Anti-Semitic Language Found on Campus University Police Are Investigating the Graffiti As an Act of Vandalism
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Williams, Hipness, Hybridity, and Neo-Bohemian Hip-Hop
HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA A Dissertation Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy by Maxwell Lewis Williams August 2020 © 2020 Maxwell Lewis Williams HIPNESS, HYBRIDITY, AND “NEO-BOHEMIAN” HIP-HOP: RETHINKING EXISTENCE IN THE AFRICAN DIASPORA Maxwell Lewis Williams Cornell University 2020 This dissertation theorizes a contemporary hip-hop genre that I call “neo-bohemian,” typified by rapper Kendrick Lamar and his collective, Black Hippy. I argue that, by reclaiming the origins of hipness as a set of hybridizing Black cultural responses to the experience of modernity, neo- bohemian rappers imagine and live out liberating ways of being beyond the West’s objectification and dehumanization of Blackness. In turn, I situate neo-bohemian hip-hop within a history of Black musical expression in the United States, Senegal, Mali, and South Africa to locate an “aesthetics of existence” in the African diaspora. By centering this aesthetics as a unifying component of these musical practices, I challenge top-down models of essential diasporic interconnection. Instead, I present diaspora as emerging primarily through comparable responses to experiences of paradigmatic racial violence, through which to imagine radical alternatives to our anti-Black global society. Overall, by rethinking the heuristic value of hipness as a musical and lived Black aesthetic, the project develops an innovative method for connecting the aesthetic and the social in music studies and Black studies, while offering original historical and musicological insights into Black metaphysics and studies of the African diaspora. -
CRANDALL Independent School District 2021 – 2022 Student
CRANDALL Independent School District 2021 – 2022 Student Handbook CRANDALL ISD BOARD OF TRUSTEES President - Rick Harrell Vice President - Mike Wood Secretary - Jennifer Hiser Trustee - Amy Barber Trustee - open Trustee - Dr. Sharon Long Trustee - Stacie Warren Superintendent of Schools – Dr. Wendy Eldredge CRANDALL ISD BOARD MEETINGS School Board meetings are held the second Monday of the month in the L. R. Raynes Education Center, 400 W. Lewis Street. Postings of all Board meetings are agendas are located at the CISD Administration Building. CRANDALL ISD ADMINISTRATION Physical Address: Phone: 972-427-6000 Mailing Address: 400 West Lewis Street Fax: 972-427-6134 P.O. Box 128 Crandall, TX 75114 Crandall, TX 75114 DEPARTMENTS Administration 972-427-6000 Athletics 972-427-6150 ext. 5307 Business and Finance Office 972-427-6000 ext. 5810 Communications 972-427-6000 ext. 5819 Crandall ISD Police 972-427-6000 ext. 5819 Curriculum and Instruction 972-427-6000 ext. 5820 Food Service 972-427-6000 ext. 5849 Human Resources 972-427-6000 ext. 5830 Intervention Services 972-427-6000 ext. 5858 Public Relations 972-427-6000 ext. 5804 Special Education 972-427-6000 ext. 5850 Technology 972-427-6000 ext. 5876 Transportation 972-427- 6024 CAMPUS INFORMATION CRANDALL HIGH SCHOOL CRANDALL MIDDLE SCHOOL CRANDALL COMPASS ACADEMY School Hours: 7:30-2:55 School Hours: 7:30-2:55 School Hours: 7:30-2:55 13385 FM 3039 500 West Lewis Street 400 West Lewis Street Crandall, TX 75114 Crandall, TX 75114 Crandall, TX 75114 972-427-6150 972-427-6080 972-427-6100 Principal: Jared Miller Principal: Amy McAfee Principal: Jennifer Coward HOLIS T. -
Ta1300 Album Download TA13OO
ta1300 album download TA13OO. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $12.99. A former member of SpaceGhostPurrp's Raider Klan , Denzel Curry is one of the precursors of the new generation of electro coming out of Florida. Now joined by such wild men as Smokepurrp, Ski Mask Da Slump God or the late XXXTentacion, Denzel has created a complex mix, which has been much-covered by his peers. To sum it up, his music is a mixture of very technical rap in the tradition of Memphis and the Three 6 Mafia and a rather more elevated psychedelic tendency taken from Outkast and the Dungeon Family. A pure product of the SoundCloud generation, he made waves with Nostalgic 64 (2013) and then Imperial (2016). At the age of just 23, Denzel Curry shows a disarming maturity and an unflagging versatility on TA13oo , his most ambitious album to date. TA13OO. The South Florida rapper carves out his own lane within the genre known as SoundCloud rap, displaying considerable versatility as he channels the pain and confusion of youth. Featured Tracks: In the chaotic arena that is SoundCloud rap, Denzel Curry has etched out his own distinct realm. Presumably he doesn’t mind being tagged as a SoundCloud rapper, as murky and hard to define as that term is. It was just in May that Curry went to the mattresses to uphold his version of the genre’s history, using Twitter and interviews to torpedo Smokepurpp’s claim to have fathered the movement. -
Hip-Hop's Diversity and Misperceptions
The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner. -
Yg Till Sverige I December!
YG 2018-10-10 10:52 CEST YG TILL SVERIGE I DECEMBER! SUU WHOOP! YG kommer till Sverige! Högaktuell med albumet "Stay Dangerous" är Compton-rapparen hetare än någonsin. Han har arbetat med artister som A$AP Rocky, Nicki Minaj, Meek Mill, Mariah Carey, 50 Cent, Ty Dolla $ign och många fler – och det är helt klart en av rapvärldens mest eftertraktade rappare att arbeta med. Nu längtar vi till 4 december när vi får uppleva YG – live på Nobelberget i Stockholm! Biljetter släpps fredag 12 oktober kl. 10.00 via LiveNation.se Hade YG haft en fest så hade gästlistan varit en av de mest stjärnspäckade i rapvärlden. Han är lika omtyckt av fansen som andra rappare - och artister står i kö för att ha med YG på deras album, eller för att gästa YG. Det är Compton-rapparens unika sound, som flirtar med den smutsiga södern, som har gjort honom till en av de mest populära och mest streamade rapparna 2018. Genombrottet kom med debutsingeln "Toot It And Boot It" (med Ty Dolla $ign) från 2009 och sedan dess har formkurvan pekat spikrakt uppåt för YG. Hitsen har avlöst varandra och senaste albumet "Stay Dangerous" klev direkt in på plats 5 på Billboard 200. Låtar som "SUU WHOOP", ”Handgun” (med A$AP Rocky) eller senaste singeln "Big Bank" (med all-star gästerna 2 Chainz, Big Sean och Nicki Minaj) kan få ha missat vid det här laget! 4 december kommer YG till Nobelberget i Stockholm. SUU WHOOOOOOOP! Datum 4/12 - Nobelberget, Stockholm Biljetter Biljetter släpps 12 oktober kl. -
Vandalism Cen Ters on Dorms
The INDIAN Vol. XXXVill No. 3 Siena College, Loudonville, N.Y. 12211 October 14,1977 Vandalism cen ters on dorms ByMIKEBOTTICELL! has to be present in the dining hall." At the following week's meeting the front door on a sign in, sign out basis. Staff Writer Senator Collins commented after the problem was brought up to Mr. Kelly. He Dean DaPore was disturbed by the fact A monthly report from Security, and meeting that she cannot understand why explained that as it presently stands all that on the average there is only one approval of budgets for several organiza these "wars" are taking place. She feels the doors except the main entrance are to person per classroom. She said problems tions were the main topics of discussion that "the food quality doesn't warrant be locked at 10 p.m. with the main could conceivably arise during the win at the Student Senate meetings which these actions." She suggested that any entrance being closed at 11:30. Senator ter. She could not see the purpose of took place on September 29 and October one who is dissatisfied with the food in Cunningham said this was not the case - heating a building the size of Siena Hall 6. the cafeteria should join the Food Com even if the outside doors were left open, for only twenty-four students. Dean Mr. William Kelly, director of secur mittee. Anyone interested should contact the classroom doors themselves were DaPore explained that since the situation ity, addressed the Senate on the incidents Lori Collins. -
Dj Music Mp4 Download DJ MP4 - MP4 DJ's Vol
dj music mp4 download DJ MP4 - MP4 DJ's vol. II. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then £14,99/ month. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. DJ MP4, Composer, Writer, MainArtist - Julio Mix, Composer, Writer. About the album. 1 disc(s) - 13 track(s) Total length: 00:54:36. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you, without any usage limit. You can download them as many times as you like. Choose the format best suited for you. Download your purchases in a wide variety of formats (FLAC, ALAC, WAV, AIFF. ) depending on your needs. Listen to your purchases on our apps. Download the Qobuz apps for smartphones, tablets and computers, and listen to your purchases wherever you go. -
Rwanda National Action Plan (2009-2012)
Republic of Rwanda National Action Plan 2009-2012 The United Nations Security Council Resolution 1325/2000 on Women, Peace and Security Original: French May 2010 1 TABLE OF CONTENTS A. ACRONYMS AND ABBREVIATIONS ................................................................................................. 3 B. INTRODUCTION ..................................................................................................................................... 4 C. PROCESS OF THE NATIONAL ACTION PLAN DEVELOPMENT ........................................... 8 D. REMINDER ON PEACE AND SECURITY CONCEPTS.................................................................... 10 E. INTERVENTION STRATEGIES ......................................................................................................... 11 F. LOGICAL FRAMEWORK ..................................................................................................................... 12 Priority I: Prevention of gender - based violence ........................................................................................ 12 Priority II: Protection and Rehabilitation of Victims’ Dignity ................................................................... 14 Priority III: Participation and Representation .............................................................................................. 17 Priority IV: Women and Gender Promotion ................................................................................................ 19 Priority V. Coordination, Monitoring and Evaluation -
It's Jerry's Birthday Chatham County Line
K k JULY 2014 VOL. 26 #7 H WOWHALL.ORG KWOW HALL NOTESK g k IT’S JERRY’S BIRTHDAY On Friday, August 1, KLCC and Dead Air present an evening to celebrate Jerry Garcia featuring two full sets by the Garcia Birthday Band. Jerry Garcia, famed lead guitarist, songwriter and singer for The Grateful Dead and the Jerry Garcia Band, among others, was born on August 1, 1941 in San Francisco, CA. Dead.net has this to say: “As lead guitarist in a rock environment, Jerry Garcia naturally got a lot of attention. But it was his warm, charismatic personality that earned him the affection of millions of Dead Heads. He picked up the guitar at the age of 15, played a little ‘50s rock and roll, then moved into the folk acoustic guitar era before becoming a bluegrass banjo player. Impressed by The Beatles and Stones, he and his friends formed a rock band called the Warlocks in late 1964 and debuted in 1965. As the band evolved from being blues-oriented to psychedelic/experi- mental to adding country and folk influences, his guitar stayed out front. His songwriting partnership with Robert Hunter led to many of the band’s most memorable songs, including “Dark Star”, “Uncle John’s Band” and the group’s only Top 10 hit, “Touch of Grey”. Over the years he was married three times and fathered four daughters. He died of a heart attack CHATHAM COUNTY LINE in 1995.” On Sunday, July 27, the Community Tightrope also marks a return to Sound Fans have kept the spirit of Jerry Garcia alive in their hearts, and have spread the spirit Center for the Performing Arts proudly wel- Pure Studios in Durham, NC, where the and the music to new generations. -
Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V
University of Michigan Journal of Law Reform Volume 26 1993 The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V Marisa A. Gómez University of Michigan Law School Follow this and additional works at: https://repository.law.umich.edu/mjlr Part of the Criminal Law Commons, Entertainment, Arts, and Sports Law Commons, and the Law and Society Commons Recommended Citation Marisa A. Gómez, The Writing on Our Walls: Finding Solutions Through Distinguishing Graffiti Art from Graffitiandalism V , 26 U. MICH. J. L. REFORM 633 (1993). Available at: https://repository.law.umich.edu/mjlr/vol26/iss3/5 This Note is brought to you for free and open access by the University of Michigan Journal of Law Reform at University of Michigan Law School Scholarship Repository. It has been accepted for inclusion in University of Michigan Journal of Law Reform by an authorized editor of University of Michigan Law School Scholarship Repository. For more information, please contact [email protected]. THE WRITING ON OUR WALLS: FINDING SOLUTIONS THROUGH DISTINGUISHING GRAFFITI ART FROM GRAFFITI VANDALISM Marisa A. G6mez* I. Graffiti's Roots .......................... 636 II. Types of Graffiti and the Motivations of Its Creators .......................... 644 III. Proponents v. Opponents: Sketching Out the Arguments For and Against Graffiti .......... 650 IV. Methods Used to Combat Graffiti ............ 656 A. Criminal Prosecution and Penalties ...... 657 B. Civil Causes of Action Against Writers .... 670 C. Measures Against the Writer's Parents .... 672 D. Prophylactic Measures ................ 673 V. Towards an Integrated Solution That Recognizes and Meets the Needs of the Writers . 696 A. Drawing a Clearer Line Between Graffiti Art and Graffiti Vandalism ............ -
Vandalism Rate in Dormitories Declines By, %Bray 10
iirlk-C1Serving the San Jose State University Community since 1934 Volume 80. No 10 Imlay February 11 1983 Vandalism rate in dormitories declines by, %bray 10. 1183 Recession, security unit and changing attitudes cited for improvements ry Works -- 87 N -- edro St. ( 292-1222) By Mark Sweeny ly through Sat The recession has indirectly lowered the vandalism rate in the SJSU re. dormitories, said Will Koehn, director of residence hall security. Students take their education more seriously because of the economy and they cannot waste time in college,said Koehn who has been in charge 's Retreat -- 730 El of dormitory security for three years. de Saratoga (379- Koehn also said because of this attitude change, -- Today: Justin students are less likely campus property. ;on. Fri: Mike to damage Koehn said in 1979 .rtini. Sat: Gulliver. vandalism totaled $85,000, but he estimated 1982 costs at $5,000. Although Koehn has not yet received the 1982 Ile Rack -- 1 3 in crime figures, he is never- rais Ave. ( 286-33931 theless optimistic of the falling crime rates. West Hall resident director Rene Singleton : Elvin Bishop. Mon said, "Four years ago, lighteous Brothers. many parents paid for college. Now, many students are busting their butts to pay for their college education. They respect the property more because paying for it." rower Saloon -- 163W. they are Carlos St. ( 295-2430) -- Although current residents are more security-conscious and are not in- clined to let strangers into the dormitories, the yellow jackets ay: Copyright. Fri: security team is responsible Barnes. Sat: Chris for the low crime rate, said Bruce Jensen, Markham Hall ad- viser. -
Homeless Campaigns, & Shelter Services in Boulder, Colorado
Dreams of Mobility in the American West: Transients, Anti- Homeless Campaigns, & Shelter Services in Boulder, Colorado Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Andrew Lyness, M.A. Graduate Program in Comparative Studies The Ohio State University 2014 Dissertation Committee: Leo Coleman, Advisor Barry Shank Theresa Delgadillo Copyright by Andrew Lyness 2014 Abstract For people living homeless in America, even an unsheltered existence in the urban spaces most of us call “public” is becoming untenable. Thinly veiled anti-homelessness legislation is now standard urban policy across much of the United States. One clear marker of this new urbanism is that vulnerable and unsheltered people are increasingly being treated as moveable policy objects and pushed even further toward the margins of our communities. Whilst the political-economic roots of this trend are in waning localism and neoliberal polices that defined “clean up the streets” initiatives since the 1980s, the cultural roots of such governance in fact go back much further through complex historical representations of masculinity, work, race, and mobility that have continuously haunted discourses of American homelessness since the nineteenth century. A common perception in the United States is that to be homeless is to be inherently mobile. This reflects a cultural belief across the political spectrum that homeless people are attracted to places with lenient civic attitudes, good social services, or even nice weather. This is especially true in the American West where rich frontier myths link notions of homelessness with positively valued ideas of heroism, resilience, rugged masculinity, and wilderness survival.