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Congress in the Mass Media: How the West Wing and Traditional Journalism Frame Congressional Power ______
CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER _______________________________________________________ A Thesis presented to the Faculty of the Graduate School University of Missouri – Columbia _______________________________________________________ In Partial Fulfillment Of the Requirement for the Degree Master of Arts _______________________________________________________ by CASSANDRA BELEK Dr. Lee Wilkins, Thesis Supervisor MAY 2010 1 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled CONGRESS IN THE MASS MEDIA: HOW THE WEST WING AND TRADITIONAL JOURNALISM FRAME CONGRESSIONAL POWER presented by Cassandra Belek, a candidate for the degree of master of journalism, and hereby certify that, in their opinion, it is worthy of acceptance. ____________________________________________________ Professor Lee Wilkins ____________________________________________________ Professor Jennifer Rowe ____________________________________________________ Professor Sandra Davidson ____________________________________________________ Professor Marvin Overby DEDICATION To everyone who has given me an education. To my parents, Joe and Katie, who sacrificed so much to ensure that my brother and I had the best educations possible. They taught me more than I can fit on this page. To my big brother Joey, who taught me about sports and ’90s rap music. To my Belek and Lankas extended families, who taught me where I come from and support me in where I am going. To all my teachers and professors—the good, the bad, and the awesome—at Holy Spirit Catholic School, St. Thomas Aquinas High School, the University of Notre Dame, and the University of Missouri. To Professor Christine Becker of the University of Notre Dame, who taught me it is okay to love television and whose mentorship continued even after I left the Dome. -
Popular Television Programs & Series
Middletown (Documentaries continued) Television Programs Thrall Library Seasons & Series Cosmos Presents… Digital Nation 24 Earth: The Biography 30 Rock The Elegant Universe Alias Fahrenheit 9/11 All Creatures Great and Small Fast Food Nation All in the Family Popular Food, Inc. Ally McBeal Fractals - Hunting the Hidden The Andy Griffith Show Dimension Angel Frank Lloyd Wright Anne of Green Gables From Jesus to Christ Arrested Development and Galapagos Art:21 TV In Search of Myths and Heroes Astro Boy In the Shadow of the Moon The Avengers Documentary An Inconvenient Truth Ballykissangel The Incredible Journey of the Batman Butterflies Battlestar Galactica Programs Jazz Baywatch Jerusalem: Center of the World Becker Journey of Man Ben 10, Alien Force Journey to the Edge of the Universe The Beverly Hillbillies & Series The Last Waltz Beverly Hills 90210 Lewis and Clark Bewitched You can use this list to locate Life The Big Bang Theory and reserve videos owned Life Beyond Earth Big Love either by Thrall or other March of the Penguins Black Adder libraries in the Ramapo Mark Twain The Bob Newhart Show Catskill Library System. The Masks of God Boston Legal The National Parks: America's The Brady Bunch Please note: Not all films can Best Idea Breaking Bad be reserved. Nature's Most Amazing Events Brothers and Sisters New York Buffy the Vampire Slayer For help on locating or Oceans Burn Notice reserving videos, please Planet Earth CSI speak with one of our Religulous Caprica librarians at Reference. The Secret Castle Sicko Charmed Space Station Cheers Documentaries Step into Liquid Chuck Stephen Hawking's Universe The Closer Alexander Hamilton The Story of India Columbo Ansel Adams Story of Painting The Cosby Show Apollo 13 Super Size Me Cougar Town Art 21 Susan B. -
An Analysis of Hegemonic Social Structures in "Friends"
"I'LL BE THERE FOR YOU" IF YOU ARE JUST LIKE ME: AN ANALYSIS OF HEGEMONIC SOCIAL STRUCTURES IN "FRIENDS" Lisa Marie Marshall A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY August 2007 Committee: Katherine A. Bradshaw, Advisor Audrey E. Ellenwood Graduate Faculty Representative James C. Foust Lynda Dee Dixon © 2007 Lisa Marshall All Rights Reserved iii ABSTRACT Katherine A. Bradshaw, Advisor The purpose of this dissertation is to analyze the dominant ideologies and hegemonic social constructs the television series Friends communicates in regard to friendship practices, gender roles, racial representations, and social class in order to suggest relationships between the series and social patterns in the broader culture. This dissertation describes the importance of studying television content and its relationship to media culture and social influence. The analysis included a quantitative content analysis of friendship maintenance, and a qualitative textual analysis of alternative families, gender, race, and class representations. The analysis found the characters displayed actions of selectivity, only accepting a small group of friends in their social circle based on friendship, gender, race, and social class distinctions as the six characters formed a culture that no one else was allowed to enter. iv ACKNOWLEDGMENTS This project stems from countless years of watching and appreciating television. When I was in college, a good friend told me about a series that featured six young people who discussed their lives over countless cups of coffee. Even though the series was in its seventh year at the time, I did not start to watch the show until that season. -
1.22: What Kind of Day Has It Been
The West Wing Weekly 1.22: What Kind of Day Has It Been [Intro Music] HRISHI: You’re listening the The West Wing Weekly, I’m Hrishikesh Hirway JOSH: ..and I’m Joshua Malina HRISHI: Today, we’re talking about the finale of season one JOSH: Woo! HRISHI: It’s episode 22, and it’s called ‘What kind of day has it been’. JOSH: It was written by Aaron Sorkin, it was directed by Tommy Schlamme, and it originally aired on May 17th, in the year 2000. HRISHI: Here’s a synopsis.. JOSH: A hrynopsis? HRISHI: [laughs] Sure.. JOSH: I just wanted to make sure because, you know, it’s an important distinction. HRISHI: An American fighter jet goes down in Iraq, and a rescue mission ensues to find the pilot. But, it’s a covert operation, so CJ has to mislead the press. Toby’s brother is onboard the space shuttle Columbia, but it’s having mechanical difficulties and can’t land. Plus, Josh has to meet with the Vice President to bring him around to the Bartlet administration's plans for campaign finance. President Bartlet travels to Rosalind, Virginia, to speak at the Newseum and give a live town hall meeting. But as they’re exiting, S#&* goes down and shots ring out. JOSH: Well done HRISHI: Before we even get into the episode though, Josh, I want to ask you about the title. ‘What kind of day has it been’ is a very Sorkin title, it’s been the finale for lots of things that he’s done before. -
The West Wing Weekly 7.04: “Mr. Frost” [Intro Music] JOSH
The West Wing Weekly 7.04: “Mr. Frost” [Intro Music] JOSH: You're listening to The West Wing weekly. I'm Joshua Malina HRISHI: And I'm Hrishikesh Hirway. Today we are talking about “Mr. Frost.” It's episode 4 from season 7. JOSH: It was written by Alex Graves. HRISHI: How about that? JOSH: How about that? And it was directed by Andrew Bernstein. HIRSHI: Alex Graves, usually a director, first time writer – JOSH: - and executive producer – HRISHI: - and executive producer. And Andrew Bernstein was former first A.D., and now this is, I think this is his second episode that he has directed. JOSH: Right, after 365 days. Great guy, terrific director. And, uh, also very cool to see Alex flexing new muscles and writing an episode. This episode aired on October 16th, 2005. HRISHI: In this episode there are three major story lines which overlap in nice ways. First of all, there is the continuation of the leak. Margaret testifies in front of the senate committee. Everybody's gotten subpoenaed and Leo’s subpoena in particular is going to be very bad for the Santos campaign. The second story line is the Santos campaign. It’s education week and Santos discusses evolution and intelligent design in a way that trips up Vinick. Vinick had been briefed by Mr. Frost in a previous episode who leads us to the third story line which is the assignation of the Palestinian chairman Farad. JOSH: Yes. HRISHI: I thought it was nice the way the three story lines intersected. Sometimes we have talked about how the “A” plots and the “B” plots and the “C” plots don’t necessarily feel like they are relevant to one another at all. -
DARPA Program Manager
The Role of DARPA in Seeding and Encouraging Technology Trajectories: Pre- and Post- Tony Tether in the New Innovation Ecosystem Erica R.H. Fuchs Assistant Professor Department of Engineering and Public Policy Carnegie Mellon University [email protected] 1 PlatoPlato’’ss Cave:Cave: ItIt’’ss notnot aboutabout thethe funding.funding. “Are you familiar with the allegory of the Cave?” (Plato, The Republic) “… It’s the same thing with (trying to deduce technology directions from) funding. The technology direction is a separate thing.” (Lead Technologist) 2 Background:Background: InnovationInnovation andand thethe ((U.S.)U.S.) StateState • Unlike other countries, whom have open and explicit developmental policies (Chalmers 1982; Wade 1990; Amsden 1989, 1994, 2001, 2003; Breznitz 2007, Block 2007) • Strong prevalence of free-market thinking in U.S. (Harcourt 1980) • Despite extensive historical documentation of the importance of federal agencies in technology development • Developmental state largely “hidden” (Hughes 2005, Block 2007) Little research unpacking the underlying processes by which the U.S. state influences technology trajectories. 3 DARPA:DARPA: PioneerPioneer • Founded 1958 (ARPA), Sputnik – Prevent technological surprises – Overcome inter-service rivalry • Pioneer of U.S. “Developmental Network State” • Since its inception – Hailed: Internet, PC, Laser… The West Wing – Criticized: Lazowski/Patterson 2005, 90s, 80s, 70s… – Copied: • 1998: ARDA/DTO (Intelligence Community) • 1999: 'In-Q-Tel (CIA) • 2002: HSARPA (Homeland Security) -
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom
30 Rock: Complexity, Metareferentiality and the Contemporary Quality Sitcom Katrin Horn When the sitcom 30 Rock first aired in 2006 on NBC, the odds were against a renewal for a second season. Not only was it pitched against another new show with the same “behind the scenes”-idea, namely the drama series Studio 60 on the Sunset Strip. 30 Rock’s often absurd storylines, obscure references, quick- witted dialogues, and fast-paced punch lines furthermore did not make for easy consumption, and thus the show failed to attract a sizeable amount of viewers. While Studio 60 on the Sunset Strip did not become an instant success either, it still did comparatively well in the Nielson ratings and had the additional advantage of being a drama series produced by a household name, Aaron Sorkin1 of The West Wing (NBC, 1999-2006) fame, at a time when high-quality prime-time drama shows were dominating fan and critical debates about TV. Still, in a rather surprising programming decision NBC cancelled the drama series, renewed the comedy instead and later incorporated 30 Rock into its Thursday night line-up2 called “Comedy Night Done Right.”3 Here the show has been aired between other single-camera-comedy shows which, like 30 Rock, 1 | Aaron Sorkin has aEntwurf short cameo in “Plan B” (S5E18), in which he meets Liz Lemon as they both apply for the same writing job: Liz: Do I know you? Aaron: You know my work. Walk with me. I’m Aaron Sorkin. The West Wing, A Few Good Men, The Social Network. -
The Tufts Daily Volume Lxxii, Number 8
Tufts Prof-chaired discussion group to foster conversa- TUFTS VOLLEYBALL tion, connection in Medford Volleyball spikes the see FEATURES / PAGE 3 competition SEE SPORTS / BACK PAGE Election fever? Catch these political podcasts see ARTS & LIVING / PAGE 5 THE INDEPENDENT STUDENT NEWSPAPER OF TUFTS UNIVERSITY EST. 1980 THE TUFTS DAILY VOLUME LXXII, NUMBER 8 MEDFORD/SOMERVILLE, MASS. TUESDAY, SEPTEMBER 20, 2016 tuftsdaily.com Tufts Food Rescue Collaborative coordinates dining center food donation by Juliana Furgala This fall, Dining Services Assistant News Editor leased a food packag- ing machine for its own use Tufts Food Rescue and that of TFRC, Zwigard, a Collaborative (TFRC), a stu- junior, said. She added that the dent-led food donation machine is located in Dewick- umbrella organization, is work- MacPhie Dining Center. ing to package and distribute According to Luce, a senior, uneaten food from Tufts Dining the machine eliminates the use Services this semester, accord- of many plastic bags that were ing to TFRC founders Shelby formerly used for temporary Luce and Lucy Zwigard. packaging. TFRC is a partnership “We used to have to take all between Dining Services, stu- of the food and just bag it and dents, faculty, staff and Food weigh it and donate it to [Food for Free, a local NGO dedicated for Free], but now we actually to redistributing food to home- have a brand new machine,” less families. When it launched Luce said. “Now we can actu- last March, TFRC worked to ally make the meals ourselves.” connect Dining Services to Packaged meals can contain Food for Free for packaging a variety of foods, according to purposes, but this semester Richard Kaup, chef manager at TFRC obtained a food packag- Carmichael Dining Center. -
The West Wing Weekly Episode 1:05: “The Crackpots and These Women
The West Wing Weekly Episode 1:05: “The Crackpots and These Women” Guest: Eli Attie [West Wing Episode 1.05 excerpt] TOBY: It’s “throw open our office doors to people who want to discuss things that we could care less about” day. [end excerpt] [Intro Music] JOSH: Hi, you’re listening to The West Wing Weekly. My name is Joshua Malina. HRISHI: And I’m Hrishikesh Hirway. JOSH: We are here to discuss season one, episode five, “The Crackpots and These Women”. It originally aired on October 20th, 1999. This episode was written by Aaron Sorkin; it was directed by Anthony Drazan, who among other things directed the 1998 film version of David Rabe’s Hurlyburly, the play on which it was based having been mentioned in episode one of our podcast. We’re coming full circle. HRISHI: Our guest today is writer and producer Eli Attie. Eli joined the staff of The West Wing in its third season, but before his gig in fictional D.C. he worked as a political operative in the real White House, serving as a special assistant to President Bill Clinton, and then as Vice President Al Gore’s chief speechwriter. He’s also written for Studio 60 on the Sunset Strip, House, and Rosewood. Eli, welcome to The West Wing Weekly. ELI: It’s a great pleasure to be here. JOSH: I’m a little bit under the weather, but Lady Podcast is a cruel mistress, and she waits for no man’s cold, so if I sound congested, it’s because I’m congested. -
“Things Fall Apart” Guest: Jennifer Palmieri
The West Wing Weekly 6.21: “Things Fall Apart” Guest: Jennifer Palmieri [Intro Music] HRISHI: You’re listening to the West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Today we’re talking about episode 21 from season 6, it’s called “Things Fall Apart.” JOSH: This episode was written by Peter Noah and directed by Nelson McCormick. It first aired on March 30th 2005. HRISHI: I don’t believe we’ve heard the name Nelson McCormick before. Is that someone whose directed The West Wing before? JOSH: No, I think not. This is his first of what will turn out to be two episodes of The West Wing. He also directed an episode called “Transition.” Which we’ll get to. Oh we’ll get to it. HRISHI: Joining us later on this episode Jennifer Palmieri, Communications Director for the Hillary Clinton campaign and formerly for the Obama White House. JOSH: What do you think of this one? HRISHI: I, I like the plot of this episode. I think it’s interesting what happens with the convention and the nomination process, but the execution of it, I have issues with here and there. Really just a few moments here and there in the writing. JOSH: I think we will find ourselves in accord as I wrote down ‘Great bones, not enough meat’ HRISHI: Hey look at that. Yeah. That’s a good way of putting it. And before we jump into our discussion, here’s a synopsis from Warner Brothers. “The success of the impeccably organized Republican convention contrasts with the Democrats who look in disarray as the candidates continue to battle to be the Democratic Party Presidential nominee. -
The West Wing Weekly 1.10, Continued: “In Excelsis Deo” (Memorial Day Special) Guest: Melissa Fitzgerald [Intro Musi
The West Wing Weekly 1.10, continued: “In Excelsis Deo” (MemoriAl DAy SpeciAl) Guest: MelissA FitzgerAld [Intro Music] JOSH: Hello, And welcome to A very speciAl episode of The West Wing Weekly. I’ve always wanted to be a part of a very special episode. On this Memorial Day, when we honor those who have died while serving our country’s armed forces, we welcome to our show Melissa FitzgerAld, whom you All know for her work As CArol for seven seAsons on The West Wing, but we’re also going to talk to her about her cAreer in public service. MelissA FitzgerAld, welcome to the show! HRISHI: ThAnks so much for joining us! MELISSA: Oh, thAnk you for hAving me! I Am so enjoying listening to the podcAst. JOSH: So, you’ve ActuAlly been re-watching the show And listening to the podcAst? MELISSA: I hAve been! I hAven’t wAtched every episode fully becAuse I hAve this, you know, grown-up job now so spending a lot of time doing that, so I haven’t had the time to watch All of them but I hAve watched severAl of them And I’ve listened to every podcAst. HRISHI: ThAt is so Awesome. JOSH: I’ve known you for A long time. We’re old friends. But can you tell us how you wound up on the show? MELISSA: Well, my then-boyfriend now ex-husband, who you know quite well, Josh, NoAh Emmerich. He’s A wonderful Actor And greAt person. It was the yeAr before West Wing went on the Air when Sports Night was going to be on the Air And he hAd, I guess his agent had given both the scripts for Sports Night and The West Wing , and he hAd asked me what I thought of them and gave them to me and I read them. -
Introduction Chapter 1
Notes Introduction 1. For The Economistt perpetuating the Patent Office myth, see April 13, 1991, page 83. 2. See Sass. 3. Book publication in 1906. 4.Swirski (2006). 5. For more on eliterary critiques and nobrow artertainment, see Swirski (2005). 6. Carlin, et al., online. 7. Reagan’s first inaugural, January 20, 1981. 8. For background and analysis, see Hess; also excellent study by Lamb. 9. This and following quote in Conason, 78. 10. BBC News, “Obama: Mitt Romney wrong.” 11. NYC cabbies in Bryson and McKay, 24; on regulated economy, Goldin and Libecap; on welfare for Big Business, Schlosser, 72, 102. 12. For an informed critique from the perspective of a Wall Street trader, see Taleb; for a frontal assault on the neoliberal programs of economic austerity and political repression, see Klein; Collins and Yeskel; documentary Walmart. 13. In Kohut, 28. 14. Orwell, 318. 15. Storey, 5; McCabe, 6; Altschull, 424. 16. Kelly, 19. 17. “From falsehood, anything follows.” 18. Calder; also Swirski (2010), Introduction. 19. In The Economist, February 19, 2011: 79. 20. Prominently Gianos; Giglio. 21. The Economistt (2011). 22. For more examples, see Swirski (2010); Tavakoli-Far. My thanks to Alice Tse for her help with the images. Chapter 1 1. In Powers, 137; parts of this research are based on Swirski (2009). 2. Haynes, 19. 168 NOTES 3. In Moyers, 279. 4. Ruderman, 10. 5. In Krassner, 276–77. 6. Green, 57; bottom of paragraph, Ruderman, 179. 7. In Zagorin, 28; next quote 30; Shakespeare did not spare the Trojan War in Troilus and Cressida.