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Michelangelo Antonioniri Homenaje a Michelangelo Antonioni (1912-2007) - Abendua 2012 - Otsaila 2013 Diciembre 2012 - Febrero 2013

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Michelangelo Antonioniri Homenaje a Michelangelo Antonioni (1912-2007) - Abendua 2012 - Otsaila 2013 Diciembre 2012 - Febrero 2013 ZINEMATEKA OMENALDIA MICHELANGELO ANTONIONIRI HOMENAJE A MICHELANGELO ANTONIONI (1912-2007) - Abendua 2012 - Otsaila 2013 Diciembre 2012 - Febrero 2013 Antolatzailea Organiza Babeslea Patrocina Laguntzailea Colabora www.alhondigabilbao.com ABENDUA - OTSAILA 16 film luze eta 13 film labur 16 largometrajes y 13 cortometrajes DICIEMBRE - FEBRERO Asteazkenetan eta ostegunetan, saio bikoitza Sesión doble los miércoles y jueves FILMA PELÍCULA DATA FECHA ORDUA HORA CRONACA DI UN AMORE 12/12/2012 17:00 h Crónica de un amor (1950) 13/12/2012 19:45 h I VINTI 12/12/2012 19:45 h Los vencidos (1952) 13/12/2012 17:00 h LA SIGNORA SENZA CAMELIE 19/12/2012 17:00 h La dama sin camelias (1953) 20/12/2012 19:45 h LE AMICHE 19/12/2012 19:45 h Las amigas (1955) 20/12/2012 17:00 h IL GRIDO 09/01/2013 17:00 h El grito (1957) 10/01/2013 19:45 h L’aVVENTURA 09/01/2013 19:30 h La aventura (1960) 10/01/2013 17:00 h LA NOTTE 16/01/2013 17:00 h La noche (1961) 17/01/2013 19:45 h L’eCLISSE 16/01/2013 19:45 h El eclipse (1962) 17/01/2013 17:00 h NTONIONI A Golem IL DESERTO ROSSO 23/01/2013 17:00 h Alhondiga O El desierto rojo (1964) 24/01/2013 19:45 h L Zinemak BLOW-UP 23/01/2013 19:45 h Blow-up (Deseo de una mañana de verano) (1966) 24/01/2013 17:00 h ANGE L CORTOMETRAJES I 30/01/2013 17:00 h HE (1943-1950) 31/01/2013 19:45 h C I CORTOMETRAJES II 30/01/2013 19:45 h M (1983-2004) 31/01/2013 17:00 h CHUNG KUO. CINA 06/02/2013 17:00 h Chung Kuo. China (1972) 07/02/2013 17:00 h ZABRISKIE POINT 13/02/2013 17:00 h Zabriskie Point (1970) 14/02/2013 19:45 h PROFESSIONE: REPORTER 13/02/2013 19:45 h El reportero (1975) 14/02/2013 17:00 h IL MISTERO DI OBERWALD 20/02/2013 17:00 h El misterio de Oberwald (1981) 21/02/2013 19:45 h IDENTIFICAZIONE DI UNA DONNA 20/02/2013 19:45 h Identificación de una mujer (1982) 21/02/2013 17:00 h AL DI LÀ DELLE NUVOLE 27/02/2013 17:00 h Más allá de las nubes (1995) 28/02/2013 19:45 h 2 3 ZINEMATEKA AlhóndigaBilbaok Michelangelo AlhóndigaBilbao dedica el último ciclo Antonioni zinegile italiarrari eskainiko dio de cine de la Zinemateka de 2012 al Zinematekako 2012ko azken zine-zikloa, cineasta italiano Michelangelo Antonioni, Centro di Studi sul Cinema Italianoren en colaboración con el Centro di Studi lankidetzarekin (Bartzelona). Ziklo honen sul Cinema Italiano (Barcelona). Con este bidez, zinegile italiar bikainari mundu ciclo, Zinemateka se suma a los múltiples zabalean egiten ari zaizkion omenaldi homenajes que se están dedicando en ugariekin bat egingo du Zinematekak, haren todo el mundo al genial cineasta italiano jaiotzaren mendeurrenean (Ferrara, 1912). con motivo del centenario de su nacimiento (Ferrara, 1912). 2012ko abenduaren 12tik 2013ko otsailaren 28ra bitartean, Antonioniren filmografiako Del 12 de diciembre al 28 de febrero de 2013 29 film luze, film labur eta dokumental se proyectarán 29 de los largometrajes, garrantzitsuenak egongo dira ikusgai. cortometrajes y documentales más importantes de la filmografía de Antonioni. ‘Cronaca di un amore’ (1950) filmak emango dio hasiera ziklo berriari. Zinegilearen opera Abrirá el nuevo ciclo la cinta ‘Cronaca di un prima da, eta Lucía Bosé da protagonista. amore’ (1950), su ópera prima protagonizada Bertan, hain zuzen ere, mundu burgesaren por Lucía Bosé, donde el director traza una hausnarketa ez oso atsegina egiten du reflexión nada complaciente del mundo zuzendariak. Ondoren, bere trilogiako lanak burgués. A ésta le seguirán obras como su ikusi ahal izango dira: ‘La aventura’ (1959), ‘La triología compuesta por ‘La aventura’ (1959), noche’ (1960, Berlingo Zinemaldiko Urrezko ‘La noche’ (1960, Oso de Oro en el Festival Hartza) eta ‘El eclipse’ (1962). Era berean, 40ko de Berlín) y ‘El eclipse’ (1962). Asimismo, el hamarkadan filmatu zituen lehenengo film ciclo reúne una selección de los primeros laburren hautaketa ere egongo da ikusgai, cortometrajes que rodó en los 40, e incluye bai eta bere lehenengo lana ere, ‘Gente del obras como su primera obra, el documental Po’ (1943) dokumentala, alegia. ‘Gente del Po’ (1943). Betiko moduan, filmak saio bikoitzean egongo Estas películas se proyectarán, como dira ikusgai asteazken eta ostegunetan, siempre, en sesión doble los miércoles y astero-astero, Gabonetako bi asteetan izan jueves, todas las semanas, excepto las ezik, epealdi horretan ez baita proiekziorik dos semanas de Navidad, que no habrá egongo. proyecciones. Michelangelo Antonioniren zikloaren ostean, El ciclo de Michelangelo Antonioni dará paso XX. mendeko zinegile handien lanei buruzko a nuevas retrospectivas sobre obras de atzera begirako berriak egingo dira. grandes cineastas del siglo XX. 2 3 MICHELANGELO ANTONIONI ‘ADIMEN’ ZINEMATOGRAFIKOAREN ADIBIDEA EJEMPLO DE ‘intELIGEncia’ cinEMATOGRÁFICA 1912ko irailaren 29an jaio zen Ferraran. Ondo- Nacido en Ferrara el 29 de septiembre de rioz, orain dela bost urte hildako zinegile ita- 1912, se cumple este año el centenario del liarraren jaiotzaren mendeurrena da aurten. nacimiento del cineasta italiano fallecido hace Gainera, munduko zineko eragin handieneko cinco años, y autor de una de las filmografías filmografia erabakigarrienetakoaren egilea más influyentes y decisivas del cine mundial. ere izan zen. Casi permanentemente -con la única Ia-ia beti -‘El grito’ filmean izan ezik-, bere excepción de ‘El grito’- dedicó su obra a lanetako hizpide nagusia burgesia izan zenez, indagar en la burguesía y de ahí nace la zuzendariaren kezka nagusia sortu zen hortxe: preocupación central del director: la fragilidad gaur egungo garaiko sentipenen ahulezia eta y la enfermedad de los sentimientos en la gaixotasuna. Gaur egun, komunikaziorik eza época actual. La causa de la incomunicación da nagusi, oso garapen teknologiko azkarraren radica en la desproporción y el desacuerdo eta sentipenen eboluziorik ezaren edo oso ebo- entre un desarrollo tecnológico enormemente luzio motelaren arteko desoreka eta desados- rápido y una evolución de los sentimientos tasuna oso handiak direlako. Horren ondorioz, perpetuamente inexistente o al menos gizakiak urduri eta etsita daude etengabe. extraordinariamente ralentizada. La Hala ere, Antonioniren lan-ibilbidea aldatu consecuencia de ese choque provoca un egin zen, bere trilogiaren hasiera Cannesen desasosiego y una frustración constante en el bertan ikusgai jarri zutenean. ‘La aventura’ ser humano. (1960) filmaren harrera txarraren ordainetan, Pero la carrera de Antonioni tiene su punto ‘La noche’ (1961) Berlingo Zinemaldira joan de inflexión con la proyección en Cannes del zen, eta Urrezko Hartza irabazi zuen. ‘El inicio de la trilogía. La mala recepción de ‘La eclipse’ (1962) agertu zenean, gogo bizi hura aventura’ (1960) tuvo su contrapartida cuando nolabait hoztu zen, baina bere trilogia osatu ‘La noche’ (1961) acude al Festival de Berlín zuen. Beraz, Bergmanen trilogia kontuan donde gana el Oso de Oro. La aparición de ‘El hartuta -ia-ia garaikidea-, joan den mendeko eclipse’ (1962) enfrió un tanto el entusiasmo zinegintzako une gorenetakoa izan zen. general, pero completó una trilogía que junto 4 5 ‘La noche’ filmak eman zion onespen ofiziala a la de Bergman -prácticamente contemporá- sendotu egin zen, 1964ko Veneziako Zinemal- nea- supone uno de los momentos culminan- dian Urrezko Lehoia eman ziotenean kolore- tes del cine del pasado siglo. tan egin zuen ‘El desierto rojo’ lehen filmaga- Su consagración oficial con ‘La noche’, se tik. ondoren, 1966ko Canneseko Zinemaldian, consolida con el León de Oro otorgado a ‘El ‘Blow-up’ aurkeztu eta nolabait zuzendu zuen desierto rojo’, su primera película en color, sei urte lehenago trilogiako lehenengo filma- en Venecia del 64. Y culmina con Cannes 66 rekin gertatu zena: ‘La aventura’. coronando ‘Blow-up’ y rectificando de alguna Antonioniren zinearen funtsezko ezaugarrie- manera lo ocurrido seis años antes con la tako bat arriskurako gaitasuna da: bide eze- primera película de la trilogía: ‘La aventura’. zagunak edo hain ezagunak ez diren bideak La capacidad de riesgo es uno de los rasgos arakatu nahi dituenez, batzuetan bete-betean fundamentales del cine de Antonioni: de- asmatzen du, eta, beste batzuetan, erratu seoso de experimentar por caminos poco o egiten da. Edonola ere, miresgarria da nolako nada transitados, acierta en ocasiones y se gaitasuna daukan -guztien onespena zeuka- equivoca en otras, pero resulta admirable su nean eta dena lortu zuenean- arakatu gabeko capacidad -cuando ya estaba consagrado y lekuetan barruratzeko. Horren ondorioz, lo tenía todo conseguido- para adentrarse por honelako filmak sortu ahal izan zituen: ‘Blow- terrenos inexplorados, que a veces daban lu- up’, ‘El reportero’ (1975) edo ‘Zabriskie Point’ gar a films como ‘Blow-up’, ‘El reportero’ (1975) (1970) -porrot komertziala ikaragarria izan zen o ‘Zabriskie Point’ (1970) -notable el fracaso MGMrentzat egin zuen film amerikar baka- comercial en su única película americana para rrean- edo ‘El Misterio de Oberwald’ (1981). la MGM- o ‘El Misterio de Oberwald’ (1981). Antonio Castro Antonio Castro Zine-kritikaria eta zine-katedraduna Madrilgo Crítico de Cine y Catedrático de Cine en la Facultad Complutense Unibertsitateko Komunikazio Zientzien de Ciencias de la Comunicación en la Universidad Fakultatean Complutense de Madrid 4 5 CRONACA DI UN AMORE I VINTI D: Michelangelo Antonioni. P: Franco Villani y Stefano D: Michelangelo Antonioni. Pr: Film Costellazione Caretta. G: Michelangelo Antonioni, Daniele D’Anza, / SGC. G: Suso Cecchi D’Amico y Michelangelo Silvio Giovaninetti, Franceso Maselli y Piero Tellini. Antonioni, con la colaboración de Diego Fabbri, Turi F: Enzo Serafi n.M: Giovanni Fusco. Mn: Mario Vasile y Roger Nimier. F: Enzo Serafi n. M: Giovanni Colangeli. A: Lucia Bosé (Paola), Massimo Girotti Fusco. Mn: Eraldo da Roma. A: Etchika Choureau (Guido), Ferdinando Sarmi (Fontana), Gino Rossi (el (Simone), Jean-Pierre Mocky (Pierre), Franco detective).
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