gary clark jr blak and blu download Gary clark jr blak and blu album download. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 66ccf9da1ed5f14e • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Gary Clark Jr. - Blak And Blu Album. "Blak and Blu" features excerpts from the Gil Scott-Heron recording "Pieces of a Man" (Gil Scott-Heron, ) published by Bienstock Music Company (ASCAP). Produced under license from Flying Dutchman Records. Also features excerpts from the Albert King recording "As the Years Go Passing By" (Don Robey). Published by Songs of Universal Inc (BMI). Produced under license from Rhino Entertainment Company. Track 1, 3, 5, 7-9, 11-13: Recorded at Can Am Studios, Tarzana, CA. Track 1, 2, 4, 5, 7, 13: Mixed at Lightning Sound Studios, Hidden Hills, CA. Track 2, 6: Recorded at Lightning Sound Studios, Hidden Hills, CA and Can Am Studios, Tarzana, CA. Track 4, 10: Recorded at Lightning Sound Studios, Hidden Hills, CA. Mastered at Sterling Sound, New York, NY. © 2012 Warner Bros. Records Inc. Barcodes. Barcode: 0 93624 94857 5 Matrix / Runout: Z115699 M1S1 1 531981-2 TEXT 01 Mastering SID Code: IFPI L909 Mould SID Code: IFPI 2U8H. Companies. Copyright (c) – Warner Bros. Records Inc. Phonographic Copyright (p) – Warner Bros. Records Inc. Recorded At – Can-Am Recorders Recorded At – Lightning Sound Studios Mixed At – Lightning Sound Studios Mastered At – Sterling Sound. Album. Blak and Blu is the major-label debut studio album by American musician Gary Clark, Jr. released on October 22, 2012. The album touches on a wide variety of traditionally genres, including soul Please Come Home, hip-hopR&B The Life, -esque Travis County, and Clark's trademark, When My Train Pulls In, Numb, Next Door Neighbor Blues. Blak and Blu netted Clark his first two Grammy Award nominations, one for Best Rock Song. Blak And Blu - Gary Clark Jr. Лента с персональными рекомендациями и музыкальными новинками, радио, подборки на любой вкус, удобное управление своей коллекцией. 2012 WMG 'Blak and Blu' by Gary Clark Jr. Gary Clark Jr. Blak And Blu 2014. To favorites 1 Download album. Listen album. Songs in album Gary Clark Jr. Blak & Blu Feat. Big KRIT. The Life Gary Clark Jr EP Version. The Life Remix. Bright Lights Feat. . Soul Bonus Track From Blak & Blu . When My Train Pulls In Big KRIT Remix. Things Ar. Listen free to Gary Clark Jr. Blak and Blu Ain't Messin 'Round, When My Train Pulls In and more. 13 tracks 71:48. Album 2012 13 Songs. More By Gary Clark Jr. Blak and Blu Deluxe Version. The Story of Sonny Boy Slim. Blak and Blu is the first major label studio album by Gary Clark, Jr. It charted at 6 on the Billboard 200 album chart, and 1 on the Blues album chart. Blak and Blu Q&A. Producer Tim Kelley, Rob Cavallo, & 1 more. Producers Mike Elizondo. Writers Brian Jackson, Don Robey, Gary Clark Jr. 1 more. Gary Clark, Jr. has been hailed by a number of critics as the New Hendrix, which seems to be the fate of any guitarist who combines blues and rock styles at a considerable volume particularly if they cover . Warner Bros. is also pitching Blak and Blu as Clark's groundbreaking debut album, when in fact it's just his major-label debut, with four indie releases preceding it, making the confidence and ambition of this set a bit less remarkable. Stream Blak And Blu, a playlist by GaryClarkJr from desktop or your mobile device. Blak And Blu. This playlist has no tracks yet. Album release date: 16 October 2012. Ain't Messin 'Round. Thats the question Gary Clark Jr. grapples with on his major label debut. Clark spreads his musical bets on Blak and Blu. Instead of having one signature sound, he tries a dozen, delving into modern R&B, retro soul, psychedelia and garage rock. The core is still the blues. Clark dips into the historical timeline, sampling a juke joints worth of 20th-century styles: from the rural slide- picking of Next Door Neighbor Blues to the desolate tidings and incendiary lead guitar of When My Train Pulls In to the Cream-y riffing and layering of Glitter Aint Gold. But Clark wont be genre-bound. Blak and Blu. Gary Clark, Jr. has been hailed by a number of critics as "the New Hendrix," which seems to be the fate of any guitarist who combines blues and rock styles at a considerable volume (particularly if they cover "Third Stone from the Sun"). While that's a blurb that may look good in Clark's press kit, it rather misses the point; Clark isn't a visionary, game-changing artist like Hendrix, but instead he's a canny singer, songwriter, and instrumentalist who has learned from the past and present, fusing them into a style that's distinctive and exciting if not necessarily revolutionary. Warner Bros. is also pitching Blak and Blu as Clark's "groundbreaking debut album," when in fact it's just his major-label debut, with four indie releases preceding it, making the confidence and ambition of this set a bit less remarkable. But if Gary Clark, Jr. isn't likely to change the way we look at rock & roll or rewrite the aesthetic of the electric guitar, he is one of the most interesting talents to come out of the contemporary blues scene in quite some time. On Blak and Blu, most of Clark's tunes are solidly rooted in the blues, but he's also folded in hearty servings of hard rock, funk, retro-soul, and even a dash of hip-hop, and the way he lets the flavors mix is a big part of what makes this album work so well. There's an undertow of Northern Soul on the dance-friendly opener "Ain't Messin' Round," "Travis County" is a no-frills rocker that recalls the Stones in fifth gear, "The Life" finds Clark moving back and forth between singing and rapping in a streetwise tale of drug addiction, "Numb" recalls the punk blues attack of the Black Keys and the White Stripes in its fuzzed-out blast, and the title cut samples both Gil Scott-Heron and Albert King as Clark melds conscious themes with blues backdrops. While the typical modern-day guitar hero goes out of his way to throw his dexterity in your face at every turn, here Clark shows off a tougher and more primal style, and though his chops are certainly good, he keep his solos concise and his attack muscular throughout. And if his songwriting is a bit uneven, he has an inarguable talent with both lyrics and melodies, and he's a good-to- great singer, sounding soulful and honest on every cut. Blak and Blu's production (by Rob Cavallo and Mike Elizondo in collaboration with Clark) is too polished and processed for its own good, but if this album isn't likely to change your life, it will make an hour of it a lot more interesting, and there's no arguing that Gary Clark, Jr. is a talent strong enough to match his record company's hype. Blak And Blu [Deluxe Version] Gary Clark, Jr. has been hailed by a number of critics as "the New Hendrix," which seems to be the fate of any guitarist who combines blues and rock styles at a considerable volume (particularly if they cover "Third Stone from the Sun"). While that's a blurb that may look good in Clark's press kit, it rather misses the point; Clark isn't a visionary, game-changing artist like Hendrix, but instead he's a canny singer, songwriter, and instrumentalist who has learned from the past and present, fusing them into a style that's distinctive and exciting if not necessarily revolutionary. Warner Bros. is also pitching Blak and Blu as Clark's "groundbreaking debut album," when in fact it's just his major-label debut, with four indie releases preceding it, making the confidence and ambition of this set a bit less remarkable. But if Gary Clark, Jr. isn't likely to change the way we look at rock & roll or rewrite the aesthetic of the electric guitar, he is one of the most interesting talents to come out of the contemporary blues scene in quite some time. On Blak and Blu, most of Clark's tunes are solidly rooted in the blues, but he's also folded in hearty servings of hard rock, funk, retro-soul, and even a dash of hip-hop, and the way he lets the flavors mix is a big part of what makes this album work so well. There's an undertow of Northern Soul on the dance-friendly opener "Ain't Messin' Round," "Travis County" is a no-frills rocker that recalls the Stones in fifth gear, "The Life" finds Clark moving back and forth between singing and rapping in a streetwise tale of drug addiction, "Numb" recalls the punk blues attack of the Black Keys and the White Stripes in its fuzzed-out blast, and the title cut samples both Gil Scott-Heron and Albert King as Clark melds conscious themes with blues backdrops. While the typical modern-day guitar hero goes out of his way to throw his dexterity in your face at every turn, here Clark shows off a tougher and more primal style, and though his chops are certainly good, he keep his solos concise and his attack muscular throughout. And if his songwriting is a bit uneven, he has an inarguable talent with both lyrics and melodies, and he's a good-to- great singer, sounding soulful and honest on every cut. Blak and Blu's production (by Rob Cavallo and Mike Elizondo in collaboration with Clark) is too polished and processed for its own good, but if this album isn't likely to change your life, it will make an hour of it a lot more interesting, and there's no arguing that Gary Clark, Jr. is a talent strong enough to match his record company's hype. Blak and Blu. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $20.29. Gary Clark, Jr. has been hailed by a number of critics as "the New Hendrix," which seems to be the fate of any guitarist who combines blues and rock styles at a considerable volume (particularly if they cover "Third Stone from the Sun"). While that's a blurb that may look good in Clark's press kit, it rather misses the point; Clark isn't a visionary, game-changing artist like Hendrix, but instead he's a canny singer, songwriter, and instrumentalist who has learned from the past and present, fusing them into a style that's distinctive and exciting if not necessarily revolutionary. Warner Bros. is also pitching Blak and Blu as Clark's "groundbreaking debut album," when in fact it's just his major-label debut, with four indie releases preceding it, making the confidence and ambition of this set a bit less remarkable. But if Gary Clark, Jr. isn't likely to change the way we look at rock & roll or rewrite the aesthetic of the electric guitar, he is one of the most interesting talents to come out of the contemporary blues scene in quite some time. On Blak and Blu, most of Clark's tunes are solidly rooted in the blues, but he's also folded in hearty servings of hard rock, funk, retro-soul, and even a dash of hip-hop, and the way he lets the flavors mix is a big part of what makes this album work so well. There's an undertow of Northern Soul on the dance-friendly opener "Ain't Messin' Round," "Travis County" is a no-frills rocker that recalls the Stones in fifth gear, "The Life" finds Clark moving back and forth between singing and rapping in a streetwise tale of drug addiction, "Numb" recalls the punk blues attack of the Black Keys and the White Stripes in its fuzzed-out blast, and the title cut samples both Gil Scott-Heron and Albert King as Clark melds conscious themes with blues backdrops. While the typical modern-day guitar hero goes out of his way to throw his dexterity in your face at every turn, here Clark shows off a tougher and more primal style, and though his chops are certainly good, he keep his solos concise and his attack muscular throughout. And if his songwriting is a bit uneven, he has an inarguable talent with both lyrics and melodies, and he's a good-to- great singer, sounding soulful and honest on every cut. Blak and Blu's production (by Rob Cavallo and Mike Elizondo in collaboration with Clark) is too polished and processed for its own good, but if this album isn't likely to change your life, it will make an hour of it a lot more interesting, and there's no arguing that Gary Clark, Jr. is a talent strong enough to match his record company's hype. © Mark Deming /TiVo.