Curriculum Vitae for Victor
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Zac Langdon-Pole
Zac Langdon-Pole Michael Lett 312 Karangahape Road Cnr K Rd & East St PO Box 68287 Newton Auckland 1145 New Zealand P+ 64 9 309 7848 [email protected] www.michaellett.com Zac Langdon-Pole Passport (Argonauta) (v) (front and side view) 2018 paper nautilus shell, Sericho meteorite (iron pallasite, landsite: Sericho, Kenya) 107 x 33 x 56mm ZL5210 Zac Langdon-Pole Residuals (c) 2018 Installation view, Between Bridges, Berlin February 2018 Zac Langdon-Pole Residuals (c) 2018 Installation view, Between Bridges, Berlin February 2018 Zac Langdon-Pole Ars Viva 2017/18 Installation view S.M.A.K., Ghent February 2018 Zac Langdon-Pole Ars Viva 2017/18 Installation view S.M.A.K., Ghent February 2018 Zac Langdon-Pole Ars Viva 2017/18 Installation view S.M.A.K., Ghent [offsite] February 2018 Zac Langdon-Pole Ars Viva 2017/18 Installation view S.M.A.K., Ghent February 2018 Zac Langdon-Pole Oratory Index Installation view Michael Lett, Auckland December 2016 Zac Langdon-Pole Oratory Index Installation view Michael Lett December 2016 Zac Langdon-Pole Installation view La Biennale de Montréal October 2016 Zac Langdon-Pole The Torture Garden 2016 framed digital print 620 x 490mm ZL4656 Zac Langdon-Pole 2017 Ars Viva 2018, Kunstverein München, Munich, Germany (group) Born 1988 Station, Melbourne, Australia (solo) Lives and works in Darmstadt and Berlin, Germany Vanished and Delft, Pah Homestead, Auckland, New Zealand (group) 2015 2016 Meisterschüler, Städelschule, Staatliche Hochschule für Bildende Künste. Prof. La Biennale de Montréal, Canada (group) -
1 En Petkovic
Scientific paper Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1967 to 20031 UDC 811.163.41’322 DOI 10.18485/infotheca.2019.19.1.1 Ljudmila Petkovi´c ABSTRACT: The paper analyses the pro- [email protected] cess of creation and processing of the Yu- University of Belgrade goslav rock song lyrics corpus from 1967 to Belgrade, Serbia 2003, from the theoretical and practical per- spective. The data have been obtained and XML-annotated using the Python program- ming language and the libraries lyricsmas- ter/yattag. The corpus has been preprocessed and basic statistical data have been gener- ated by the XSL transformation. The diacritic restoration has been carried out in the Slovo Majstor and LeXimir tools (the latter appli- cation has also been used for generating the frequency analysis). The extraction of socio- cultural topics has been performed using the Unitex software, whereas the prevailing top- ics have been visualised with the TreeCloud software. KEYWORDS: corpus linguistics, Yugoslav rock and roll, web scraping, natural language processing, text mining. PAPER SUBMITTED: 15 April 2019 PAPER ACCEPTED: 19 June 2019 1 This paper originates from the author’s Master’s thesis “Creation and Analysis of the Yugoslav Rock Song Lyrics Corpus from 1945 to 2003”, which was defended at the University of Belgrade on March 18, 2019. The thesis was conducted under the supervision of the Prof. Dr Ranka Stankovi´c,who contributed to the topic’s formulation, with the remark that the year of 1945 was replaced by the year of 1967 in this paper. -
Tomma Abts Francis Alÿs Mamma Andersson Karla Black Michaël
Tomma Abts 2015 Books Zwirner David Francis Alÿs Mamma Andersson Karla Black Michaël Borremans Carol Bove R. Crumb Raoul De Keyser Philip-Lorca diCorcia Stan Douglas Marlene Dumas Marcel Dzama Dan Flavin Suzan Frecon Isa Genzken Donald Judd On Kawara Toba Khedoori Jeff Koons Yayoi Kusama Kerry James Marshall Gordon Matta-Clark John McCracken Oscar Murillo Alice Neel Jockum Nordström Chris Ofili Palermo Raymond Pettibon Neo Rauch Ad Reinhardt Jason Rhoades Michael Riedel Bridget Riley Thomas Ruff Fred Sandback Jan Schoonhoven Richard Serra Yutaka Sone Al Taylor Diana Thater Wolfgang Tillmans Luc Tuymans James Welling Doug Wheeler Christopher Williams Jordan Wolfson Lisa Yuskavage David Zwirner Books Recent and Forthcoming Publications No Problem: Cologne/New York – Bridget Riley: The Stripe Paintings – Yayoi Kusama: I Who Have Arrived In Heaven Jeff Koons: Gazing Ball Ad Reinhardt Ad Reinhardt: How To Look: Art Comics Richard Serra: Early Work Richard Serra: Vertical and Horizontal Reversals Jason Rhoades: PeaRoeFoam John McCracken: Works from – Donald Judd Dan Flavin: Series and Progressions Fred Sandback: Decades On Kawara: Date Paintings in New York and Other Cities Alice Neel: Drawings and Watercolors – Who is sleeping on my pillow: Mamma Andersson and Jockum Nordström Kerry James Marshall: Look See Neo Rauch: At the Well Raymond Pettibon: Surfers – Raymond Pettibon: Here’s Your Irony Back, Political Works – Raymond Pettibon: To Wit Jordan Wolfson: California Jordan Wolfson: Ecce Homo / le Poseur Marlene -
Domaće Popularne, Zabavne, Strane I Rok Pesme
DOMAĆE POPULARNE, ZABAVNE, STRANE I ROK PESME: o Aerodrom – Obična ljubavna pesma o Ambasadori – Dođi u 5 do 5 o Apsolutno Romantično – Đoletova pesma o Atomsko Sklonište – Olujni Mornar o Atomsko Sklonište – Pakleni vozači o Atomsko Sklonište – Za ljubav treba imat dušu o Azra – Balkan o Azra – Usne vrele višnje o Azra – Voljela me nijedna o Babe – Ko me ter’o o Babe – Noć bez sna o Baby Doll – Brazil o Bajaga – 220 u voltima o Bajaga – Godine prolaze o Bajaga – Moji su drugovi o Bajaga – Na vrhovima prstiju o Bajaga – Ti se ljubiš tako dobro o Bajaga – Tišina o Bajaga – Vratiće se rode o Bijelo Dugme – A i ti me iznevjeri o Bijelo Dugme – Ako ima Boga o Bijelo Dugme – Đurđevdan o Bijelo Dugme – Esma o Bijelo Dugme – Lažeš o Bijelo Dugme – Lipe cvatu o Bijelo Dugme – Na zadnjem sedištu moga auta o Bijelo Dugme – Napile se ulice o Bijelo Dugme – Padaju zvijezde o Bijelo Dugme – Pljuni i zapjevaj o Bijelo Dugme – Ružica si bila o Bijelo Dugme – Tako ti je mala moja kad ljubi o Boris Režak – Anđeo o Colonia – Ti da bu di bu da o Crvena Jabuka – Bacila je sve niz rijeku o Crvena Jabuka – Da nije ljubavi o Crvena Jabuka – Dirlija o Crvena Jabuka – Moje najmilije o Crvena Jabuka – Nekako s prolijeća o Crvena Jabuka – Stižu me sjećanja o Crvena Jabuka – Tamo gdje ljubav počinje o Crvena Jabuka – To mi radi o Crvena Jabuka – Tuga, ti i ja o Crvena Jabuka – Volio bi da si tu o Crvena Jabuka – Zovu nas ulice o Čutura – Voli me o Darko Domijan – Ulica jorgovana o Dado Topić I Slađana Milošević – Princeza o Dejan Cukić – Milica o Dejan Cukić – Nebo -
Nohra Haime Gallery
NOHRA HAIME GALLERY ANDREA CHIESI Born in Modena, Italy, 1966 Lives and works in Tre Olmi, Modena, Italy AWARDS 2013 Gotham Prize, Italian Cultural Institute, New York 2012 Gotham Prize, Italian Cultural Institute, New York 2008 First Terna Prize 2004 V Cairo Communication Prize 1998 XXXVIII Suzzara Prize ONE PERSON EXHIBITIONS 2017 “Tutto,” Otto Gallery, Bologna, Italy 2016 “C'era già tutto,” Hiro Proshu gallery, Modena, Italy “Karman,” Guidi&Schoen Gallery, Genoa, Italy “Orizzonte Variabile,” Bologna 2015 “The City of God,” Being3 Gallery, Beijing, China 2014 “19 Andrea Chiesi Paintings, 19 Giorgio Cassali Poems,” Italian Cultural Institute, New York 2012 "Scomparse," Paggerie di Palazzo Ducale, Sassuolo, Italy Winner of Gotham Prize, Italian Cultural Institute, New York 2011 "Perpetuum Mobile," X-Lab Corrosive Art Farm, Berlin, Germany "Io Rifletto," Guidi & Schoen Arte Contemporanea, Genoa "Coney Island," Artesucarte Gallery, Modena 2009 “Beyond Time,” Nohra Haime Gallery, New York “Comunita di memoria,” D406 Arte Contemporanea, Modena “Elogio dell’ombra,” Otto Gallery, Bologna 2008 “Kryptoi,” Corsoveneziaotto Arte Contemponea, Milan, Italy 2007 “Kali Yuga,” Guidi & Schoen Arte Contemporanea, Genoa 2006 “La Divisione del Piacere,” Allegretti Arte Contemporanea, Torino, Italy 2005 “Nero,” Corsoveneziaotto Arte Contempornea, Milan 2004 “Thule/Altrove,” Fondazione La Fabbrica, Locarno, Switzerland “La Casa,” Otto Gallery, Bologna “Thule,” Lipanjepuntin Artecontemporanea, Trieste, Italy 2002 “S.P.K.,” Galleria Luciano Inga-Pin, Milan “Generazioni 2,” Galleria Civica, Museum of Modern Art, Modena 2001 “Moloch,” Lipanjepuntin Artecontemporanea, Trieste “8 Artisti, 8 Critici, 8 Stanze,” Villa delle Rose, GAM, Galleria d’Arte Moderna, Bologna 2000 “G.R.U.,” Maurizio Corraini Gallery, Mantua, Italy 1999 “Clandestina,” Sala delle Colonne, Nonantola, Modena “Viscera,” Galleria Marazzani Visconti Terzy, Piacenzia, Italy “Spazio Aperto,” GAM, Galleria d’Arte Moderna, Bologna 1998 “L’Apocalisse di Giovanni,” Chiostro di S. -
Salvo (Salvatore Mangione)
SALVO (SALVATORE MANGIONE) Solo Exhibition Catalogues 2019 Salvo – Il colore ovunque, Imago Art Gallery, Lugano, Switzerland F. Castro Borrego, A. Sánchez Robayna, Salvo, en las Islas Canarias, Fundación Cristino de Vera, San Cristóbal de la Laguna, Tenerife, Spain 2017 L. Beatrice, La strada di casa, Galleria In Arco, Turin, Italy Della Casa, Bettina et al. Salvo – Boetti. Vivere, Lavorando, Giocando, Masi – Museo d’Arte della Svizzera Italiana, Lugano, Switerzland, Edizioni Casagrande M. Galbiati, Salvo – Un’arte senza compromessi, Galleria Dep Art, Milan C. Caratsch, Salvo – In Engadina, Galerie Andrea Caratsch, St. Moritz, Switerzland 2016 Salvo, Salvo, Edizioni Nero, Rome, Italy, curated by A. Cucchi Salvo –Io sono il migliore, Ierimonti Gallery, New York, USA A. Bruciati, The Baron in the trees: works by Salvo, Jerome Zodo Gallery, London, UK G. Biasutti, Opere di Salvo, Biasutti & Biasutti, Turin, Italy 2015 Galleria Mazzoli, Modena 2014 Galerie Mehdi Chouakri, Berlin 2012 Marco Canepa Gallery, Courmayeur 2010 Récits, Dep Art, Milan Universo a colori, Studio d’Arte Raffaelli (Palazzo Wolkenstein), Trento Salvo – Preparativi per la sera, Galleria Zonca & Zonca, Milan 2009 Salvo imprevisti, Galleria Atlantica, Altavilla 2008 Estasi Ordinaria, Galleria Zonca & Zonca, Milan Visioni di paesaggio, Galleria De Nisi, Caserta Salvo. La pratica del Paesaggio, Galleria Civica G. Segantini – Palazzo dei Panni, Arco di Trento Salvo – Tino Stefanoni. Partita doppia, Galleria Civica d’Arte Moderna, Valdagno, edited by A. Fiz 2007 Galleria d’Arte Moderna e Contemporanea, Turin Vedere un quadro come un quadro, Galleria d’Arte L’Incontro, Chiari, Opere 1986-2007, Galleria Dep Art, Milan, Questo treno ferma a Tucumcari, Museo Civico Torre Viscontea, Lecco 2006 Salvo – Pelmo, il trono di Dio, Studio d’Arte Raffaelli, Trento Opere Recenti, Biale Cerruti Art Gallery, Genova Viaggio in Islanda. -
Sean Landers Cv 2021 0223
SEAN LANDERS Born 1962, Palmer, MA Lives and works in New York, NY EDUCATION 1986 MFA, Yale University School of Art, New Haven, CT 1984 BFA, Philadelphia College of Art, Philadelphia, PA SOLO EXHIBITIONS 2020 Petzel Gallery, New York, NY, 2020 Vision, April 26–ongoing (online presentation) Greengrassi, London, UK, Northeaster, June 16–July 31 Consortium Museum, Dijon, France, March 13– October 18, curated by Eric Troncy 2019 Ben Brown Fine Arts, Hong Kong, China, November 12–January 9, 2020 Galerie Rodolphe Janssen, Brussels, Belgium, November 9–December 20 (catalogue) Petzel Bookstore, New York, NY, Curated by . Featuring Sean Landers, November 7– December 14 Freehouse, London, UK, Sean Landers: Studio Films 90/95, curated by Daren Flook, January 13–February 24 2018 Petzel Gallery, New York, NY, March 1–April 21 (catalogue) 2016 Capitain Petzel, Berlin, Germany, Sean Landers: Small Brass Raffle Drum, September 16– October 29 2015 Taka Ishii Gallery, Tokyo, Japan, December 5–January 16, 2016 Galerie Rodolphe Janssen, Brussels, Belgium, October 29–December 19 (catalogue) China Art Objects, Los Angeles, CA, February 21–April 11 2014 Petzel Gallery, New York, NY, Sean Landers: North American Mammals, November 13– December 20 (catalogue) 2012 Galerie Rodolphe Janssen, Brussels, Belgium, November 8–December 21(catalogue) Sorry We’re Closed, Brussels, Belgium, Longmore, November 8–December 21 greengrassi, London, UK, April 26–June 16 1 2011 Friedrich Petzel Gallery, New York, NY, Sean Landers: Around the World Alone, May 6–June 25 Marianne Boesky Gallery, New York, NY, Sean Landers: A Midnight Modern Conversation, April 21–June 18 (catalogue) 2010 Contemporary Art Museum St. -
New Europe College Ştefan Odobleja Program Yearbook 2012-2013
New Europe College Ştefan Odobleja Program Yearbook 2012-2013 CONSTANTIN ARDELEANU CRISTIAN CERCEL ALEX CISTELECAN COSTIN MOISIL RALUCA MUŞAT MARIUS STAN IOAN ALEXANDRU TOFAN RĂZVAN VONCU Editor: Irina Vainovski-Mihai Copyright – New Europe College ISSN 1584-0298 New Europe College Str. Plantelor 21 023971 Bucharest Romania www.nec.ro; e-mail: [email protected] Tel. (+4) 021.307.99.10, Fax (+4) 021. 327.07.74 RĂZVAN VONCU Born in 1969 Ph.D., University of Bucharest, 2006 Thesis: Confessive Narrative in Romanian Medieval Literature Senior Lecturer, University of Bucharest, Faculty of Letters, Department of Literary Studies Scholarship of Open Society Foundation – Bulgarian and Balkanology Studies, Bansko – Blagoevgrad, Bulgaria (1993) Scholarship at “St. Kliment Ohridski” University of Sofia – Studies of Bulgarian Language and Literature (1990) Papers delivered at conferences in Romania, Serbia, Republic of Moldova Numerous articles published on Literary Studies, Balkan Studies, Cultural Studies Published three translated books (from Italian and Serbian) Author of 16 books among which: Secvenţe literare contemporane (Contemporary Literary Fragments), I, Viitorul Românesc, Bucharest, 2001 Secvenţe literare contemporane (Contemporary Literary Fragments), II, Viitorul Românesc, Bucharest, 2002 Orizonturi medievale (Medieval Horizons), Artemis, Bucharest, 2003 Despre Preda şi alte eseuri neconvenţionale (On Preda and Other Unconventional Essays), Semne, Bucharest, 2003 Eseuri critice (Critical Essays), Ed. Muzeului Naţional al Literaturii Române, -
Bibliography
bibliography SELECTED WRITINGS BY THE ARTIST “Three Lectures at the Menil Collection.” Santa Monica, CA: Charles Ray Studio, 2018. “The man from Saint-Denis.” César, La Rétrospective. Centre Pompidou, 2017. “A Questionnaire on Materialisms, Charles Ray.” October, Winter 2016. “Making And Looking.” Wall Street Journal, February 6 – 7, 2016 “Hudson, 1950-2014.” Artforum, September 2014. “There Is No Color in the Great Outdoors.” Raw Color: The Circles of David Smith. Sterling and Francine Clark Art Institute, 2014. “Anthony Caro 1924-2013.” Artforum, February 2014. Young man by Charles Ray. New York: Olympic Productions/Matthew Marks Gallery, 2014. “Mr. Kawamoto and His Haunted Neighborhood.” Anew, Fall–Winter 2013. “Chris Burden: Extreme Measures.” Artforum, September 2013. “The Artist’s Artists: Best of 2010.” Artforum, December 2010. Charles Ray. New York: Matthew Marks Gallery, 2009. Log. Los Angeles: Self-published, 2009. “Log.” Domus, November 2007. “1000 Words: Charles Ray Talks about Hinoki.” Artforum, September 2007. A four dimensional being writes poetry on a field of sculpture. Matthew Marks Gallery; Steidl, 2006. “My Warhol: A Project for Artforum.” Artforum, October 2004. “If You Ask Me.” New York Times, December 29, 2002. “Thinking of Sculpture as Shaped by Space.” New York Times, October 7, 2001. “Before and After.” Frieze, 2001. “Picture.” Frieze, January/February, 2000. “Passages Stuart Regen.” Artforum, January 1999. “The Most Beautiful Woman in the World.” Parkett, Fall 1993. “Four Artists Curated by Charles Ray.” FOREHEAD 2, 1990. Spazio Umano/Human Space, April, Vol 4. 1989. ill. Spazio Umano/Human Space, January, Vol 1.1988. ill. “A Portfolio.” FOREHEAD 1, 1987. “New Work.” New Orleans Review, Summer 1980. -
Modernidad Y Vanguardia: Rutas De Intercambio Entre España Y Latinoamérica (1920-1970)
Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970) Modernidad y vanguardia: rutas de intercambio entre España y Latinoamérica (1920-1970) Edición coordinada por PAULA BARREIRO LÓPEZ y FABIOLA MARTÍNEZ RODRÍGUEZ Prólogo Un fenómeno imprevisto de nuestra era global, cuando parecía que se había clau- surado la capacidad del mito moderno para detonar y articular discursos sobre el tiempo, es la urgencia sentida desde posiciones múltiples y diversas de narrar de nuevo; de narrar situadamente la modernidad propia dentro de un nuevo mapa de relaciones. Si algo tenían en común las historiografías de la vanguardia en los países de Amé- rica Latina y España era que pendulaban entre la lógica centrípeta de la construcción nacional y la centrífuga de la dependencia respecto los focos internacionales, dentro de una estructura netamente colonial. Las pulsiones narrativas que pretendía convocar el congreso Encuentros transatlánticos: discursos vanguardistas en España y Latinoamé- rica —y que recoge el presente volumen— van a contrapelo de ambas lógicas. Mediante una pluralidad de casos de estudio, desvelan la inadecuación tanto del marco nacional, como de la polaridad centro-periferia a la hora de dar cuenta de la riqueza y la comple- jidad de los proyectos y procesos de vanguardia en nuestros contextos. El fin de esta convocatoria no era simplemente proponer un nuevo paradigma “distribuido” que sustituyera los modelos “radiales” de la modernidad; uno que fuera más acorde con los nuevos equilibrios de poder y los múltiples focos de la globalización. Tampoco se intentaba reivindicar por enésima vez un escenario iberoamericano cuyas gastadas retóricas, propias de los periodos más oscuros de nuestro pasado reciente, no hacían sino confirmar nuestra situación como provincia de la modernidad. -
Guillaume Bijl
GUILLAUME BIJL Born in Antwerp, Belgium in 1946. Lives and works in Antwerp, Belgium. SOLO SHOWS (a selection) : 2019 Collection presentation: 40 years installations (celebration) 1979 – 2019, M HKA, Antwerp, Belgium Guillaume Bijl presents Fraikin, art Center Hugo Voeten, Herentals, Belgium Zwin Natuur Park, Knokke-Heist, Belgium Compositions & Sorry’s, J. Allen Gallery, Paris, France Dogsalon ‘Daisy’, Pinkie Bowtie, Antwerp, Belgium Bruegelfeest in de Ponderosa, Dilbeek, Belgium 2018 Art’s Birthday, M HKA, Antwerp, Belgium Adriaen Brouwer Installation, Ronde van Vlaanderen Museum, Oudenaarde, Belgium Felicien Rops Installation, Musée Félicien Rops, Namur, Belgium 2017 Walk of Fame, Middelburg, The Netherlands Matrass Discount, ADNplatform, Barcelona, Spain PXL Mad Campus, Hasselt, Belgium The Politician = a Transformation - Installation, Mengi, Iceland 2016 Cultuurcentrum Mechelen, Mechelen, Belgium Dog Salon Bobby, Grieder Contemporary, MANIFESTA 11, Zürich, Switzerland Galerie Nagel Draxler, Berlin, Germany Galleri Nicolai Wallner, Copenhagen, Denmark Sculptures, Compositions & Sorries, KETELEER Gallery, Antwerp, Belgium Sorry, Le Carré – Scène nationale et Centre d’Art contemporain du pays de Château-Gontier, Château-Gontier, France 2014 Compositions, Lumen Trevor Gallery, Amsterdam, The Netherlands 2013 Chateau des Adhemar - centre d’art contemporain, Montelimar, France 2012 Compositions Trouvées, Galerie Christian Nagel, Berlin, Germany Extra Hair Shop, etablissement d’en face projects, Brussels, Belgium Galerie Hubert Winter, -
Constructing a Czech National Art in the Prague Biennale Carrie Dedon Pomona College
Claremont Colleges Scholarship @ Claremont Pomona Senior Theses Pomona Student Scholarship 2010 Visualizing the Nation: Constructing a Czech National Art in the Prague Biennale Carrie Dedon Pomona College Recommended Citation Dedon, Carrie, "Visualizing the Nation: Constructing a Czech National Art in the Prague Biennale" (2010). Pomona Senior Theses. Paper 39. http://scholarship.claremont.edu/pomona_theses/39 This Open Access Senior Thesis is brought to you for free and open access by the Pomona Student Scholarship at Scholarship @ Claremont. It has been accepted for inclusion in Pomona Senior Theses by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. VISUALIZING THE NATION: CONSTRUCTING A CZECH NATIONAL ART IN THE PRAGUE BIENNALE By Carrie Dedon Submitted to Pomona College in Partial Fulfillment of the Requirement for the Degree of Bachelor of Arts Thesis Readers: Frances Pohl Mary McNaughton April 23, 2010 Carrie Dedon Acknowledgements Many thanks to Frances Pohl and Mary McNaughton for their suggestions and advice in writing this thesis; to the Pomona College Art History faculty, particularly my advisor George Gorse, for their support and encouragement; to the Faculty Research Committee for the Summer Undergraduate Research Project Grant and the Art & Art History Department for the Flintridge Foundation/Louisa Moseley Fine Arts Special Project Grant, both of which funded my research in Prague; to Josef Bolf, Lucie Drdova, Edith Jeřábková, Miloš Šejn, Štĕpanká Šimlová, Pavel Šmíd, and Miloš Voytĕchovsky for their insightful interviews; to Katka Francová and her family for their generous hospitality and Czech-English translations; and to my family and friends who were the patient sounding boards for every idea in the following pages.