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And Factory / 7035
and factory / 7035 COVERAGE INITIATED ON: 2019.04.12 LAST UPDATE: 2019.08.07 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. and factory/7035 RCoverage LAST UPDATE: 2019.08.07 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 7 Highlights ------------------------------------------------------------------------------------------------------------------------------------------------------------ -
And Factory / 7035
R and factory / 7035 COVERAGE INITIATED ON: 2019.04.12 LAST UPDATE: 2021.04.30 Shared Research Inc. has produced this report by request from the company discussed in the report. The aim is to provide an “owner’s manual” to investors. We at Shared Research Inc. make every effort to provide an accurate, objective, and neutral analysis. In order to highlight any biases, we clearly attribute our data and findings. We will always present opinions from company management as such. Our views are ours where stated. We do not try to convince or influence, only inform. We appreciate your suggestions and feedback. Write to us at [email protected] or find us on Bloomberg. Research Coverage Report by Shared Research Inc. and factory/7035 RCoverage LAST UPDATE: 2021.04.30 Research Coverage Report by Shared Research Inc. | https://sharedresearch.jp INDEX How to read a Shared Research report: This report begins with the trends and outlook section, which discusses the company’s most recent earnings. First-time readers should start at the business section later in the report. Executive summary ----------------------------------------------------------------------------------------------------------------------------------- 3 Key financial data ------------------------------------------------------------------------------------------------------------------------------------- 5 Recent updates ---------------------------------------------------------------------------------------------------------------------------------------- 6 Highlights ------------------------------------------------------------------------------------------------------------------------------------------------------------6 -
Universidade De São Paulo Faculdade De
UNIVERSIDADE DE SÃO PAULO FACULDADE DE FILOSOFIA, LETRAS E CIÊNCIAS HUMANAS DEPARTAMENTO DE LETRAS ORIENTAIS PROGRAMA DE PÓS-GRADUAÇÃO EM LÍNGUA, LITERATURA E CULTURA JAPONESA PRISCILA GEROLDE GAVA A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary Versão Corrigida São Paulo 2018 PRISCILA GEROLDE GAVA A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary Versão Corrigida Dissertação de Mestrado apresentada ao Programa de Pós-Graduação em Língua, Literatura e Cultura Japonesa da Faculdade de Filosofia, Letras e Ciências Humanas da Universidade de São Paulo, como parte dos requisitos para obtenção do título de Mestre em Letras. Área de Concentração: Língua, Literatura e Cultura Japonesa Orientadora: Profª. Drª. Neide Hissae Nagae São Paulo 2018 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. O presente trabalho foi realizado com apoio da Coordenação de Aperfeiçoamento de Pessoal de Nível Superior - Brasil (CAPES) - Código de Financiamento 001. GAVA, P. G. A mitologia judaico-cristã e o herói japonês: a jornada mítica de Mudō Setsuna no mangá Angel Sanctuary. Dissertação (Mestrado em Língua, Literatura e Cultura Japonesa) – Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, São Paulo, 2018. Aprovado em: Banca Examinadora Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ Prof. Dr.____________________________Instituição:____________________________ Julgamento:_________________________ Assinatura:____________________________ AGRADECIMENTOS À Professora Doutora Neide Hissae Nagae pela orientação, apoio e paciência durante essa jornada no Mestrado. -
Pression Du Groupe Et Affirmation De Soi Dans Le Shôjo Manga
005 Académie européenne du manga et des arts japonais Working Paper Working serie Art et communication N° Pression du groupe et affirmation de soi dans le shôjo manga par Saïnabou CISSE sous la direction de Julien BASTIDE 2008 SOMMAIRE SOMMAIRE ..............................................................................................................................................2 REMERCIEMENTS .................................................................................................................................4 ABSTRACT(F) .........................................................................................................................................5 ABSTRACT (E) ........................................................................................................................................6 INTRODUCTION ....................................................................................................................................7 PREMIERE PARTIE............................................................................................................................ 11 Qu’est ce que le shôjo manga ? ............................................................................................................ 11 A) Mode de production........................................................................................................................... 16 1) Un objet éditorial....................................................................................................................... 16 -
Information Media Trends in Japan 2017 Was 4
Information Media Trends in Japan Preface This book summarizes a carefully selected set of near. Panels of experts are currently discussing basic data to give readers an overview of the in- matters that include how to further develop the formation media environment in Japan. broadcasting market and the services provided while bringing greater benefits to the viewer, how Total advertising expenditures in Japan were 6.288 to position local media and the acquiring of local trillion yen in 2016 (a 1.9% year-on-year increase). information in broadcasting, and how to handle Of this, television advertising expenditures (related issues related to public broadcasting. to terrestrial television and satellite media) ac- counted for 1.966 trillion yen (up 1.7%), radio for Given how young people have turned away from 128.5 billion yen (up 2.5%), and Internet for 1.310 television as a means to consume media, the first trillion yen, posting double-digit growth of 13.0% move needs to focus on using all available chan- compared to the previous year. nels and devices to improve the TV viewing en- vironment. Progress begins with change, and we The year 2016 was, among other things, a year will need to demonstrate initiative in ensuring that that saw the advent of new services in the video both media and content are attractive to young streaming market. In addition to VOD and TV audiences. program catch-up services, a number of new ser- vices centered on live streaming were launched. We hope that this publication can assist its read- AbemaTV, a live streaming service operated by ers in research activity and business develop- Internet advertising agency CyberAgent and TV ment. -
Manga Vision: Cultural and Communicative Perspectives / Editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, Manga Artist
VISION CULTURAL AND COMMUNICATIVE PERSPECTIVES WITH MANGA ARTIST QUEENIE CHAN EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL MANGA VISION MANGA VISION Cultural and Communicative Perspectives EDITED BY SARAH PASFIELD-NEOFITOU AND CATHY SELL WITH MANGA ARTIST QUEENIE CHAN © Copyright 2016 Copyright of this collection in its entirety is held by Sarah Pasfield-Neofitou and Cathy Sell. Copyright of manga artwork is held by Queenie Chan, unless another artist is explicitly stated as its creator in which case it is held by that artist. Copyright of the individual chapters is held by the respective author(s). All rights reserved. Apart from any uses permitted by Australia’s Copyright Act 1968, no part of this book may be reproduced by any process without prior written permission from the copyright owners. Inquiries should be directed to the publisher. Monash University Publishing Matheson Library and Information Services Building 40 Exhibition Walk Monash University Clayton, Victoria 3800, Australia www.publishing.monash.edu Monash University Publishing brings to the world publications which advance the best traditions of humane and enlightened thought. Monash University Publishing titles pass through a rigorous process of independent peer review. www.publishing.monash.edu/books/mv-9781925377064.html Series: Cultural Studies Design: Les Thomas Cover image: Queenie Chan National Library of Australia Cataloguing-in-Publication entry: Title: Manga vision: cultural and communicative perspectives / editors: Sarah Pasfield-Neofitou, Cathy Sell; Queenie Chan, manga artist. ISBN: 9781925377064 (paperback) 9781925377071 (epdf) 9781925377361 (epub) Subjects: Comic books, strips, etc.--Social aspects--Japan. Comic books, strips, etc.--Social aspects. Comic books, strips, etc., in art. Comic books, strips, etc., in education. -
CELSYS Holds Third Annual International Comic and Illustration Contest for Art Students
November, 12, 2019 CELSYS,Inc CELSYS Holds Third Annual International Comic and Illustration Contest for Art Students November 12, 2019 - CELSYS, creators of the acclaimed Clip Studio Paint creative software, will host their third annual international comic and illustration contest for art students, the “International Comic/Manga School Contest,” with submissions accepted beginning Thursday, January 9, 2020. Through this contest, students of all ages receive the opportunity to have their works critiqued by a panel of professional artists and even have their art published for viewers across the globe to see. Contest winners are additionally eligible for cash prizes and digital art goods. This year, the theme of the International Comic/Manga School Contest is “Promise.” The contest is made possible in part through the generous sponsorship and support of a number of entities well -known in the worlds of comics, manga, pop culture and digital art. This year, three entities have pledged special sponsorship. These entities are digital art tablet and pen manufacturer Wacom and Japanese comics and manga publishing giants Shueisha and KADOKAWA. 2019’s contest saw participation from 639 schools in 67 countries with over 1,400 individual pieces submitted for consideration across multiple categories. The 2020 contest is expected to further grow the number of participating schools and submitted works. See below for a list of categories, sponsors and an introduction to 2020’s special guest judges. Contest official website: https://www.clipstudio.net/promotion/comiccontest/en/ -
Comic Und Manga
Comic und Manga Für Beschäftigte in Bibliotheken Peter Lorenz MA und Harald Kuhn (Berliner Comicbibliothek RENATE) Comic und Manga • 1. Einführung • 1.1. Begriff, Entstehung • 1.2. Geschichte der Manga • 1.3. Kulturelle Besonderheiten • 2. Hauptströmungen und -Sparten • 2.1. Shojo-Manga (Mädchen-Comics) • 2.2. Shonen-Manga (Jungs-Comics) • 2.3. Sonstige Sparten • 3. Der Manga-Boom seit den neunziger Jahren • 3.1. Bedeutung der Manga für Jugendliche • 3.2. Fan-Art und Cosplay • 3.3. Cross-Marketing • 4. Beispiele und Diskussion • 4.1. Was ist ein "guter" Manga • 4.2. Wichtiges für Mangas in Bibliotheken In Japan wird der Begriff „Manga“ gleichberechtigt mit „Comic“ (komikku) für alle Arten von Comics verwendet, unabhängig von ihrer Herkunft. In Abgrenzung zu den japanischen Manga werden Comics aus Südkorea als Manwha und Comics aus dem chinesischem Raum als Manhua bezeichnet. Im Westen bezeichnete man mit Manga zunächst meist nur Comics aus Japan, mittlerweile wird der Begriff aber vor allem von Comicverlagen auch zunehmend für Comics aus anderen Ländern verwendet, die sich am Stil japanischer Produktionen orientieren. Während sich im englischen Sprachraum für von englischsprachigen Künstlern gezeichnete Comics im Manga- Stil mittlerweile der Begriff „original English-language manga“ (oder kurz „OEL manga“) eingebürgert hat, gibt es im Deutschen bislang keine vergleichbare einheitliche Definition. 1.2. Geschichte der Manga Das Wort ‚Manga’ taucht in Titel japanischer Bücher Anfang des 19. Jahrhunderts auf, bedeutet da aber eher eine Art Ansammlung vieler verschiedener Bilder, oft mit übertriebenen Zügen, die ins Karikatureske gehen, die aber noch nichts mit den heutigen erzählenden Formen des Comics zu tun haben. -
Information Media Trends in Japan 2016
Information Media Trends in Japan Preface This book summarizes a carefully selected set of erators (MVNOs) are beginning to capture market basic data to give readers an overview of the in- share as a new option for consumers. formation media environment in Japan. Regarding efforts to adopt advanced picture qual- Total advertising expenditures in Japan were 6.171 ity technologies for television broadcasting, Japan trillion yen in 2015 (100.3% compared to the pre- is undergoing preparations in line with a roadmap vious year). Of this, television advertising expen- targeting both 4K and 8K trial broadcasts in 2016 ditures (terrestrial television and satellite media using broadcast satellite (BS). In 2018, regular 4K related) accounted for 1.932 trillion yen (98.8% broadcasts are being planned that will use both compared to the previous year) while Internet ad- BS and communication satellites (CS), as well as vertising expenditures accounted for 1.159 trillion the provision of 8K regular broadcast using BS. yen, posting double-digit growth of 10.2% com- Mobile carriers are also working to achieve by pared to the previous year. 2020 the 5G standard for mobile communication services, which will allow for high-speed, high-ca- A new level of competition emerged for video de- pacity throughput on par with current fiber-optic livery services in Japan. Netflix made a full-scale lines. Through such efforts, infrastructure is now entry into the market and Amazon expanded its being built that will further improve user conve- online video services for customers with an Ama- nience. zon Prime subscription, both in September 2015. -
Magic International Manga Contest Terms and Conditions 2021 Edition
MAGIC INTERNATIONAL MANGA CONTEST TERMS AND CONDITIONS 2021 EDITION Graphic creativity Script writing creativity Universal story o Free open-to-all contest o Panel of professional judges o The winner gets their manga published and a trip to Japan! www. magic-ip.com - 1 - ARTICLE 1 - SPONSORS Shibuya Productions and SHUEISHA Inc. are sponsoring a manga creation contest as part of the Monaco Anime Game International Conferences (MAGIC) in partnership with Shibuya International. Shibuya Productions is a Monaco-based production company specialised in animation and video games. SHUEISHA Inc. is a world-famous Japanese manga publisher. Shibuya International is a consulting firm specialised in Europe-Japan relations. ARTICLE 2 - ENTRY Only natural persons, over 18, may enter this contest. The contest is free and open to all. If the work has been realised by two persons, only the main author will be considered as the contest applicant. If this work wins, only the main applicant will benefit from the stay in Japan. The co-author will however be mentioned and presented in all publications that will be made around the contest. He will also be able to come to Japan with the main author by paying all of his own expenses (travel fees, accommodation and food). Entry forms should be submitted by email to [email protected], along with a scanned image file of these signed and initialled (candidate's initials at the bottom right of each page) terms and conditions and a link to a server where we can download your full work. You may sign each page and date the document. -
1 07 Ghost 2 11 Eyes 3 801 TTS Airbat 4 Abenobashi Mahou
1 07 Ghost 37 Amnesia (Movie) 2 11 Eyes 38 Angel Beats 3 801 TTS Airbat 39 Angel Sanctuary 4 Abenobashi Mahou Shoutengai 40 Angel's Feathers (Yaoi) 5 Abrazo de Primavera (Yaoi) 41 Antique Bakery 6 Accelerado (Hentai) 42 Ao no Exorcist 7 AD Police 43 Aoi Bungaku 8 Afro Samirai Resurrection 44 Aoi Hana 9 Afro Samurai 45 Appleseed 10 After the School in the Teacher's Lounge 46 Aquariam Age 11 Agent Aika 47 Araiso (Yaoi) 12 Ah! Megamisama 48 Arakawa Under The Bridge 13 Ah! Megamisama (Movie) 49 Arashi no Ato (Manga - Yaoi) 14 Ah! Megamisama (OVA) 50 Argento Soma 15 Ai no Kusabi (Yaoi) 51 Aria -Arietta- (OVA) 16 Ai Yori Aoshi 52 Aria The Animation 17 Ai Yori Aoshi - Enishi - 53 Aria The Navegation 18 Aika R-16 54 Aria The Origination 19 Aika Zero 55 Aria The Scarlet Ammo 20 Air 56 Armitage III 21 Air (OVA) 57 Asterix El Galo (Movie) 22 Air Gear 58 Asterix y Cleopatra (Movie) 23 Air Tonelico (Movie) 59 Asterix y La Sorpresa del Cesar (Movie) 24 Aiso Tsukash (Manga - Yaoi) 60 Asterix y las 12 Pruebas (Movie) 25 Aitsu no Daihonmei (Manga - Yaoi) 61 Asterix y Los Bretones (Movie) 26 Aitsu no Heart Uihi wo Tsukeru (Manga - Yaoi) 62 Asterix y Los Vikingos (Movie) 27 Akane Maniac 63 Asu no Yoichi 28 Akane-Iro ni Somaru Saka 64 Asura Criyn' 29 Akira 65 Asura Criyn' II 30 Akuma no Himitsu (Manga - Yaoi) 66 Asuza 31 Amaenaideyo 67 Avatar Libro 1 Agua 32 Amaenaideyo - Especial - (OVA) 68 Avatar Libro 2 Tierra 33 Amaenaideyo Katsu 69 Avatar Libro 3 Fuego 34 Amagami SS 70 Avenger 35 Amame Pecaminosamente (Manga - Yaoi) 71 Ayakashi Japanese Classic Horror -
Aniplex of America Set to Release Blue Exorcist the Movie in a Limited Edition Blu-Ray Box Set and DVD
FOR IMMEDIATE RELEASE September 28, 2013 Aniplex of America set to Release Blue Exorcist The Movie in a Limited Edition Blu-ray Box Set and DVD ©KAZUE KATO/SHUEISHA, Blue Exorcist The Movie 2012 ©KAZUE KATO/SHUEISHA *Artwork subject to change SANTA MONICA, CA (September 28, 2013) – At their recent industry panel at Anime Weekend Atlanta in Georgia, Aniplex of America Inc. announced its home video release plans for Blue Exorcist The Movie in North America on December 17th 2013. The Blue Exorcist series is an anime based on Kazue Kato’s hit manga published in Jump Square (by SHUEISHA) and it streamed on Hulu, crunchyroll, as well as on Neon Alley (English dub version). In response to its worldwide popularity, the movie was produced with an original story and released in North American theaters in August. The action-packed fantasy tale from animation studio A-1 Pictures (Sword Art Online, Magi: The Labyrinth of Magic) features plenty of breathtaking visuals throughout the film. Blue Exorcist The Movie made its US debut at Anime Expo in Los Angeles this past July. Blue Exorcist The Movie will be released in both a Limited Edition Blu-ray Box Set and DVD. Both SKUs will feature the original Japanese and English audio (5.1 surround sound). The Blu-ray Box Set will also include 2 Commentary Tracks by the creative staff and Japanese voice cast and promotional trailers. In addition, it will also include the feature film on a Blu-ray disc, a Bonus DVD featuring an Exclusive Staff Interview, a Deluxe Booklet, along with some Exclusive Illustration Postcards all encased in a rigid box illustrated by the original manga author Kazue Kato.