17_435489_bindex.qxd:Layout 1 10/28/09 11:13 AM Page 247

Index

Abbott, Michael, 46, 175 Chartpak AD markers, 29, 76, 121, 122, Form-Z, 9, 101, 133, 161 acetate, 11 149, 184 Google SketchUp. See SketchUp adhesives, 103 Chenoweth, Richard, 101 Maxon Cinema 4d, 232 advance composite method, 186, 204 Clearprint 1000H, 216 Piranesi, 166, 172 aerial. See view color concept American Institute of Architects, 222 chart, 105, 107, 113, 117 drawing, 1, 32, 34 American Society of Architectural palette, 121 examples file, 43 Illustrators, 216, 222, 230 schemes, 106 cone of vision, 59 Applebaum, Marc, 80, 83, 84 strategies, 106 convergence, 50 asymmetry, 54 study, 43 converging lines, 49 axonometric drawing, 74 coloring sketch markers, 121 book, 11 copiers background, 51 mountains, 41, 115, 238 digital, 118 Bacon, Francis, 5 options, 114 sources, 131 balance, 50 original artwork, 109 copying from magazines, 63 . See Prismacolor prints, 109 correction fluid, 102 bird’s-eye view, 75 snow, 148 coverage, 50 black and white, 40 shadows, 100 cropping, 51 Boschen, Carsten, 210, 211 skies, 121, 128 Bristol board, 22 composite scanning, 193 Dawe, Pat, 26 Brown, Ray, 2, 91, 111, 167 composition, 49 design Brown, Terrance, 16 computer charette, 20 building section, 72 generated people, 134 communication, 5 modeling, 7, 133 concept sketches, 226 California Polytechnic State University, modifications, 172 dialog, 34 San Luis Obispo, 2 rendering, 164, 166 workshop, 1 cameras wireframe, 43, 57, 231 diazo print, 63, 78, 118 digital, 49, 132, 176 computer software digital lenses, 176 ACDsee, 132, COPYRIGHTED178 file, 171MATERIAL cartooning, 20, 24 Adobe Illustrator, 172 hybrid method, 186, 210 casual line technique, 81, 92 Adobe InDesign, 172 modifications, 172 center of interest, 50 Adobe Photoshop, 172, 204, 215 painting, 173, 174 character AutoCAD, 133, 160 photo printing, 9 computer model, 162 Autodesk 3ds Max, 133, 160 print, see OCE sketch, 13 Corel Painter, 9 thumbnails sheet, 174, 177, 178

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direct drawing method, 178 Edison, Thomas, 1 images from magazines, 136 direct observation drawing, 16 Einstein, Albert, 20 imagination drawing, 20 Doane, Larry, 9, 161 entourage file, 134, 136 imbibed erasers, 102 Doctor, Stanley, 10, 56, 238–241 erasers, 102 indirect drawing method, 178 Dokken, Jerry, 116 electric, 102 ink . See pen drawing Etch-A-Sketch, 159 intensity, 105 cars, 140, 141 extreme detail, 52, 93 internet, 3, 132 checklist, 40 isometric data, 11 Facebook, 6 drawing, 73 depth, 51, 54 felt-tip pen. See pen freehand, 73 detail, 22, 96, 98 Fitzgerald, F. Scott, X errors, 102 focal point, 37, 53 jpeg, 131, 203 fears, 1, 9 foreground, 51 Junget, Andre, 88, 93 files, 31, 43, 157 formal line technique, 93 framework, 13, 14 FormFonts, 134, 140 Klages, David, 14 freehand, 25 frame, 52 kneaded eraser, 102 from computer model, 162 Fromm, Kirk, 109, 112, 137, 185, 208, Knight, Bobby, 80 from photographs, 18, 28, 139, 152, 211, 214–217 178, 180 landscape architect, 5 furniture, 150 gathering data, 38 Lange, Dorothea, 176 glass, 25, 157 Gator board, 47 Lawson perspective chart, 57 hybrid, 8 Gnagy, Jon, viii layering, 55 identity, 11 golden means, 49 lcd projector, 176 materials, 154 golden section, 49 Leese, James, 166 media, 77 Google SketchUp. See SketchUp Leggitt, Hunter, 45, 66, 99, 210 mock-up, 32 Google Earth, 220, 237 Leggitt, John, 23 observation, 16 graphite and chalk dust, 103 Leonard, Jerry j, 8, 123, 226–229 people, 43, 132, 134 ground line, 59 Letraset Tria marker, 121 plein air, 13 ground plane, 59 linework variations, 92 presentation, 14, 45 Grubbs, Chris, 6, 84 safety, 103 Guan, Xiaoxi, 50 Mahoney, J. F., 47, 64, 90, 109, 134, 137, series, 37 218–221 size, 3, 5, 18, 24, 38 Harry, Seth, 27, 86, 93, 106, 110, 234– marker sources, 131, 188 237 bleeding, 117 spotlights, 34 hatching pattern, 22, 92–95 brands, 121 tools, 5 Heisenberg, Werner, 127 colored, 116, 119 tradigital, 7, 9, 185 Henthorn, Mark, 61, 193 and pencil combination, 121, 124 trees, 131 Hopper, Edward, 17 solvent-based or permanent, 103 uv damage, 102 horizon line, 49, 59 types, 116 vegetation, 142 hue, 105 water-based, 116 workshop, 1 humor, 25 mechanical drafting pen, 86 hybrid visualization, 8 Misenheimer, David, 52, 92, 154

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mistakes, 102, 129, 172 pencil posed, 131 Models Berol Draughting, 51 site plan, 146, 177, 191 3D computer, 7, 9, 159 color techniques, 113 standard print, 176 massing, 169 colored, 21, 110 Photoshop. See computer software photography of, 181 coloring options, 110 Photoshop filters, 196, 203, 204, 227 study, 180 Derwent Studio, 110 Picasso, Pablo, VIII Moon, John, 5, 66, 142, 157, 194 electric sharpener, 110 picture plane, 59 Morris, David, 200 graphite lead, 77 Piranesi. See computer software Mylar, 79 and marker combination, 82, 85 Pitman, Karin, 13 polymer lead, 80 Post, Victor, 95, 175 napkin sketches, 11 Prismacolor, 110 Powerpoint presentation, 28, 237 redline mockup, 14, 21, 33, 63, 152, Prismacolor pencil. See pencil O’Beirne, Michael P., 42, 96, 154, 230– 160, 186, 191 Prismacolor marker, 105, 121 233 Sanford Col-Erase, 191 proportion, 55 OCE, 108, 118 Mars Dynagraph, 80, 81 Okabe, Akiko, 187 types, 80 QuickTips, 19, 25, 31, 43, 71, 75, 85, 91, Oles, Paul Stevenson, 16, 44, 86, 100, people 115, 123, 129, 139, 149, 153, 157, 222–225 drawing sizes, 138 171, 183, 195, 203 overlay and trace, 188 image file, 139 SketchUp, 134 Randor Ruby script, 168 paper perspective red pencil mock-up. See pencil brownline diazo, 63 bridge level, 61 recycling drawings, 135, 175, 190 coated, 118 chart, see Lawson rendering, 4 copier, 118 eye-level, 15 Rhode Island School of Design, VII, 231, opaque, 77 freehand, 56 233 selecting, 118 from a computer model, 57 Roper, Peter, 27, 93, 106, 110 tracing, 78 from a photograph, 57 rotated plan. See axonometric xerox laser inkjet, 84 one-point, 60 rpc images, 131, 204, 207, 209 paraline drawing, 72 rotation, 70 rule of thirds, 49 partitive ink drawing, 87 technical terms, 59 Peale, Norman Vincent, 1 two-point, 64 Savannah College of Art and Design, 40, pen three-point, 66 78 and marker combination, 79, 88 viewing heights, 68, 69 scanner and pencil combination, 22, 87 Phelps, Edward John, 172 flat-bed, 175 Sign pen, 77 photograph sources, 131 Fineliner, 51, 90 35mm color print, 132 resolution, 203 Pilot Razor Point, 67 35mm color slide,132 scribble line technique, 18 Rapidograph, 88, 235 aerial, 75, 180, 182 shadows, 100 , 102 composite, 128 signage, 28, 43 Staedtler Lumocolor, 34, 40, 79, 87 digital, see Cameras simple composite method, 186, 187, 196 types, 86 panoramic, 183 sketch water-based on vellum, 90 polaroid, 132 direct observation, 13, 16

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sketch continued thumbnail vellum, 78 thematic, 30 drawing, 28 view travel, 16 sizes, 26, 81 options, 66–69 Sketchbook, 13, 16 sketch, 6, 14, 32, 34 selection, 38 SketchUp storyboard, 26 sketchup options, 170 cars, 140 tiff, 131 vignettes, 28 model, 7, 8, 57, 67, 70, 99, 109, 112, trace. See vellum visualist, 213 123, 142, 151, 156, 159, 162, 163, tracing visual ray, 59 165, 166–171, 186, 188, 192, 196, cars, 141 198, 200, 202, 204, 207, 209, 210, file for drawings, 139, 149 Wacom Cintiq, 173, 211 222, 226, 237 improvisation, 11 Wacom tablet, 173, 211, 214 people, 134 people, 136 watercolor presentation model, 161, 166 sources, 131, 136, 188 effect with markers, 105 software comparison, 133, 160 vegetation, 142 painting, 43, 46, 47, 96, 100, 101, 154, variations, 168 tracing paper. See vellum 230–233, 235 Skinfeld, Tom. 89 tradigital drawing, 7, 185 sketch, 13 solvents, 103 traditional drawing, 5, 185 Weizenbaum, Joseph, 160 spray fixative, 82, 85, 103 trees Winky Dink and You, VII station point, 59 coloring, 131, 144, 145, 149 wireframe, see computer stone walls, 154–157, 207 SketchUp, 149 Wuertz, Tom, 70 storyboarding, 20 transparent, 144 streetscape, 152 Twitter, 7 X-acto knife, 79 stylus pen, 173 x-line, 60 symmetry, 54 ultraviolet damage, 102 y-line, 60 Tal, Daniel, 70, 163 value, 105 Youtube, 7 tape, 31 value study, 43 technology, 7 vanishing point, 59 z-line, 60

250 INDEX