Center 4 Research Reports and Record of Activities June 1983--May 1984
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Antonio MONTAUTI by Sandro Bellesi - Biographical Dictionary of Italians - Volume 76 (2012)
Antonio MONTAUTI by Sandro Bellesi - Biographical Dictionary of Italians - Volume 76 (2012) Son of Hannibal and Chiara Danesi, was born November 14, 1683 in the parish of St. Felix in Piazza in Florence (Visonà, 1996). Educated in the study of plastic arts in his hometown under the guidance of Giuseppe Piamontini, the young Montauti, according to current practice among his contemporary artists, was first addressed, as Francesco Maria Niccolò Gabburri remembers, to the study of ancient statuary and of Michelangelo's works, to the knowledge of which he joined, as can be deduced from the examination of his first activity, distinctive interests for the new orientations of local late Baroque art, updated for some time, to the most fashionable stylistic trends of Roman sculpture. At 1706, the time of enrollment at the Academy of Design (Zangheri, 2000), had to start an independent activity, marked at first, as well as works of which there is no more news - as a Bacchanal in bronze (Dati, 1734) and a garden statue for the Medici villa of Lappeggi (Palagi, 1876) - above all by the execution of medals (Vannel - Toderi, 2006). Signed and dated 1707 is the medal of Giovanni Maria Baldigiani , which was followed shortly after those dedicated, between 1708 and 1713, to Vincenzo da Filicaia , to Frederick IV of Denmark , to Francesco Maria de 'Medici , to Orazio Ricasoli Rucellai , to Lorenzo Magalotti , to Violante Beatrice of Baviera and to the Sienese poet Aretafila Savini Rossi , for whom Montauti also sculpted a medallion in marble, which appeared in 2009 on the Florentine antique market. -
Annunciation TWENTY-FIFTH of MARCH, Ad 2020
SAINT BARNABAS CHURCH A ROMAN CATHOLIC PARISH OF THE ORDINARIATE OF THE C HAIR OF SAINT PETER OMAHA, NEBRASKA Annunciation TWENTY-FIFTH OF MARCH, ad 2020 Welcome to Saint Barnabas Church Founded in 1869, Saint Barnabas is a Roman Catholic parish of the Ordinariate of the Chair of Saint Peter. The Ordinariate was established in 2012 by Pope Benedict XVI in order to preserve elements of the Anglican tradition within the Catholic Church. The parish entered the Catholic Church in 2013. Mass is celebrated using Divine Worship, the Vatican-promulgated Missal also known as the Ordinariate or Anglican Use liturgy. All Catholics may fulfill their Mass obligation on Sundays and holydays at Saint Barnabas. Catholics in full communion with the Holy See of Rome may receive Holy Communion at our Masses. Prelude Magnificat on the sixth tone Girolamo Frescobaldi HIGH MASS Hymn 418 « Blest are the pure in heart » Franconia MASS of the CATECHUMENS Introit Vultum tuum Psalm xlv. Gregorian chant LL the rich among the people shall make brought unto thee with joy and gladness. A their supplication before thee: the virgins Psalm xlv. My heart is inditing of a good that be her fellows shall be brought unto the matter: I speak of the things which I have King; they that bear her company shall be made unto the King. Glory be. All the rich. In the Name of the Father, and of the Son, and of the Holy Ghost. Amen. Collect for Purity LMIGHTY God, unto whom all hearts be that we may perfectly love thee, and worthily Aopen, all desires known, and from whom magnify thy holy Name; through Christ our no secrets are hid: Cleanse the thoughts of our Lord. -
Robert Macpherson : Immagini Dell'umbria
ROBERT MACPHERSON : IMMAGINI DELL’UMBRIA Giovanni Fanelli Marco Trinei 2017 ROBE R T MACPHE R SON : Imm AG I N I DELL ’UM B ri A Giovanni Fanelli Marco Trinei © 2017 Marco Trinei ha curato le schede relative alle immagini di Perugia. Robert Macpherson (Edimburgo, 1814/15 - Roma, 1872) è riconosciuto come uno dei maggiori protagonisti della storia della fotografia in Italia. Inizia la sua attività fotografica nel 1851-52. A partire dal 1857 pubblica cataloghi della sua produzione di soggetti fotografici, sostanzialmente per aggiunte progressive. Quello del 1871 può essere considerato sostanzialmente riassuntivo della produzione da lui offerta in vendita attraverso i cataloghi, anche se non manca, nel confronto con i cataloghi precedenti, qualche variazione e sostituzione. Il catalogo comprende 420 soggetti. In una nota alla fine del catalogo si avverte che: 1) le stampe fotografiche sono tutte montate su supporto, sul quale è impresso il timbro a secco dell’autore e che esse sono in vendita esclusivamente presso l’atelier di Macpherson al N. 12 del Vicolo D’Alibert, Via del Babuino, presso Piazza di Spagna; 2) ai soggetti contrassegnati da un asterisco corrisponde un formato orizzontale; 3) in aggiunta ai soggetti elencati esiste un volume di 134 fotografie di sculture conservate in Vaticano; 4) è in preparazione un altro volume dedicato a una selezione di 280 sculture conservate nel Museo Capitolino. Un esame del catalogo consente di stabilire che esso comprende un numero di soggetti diversificati come segue (tenendo presente che non sempre è possibile distinguere nettamente tra veduta, dearchitettura e dettaglio di architettura): Vedute di Roma: 56 Vedute di dintorni di Roma: 13 Architetture di Roma: 51; dettagli di architetture di Roma : 16 Vedute e architetture del Lazio: 45 Vedute e architetture dell’Umbria: 31 Vedute di Capri: 1 Vedute di Ancona: 3 Sculture: 81 Riproduzioni di pitture e opere grafiche: 15 Numeri di catalogo senza legenda: 96 È da segnalare che di molti dei soggetti elencati nel catalogo sono state individuate una o più varianti. -
Giulio Cesare Procaccini (Bologna 1574 – Milan 1625)
THOS. AGNEW & SONS LTD. 6 ST. JAMES’S PLACE, LONDON, SW1A 1NP Tel: +44 (0)20 7491 9219. www.agnewsgallery.com Giulio Cesare Procaccini (Bologna 1574 – Milan 1625) The Adoration of the Magi Signed “G.C.P” (lower right) Oil on canvas 84 ¼ x 56 ¾ in. (214 x 144 cm.) Provenance Commissioned by Pedro de Toledo Osorio, 5th Marquis of Villafranca del Bierzo (Naples, 6 September 1546 – 17 July 1627), and by direct decent until 2017. This present painting by Giulio Cesare Procaccini, one of the most important painters in seventeenth-century Lombardy, is a significant rediscovery and a major addition to his oeuvre. Amidst a sumptuous architectural background, the Virgin sits at the centre of the scene, tenderly holding Jesus in her arms. She offers the Child’s foot to the oldest of the Magi, so that he can kiss it. The kings attributes of power, the crown and sceptre, lay in the foreground on the right, with his entire attention turned to worshiping the baby. Simultaneously, he offers Jesus a precious golden urn. Next to Mary are several figures attending the event. On the right, a dark- skinned king leans towards the centre of the composition holding an urn with incense. On the opposite side, the third king holds a box containing myrrh and looks upwards to the sky. Thos Agnew & Sons Ltd, registered in England No 00267436 at 21 Bunhill Row, London EC1Y 8LP VAT Registration No 911 4479 34 THOS. AGNEW & SONS LTD. 6 ST. JAMES’S PLACE, LONDON, SW1A 1NP Tel: +44 (0)20 7491 9219. -
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy the Architects
Trevi Fountain Rome, Italy Trevi Fountain: Rome, Italy The Architects The Trevi Fountain (Fontana di Trevi) is the most famous and arguably Little of Nicola Salvi’s (1697–1751) work beyond the Trevi Fountain remains the most beautiful fountain in Rome. This impressive Baroque-styled today and relatively little is known of the architect himself. He was monument was completed in 1762 and still dominates the small Trevi admitted to the Roman Academy of Arcadia in 1717 and only became square located in the city’s Quirinale district. an architect after studying mathematics and philosophy. His friend and colleague, the sculptor Pietro Bracci (1700–1773), would eventually go on to complete the fountain. Bracci’s most famous piece of work, the statue of Oceanus, forms the centerpiece of the fountain. 2 History The imposing fountain sits at the junction of three roads, or tre vie, which many believe gave the fountain its name, and marks the terminal point of one of the original aqueducts that supplied water to ancient Rome. Built by Marcu Vipsanius Agrippa in 19 BC, the Aqua Virgo aqueduct was over 13 miles (21 km) long and even then had a fountain at its terminus. The aqueduct and fountain served Rome for over 400 years, but after the invasion of the Goths in AD 537, the aqueduct was cut off and the final portion abandoned, forcing the medieval Romans to draw water from wells and the River Tiber. It would be over 1,000 years, and the advent of the Early Renaissance period, before a fountain would again stand in the location we know today. -
Sunday Bulletin November 24, 2019 Greek Orthodox Church of The
Sunday Bulletin November 24, 2019 Greek Orthodox Church of the Annunciation 4121 O'Hara Drive Vestal, NY 13850 Phone: (607) 797-0824 Fax: (607) 797-0824 http://www.annunciationvestal.ny.goarch.org Rev. Dr. Michael Bahlatzis, Presiding Priest- Proistamenos ₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪₪ Epistle Reading Prokeimenon. Plagal Second Mode. Psalm 27.9,1. O Lord, save your people and bless your inheritance. To you, O Lord, I have cried, O my God. The reading is from St. Paul's Letter to the Ephesians 2:4-10 Brethren, God who is rich in mercy, out of the great love with which he loved us, even when we were dead through our trespasses, made us alive together with Christ (by grace you have been saved), and raised us up with him, and made us sit with him in the heavenly places in Christ Jesus, that in the coming ages he might show the immeasurable riches of his grace in kindness toward us in Christ Jesus. For by grace you have been saved through faith; and this is not your own doing, it is the gift of God: not because of works, lest any man should boast. For we are his workmanship, created in Christ Jesus for good works, which God prepared beforehand, that we should walk in them. Gospel Reading Luke 18:18-27 At that time, a ruler came to Jesus and asked him, "Good Teacher, what shall I do to inherit eternal life?" And Jesus said to him, "Why do you call me good? No one is good but God alone. You know the commandments: 'Do not commit adultery, Do not kill, Do not steal, Do not bear false witness, Honor your father and mother.' " And he said, "All these I have observed from my youth." And when Jesus heard it, he said to him, "One thing you still lack. -
Cognitive Semiotics
COGNITIVE SEMIOTICS Multidisciplinary Journal on Meaning and Mind Issue 5 . Fall 2009 PETER LANG Bern · Berlin ' Bruxelles ' Frankfurt am Main · New York · Oxford · Wien COGNITIVE SEMIOTICS EDITORS-IN-CHIEF Per Aage Brandt and Todd Oakley CO-EOrTORS Ana Margarida Abrantes, Tim Adamson, Une Brandt, Riccardo Fusaroli, and Jes Vang EDITORIAL ASSISTANT (official address and address for unsolicited submissions) Larimee Cortnik Department of Cognitive Science Center for Cognition and Culture Case Western Reserve University College of Arts & Sciences Crawford Hall, 612D Cleveland, Ohio, 44106-7179 USA Phone: (+1) 216 368-6538 · Fax: (+1) 216 368-3821 [email protected] COORDINATING EDITOR (general address for solicited submissions and editorial contact) Jes Vang · [email protected] EDITORIAL ADVISORY BOARD Liliana Albertazzi, Bernard Baars, Enrique Bernárdez, Peer Bundgaard, Roberto Casati, Christopher Collins, Seana Coulson, Ian Cross, Terrence Deacon, Merlin Donald, Shaun Gallagher, Barend van Heusden, Robert Innis, Jana M. Iverson, Mark Johnson, Torben Fledelius Knap, Kalevi Kull, Ronald Langacker, Michael Leyton, Ricardo Maldonado, Juana Isabel Mann-Arrese, Erik Myin, Frederic Nef, Pierre Ouellet, Jean-Luc Petit, Jean Petitot, Martina Plümacher, Roberto Poli, Ernst Pöppel, Andreas Roepstorff, Bent Rosenbaum, Maxine Sheets-Johnstone, Chris Sinha, Linda B. Smith, Göran Sonesson, Frederik Stjernfelt, Eve Sweetser, Leonard Talmv, Evan Thompson, Colwyn Trevarthen, Reuven Tsur, Mark Turner, Patrizia Violi, Wolfgang Wildgen, Dan Zahavi, Lawrence Zbikowski, Jordan Zlatev, and Svend Ostergaard. MANUSCRIPT SUBMISSIONS For style guide and other directions for authors go to the journal's website: www.cogniavesemiotics.com PUBUSHING DETAILS © by Verlag Peter Lang AG, Hochfeldstrasse 32, CH-3012 Bern Tel. +41 31 306 17 17; Fax +41 31 306 17 27; E-Mail: [email protected]; Internet: www.peterlang.com All rights reserved. -
064-Sant'andrea Delle Fratte
(064/36) Sant'Andrea delle Fratte Sant'Andrea delle Fratte is a minor basilica, as well as an early 17th century parish, titular and convent church in the rione Colonna, just to the south of the Piazza di Spagna, dedicated to St Andrew the Apostle. History The first church here was built in the 1192, called infra hortes (later translated into "delle Fratte" or "shrubs") for it was located in a countryside area. The first time that the name Fratte is used is in the 15th century. It means literally "woods" or "overgrown vegetation", and seems to commemorate an overgrown area which might have been an abandoned piece of land, some shrubby garden or the facing slope of the Pincian hill when it was still wild. (1) (11) The church was probably rebuilt (or newly built on this site) in the 15th century, when there is a hint in the records that an Augustinian nunnery was established here. Then it was for some time the national church of Scotland as an independent kingdom (St Andrew is Scotland's patron). After the Scottish Reformation in 1560 the Scots completely lost interest in it, and for a while it was taken over by a pious confraternity dedicated to the Blessed Sacrament. However it was given to the Order of Minim of St. Francis of Paola Friars in 1585, and they still serve the parish which was simultaneously created. (1) (11) In 1604 the construction of the new church was begun, under the design of Gaspare Guerra. The project halted in 1612 due to lack of funds. -
Issue 5 • Winter 2021 5 Winter 2021
Issue 5 • Winter 2021 5 winter 2021 Journal of the school of arts and humanities and the edith o'donnell institute of art history at the university of texas at dallas Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 185 11/6/20 1:24 PM 2 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 2 11/6/20 1:23 PM 1 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 1 11/6/20 1:23 PM This issue of Athenaeum Review is made possible by a generous gift from Karen and Howard Weiner in memory of Richard R. Brettell. 2 Athenaeum Review_Issue 5_FINAL_11.04.2020.indd 2 11/6/20 1:23 PM Athenaeum Review Athenaeum Review publishes essays, reviews, Issue 5 and interviews by leading scholars in the arts and Winter 2021 humanities. Devoting serious critical attention to the arts in Dallas and Fort Worth, we also consider books and ideas of national and international significance. Editorial Board Nils Roemer, Interim Dean of the School of Athenaeum Review is a publication of the School of Arts Arts and Humanities, Director of the Ackerman and Humanities and the Edith O’Donnell Institute of Center for Holocaust Studies and Stan and Art History at the University of Texas at Dallas. Barbara Rabin Professor in Holocaust Studies School of Arts and Humanities Dennis M. Kratz, Senior Associate Provost, Founding The University of Texas at Dallas Director of the Center for Asian Studies, and Ignacy 800 West Campbell Rd. JO 31 and Celia Rockover Professor of the Humanities Richardson, TX 75080-3021 Michael Thomas, Director of the Edith O’Donnell Institute of Art History and Edith O’Donnell [email protected] Distinguished University Chair in Art History athenaeumreview.org Richard R. -
Steden Omgeving Borgo Castello Panicaglia Assisi (24 Km / 30-40 Min)
Steden Omgeving Borgo Castello Panicaglia Assisi (24 km / 30-40 min) Assisi is een stad in de Italiaanse regio Umbrië met ongeveer 25.000 inwoners. De stad van de 13e-eeuwse heiligen Franciscus en Clara van Assisi is een bekende bedevaartsplaats, die ook door toeristen gewaardeerd wordt vanwege haar heuvelachtige, smalle straatjes en pittoreske winkeltjes. Assisi is een kleine stad met veel karakter. Er zijn veel mooie boetiekjes met allerhande eigengemaakte producten, waaronder Bezienswaardigheden Basilica di San Francesco De Basilica di San Francesco is zonder twijfel een van de mooiste basilieken van Italië en dat is de reden dat Assisi overspoeld wordt door pelgrims. Basilica di Santa Chiara De basiliek is gewijd aan de heilige Clara van Assisi, een van de volgelingen van de heilige Franciscus van Assisi. De basiliek is na de Basilica di San Francesco de belangrijkste religieuze plek van Assisi. Daal af naar de crypte, waar de overblijfselen van Santa Chiara worden bewaard. Ook bewonder je hier een aantal relieken van de heilige Clara en de heilige Franciscus. Werp op het Piazza Santa Chiara een blik op de achthoekige Fontana di Santa Chiara. Piazza del Comune Het Piazza del Comune is het middelpunt van Assisi. Rondom het grote plein vind je heel wat belangrijke monumenten van de stad. Assisi Restaurant suggesties In Assisi vind je veel restaurants in de buurt van het drukke Piazza del Comune. Rocca Maggiore • Restaurant La Lanterna Beklim de Rocca Maggiore, die hoog boven de stad • Ristorante Il Tempio di Minerva uittorent. Het 14e-eeuwse kasteel is gebouwd door • Enotec a Mazzini (voor wijnliefhebbers) Kardinaal Albornoz en is door de jaren heen uitge- • Borgo Antichi Orti (Albert & Inger) breid, geplunderd en heropgebouwd. -
1568984383.Pdf
The Architecture of Modern Italy SWITZERLAND AUSTRIA Italy 1750 Simplon Veneto Lombardy Belluno Gallarate Bergamo Possagno Monza Treviso Novara Brescia Verona Trieste Milan Venice Tur in Padua Mantua Piedmont Parma Ferrara Modena Genoa Bologna Liguria Faenza Carrara Pistoia San Marino Florence Urbino Livorno Ancona Tuscany Papal States ADRIATIC SEA Montalcino Follonica Perugia Elba Civitavecchia Tivoli Rome Subiaco Terracina Minturno Gaeta Caserta Naples Kingdom of Portici/Herculaneum Two Sicilies Amalfi SARDINIA Paestum TYRRHENIAN SEA Palermo The Architecture of Modern Italy Volume I:The Challenge of Tradition,1750–1900 Terry Kirk Princeton Architectural Press New York for marcello Published by Princeton Architectural Press 37 East Seventh Street New York,New York 10003 For a free catalog of books, call 1.800.722.6657. Visit our web site at www.papress.com. © 2005 Princeton Architectural Press All rights reserved Printed and bound in Hong Kong 08 07 06 05 5 4 3 2 1 First edition No part of this book may be used or reproduced in any manner without written permission from the publisher, except in the context of reviews. Every reasonable attempt has been made to identify owners of copyright. Errors or omissions will be corrected in subsequent editions. Project Coordinator: Mark Lamster Editing: Elizabeth Johnson, Linda Lee, Megan Carey Layout: Jane Sheinman Special thanks to: Nettie Aljian, Dorothy Ball, Nicola Bednarek, Janet Behning, Penny (Yuen Pik) Chu, Russell Fernandez, Clare Jacobson, John King, Nancy Eklund Later, Katharine Myers, Lauren Nelson, Scott Tennent,Jennifer Thompson, and Joseph Weston of Princeton Architectural Press —Kevin C. Lippert, publisher Library of Congress Cataloging-in-Publication Data Kirk,Terry. -
Perugia Liberata
A C C A D E M I A T O S C A N A D I S C I E N Z E E L E T T E R E « L A C O L O M B A R I A » « S T U D I » CXCIV PERUGIA LIBERATA DOCUMENTI ANGLO-AMERICANI SULL'OCCUPAZIONE ALLEATA DI PERUGIA (1944-1945) a cura di ROGER ABSALOM F I R E N Z E L E O S . O L S C H K I E D I T O R E M M I INDICE Presentazione . p. V Premessa . » VII INTRODUZIONE I - GLI ALLEATI IN UMBRIA: PROLOGO ALLA PROBLEMATICA . » 3 Il panorama generale . » 3 Il `problema occupazione' visto dagli alleati . » 3 Il giuoco delle aspettative: esercito, partigiani, CLN, AMG . » 4 Il `pragmatismo' degli alleati . » 5 I limiti dell'azione dell'AMG . » 7 L'economia delle retrovie belliche . » 10 L'AMG e le `occasioni perdute' . » 12 II - I DOCUMENTI . » 13 Caratteri generali del materiale riprodotto . » 13 Cenno ad alcune difficoltaÁ tecnico-linguistiche . » 14 III - CONCLUSIONI . » 17 I TESTI Glossario delle sigle ed abbreviazioni usate nei documenti . » 23 Ð 659 Ð INDICE I - DOCUMENTI DI BASE 1 - PERUGIA NELLA CAMPAGNA D'ITALIA . p. 33 1.i. I partigiani e gli alleati: il problema militare . » 34 1. Bande di patrioti nell'Italia centrale . » 34 2. Piano per il salvataggio della centrale elettrica di Galleto . » 36 3. Il trattamento dei partigiani eÁ senza criteri . » 37 4. Lanci falliti nell'Appennino centrale . » 39 5. Richiesta d'azione ai patrioti romani . » 40 6. Disposizioni per iniziare le azioni partigiane in centro Italia .