Time Reversal 1. Introduction Time Reversal Is a Wonderfully Strange Concept. It Sounds Like Science Fiction at First Blush
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A Strange Loop
A Strange Loop / Who we are Our vision We believe in theater as the most human and immediate medium to tell the stories of our time, and affirm the primacy and centrality of the playwright to the form. Our writers We support each playwright’s full creative development and nurture their unique voice, resulting in a heterogeneous mix of as many styles as there are artists. Our productions We share the stories of today by the writers of tomorrow. These intrepid, diverse artists develop plays and musicals that are relevant, intelligent, and boundary-pushing. Our plays reflect the world around us through stories that can only be told on stage. Our audience Much like our work, the 60,000 people who join us each year are curious and adventurous. Playwrights is committed to engaging and developing audiences to sustain the future of American theater. That’s why we offer affordably priced tickets to every performance to young people and others, and provide engaging content — both onsite and online — to delight and inspire new play lovers in NYC, around the country, and throughout the world. Our process We meet the individual needs of each writer in order to develop their work further. Our New Works Lab produces readings and workshops to cultivate our artists’ new projects. Through our robust commissioning program and open script submission policy, we identify and cultivate the most exciting American talent and help bring their unique vision to life. Our downtown programs …reflect and deepen our mission in numerous ways, including the innovative curriculum at our Theater School, mutually beneficial collaborations with our Resident Companies, and welcoming myriad arts and education not-for-profits that operate their programs in our studios. -
Doctor Strange Comics As Post-Fantasy
Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers Thesis submitted to the faculty of the Virginia Polytechnic Institute and State University in partial fulfillment of the requirements for the degree of Master of Arts in English Karen Swenson, Chair Nancy A. Metz Katrina M. Powell April 15, 2019 Blacksburg, Virginia Keywords: Fantasy, Comics Studies, Postmodernism, Post-Fantasy Copyright 2019, Jessie L. Rogers Evolving a Genre: Doctor Strange Comics as Post-Fantasy Jessie L. Rogers (ABSTRACT) This thesis demonstrates that Doctor Strange comics incorporate established tropes of the fantastic canon while also incorporating postmodern techniques that modernize the genre. Strange’s debut series, Strange Tales, begins this development of stylistic changes, but it still relies heavily on standard uses of the fantastic. The 2015 series, Doctor Strange, builds on the evolution of the fantastic apparent in its predecessor while evidencing an even stronger presence of the postmodern. Such use of postmodern strategies disrupts the suspension of disbelief on which popular fantasy often relies. To show this disruption and its effects, this thesis examines Strange Tales and Doctor Strange (2015) as they relate to the fantastic cornerstones of Tolkien’s The Hobbit and The Lord of the Rings and Rowling’s Harry Potter series. It begins by defining the genre of fantasy and the tenets of postmodernism, then it combines these definitions to explain the new genre of postmodern fantasy, or post-fantasy, which Doctor Strange comics develop. To show how these comics evolve the fantasy genre through applications of postmodernism, this thesis examines their use of otherworldliness and supernaturalism, as well as their characterization and narrative strategies, examining how these facets subvert our expectations of fantasy texts. -
Parts of Persons Identity and Persistence in a Perdurantist World
UNIVERSITÀ DEGLI STUDI DI MILANO Doctoral School in Philosophy and Human Sciences (XXXI Cycle) Department of Philosophy “Piero Martinetti” Parts of Persons Identity and persistence in a perdurantist world Ph.D. Candidate Valerio BUONOMO Tutors Prof. Giuliano TORRENGO Prof. Paolo VALORE Coordinator of the Doctoral School Prof. Marcello D’AGOSTINO Academic year 2017-2018 1 Content CONTENT ........................................................................................................................... 2 ACKNOWLEDGMENTS ........................................................................................................... 4 INTRODUCTION ................................................................................................................... 5 CHAPTER 1. PERSONAL IDENTITY AND PERSISTENCE...................................................................... 8 1.1. The persistence of persons and the criteria of identity over time .................................. 8 1.2. The accounts of personal persistence: a standard classification ................................... 14 1.2.1. Mentalist accounts of personal persistence ............................................................................ 15 1.2.2. Somatic accounts of personal persistence .............................................................................. 15 1.2.3. Anti-criterialist accounts of personal persistence ................................................................... 16 1.3. The metaphysics of persistence: the mereological account ......................................... -
The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie
DOI: 10.24843/JH.2018.v22.i03.p30 ISSN: 2302-920X Jurnal Humanis, Fakultas Ilmu Budaya Unud Vol 22.3 Agustus 2018: 771-780 The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie Ni Putu Ayu Mitha Hapsari1*, I Nyoman Tri Ediwan2, Ni Luh Nyoman Seri Malini3 [123]English Department - Faculty of Arts - Udayana University 1[[email protected]] 2[[email protected]] 3[[email protected]] *Corresponding Author Abstract The title of this paper is The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. This study focuses on categorization and function of the characters in the movie and conflicts in the main character (external and internal conflicts). The data of this study were taken from a movie entitled Doctor Strange. The data were collected through documentation method. In analyzing the data, the study used qualitative method. The categorization and function were analyzed based on the theory proposed by Wellek and Warren (1955:227), supported by the theory of literature proposed by Kathleen Morner (1991:31). The conflict was analyzed based on the theory of literature proposed by Kenney (1966:5). The findings show that the categorization and function of the characters in the movie are as follows: Stephen Strange (dynamic protagonist character), Kaecilius (static antagonist character). Secondary characters are The Ancient One (static protagonist character), Mordo (static protagonist character) and Christine (dynamic protagonist character). The supporting character is Wong (static protagonist character). Then there are two types of conflicts found in this movie, internal and external conflicts. Keywords: Character, Conflict, Doctor Strange. Abstrak Judul penelitian ini adalah The Characters and Conflicts in Marvel Studios “Doctor Strange” Movie. -
Being Jesus Christ in a Strange Land” Sermon Preached by Jeff Huber June 13-14, 2020
Theme: Church Status – It’s Complicated “Being Jesus Christ in a Strange Land” Sermon preached by Jeff Huber June 13-14, 2020 Scripture: Genesis 12:1-3; Luke 4: 28-30; Matthew 5: 13-16 VIDEO Sermon Starter SLIDE Being Jesus Christ in a Strange Land Today we begin a new series of sermons on what it means to be the church in this time of upheaval. As we were thinking about this idea and how important it is for us to talk about our mission and vision during uncertain times, the image of church status came to us because many of us often post an emoji to describe our status but if we were to do that today for the church, it would be complicated. We are still the church even though our building is closed and we are called to still find a way to be the presence of Jesus Christ, but sometimes that is disappointing and discouraging and sometimes there are new things we have discovered which bless us. We thought this graphic captures this idea which is why you sought in the opening video. GRAPHIC Its Complicated with Emojis I want to invite you, if you haven’t done so, to get out a pen or pencil and something to write on because I hope there will be some things you here today that you want to take with you. We also hope you will download our Meditation Moments when you get a chance which you can find on our website when you go to the sermons tab and click on this week’s sermon. -
Presentism/Eternalism and Endurantism/Perdurantism: Why the Unsubstantiality of the First Debate Implies That of the Second1
1 Presentism/Eternalism and Endurantism/Perdurantism: why the 1 unsubstantiality of the first debate implies that of the second Forthcoming in Philosophia Naturalis Mauro Dorato (Ph.D) Department of Philosophy University of Rome Three [email protected] tel. +393396070133 http://host.uniroma3.it/dipartimenti/filosofia/personale/doratoweb.htm Abstract The main claim that I want to defend in this paper is that the there are logical equivalences between eternalism and perdurantism on the one hand and presentism and endurantism on the other. By “logical equivalence” I mean that one position is entailed and entails the other. As a consequence of this equivalence, it becomes important to inquire into the question whether the dispute between endurantists and perdurantists is authentic, given that Savitt (2006) Dolev (2006) and Dorato (2006) have cast doubts on the fact that the debate between presentism and eternalism is about “what there is”. In this respect, I will conclude that also the debate about persistence in time has no ontological consequences, in the sense that there is no real ontological disagreement between the two allegedly opposite positions: as in the case of the presentism/eternalism debate, one can be both a perdurantist and an endurantist, depending on which linguistic framework is preferred. The main claim that I want to defend in this paper is that the there are logical equivalences between eternalism and perdurantism on the one hand and presentism and endurantism on the other. By “logical equivalence” I mean that one position is entailed and entails the other. As a consequence of this equivalence, it becomes important to inquire into the question whether the dispute between endurantists and perdurantists is authentic, given that Savitt (2006) Dolev (2006) and Dorato (2006) have cast doubts on the fact that the debate between presentism and eternalism is about “what there is”. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
RELATIVE REALITY a Thesis
RELATIVE REALITY _______________ A thesis presented to the faculty of the College of Arts & Sciences of Ohio University _______________ In partial fulfillment of the requirements for the degree Master of Science ________________ Gary W. Steinberg June 2002 © 2002 Gary W. Steinberg All Rights Reserved This thesis entitled RELATIVE REALITY BY GARY W. STEINBERG has been approved for the Department of Physics and Astronomy and the College of Arts & Sciences by David Onley Emeritus Professor of Physics and Astronomy Leslie Flemming Dean, College of Arts & Sciences STEINBERG, GARY W. M.S. June 2002. Physics Relative Reality (41pp.) Director of Thesis: David Onley The consequences of Einstein’s Special Theory of Relativity are explored in an imaginary world where the speed of light is only 10 m/s. Emphasis is placed on phenomena experienced by a solitary observer: the aberration of light, the Doppler effect, the alteration of the perceived power of incoming light, and the perception of time. Modified ray-tracing software and other visualization tools are employed to create a video that brings this imaginary world to life. The process of creating the video is detailed, including an annotated copy of the final script. Some of the less explored aspects of relativistic travel—discovered in the process of generating the video—are discussed, such as the perception of going backwards when actually accelerating from rest along the forward direction. Approved: David Onley Emeritus Professor of Physics & Astronomy 5 Table of Contents ABSTRACT........................................................................................................4 -
Accused Killer's Trial Underway in Freelove Case Jury Selection Process Could Last Six Weeks, Prosecutors Say
BASEBALL TAKES TWO OF THREE FROM TECH - PAGE 7 TCU DAILY SKIFF TUESDAY, APRIL 4,1995 TEXAS CHRISTIAN UNIVERSITY, FORT WORTH, TEXAS 92NDYEAR,N0.95 Accused killer's trial underway in Freelove case Jury selection process could last six weeks, prosecutors say BY R. BRIAN SASSER Jackson said. "Everyone wants to TCU DAILY SKIFF keep prejudice ones that are in their favor." Jury selection began Monday in A forensic psychologist makes the capital murder trial of the man correlational studies about the back- accused of the November 1993 ground of potential jurors ami how killing of a TCU freshman and her those fac- friend. tors would Police and prosecutors say Darron affect the Deshone "Taz" Curl shot and killed prosecution 4^R «=-^ TCU freshman Channing Freelove or defense. and her friend Melanie Golchert for Jackson drugs on Nov. 13. 1993. said. The Freelove had gradualed from analyst also Paschal High School earlier that year can study KV-...'JC5!J and was a resident of Sherley Hall at and inter- the time of the killings. Golchen was pret the sub- not a TCU student, but had attended jects' body Channing Paschal. language Freelov e Curl, 23. has pleaded innocent of and facial the capital murder charges. Prosecu- expressions, tors Alan Levy and Terri Moore he said. TCU Dally Skiff/ Blake Sims could seek the death penalty in the Spokespersons m the district attor- Charlsie Mays, a senior case. ney's office could not say whether advertising/public rela- A spokeswoman in the Tarrant the prosecutors were using an ana- tions major, was inter- County District Attorney's office lyst. -
The Strange Witness of the Saints: Hans Urs Von Balthasar's
THE STRANGE WITNESS OF THE SAINTS: HANS URS VON BALTHASAR’S EMBODIED THEOLOGY OF MISSION Thesis Submitted to The College of Arts and Sciences of the UNIVERSITY OF DAYTON In Partial Fulfillment of the Requirements for The Degree of Master of Arts in Theological Studies By Carmel Klein UNIVERSITY OF DAYTON Dayton, Ohio December 2017 THE STRANGE WITNESS OF THE SAINTS: HANS URS VON BALTHASAR’S EMBODIED THEOLOGY OF MISSION Name: Klein, Carmel F. APPROVED BY: _____________________________________________ William L. Portier, Ph.D. Thesis Advisor _____________________________________________ William Johnston, Ph.D. Reader _____________________________________________ Sandra Yocum, Ph.D. Reader ii ABSTRACT THE STRANGE WITNESS OF THE SAINTS: HANS URS VON BALTHASAR’S EMBODIED THEOLOGY OF MISSION Name: Klein, Carmel F. University of Dayton Advisor: Dr. William L. Portier The thesis surveys Hans Urs von Balthasar’s theology of mission as presented within the context of the first two parts of his trilogy: The Glory of the Lord: A Theological Aesthetics; and the Theo-Drama. Primary characteristics of his theology of mission are highlighted regarding his assessment of the state of the discipline of theology and its ability to apologize for the faith and to dialogue with contemporary culture. Balthasar envisions the transcendentals of beauty, goodness, and truth, as vital for reimagining the faith and the aggiornamento proposed by Vatican II. Balthasar identifies beauty as the transcendental that has been marginalized by an acquiescent academy deferential to modern pragmatism. For Christianity, the form of beauty that reconciles existential tensions is Jesus Christ. The crucified Christ is the concrete, awe-inspiring, counter-intuitive beauty that demands a response. -
Taking Tense Seriously’ Dean W
W. Zimmerman dialectica Vol. 59, N° 4 (2005), pp. 401–457 The A-Theory of Time, The B-Theory of Time, and ‘Taking Tense Seriously’ Dean W. Zimmerman† ABSTRACT The paper has two parts: First, I describe a relatively popular thesis in the philosophy of propositional attitudes, worthy of the name ‘taking tense seriously’; and I distinguish it from a family of views in the metaphysics of time, namely, the A-theories (or what are sometimes called ‘tensed theories of time’). Once the distinction is in focus, a skeptical worry arises. Some A- theorists maintain that the difference between past, present, and future, is to be drawn in terms of what exists: growing-block theorists eschew ontological commitment to future entities; pre- sentists, to future and past entities. Others think of themselves as A-theorists but exclude no past or future things from their ontology. The metaphysical skeptic suspects that their attempt to articulate an ‘eternalist’ version of the A-theory collapses into merely ‘taking tense seriously’ – a thesis that does not imply the A-theory. The second half of the paper is the search for a stable eternalist A-theory. It includes discussion of temporary intrinsics, temporal parts, and truth. 1. Introduction Sadly, the great metaphysician J. McT. E. McTaggart is now remembered mainly for what must be his worst argument: the infamous argument for ‘the unreality of time’. But even this ‘philosophical “howler” ’ (as C. D. Broad rightly called it1) includes enough insightful analysis to have made it a natural starting point for most subsequent work on the metaphysics of time. -
Endurantism Or Perdurantism?
The embodied self: Endurantism or perdurantism? Saskia Heijnen Contents Contents ...................................................................................................................................... 1 Abstract ...................................................................................................................................... 2 Introduction ................................................................................................................................ 2 1. Endurantism versus perdurantism in metaphysics .............................................................. 5 1.1 Particulars ......................................................................................................................... 5 1.2 Persisting particulars ......................................................................................................... 7 1.3 Temporal parts: a closer look ......................................................................................... 10 1.4 Wholly present: a closer look ......................................................................................... 14 1.5 Perdurantism and endurantism in action ........................................................................ 17 1.5.1 Fusion ....................................................................................................................... 17 1.5.2 Fission ...................................................................................................................... 19 2. Endurantism versus