● We’re interested in the American conflict management skills, out-of-the- universally understood and appreciated presidential erection. box thinking and critical thinking, I form of communication, organise a ● Our bus offers a dairy service. have developed a series of humanising, joke-telling contest. Shared laughter is a peace-promoting and globally-inclusive verified bonding technique, contributing But how can this compete with what activities. Taking a leaf out of to a laid-back atmosphere and your Western students come up with? Francesco Gomes de Matos’ book, I generating intimacy and trust. Jokes told ● Have you paid your Texas? urge my students to monitor and in an intercultural setting might require analyse their communication for its explanations to make the punch lines ● He emerged as a weener. ethical, moral and social values. I understandable. This won’t diminish the ● Let’s stimulate the piss process. encourage them in their daily discourse fun; it’ll only add to an increased feeling to convey acceptance and validation of of recognition and goodwill. After everyone has had a good laugh, the ‘other’, and – at the same time – to correct the mistakes through a non- threatening game, during which you honour their own cultural heritage. This 2 Building common ground contributes to reinforcing their own create a risk-free environment where identity, putting their own culture into Use powerful metaphors to strengthen learners aren’t afraid of making perspective and – eventually – making a the sense of belonging to the mistakes. Prepare a sheet containing shift from a culturally-exclusive attitude community. Shared experience and examples of your students’ mistakes. to a culturally-relative one, by positive laughter based on verbal and Get the class to split into small teams, incorporating ‘otherness’ into an all- non-verbal patterns of communication which then compete against each other embracing ‘us’. enhance group dynamics. in correcting them. Each team makes a bid, awarding between 1 and 10 points Bridge-building to each of their error corrections, Activities Ask the students to work in small teams according to how certain they are that and to build a bridge from straws and 1 Celebrating uniqueness they are right. If they’re right, they win paperclips (or draw one) that symbolises the number of points they’ve bid. If Don’t consider differences as their team. Then tell them to write a not, they lose them. ETp communication barriers; they reinforce ‘user’s manual’ meant to facilitate the uniqueness of identities and communication between their team and underscore positive contributions to the the outside world. Examples of rules Gomes de Matos, F ‘Using peaceful language: from principles to practices’ might be: community. The bonding and blending Global Alliance for Ministries and process begins with mutual recognition. ● Sarcasm is strictly forbidden. Departments of Peace www.peoplesinitiativefordepartmentsof Cultural mandala ● No personal attacks or offensive peace.org 2006 To highlight each student’s distinct language are tolerated Lindner, E ‘Avoiding humiliation’ Journal talents, invite them to present ● At least ten minutes of daily laughter of Intercultural Communication, SIETAR themselves in the context of their Japan 10 2007 is compulsory. culture. Their hitherto hidden strengths McGhee, P Humor: Its Origin and ● will emerge as beneficial assets the If you want to cross this bridge, you Development W H Freeman 1979 group can rely on. must tell a joke first. Narrelle, M ‘Destructive discourse: Distribute large sheets of paper and The teams vote for the most popular “Japan-bashing” in the USA in the 1980s ask the students to draw a self-portrait and 1990s’ rules, which then become the guidelines http://wwwlib.murdoch.edu.au 2006 in the centre. Reassure them that they’re the whole group have to follow for the not expected to compete with duration of the course. Monica Hoogstad is Rembrandt or Modigliani; anything a business English meaningful to them will do. Around it, ‘Pot and kettle’ dialogues teacher and a teacher tell them to represent a few aspects of To avoid finger-pointing and laughing trainer with 20 years’ experience in ELT. their culture they value the most at instead of laughing with, you can She runs The English (history, fine arts, science and present your students with a collection Channel, a language institute specialising technology, penchant for commerce, of errors illustrating typical difficulties in organising and emphasis on traditional values, certain groups encounter when learning conducting bespoke in-company business multilingualism, sense of humour, etc). English. While Japanese learners tend to communications training Continuing from the centre, they should mix up sounds like /r/ and /l/, European programmes and teacher development courses. then illustrate their own particular learners seem to find it difficult to talents and, around the edges, write distinguish between long and short [email protected]
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www.diako.ir www.diako.ir ENGLISH FOR ACADEMIC PURPOSES Elusive essay writing skills Cheryl Morris believes that improving students’ academic writing can be done creatively.
n a recent article in The Economist, aloud, and selects a second student. Procedure it was revealed that several UK ● Student 2 must generate a few general, ● Select 20 or so informal phrases and/or Iuniversities, including Cambridge, introductory sentences on the topic, words that students frequently use in have pointed out that significant and then choose a third student. essays. For example: a lot of research, numbers of students are not well ● Student 3 then presents either possible terrorism is a terrible problem, no one prepared for the academic burden that counter-arguments for the topic or knows the reason. Write these in large awaits them. Furthermore, with statements that are more specifically letters on pieces of cardboard. On the increasing budget cuts, many universities related to the thesis. A fourth student back, write possible formalisations are relying on non-native-English- is then chosen. (eg much research, terrorism is a speaking students to fill their coffers. For ● Student 4 makes a thesis statement serious issue, the reason is unknown). these reasons, foundation programmes for the topic. ● Either ‘drill’ one student with five or so are more essential than ever to ensure ● The procedure is repeated for each cards, or drill the whole class, allowing that students’ academic abilities meet slip of paper. them to shout out their answers. university requirements. Perhaps one of While the activity is taking place, the Comment the most essential skills, academic teacher’s role could be variously to My own experience has shown me that writing, may also be one of the more encourage, correct or assist students, as although students may know the difficult to master, as it demands a new well as to record their output. The final differences between formal and informal approach to register and structure. completed introductions could then be register, old habits die hard and they Many teachers approach academic presented to the class, and the best three often fail to spot their own inappropriate writing in a purely traditional way, chosen as the beginnings of essays to be use of register. Drills such as this may involving instruction, the reading of finished for homework. help them embed formal language more examples, and writing practice. While deeply in their brains. this can be useful, there is no reason not Comment to incorporate activities that have a I find this activity useful in that it focuses ૽ ૽ ૽ lighter, more creative touch. Some such on ideas and structuring arguments, activities are suggested below. rather than grammar and spelling, Even though students may have a solid which students tend to worry about grasp of English, academic register and 1 An introductions game more than the communication of their genre demand a new use of the thoughts. Students are forced to think language that may elude them. Dry, In my personal experience, the creation spontaneously, utilising the scaffolding traditional writing classes based on of a solid introduction, complete with a provided by the introductions model modelling and practice alone may not clearly-stated thesis, tends to elude and fellow students, in real time. be enough to motivate learners to alter students, especially those from non- deeply entrenched language patterns; Variation English-speaking backgrounds. This adding a bit of active fun to classes With large classes, three essay questions activity allows the students to learn the might change that, however. ETp generic construction of a typical could be given to each group of three introduction (based on Oshima and students. Students could designate one Butt, D, Fahey, R, Feez, S, Spinks, S and Hogue’s ‘inverted triangle’ model, classmate to provide a line or two for Yallop, C Using Functional Grammar: An involving general statements, counter- each third of the ‘introduction triangle’, Explorer’s Guide (2nd Ed) MacQuarie arguments and/or more specific rotating roles with each question. Groups University Press 2000 statements, and the thesis statement), could then compare their introductions Oshima, A and Hogue, A Academic and forces them to formulate their for each question, and the best three Writing: An Introduction Longman 2005 introductions quickly – an essential skill could be chosen as the foundation for The Economist ‘Making it Pay’ September 20th 2008 for essay-based examinations. further writing homework. Preparation Cheryl Morris teaches in 2 Formal flashcards the IFCELS department Select five or six short essay questions and at the School for As Butt and colleagues point out, the Oriental and African write them on slips of paper. These can be Studies in London, UK. provided by the students’ subject lecturers employment of a more formal register is or created by their writing teachers. one of the defining features of academic essays. The students’ own Procedure work is often a rich hunting ground for ● Have a student select a slip of paper. examples of informal language that That student then reads the question needs to be formalised. [email protected]
34 • Issue 65 November 2009 • ENGLISH TEACHING professional • www.etprofessional.com •
www.diako.ir IN THE CLASSROOM A voyage of adventure James W Porcaro’s students sail the seven Cs on the crests of the five Ms.
t the start of a course of vista they will sail toward, an eighth C – greatly facilitates and encourages the instruction, and throughout, it that of critical thinking: the capacity to students’ use of the language and their Ais important that teachers understand, analyse and evaluate self-expression, thereby promoting inform their students in a simple, clear information and ideas, and to express language acquisition and proficiency. and comprehensible manner of the them with optimum effectiveness and Moreover, engagement with meaningful goals and objectives of the course. For efficiency. topics genuinely contributes to the their part, the students need to Language learning certainly does students’ sense of ownership of English
acknowledge, accept and work towards not follow a linear pattern. However, if as an international language. iStockphoto.com / © Alex Dudoladov those goals and objectives in some the students believe and trust in their In addition, classroom management recognised and accountable way. teachers, they will follow them over the is vital for teachers to be able to achieve rough waters that naturally rise and fall their instructional goals and objectives. The seven Cs during the language learning experience, Classroom management refers to and they will sail successfully through the instructional planning and the entire In teaching oral communication courses Cs to the attainment of those objectives. instructional process. It takes in not only in English at both high school and matters of discipline that may need to be university levels, I try to achieve this by The five Ms addressed with students but also, much telling my students that as they strive to more essentially, the relationship between use English as a medium for meaningful, At the same time, particularly in my teacher and students and, indeed, interpersonal communication, they will role as a mentor and teacher trainer of everything that happens in the classroom. set out on a voyage of adventure and Japanese high school English teachers, I While teachers may be capable of discovery, sailing the seven Cs on their advise teacher trainees that for students to establishing their mission, employing way towards the goal of increasing their sail the seven Cs successfully, they need to good instructional methods and fluency in English. I tell them that, as be buoyed on the crests of the requisite materials, and handling classroom the weeks pass, the broad objectives of five Ms which come from their teachers. management, attending to all these Ms the coursework are as follows: Teachers, first of all, must have a day after day and week after week is hard They will feel more and more clear concept of their mission. They work. Furthermore, teaching is loaded comfortable in using English in oral need to know and understand with with frustrations, disappointments and communication. They will develop a crystal clarity and concreteness what failings, especially for teachers just more and more natural feeling when they want their students to achieve. starting out, and even for those non- using the language. They will feel more Instructional goals and objectives must native-speaking veterans entering new and more confident expressing be formulated, understood and accepted instructional territories, for example, with themselves in English, knowing that, by both teachers and students. communicative language teaching. Thus, more and more, they can say what they Teachers need to establish a good the fifth M needed to maintain both want to say. This will demonstrate their working classroom methodology. For teacher and students through this process increasing control of the use of the almost all practising classroom teachers is motivation, the ‘fire in the belly’ that language. They will be able to speak this is an eclectic style that incorporates is the driving will and acceptance of more and more continuously in English a variety of elements fashioned to fit responsibility to fulfil the objectives and as their discourse skills become more the individual teacher and particular goals of one’s instruction. and more practised and proficient. They classes of students. will be able to express themselves more From this foundation, the teacher and more clearly, making their points must be adept at constructing suitable Thus, on the crests of the five Ms students with greater and greater precision. At lesson materials which fit and serve that can sail the seven Cs and navigate their the same time, they will be speaking methodology. It is not enough simply to way to brilliant horizons. ETp more and more correctly, using lexis and use even a good textbook. In teaching syntax more and more appropriately. English as a foreign language, especially, James W Porcaro is a professor of English as These objectives will be achieved it is very important that lesson topics be a Foreign Language at through communicative use of English meaningful in the students’ lives. Toyama University of International Studies in within their classroom lessons, and these Teachers must provide opportunities for Japan. He also teaches will incorporate meaningful content that students to formulate and express their a class of students from the university’s suits their current level of proficiency. thoughts, opinions and feelings, and to associated high school Finally, I tell the students that there relate experiences and knowledge drawn and advises the English are always new horizons, and beyond from their personal lives and the society teachers there. the seven Cs lies yet another challenging in which they live. Using such content [email protected]
• www.etprofessional.com • ENGLISH TEACHING professional • Issue 65 November 2009 • 35
www.diako.ir www.diako.ir Jon Marks offers two photocopiable Activity thematically-linked communication activities with an element of corner innovation. Phonics fun
Many popular approaches for teaching items on the grid haven’t featured in your 2 Tell the students to take turns to throw children to read are based on phonics. In lessons, although, of course, students the dice and say a word from the list on essence, this means focusing on how who have chosen those will not win.) The the board which includes the vowel on patterns of letters represent particular first student to cross off (correctly) all the uppermost side. The side with all sounds (although of course there’s more to six wins the round. Then tell everybody five vowels is ‘wild’: it can represent it than that). Going to www.wikipedia.org to rub out the pencil markings on the any vowel. Words cannot be repeated. and searching for phonics will give an page, and repeat as required. If the student can say a word, they win overview of the subject, plus links to more a counter, and then the next student detailed material. As the Wikipedia article 3 Note that th appears in both grids. You has a turn. puts it, phonics ‘is not without could use the first with words using the controversy’. If you disagree with phonics- voiced version of the sound (the, this, 3 As the game progresses, possible based approaches, you may not want to mother) and the second with the matches between the vowel on the dice use the game activities which follow, as unvoiced version (path, thanks, birthday). and the unused words on the board will they are broadly consistent with such become less frequent. The game ends methodologies. They are aimed at young 2 Phonics dice when all the words in the list have been learners aged 7 to 11, especially those used. At this point, the student with the whose L1 does not use the Roman Preparation most counters is the winner. alphabet. This activity requires more preparation than 4 Repeat as required, perhaps with new I haven’t seen these particular formats I usually like to propose, but once you’ve words for more confident classes but elsewhere, but phonics bingo and phonics made the dice, they should be durable the same words for weaker classes. dice in the general sense are not new enough to be reused several times. ideas. If you search on the internet you will Decide how many dice you will need Higher-level groups find other formats, although many of these (one per group of three to five students), Do the preparation as above, but each are aimed at native-speaker learners. and make sufficient copies on card. Most group will need up to 50 counters and two photocopiers will copy onto card as long dice. as it’s not too thick, but rather than buying 1 Phonics bingo a pack of suitable card, it may be quicker 1 Brainstorm up to around 50 words. Preparation and cheaper to get a local photocopy Every word should contain at least two Use Grid 1 for low-level classes and Grid 2 shop to make the copies. vowels, preferably with plenty of vowel (or both 1 and 2) for high-level classes. Cut out and assemble the dice, scoring pairings such as ai, ea, ee, oo, ou, etc. Make sufficient copies of the grid for each lightly along the edges to be folded, and student to have one, or write it up on the sticking them together with glue and/or 2 Play the game as described above, but board for the students to copy into their transparent sticky tape. tell the students they must match a word from the list with the two vowels notebooks. Alternatively, devise your own Each group of three to five students will displayed on the upper faces of the grid based on the phonics focus of your need 20 to 30 counters. These could be dice in any order. So, for example, if a course so far. roughly-cut squares of the card left over and e are shown, matches could be from making the dice. Method eat, game and umbrella. 1 Tell each student to choose six letter Method Jon Marks is an ELT writer and pairs/threes from the grid, and circle Very low-level groups editor, based in the UK. Recent them lightly in pencil. Go round the publications include the Puzzle 1 Brainstorm 20 to 30 words the students Time series and IELTS class checking that everybody has have learnt recently and write these on Resource Pack (both DELTA Publishing) and three titles done this correctly. the board. Try to include words in A & C Black’s Check Your covering all five vowels. Then put the English Vocabulary series. 2 Say a word from your lessons so far He is currently developing students into groups of three to five, teenager courses for China, which includes one of the phonic items. and hand out the counters and one and also draws the Langwich Anybody who chose that item can cross Scool cartoon in ETp. dice per group. it off. (It doesn’t matter if some of the [email protected]