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A TALE by ALINA UDREA
A TALE By ALINA UDREA Table of contents: Chapter 1: Going hunting Chapter 2: Royalty in love Chapter 3: Gelebron Chapter 4: Hunting for love Chapter 5: (In)Visible Chapter 6: A royal wedding Chapter 7: Rescuing Bratty Chapter 8: Imprisonment Chapter 9: All the king' s friends Chapter 10: Solitude Chapter 11: A kingdom without a queen Chapter 12: Carrow Chapter 13: On the road again Chapter 14: Gelebron' s Tower NOTE: This short fiction is my first try at writing and it is dedicated to my family, especially to my mother who has always believed in me and who is always by my side when I need her; also my husband and my 3 and a half year old daughter whom I adore. It is also dedicated to my friends from a video game called Celtic Heroes which we’ve been playing together for more than 2 years. They were my inspiration. Enjoy! Chapter 1 : Going hunting In the beautiful kingdom Donn there was peace and harmony for the last 500 years. All ended with the evil wizard Gelebron’ s obssession for Miiah, the king' s beautiful young wife. But let’ s see how it all happened...... Miiah is a ravishing dark haired healer . She is the mistress of the Enchanted Forest, a land feared by the evil doers and sought as refuge by honest people who suffer at the hands of the first category. Miiah' s best friend is Bratty, a beautiful but quick tempered mage. So whenever Miiah , or the Lady of the Forest, as she is known to most of the people, needs advice, she goes to Bratty. -
COVER Feature
COVER FE ATURE 90 PROVINCETOWN ARTS 2016 Over the Years, Listening and Talking, with Marie Howe By Richard McCann About the writing of the poem, she says: Don’t hold back. She says: Write into things. Shine a light into the underlit places. About the writing of the poem, she says: The hard part is getting past the blah blah blah. Past the I think I think I think. Once, one New Year’s Eve in Provincetown, Heidegger, she says. Vorhanden. Objectively pres- maybe in the late 1990s, a bunch of us were back- ent. Present-at-hand. ing back home down Commercial Street in the Over the years, we have made an unintended snow. Mark Doty. Tony Hoagland. Maybe Nick habit of talking about poetry by talking about Flynn. Marie. And me. The snow had started to that snow. fall while we were huddled in a restaurant, laugh- She says: The things of the world don’t need ing and talking. As soon as we stepped out, we our language. Not in order to become more than could feel the winds pick up. The snowstorm was what they already are. turning into a blizzard. I’ve never had a mentor, not as a writer, except We had to link our arms, just so we could make maybe for Tillie Olsen, who used to tell me stories it down the street. from her life. Walking back one night from a lec- Then Tony called out, I know how each of you ture about the stages of grieving, for instance, not would write about this snow. -
The Strawberry Statement: Notes of a College Revolutionary
Vietnam Generation Volume 3 Number 1 Swords into Ploughshares: A "Home Front" Article 6 Anthology 1-1990 The trS awberry Statement: Notes of a College Revolutionary James S. Kunen Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation Kunen, James S. (1990) "The trS awberry Statement: Notes of a College Revolutionary," Vietnam Generation: Vol. 3 : No. 1 , Article 6. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss1/6 This Article is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. ThE STAwbERRy S ta tem en t: No tes of a C o U eq e R evolutionary J a m es S. K unen InAprill968, riotseruptedonthecampusofColumbiaovertheUniversity’s building a new gymnasium at nearby Momingside Park. A group of protesters lead by Mark Rudd, head of the Columbia chapter of the Students fo r a Democratic Society (SDS), wanted to block the construction because it deprived the Harlem community of recreational space. The dissidents, including off-campus protesters and black leaders, also demanded that Columbia end its ties with the Institute of Defense Analysis (IDA) because of an alleged connection with the Vietnam war. James S. Kunen, a student and writer, chronicled these events in The Strawberry Statement. Columbia used to be called King’s College. They changed the name in 1784 because they wanted to be patriotic and Columbia means America. -
CAPERNAUM (CHAOS) Screenplay by Nadine Labaki Jihad Hojeily
CAPERNAUM (CHAOS) NadineScreenplay Labaki by Jihad Hojeily Michelle Keserwani 1. INT. DAY – UNSANITARY POLICE DETENTION CENTER 1. In a small unsanitary office, used as a police station, stands Zain, a skinny 12-year-old boy, slightly hunchbacked, wearing only his dirty underwear and looking lost. The boy stands there with his mouth wide open while a 40-year-old doctor examines his teeth like one examines a lab rat. DOCTOR (TALKING TO ZAIN) Tilt your head up. DOCTOR (TALKING TO ANOTHER MAN OFF CAMERA) He's lost his baby teeth. I'd say he's at least 12 years old, maybe 13. 2. INT. DAY- POLICE STATION 2. Several arrested migrant workers from Sri Lanka, Ethiopia, and Africa standing and looking defeated. OFFICER (TALKING TO THE WOMEN) Michelle, the Philippina? Michelle? What's your last name? Family name? MICHELLE Sedad. OFFICER Sedad. Do you have a passport? Residence permit? MICHELLE At my Madame's house. OFFICER Lama Bekoum. Who's Lama? Lama, are you pregnant? LAMA Yes. OFFICER How many months? LAMA Seven months. OFFICER Okay, CARITAS will see you now. Among the women, a young Ethiopian girl – Tigest (Rahil) – with short hair seems in shock more than others, but she tries to control herself. She has a dripping black mark on her cheek. OFFICER Who's Tigest Ailo? The Ethiopian, Tigest Ailo? OFFICER (TALKING TO TIGEST) Are you Tigest? TIGEST Yes. OPENING CREDITS 3. A. INT.DAY- PRISON FOR MINORS 3. Escorted and handcuffed by a guard, Zain is walking down the hallway. A chaotic atmosphere fills the hall. -
Sourdough's Place
26 MANUSCRIPTS SOURDOUGH'S PLACE MARTHA MOLDT I don't guess it's every kid that gets to spend a night at Old Dead Sourdough's place. I'm really pretty lucky, I guess. I mean, most kids' parents are very restrictive--real uptight about letting their experience if he's going to be a world famous writer someday. Some kids's parents are very restrictive-real uptight about letting their little darling go someplace where he might get a hair on his dear head bent out of round or something. Like Bert's mom, for instance. Bert Littlefield. He's my best friend. My mom laughs because Bert's so short and skinny-he'd be fatter I guess except that he runs around all the time like somebody wound up his mainspring too tight. He talks all the time, too. Some- times I just have to turn him off. You know-go read a book or something. It doesn't bother Bert, though. He keeps burbling on and on, just like somebody was listening all the time. I've got to admit, most of the time he has good ideas. I get a lot of my plots out of Bert. If you can stand the jabber long enough, you find out that Bert is really a very creative guy. But his mother ... she's about as sensitive as a dead rat! My mom laughs at us because Bert and I are such a crazy combination. I guess she has got a point-I'm tall and sort of fat (Mom says to say "stocky"), and I'd rather have my nose in a book than almost anything, but Bert and me--we do ok. -
The Meadow 2015 Literary and Art Journal
MEADOW the 2015 TRUCKEE MEADOWS COMMUNITY COLLEGE Reno, Nevada The Meadow is the annual literary arts journal published every spring by Truckee Meadows Community College in Reno, Nevada. Students interested in the creative writing and small press publishing are encour- aged to participate on the editorial board. Visit www.tmcc.edu/meadow for information and submission guidelines or contact the Editor-in-Chief at [email protected] or through the English department at (775) 673- 7092. The Meadow is not interested in acquiring rights to contributors’ works. All rights revert to the author or artist upon publication, and we expect The Meadow to be acknowledged as original publisher in any future chapbooks or books. The Meadow is indexed in The International Directory of Little Magazines and Small Presses. Our address is Editor-in-Chief, The Meadow, Truckee Meadows Commu- nity College, English Department, Vista B300, 7000 Dandini Blvd., Reno, Nevada 89512. The views expressed in The Meadow are solely reflective of the authors’ perspectives. TMCC takes no responsibility for the creative expression contained herein. The Meadow Poetry Award: Sara Seelmeyer The Meadow Fiction Award: Joan Presley The Meadow Nonfiction Award: Zachary Campbell Cover art: Laura DeAngelis www.lauralaniphoto.com Novella Contest Judge: Brandon Hobson www.tmcc.edu/meadow ISSN: 1947-7473 Editors Lindsay Wilson Eric Neuenfeldt Prose Editor Eric Neuenfeldt Poetry Editor Lindsay Wilson Editorial Board Todd Ballowe Erika Bein Harrison Billian Zachary Campbell Jeff Griffin Diane Hinkley Molly Lingenfelter Angela Lujan Kyle Mayorga Xan McEwen Vincent Moran Joan Presley Henry Sosnowski Caitlin Thomas Peter Zikos Proofreader Zachary Campbell Cover Art Laura DeAngelis Table of Contents Nonfiction Zachary Campbell A Drunk and a Shepherd 53 Fiction Toni Graham FUBAR 14 Dave Andersen Settlement 42 Joan Presley Circus 72 Orville Williams Too Beautiful for This Place 85 The 2015 Novella Prize Jerry D. -
The Retriever PAWGUST FEST! Labrador Education and Rescue Network’S Newsletter Volume 12, Number 1, April 2011
May 7th--“Spare the Lab” Bowling Fundraiser-p. 9 August 13th -- The Retriever PAWGUST FEST! Labrador Education and Rescue Network’s Newsletter Volume 12, Number 1, April 2011 L.E.A.R.N.’s mission is to assist in the rescue of unwanted Labrador Retrievers by placing them in homes through fostering, adoption and referral. In addition, we strive to provide public education regarding Labrador Retrievers and to promote responsible ownership and the humane treatment of all dogs . Need More Smiles? Adopt A(nother) Lab L.E.A.R.N. alums and fosters may be guilty of a few indiscretions now and then. After the cake (or Various Forms of Chicken the couch) disappears, or after the dead fish has been cleaned out of the ears, the wake always leaves a good story behind or at least a laugh or smile that puts the day in perspective. Of Snow Drifts Gunnar will stick his head in a four foot drift with his rear end in the air when hunting for a ball. On his first cross-country ski outing back in 2000, Wally stopped at the bottom of a slope, too narrow for a snow plow. This resulted in 2 seconds of panic which felt like 3 minutes. Wally stuck his head in the snow bank and quickly pushed his torso in; only a quivering tail and a few inches of hind quarters Hershey, secretly training for the pounce stuck out. Collision averted, the quivering stopped and Wally backed out. In his mouth hung a limp Hershey , a horribly neglected senior with numerous frog (or toad?) which he held by the head. -
The Art of Losing POEMS of GRIEF and HEALING
The Art of Losing POEMS OF GRIEF AND HEALING EDITED BY Kevin Young NEW YORK BERLIN LONDON CONTENTS Introduction XV I. Reckoning Between grief and nothing, I will take grief. W. H. Auden Musee des Beaux Arts 3 Robert Pinsky Dying 4 Rita Dove The Wake 6 Emily Dickinson "After great pain, a formal feeling comes—" 7 "My life closed twice before its dose—" 8 Brenda Hillman Secret Knowledge 9 Much Hurrying 10 Sharon Olds The Race n Terrance Hayes The Whale 13 D. H. Lawrence Silence 15 Wilfred Owen Futility 16 Anne Sexton Lament 17 Stevie Smith Not Waving But Drowning 18 Dylan Thomas Do Not Go Gentle into That Good Night 19 Lucie Brock-Broido Pyrrhic Victory 20 Philip Larkin The Mower 21 Mary Jo Bang No More 22 Ruth Stone Loss 24 Brenda Shaughnessy Ever 25 Nick Flynn Sudden 26 Ted Hughes Do Not Pick Up the Telephone 27 Vll W. H. Auden Funeral Blues 29 Natasha Trethewey Graveyard Blues 30 Donald Hall Without 31 Jean Valentine For a Woman Dead at Thirty 33 Adrienne Rich Final Notations 34 Albert Goldbarth One Continuous Substance 35 Jane Cooper Iron 36 Kevin Young Bereavement 37 Li-Young Lee This Hour and What Is Dead 40 Gerard Manley Hopkins [Carrion Comfort] 42 Forrest Hamer from Choir Practice 43 John Berryman To Bhain Campbell 44 Epilogue 45 Derek Walcott Sea Canes 46 Elizabeth Alexander Autumn Passage 47 Jane Kenyon Let Evening Come 49 II. Regret I believe, but what is belief? Robert Frost Nothing Gold Can Stay 53 Joel Brouwer The Spots 54 Frank Bidart Like 56 Anne Stevenson Dreaming of the Dead 57 Stephen Dobyns Grief 59 Theodore Roethke Elegy for Jane 60 Donald Justice On the Death of Friends in Childhood 61 Simon Armitage The Shout 62 Michael S. -
CLAUDIA RANKINE Curriculum Vitae Home Address And
CLAUDIA RANKINE Curriculum vitae Home address and telephone: Office address and telephone: 55 West 25th Street, 35C Yale University New York, NY 10010 Dept. of African American Studies cell: 909. 971.7046 81 Wall Street voice: 909.625.3434 New Haven, CT 06511 fax: 909.625.3434 (must notify) voice: 203.432.1177 email: [email protected] fax: 203.432.2102 EDUCATION 1993 M.F.A. in Poetry, Columbia University 1986 B.A. in Literature, Williams College ACADEMIC EMPLOYMENT September 2016 - Iseman Professor of Poetry, Yale University. July 2015 - June 2016 Aerol Arnold Professor of English, USC Dornsife July 2006 - July 2016 Henry G. Lee Professor, English Department, Pomona College. August 2004 - June 2006 Associate Professor, Creative Writing, University of Houston. August 2003 - June 2004 Associate Professor, English Department, University of Georgia. July 1996 - June 2003 Assistant Professor, English Department, Barnard College. January 1994 - June 1996 Assistant Professor, Case Western Reserve University. Other teaching: December 2006 Guest Faculty, Queens College MFA Program for Writers. August 2002 - June 2003 Visiting Faculty, Iowa Writers’ Workshop, University of Iowa. July 1996 - June 1999 Guest Faculty, Warren Wilson College MFA Program for Writers. January 1994 - July 1994 Lecturer, Women in Literature, Cleveland State University. Primary teaching field: Creative writing; poetry. Recent undergraduate courses: Introduction to creative writing workshop; advanced poetry writing workshop; African-American novel; African-American poetry. -
Brooklyn Poets Anthology Interior
POETS ANTHOLOGY Edited by Jason Koo & Joe Pan BROOKLYN ARTS PRESS & BROOKLYN POETS | NEW YORK Brooklyn Poets Anthology © 2017 Brooklyn Arts Press & Brooklyn Poets Edited by Jason Koo & Joe Pan. Paperback ISBN-13: 978-1-936767-52-6 Ebook ISBN-13: 978-1-936767-53-3 Cover design by David Drummond. Interior design by Benjamin DuVall. All rights reserved. No part of this publication may be reproduced by any means existing or to be developed in the future without the written consent of the publishers. Published in the United States of America by: Brooklyn Arts Press 154 N 9th St #1 Brooklyn, NY 11249 BROOKLYNARTSPRESS.COM [email protected] Brooklyn Poets 135 Jackson St, #2A Brooklyn, NY 11211 BROOKLYNPOETS.ORG [email protected] Library of Congress Cataloging-in-Publication Data Names: Koo, Jason, editor. | Pan, Joe, editor. Title: Brooklyn poets anthology / edited by Jason Koo and Joe Pan. Description: First edition. | Brooklyn, NY : Brooklyn Arts Press, 2017. | Brooklyn, NY : Brooklyn Poets, 2017. |Includes bibliographical references and index. Identifiers: LCCN 2017001333 (print) | LCCN 2017008746 (ebook) | ISBN 9781936767526 (pbk. : alk. paper) | ISBN 9781936767533 (e-book) | ISBN 9781936767533 Subjects: LCSH: American poetry--New York (State)--Brooklyn. | American poetry--21st century. | American poetry--20th century. Classification: LCC PS549.B765 B74 2017 (print) | LCC PS549.B765 (ebook) | DDC 811/.6080974723--dc23 LC record available at https://lccn.loc.gov/2017001333 CONTENTS INTRODUCTIONS JASON KOO Tis Side of the Bridge xxiii JOE PAN Brooklyn as a Bottomless Cup xxix POEMS KIM ADDONIZIO 1 Invisible Signals Seasonal Affective Disorder Te Givens HALA ALYAN 4 Salat Asking for the Daughter LEMON ANDERSEN 6 Noose York AMBER ATIYA 11 New York State Office of Temporary and Disability Assistance JENNIFER BARTLETT 14 from Autobiography/Anti-Autobiography RACHEL J. -
Students of the Arts Respond to the Covid-19 Pandemic Student Exhibit 2021 Covid-19 Arts Teacher’S Resource Guide
___________________________________________________________________________________ INSIDE/OUTSIDE: STUDENTS OF THE ARTS RESPOND TO THE COVID-19 PANDEMIC STUDENT EXHIBIT 2021 COVID-19 ARTS TEACHER’S RESOURCE GUIDE Zoe Chang, Grade 11, “Xenophobia & Covid”, Brooklyn HS of the Arts • Art Teacher: Marne Meisel Since 2020 happened, a lot of Asians faced harassment because we were told that we were to blame for COVID-19 and it affected how we are treated. I drew the girl wearing a mask being that in most East Asian cultures people wear a mask before and when they get sick. The bird was used to represent the people who see our struggles and pain. The flower is an eschscholzia golden poppy that represents peace. I wanted the background to be stormy to show her state of mind. I made the composition diagonal and the bird flying upward to show that it's going to get better and that there are people who see our struggles without any ethnic bias. Compiled & written by Joan L Davidson, NYSUT ARTS COMMITTEE, President Emeritus, The New York City Art Teachers Association/UFT 1 COVID-19 ARTS Teacher’s Resource Guide: Inside/Outside: Students of the Arts Respond to the Covid – 19 Pandemic CDC Resources Summary & Websites……………...…………………….………….…………. pages 2-6 • Ways to recognize and address fear and behavior changes…………….…………………………………………………………… .2 • Covid-19 Challenges and ways to support students………………………………………………………………..…………………3 • Tips for Talking to Students, (note text in RED for Visual Arts Teachers) ........................................................................................3 • Covid-19 Challenges as the basis for powerful imagery (note text in RED)...................................................................................3-4 • Description of the social and emotional effects the pandemic has on students ages 6-12 and adolescents……………...………….. -
In This Extract from the Upcoming Book Just Got Lucky, a Wiltshire Lad Who Turned Pop Scribe and Dived Headlong Into Eighties Lo
GARY NUMAN Under the skin IN THIS EXTRACT FROM THE UPCOMING BOOK JUST GOT LUCKY, A WILTSHIRE LAD WHO TURNED POP SCRIBE AND DIVED HEADLONG INTO EIGHTIES LONDON CLUBLIFE REMEMBERS SOME REVEALING CLOSE ENCOUNTERS WITH THE CHARMING AND IRREPRESSIBLE BANANARAMA… PAUL SIMPER t is one of the lesser-known facts in the arena of Eighties pop music that Bananarama’s second album – the one with Robert De Niro’s Waiting and Cruel Summer – was at one stage going to be called Tea At Mrs Simper’s. The genesis for this unlikely title lay in a weekend jaunt in January 1984 undertaken by Sarah Dallin, Keren Woodward and their best pal, fanclub secretary Iand honorary fourth ‘Nana Miss Melody O’ Brien, to my mum and dad’s house in the tiny, pub-less village of East Grafton in Wiltshire. It was a curious weekend. Mrs S viewed Bananarama’s lack of skirts, lipstick or nail polish with suspicion, whilst the three girls didn’t hold much truck with all the talk of slaughtering cows and shooting pheasants. It was Keren who – perhaps with a premonition of her future life on a Cornish country estate with Wham’s Andrew Ridgley 20 years hence – appeared the most at home in the Simper country residence. A photo taken at teatime in the big sitting room shows her standing by the mantelpiece with an air of “Sure, this is my gaff, what of it?” while Sarah and Mel lark about with the family teapot. A Saturday night trip to the closest pub, The Royal Oak in Wootton Rivers, proved equally uncomfortable, with the locals proving about as welcoming as Brian Glover and Rik Mayall in An American Werewolf In London when their game of darts is interrupted.