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Directory P&E 2021X Copy with ADS.Indd
Annual Directory of Producers & Engineers Looking for the right producer or engineer? Here is Music Connection’s 2020 exclusive, national list of professionals to help connect you to record producers, sound engineers, mixers and vocal production specialists. All information supplied by the listees. AGENCIES Notable Projects: Alejandro Sanz, Greg Fidelman Notable Projects: HBO seriesTrue Amaury Guitierrez (producer, engineer, mixer) Dectective, Plays Well With Others, A440 STUDIOS Notable Projects: Metallica, Johnny (duets with John Paul White, Shovels Minneapolis, MN JOE D’AMBROSIO Cash, Kid Rock, Reamonn, Gossip, and Rope, Dylan LeBlanc) 855-851-2440 MANAGEMENT, INC. Slayer, Marilyn Manson Contact: Steve Kahn Studio Manager 875 Mamaroneck Ave., Ste. 403 Tucker Martine Email: [email protected] Mamaroneck, NY 10543 Web: a440studios.com Ryan Freeland (producer, engineer, mixer) facebook.com/A440Studios 914-777-7677 (mixer, engineer) Notable Projects: Neko Case, First Aid Studio: Full Audio Recording with Email: [email protected] Notable Projects: Bonnie Raitt, Ray Kit, She & Him, The Decemberists, ProTools, API Neve. Full Equipment list Web: jdmanagement.com LaMontagne, Hugh Laurie, Aimee Modest Mouse, Sufjan Stevens, on website. Mann, Joe Henry, Grant-Lee Phillips, Edward Sharpe & The Magnetic Zeros, Promotional Videos (EPK) and concept Isaiah Aboln Ingrid Michaelson, Loudon Wainwright Mavis Staples for bands with up to 8 cameras and a Jay Dufour III, Rodney Crowell, Alana Davis, switcher. Live Webcasts for YouTube, Darryl Estrine Morrissey, Jonathan Brooke Thom Monahan Facebook, Vimeo, etc. Frank Filipetti (producer, engineer, mixer) Larry Gold Noah Georgeson Notable Projects: Vetiver, Devendra AAM Nic Hard (composer, producer, mixer) Banhart, Mary Epworth, EDJ Advanced Alternative Media Phiil Joly Notable Projects: the Strokes, the 270 Lafayette St., Ste. -
Girls Like Us: Linder
Linder Sterling is a British These include her 13-hour artist and performer whose NICOLE EMMENEGGER improvised dance perfor- career spans the 1970s WORDS mance piece Darktown Cake- B Manchester punk scene to Y walk and her most recent her current collaborations work, The Ultimate Form, a with Tate St. Ives and The 'performance ballet' inspired Hepworth Centre in north- at the photographed by Barbara Hepworth, fea- west England. turing dancers from North- PORTRAITS PORTRAITS ern Ballet and costumes by She has worked in a variety B arbara Pam Hogg. of mediums – from music H B Y DEVIN (as singer/songwriter/gui- Ives St. Tate Museum in epworth We met at the The Barbican B tarist for post-punk band LAIR Centre in London on a crisp Ludus) and collage (using March morning, just days a steady scalpel to splice after the opening of her first pornographic images into big retrospective at Le Musée feminist statements), to her d’Art Moderne in Paris. current durational works. Linder 18 19 Nicole Emmenegger: First off, thank you for send- Yes, I used to have this fascination for the mid-fifties. People ing through the preparatory text about you and your I know at every age seem to have this fascination about the work. It ended up being ten pages in 10-point font! culture that you were born into, climbed into. It’s your own personal etymology and you have to go back and work it Linder: How strange, I don’t even enjoy writing! out. It’s good detective work. It makes sense and how lucky for you that 1976 was such a great year. -
Mahogany Rush, Seattle Center Coliseum
CONCERTS 1) KISS w/ Cheap Trick, Seattle Center Coliseum, 8/12/77, $8.00 2) Aerosmith w/ Mahogany Rush, Seattle Center Coliseum,, 4/19/78, $8.50 3) Angel w/ The Godz, Paramount NW, 5/14/78, $5.00 4) Blue Oyster Cult w/ UFO & British Lions, Hec Edmondson Pavilion, 8/22/78, $8.00 5) Black Sabbath w/ Van Halen, Seattle Center Arena, 9/23/78, $7.50 6) 10CC w/ Reggie Knighton, Paramount NW, 10/22/78, $3.50 7) Rush w/ Pat Travers, Seattle Center Coliseum, 11/7/78, $8.00 8) Queen, Seattle Center Coliseum, 12/12/78, $8.00 9) Heart w/ Head East & Rail, Seattle Center Coliseum, 12/31/78, $10.50 10) Alice Cooper w/ The Babys, Seattle Center Coliseum, 4/3/79, $9.00 11) Jethro Tull w/ UK, Seattle Center Coliseum, 4/10/79, $9.50 12) Supertramp, Seattle Center Coliseum, 4/18/79, $9.00 13) Yes, Seattle Center Coliseum, 5/8/79, $10.50 14) Bad Company w/ Carillo, Seattle Center Coliseum, 5/30/79, $9.00 15) Triumph w/ Ronnie Lee Band (local), Paramount NW, 6/2/79, $6.50 16) New England w/ Bighorn (local), Paramount NW, 6/9/79, $3.00 17) Kansas w/ La Roux, Seattle Center Coliseum, 6/12/79, $9.00 18) Cheap Trick w/ Prism, Hec Edmondson Pavilion, 8/2/79, $8.50 19) The Kinks w/ The Heaters (local), Paramount NW, 8/29/79, $8.50 20) The Cars w/ Nick Gilder, Hec Edmondson Pavilion, 9/21/79, $9.00 21) Judas Priest w/ Point Blank, Seattle Center Coliseum, 10/17/79, Free – KZOK giveaway 22) The Dishrags w/ The Look & The Macs Band (local), Masonic Temple, 11/15/79, $4.00 23) KISS w/ The Rockets, Seattle Center Coliseum, 11/21/79, $10.25 24) Styx w/ The Babys, Seattle -
MUSIC WEEK, NOVEMBER 4, 1978 0 Ot Way's Lish Adventures JOHN
MUSIC WEEK, NOVEMBER 4, 1978 0 THE FUTURE OF ABC/ Anchor — to include a probable association with Ot way's lish adventures RCA — will be clarified this week with the presence JOHN OTWAY'S talent for mascots, the police cheerfully only) Tilled Stardusi Man: The John in London of ABC Records attracting disaster was nearly explained that street was a notorious Oiway story, it is a ponrail of ihe president Steve Dienerand the end of him on three separate location for dumping bodies. Just to singer built around an open air ABC Records International occasions during his tour of finish off the week, the Otway concert at his home town of president Jay Morgenstern Ireland. entourage was chased by the Aylesbury in Buckinghamshire, Rainbow's manager Bruce Payne gentleman in blue on the way to the which was attended by 12,000 in London last week talking to First, Otway decided to climb the ferry home. Blue lights flashing and people. Various members of his crew Giant's Causeway, all 700 feet of it. sirens wailing, the cars then tell the story of the garbage collector a number of record companies Needless to say he got stuck. After disgorged police who arrested one of turned rock "artist". It will be The re-launch of half an hour he managed to get back the roadies. screened nationally later in the year. Engelbert Humperdinck under his to safety. Otway is not the only one: new name, simply Engelbert, hardly warranted four pages in the Then his Belfast date was en- keyboard player Paul Ward had his Sunday Telepgraph magazine. -
Keywords in Literature and Culture (KILC). : Modernism
Melba Cuddy-Keane is Emerita Member of the Graduate Department “Modernism: Keywords will be an indispensable Melba Cuddy-Keane of English, University of Toronto, resource from the moment it appears. The work is Adam Hammond and Emerita Professor, University rigorous in theoretical conception, broad in historical of Toronto-Scarborough, Canada. reach, and powerfully revisionary in its implications Alexandra Peat Modernism: Keywords presents a Her publications include Virginia for modernist study. It falls within the distinguished series of short entries explaining Woolf, the Intellectual, and the Public the diverse and often contradictory Sphere (2003), the Harcourt annotated legacy of Raymond Williams but also applies the meanings of words used with frequency edition of Virginia Woolf’s Between most current methods to an expanding archive of and urgency in “written modernism.” the Acts (2008), and contributions to modernist texts. Scholars and students at every Spanning the “long” modernist period A Companion to Modernist Literature level will keep it close at hand.” (from about 1880 to 1950), this work and Culture (Wiley Blackwell, 2006) Michael Levenson, University of Virginia aims not to define the era’s dominant and A Companion to Narrative Modernism “beliefs,” but to highlight and expose Theory (Wiley Blackwell, 2005). its salient controversies and changing cultural thought. Guided by the cultural Adam Hammond recently completed Keywords lexicography developed by Raymond an SSHRC postdoctoral fellowship at Williams in his ground-breaking work, the University of Victoria and is currently Keywords (1976), the entries here focus the Michael Ridley Postdoctoral Fellow on words with unstable meanings in Digital Humanities at the University and conflicting definitions, tracking of Guelph, Canada. -
Leeds Crown Court Hears of Rape Victim's Horrific Ordea1
" • 1 4th March 1994 Defendant denies series of sexual assaults on Leeds students Leeds Crown Court hears of Rape victim's horrific ordea1 eeds Crown Court heard this were making their way home after The man put his arm round her shouting at him to get off me." week how a hooded rapist nights out with friends at pubs or By Richard Fletcher Ihroat and pushed her to the She said the man ran off when I4 attacked live female students clubs. ground. He put a big black padded two boys approached with a dog. during a reign of terror in the There could be little more Lane at about midnight when a man glove on his hand and put over Mr Paul Worsley, QC. Woodhouse area of Leeds. terrifying experience for young grabbed her from behind, put his her throat and mouth. She led to prosecuting. - who believes that David Martin Jackson. 28, of women walking home alone than to hands over her mouth and pulled bite his fingers but only r the Jackson carried out the attacks - Neville View, Osmontithorpe, Leeds, be attacked and sexually assaulted her to the ground. The man who material. He then turned E on to claims that Jackson was trapped by a denies one charge of rape, three by a hooded stranger. he told the wore gloves and a balaclava forced her stomach and kept his hand over letter he sent to the police in January, charges of indecent assault, two of court. her on to her hack and knelt astride her mouth. -
The New Roxette the New
The New Roxette The New www.theNewRoxette.com . coming next month . Roxette May 2009 – ISSUE SIX ISSUE FIVE – APRIL 2009 John Otway Also featuring: David Saw Black Poets Mike Carroll John Dexter Jones Echo Studios FREE News, Reviews Music Fan of the Month The New Roxette and Interviews Looking Back at Friars meets . and so much more! News, Reviews Howard Jones & Interviews for a chat . and so much more! www.theNewRoxette.com Welcome to Editorial: Stuart Robb The New Roxette Judy Pearce WELCOME to issue five of The New Roxette. Rick Pearce Advertising: We have another great magazine for you to delve into this month, with interviews from Dennis Hall Aylesbury favourite John Otway, plus Mike Carroll and David Saw. Design: Don’t forget to check out the official website too for the FULL interviews, plus the Mike Payne MYSPACE and FACEBOOK pages for all the very latest news and gossip. Website: Well, The New Roxette is growing from strength to strength, with nearly 13,000 Anthony O’Sullivan ‘hits’ being registered on the website www.theNewRoxette.com during February Contributors: alone, and this is already showing signs of increasing, so thank you for your continued Richard Carr interest and support. Bob Cronin Leon Gordon Don’t forget – if you are a local business, or a band, and wish to ADVERTISE in Jamie Masters The New Roxette, or tell us about your latest album, then simply drop us a line. Michael O’Connor ADVERTS are already selling fast for the July ‘Aylesbury Festival’ & August ‘Hobble on Photography: Top Floor Photography the Cobbles’ New Roxette Special Editions – so please contact us TODAY to ensure you (John Otway) don’t miss out on these fantastic opportunities as well. -
What Questions Should Historians Be Asking About UK Popular Music in the 1970S? John Mullen
What questions should historians be asking about UK popular music in the 1970s? John Mullen To cite this version: John Mullen. What questions should historians be asking about UK popular music in the 1970s?. Bernard Cros; Cornelius Crowley; Thierry Labica. Community in the UK 1970-79, Presses universi- taires de Paris Nanterre, 2017, 978-2-84016-287-2. hal-01817312 HAL Id: hal-01817312 https://hal-normandie-univ.archives-ouvertes.fr/hal-01817312 Submitted on 17 Jun 2018 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. What questions should historians be asking about UK popular music in the 1970s? John Mullen, Université de Rouen Normandie, Equipe ERIAC One of the most important jobs of the historian is to find useful and interesting questions about the past, and the debate about the 1970s has partly been a question of deciding which questions are important. The questions, of course, are not neutral, which is why those numerous commentators for whom the key question is “Did the British people become ungovernable in the 1970s?” might do well to balance this interrogation with other equally non-neutral questions, such as, perhaps, “Did the British elites become unbearable in the 1970s?” My reflection shows, it is true, a preoccupation with “history from below”, but this is the approach most suited to the study of popular music history. -
Billboard-1987-11-21.Pdf
ICD 08120 HO V=.r. (:)r;D LOE06 <0 4<-12, t' 1d V AiNE3'c:0 AlNClh 71. MW S47L9 TOO, £L6LII.000 7HS68 >< .. , . , 906 lIOIa-C : , ©ORMAN= $ SPfCl/I f011I0M Follows page 40 R VOLUME 99 NO. 47 THE INTERNATIONAL NEWSWEEKLY OF MUSIC AND HOME ENTERTAINMENT November 21, 1987/$3.95 (U.S.), $5 (CAN.) CBS /Fox Seeks Copy Depth Many At Coin Meet See 45s As Strong Survivor with `Predator' two -Pack CD Jukeboxes Are Getting Big Play "Predator" two-pack is Jan. 21; indi- and one leading manufacturer Operators Assn. Expo '87, held here BY AL STEWART vidual copies will be available at re- BY MOIRA McCORMICK makes nothing else. Also on the rise Nov. 5-7 at the Hyatt Regency Chi- NEW YORK CBS /Fox Home Vid- tail beginning Feb. 1. CHICAGO While the majority of are video jukeboxes, some using la- cago. More than 7,000 people at- eo will test a novel packaging and According to a major -distributor jukebox manufacturers are confi- ser technology, that manufacturers tended the confab, which featured pricing plan in January, aimed at re- source, the two -pack is likely to be dent that the vinyl 45 will remain a say are steadily gaining in populari- 185 exhibits of amusement, music, lieving what it calls a "critical offered to dealers for a wholesale viable configuration for their indus- ty. and vending equipment. depth -of-copy problem" in the rent- price of $98.99. Single copies, which try, most are beginning to experi- Those were the conclusions Approximately 110,000 of the al market. -
George Drew, Director Special Programming
DREXEL UNIVERSITY PHILADELPHIA, PA. Friday, Septem ber 26. 1980 VOLUME LVI, NO. 11 Squeezing into the parking garage ing public transportation, par before 9 a.m. each school day, ticularly when two or more even though his or her first Office of Safety and Security persons pool the costs of class may be some time later. garage parking> Otherwise, the daily commuter The Department of Safety mav find the parking garage With the beginning of the and Security, which ad filled. Fall term, the parking garage ministers on-campus parking, Surface parking lots, such has experienced a large in anticipates that by Friday, as the Library Lot, the Creese crease in the number of September 26, over 375 Fall Student Center Lot and “ F” students, faculty and staff Term parking permits for the Lot, 31st and Ludlow Sts., for utilizing this facility each garage will have been issued. faculty and staff, have also ex school day. The garage was This is an increase of over 130 perienced “ full houses” each filled to capacity the first few permits over the Fall 1979 day. days of classes, for the first term. Term permit holders are In conclusion, it appears time since the SEPTA strike of guaranteed a space m the that on-campus parking may 1978. This necessitated turning parking garage, plus overnight be more difficult to obtain this away numerous commuters and week-end parking new term than in the past. after 10 a.m. priveleges, to the exclusion of Those students, faculty and This upsurge in usage of the token users. -
Song List by Artist
AMAZING EMBARRASSONIC Song list by Artist CALIFORNIA LUV 2PAC AND DR.DRE DANCING QUEEN ABBA MAMA MIA ABBA S. O. S. ABBA BIG BALLS AC/DC HAVE A DRINK ON ME AC/DC HELLS BELLS AC/DC HIGHWAY TO HELL AC/DC LIVE WIRE AC/DC SIN CITY AC/DC TNT AC/DC WHOLE LOT OF ROSIE AC/DC YOU SHOOK ME ALL NIGHT LONG AC/DC CUTS LIKE A KNIFE ADAMS, BRYAN SUMMER OF '69 ADAMS, BRYAN DRAW THE LINE AEROSMITH SICK AS A DOG AEROSMITH WALK THIS WAY AEROSMITH REMEMBER( WALKING IN THE SAND) AEROSMITH BEAUTIFUL AGUILARA, CHRISTINA LOST IN LOVE AIR SUPPLY MOUNTAIN MUSIC ALABAMA ROOSTER ALICE IN CHAINS ONE WAY OUT ALLMAN BROS RAMBLIN MAN ALLMAN BROS SISTER GOLDEN HAIR AMERICA SHE'S HAVING MY BABY ANKA, PAUL SUGAR, SUGAR ARCHIES AINT SEEN NOTHING YET BACHMAN TURNER OVERDRIVE LET IT RIDE BACHMAN TURNER OVERDRIVE TAKIN CARE OF BUSINESS BACHMAN TURNER OVERDRIVE EVERYBODY BACKSTREET BOYS FEEL LIKE MAKIN' LUV BAD CO. GOOD LOVIN' GONE BAD BAD CO. SHOOTING STAR BAD CO. NO MATTER WHAT BADFINGER DO THEY KNOW IT'S X-MAS BAND-AID MANIC MONDAY BANGLES WALK LIKE AN EGYPTIAN BANGLES SATURDAY NIGHT BAY CITY ROLLERS IN MY ROOM BEACH BOYS FIGHT FOR YOUR RIGHT TO PARTY BEASTIE BOYS COME TOGETHER BEATLES DAY TRIPPER BEATLES HARD DAYS NIGHT BEATLES LET IT BE BEATLES HELTER SKELTER BEATLES HEY JUDE BEATLES SOMETHING BEATLES TWIST AND SHOUT BEATLES LOSER BECK JIVE TALKIN' BEE GEES www.amazingembarrassonic.com Page 1 9/30/15 AMAZING EMBARRASSONIC Song list by Artist MASSACHUSETTS BEE GEES STAYIN' ALIVE BEE GEES HEARTBREAKER BENATAR, PAT HELL IS FOR CHILDREN BENATAR, PAT HIT ME W/YOUR BEST SHOT -
The History of Rock Music: 1976-1989
The History of Rock Music: 1976-1989 New Wave, Punk-rock, Hardcore History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Punk-rock (These are excerpts from my book "A History of Rock and Dance Music") London's burning TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The effervescence of New York's underground scene was contagious and spread to England with a 1976 tour of the Ramones that was artfully manipulated to start a fad (after the "100 Club Festival" of september 1976 that turned British punk-rock into a national phenomenon). In the USA the punk subculture was a combination of subterranean record industry and of teenage angst. In Britain it became a combination of fashion and of unemployment. Music in London had been a component of fashion since the times of the Swinging London (read: Rolling Stones). Punk-rock was first and foremost a fad that took over the Kingdom by storm. However, the social component was even stronger than in the USA: it was not only a generic malaise, it was a specific catastrophe. The iron rule of prime minister Margaret Thatcher had salvaged Britain from sliding into the Third World, but had caused devastation in the social fabric of the industrial cities, where unemployment and poverty reached unprecedented levels and racial tensions were brooding.