Savage Thought and Totalitarianism
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Althusser and Ideological Criticism of the Arts
Swarthmore College Works Philosophy Faculty Works Philosophy 1993 Althusser And Ideological Criticism Of The Arts Richard Thomas Eldridge Swarthmore College, [email protected] Follow this and additional works at: https://works.swarthmore.edu/fac-philosophy Part of the Philosophy Commons Let us know how access to these works benefits ouy Recommended Citation Richard Thomas Eldridge. (1993). "Althusser And Ideological Criticism Of The Arts". Explanation And Value In The Literary And Visual Arts. 190-214. DOI: 10.1017/CBO9780511659492.010 https://works.swarthmore.edu/fac-philosophy/255 This work is brought to you for free by Swarthmore College Libraries' Works. It has been accepted for inclusion in Philosophy Faculty Works by an authorized administrator of Works. For more information, please contact [email protected]. Althusser and ideological criticism of the arts RICHARD ELDRIDGE Louis Althusser's 1970 essay "Ideology and ideological state appar- atuses"1 is arguably the most influential and important document in contemporary critical practice and its theory. In one way this is puzzling, for the essay contains almost nothing that can be recog- nized as an argument. It does not put forward a causal theory of the rise and fall of forms of social life. It offers no deductions, and it contains only a few sketchily described examples of ideologies. The essay is instead filled with oracular pronouncements, couched in a terminology partly invented and partly cobbled together from the Marxist tradition and from Lacan. Yet there it is. Althusser's work receives more extended discussion — thirty-five consecutive pages, plus numerous occasional references — in Fredric Jameson's 1981 The Political Unconscious,2 perhaps the most important American text in so-called New Historicist criticism, than any of the literary works Jameson considers except Conrad's Lord Jim. -
Beauvoir on Gender, Oppression, and Freedom
24.01: Classics of Western Philosophy Beauvoir on Gender, Oppression, and Freedom 1. Introduction: Simone de Beauvoir (1908-1986) Beauvoir was born in Paris and studied philosophy at the Sorbonne. She passed exams for Certificates in History of Philosophy, General Philosophy, Greek, and Logic in 1927, and in 1928, in Ethics, Sociology, and Psychology. She wrote a graduate diplôme (equivalent to an MA thesis) on Leibniz. Her peers included Maurice Merleau-Ponty, Claude Lévi-Strauss, and Jean-Paul Sartre. In 1929, she took second place in the highly competitive philosophy agrégation exam, barely losing to Jean-Paul Sartre who took first (it was his second attempt at the exam). At 21 years of age, Beauvoir was the youngest student ever to pass the exam. She taught in high school from 1929-1943, and then supported herself on her writings, and co-editorship of Le Temps Modernes. She is known for her literary writing, and her philosophical work in existentialism, ethics, and feminism. She published The Second Sex in 1949. 2. Gender ‘One is not born, but rather becomes, a woman. No biological, psychological or economic fate determines the future that the human female presents in society.’ (II.iv.1) A. What is a woman? “Tota mulier in utero: she is a womb,” some say. Yet speaking of certain women, the experts proclaim, “They are not women,” even though they have a uterus like the others. Everyone agrees there are females in the human species; today, as in the past, they make up about half of humanity; and yet we are told that “femininity is in jeopardy”; we are urged, “Be women, stay women, become women.” So not every female human being is necessarily a woman… (23) So there seems to be a sort of contradiction in our ordinary understanding of women: not every female is a woman, otherwise they would not be exhorted to be women. -
Machiavelli After Althusser
420 Bargu Chapter 22 Machiavelli after Althusser Banu Bargu At the end of Machiavelli and Us, Louis Althusser salutes Machiavelli as ‘the greatest materialist philosopher in history’.1 Machiavelli, he posits, is the ‘equal of Spinoza, who declared him “acutissimus”, most acute’.2 But he quickly adds: ‘Spinoza considered him acutissimus in politics. He would appear not to have suspected that Machiavelli was also most incisive in materialist philosophy’.3 Formulated thus, what appears as an assertion of the parity of importance of both figures turns out to affirm Machiavelli’s indisputable, though unrecog- nised place in the history of philosophy. In positing Machiavelli on par with Spinoza, Althusser redefines him as a materialist philosopher. Further, by evok- ing the inadequacy of Spinoza’s appreciation of Machiavelli (limited, as it was, only to politics), Althusser also insinuates that Machiavelli is not only ‘most incisive in materialist philosophy’, but, in effect, the ‘most incisive’ materialist philosopher, whose importance went unsuspected or unrecognised or, at least, not fully recognised, by the greatest minds that came after him. This is a claim not to be taken lightly, if only because the same Althusser, rejecting the charge of structuralism, confesses to being ‘guilty of an equally powerful and compromising passion’ – that of being Spinozist.4 Explaining this passion, Althusser clarifies: ‘we made a detour via Spinoza in order to im- prove our understanding of Marx’s philosophy. To be precise: since Marx’s ma- terialism forced -
Theory, Totality, Critique: the Limits of the Frankfurt School Critical Theory, Marxism and Modernity
Studies in 20th Century Literature Volume 16 Issue 1 Special Issue on Contemporary Spanish Article 11 Poetry: 1939-1990 1-1-1992 Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity Philip Goldstein University of Delaware Follow this and additional works at: https://newprairiepress.org/sttcl Part of the German Literature Commons, and the Modern Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Goldstein, Philip (1992) "Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity," Studies in 20th Century Literature: Vol. 16: Iss. 1, Article 11. https://doi.org/ 10.4148/2334-4415.1297 This Review Essay is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity Abstract Theory, Totality, Critique: The Limits of the Frankfurt School Critical Theory, Marxism and Modernity by Douglas Kellner. Keywords Frankfurt School, WWII, Critical Theory Marxism and Modernity, Post-modernism, society, theory, socio- historical perspective, Marxism, Marxist rhetoric, communism, communistic parties, totalization, totalizing approach This review essay is available in Studies in 20th Century Literature: https://newprairiepress.org/sttcl/vol16/iss1/11 Goldstein: Theory, Totality, Critique: The Limits of the Frankfurt School Cr Review Essay Theory, Totality, Critique: The Limits of the Frankfurt School Philip Goldstein University of Delaware Douglas Kellner, Critical Theory, Marxism and Modernity. -
On the Reproduction of Capitalism
LOUIS AL THUSSER was born in Algeria in 1918 and died in France in 1990. He taught philosophy for many years at the Ecole N ormale Superieure in Paris and was a leading intellectual in the French Communist Party. His books include For Marx; Reading Capital (with Etienne Balibar); On Ideolo,u; Politics and History: ,\1ontcsquieu, Rousseau, A1arx; 1\1acl1iavelli and Us; and The Specture efHegel. On the Reproduction of Capitalislll Ideology and Ideological State Apparatuses LOUIS ALTHUSSER PREFACE BY ETIENNE BALIBAR INTRODUCTION BY JACQUES BIDET TRANSLATED BY G. M. GOSHGARIAN VERSO London • New York This Engfoh-lJ11gu.1ge edition published by Verso 21114 TL1nsLition £: G. M. Goshgarian 2()14 First published as Sur la reprod1w1011 ,:G:. Presses Universitaires de France 1995 Preface£: Etienne l:lalibar 21114 Introduction£: Jacques Bidet 21114 'Ideology and Ideological State Apparatuses' first appeared in Louis Althusser. Lc11i11 <111d P!tilosoplt)' a11d Otltcr Essays. tram. Ben Brewster. London. New Lett Books. 1971. The translation has been modified. 'Ideology and Ideological State Apparatuses,' translation 1;; Ben Brewster 1971. 1994, 2U14 All rights reserved The moral rights of the authors have been asserted 135791118642 Verso UK: 6 Meard Street, London W1 F OEG US: 211Jay Street, Suite 111111, Brooklyn, NY 112111 W\V\V. versobooks.con1 Verso is the imprint of New Left Books ISBN-13: 978-1-78168-164-11 (PBK) ISl:lN-13: 978-1-78168-165-7 (HBK) e!SBN-13: 978-1-78168-215-9 (US) eISBN-13: 978-1-78168-524-2 (UK) British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library. -
Transcendence, Facticity, and Modes of Non-Being
Massachusetts Institute of Technology Artificial Intelligence Laboratory Working paper 282 March 1986 Transcendence, Facticity, and Modes of Non-Being B. Randall Donaldt J. Francis Cannyt Abstract: Research in artificial intelligence has yet to satisfactorily address the primordial fissure between human consciousness and the material order. How is this split reconciled in terms of human reality? By what duality is Bad Faith possible? We show that the answer is quite subtle, and of particular relevance to certain classical A.I. problems in introspection and intensional belief structure. A principled approach to bad faith and the consciousness of the other is suggested. We present ideas for an implementation in the domain of chemical engineering. A.I. Laboratory working papers are produced for internal circulation, and may contain information that is, for example, too preliminary, too detailed, or too silly for formal publication. This paper handsomely satisfies all three criteria. While it is destined to become a landmark in its genre, readers are cautioned against making reference to this paper in the literature, as the authors would like to rejoin society with a clean slate. This paper could not have been produced without the assistance of many brilliant but unstable individuals who could not be reached for comment, and whose names have been suppressed pending determination of competence. tFormer member, National Rifle Association lFormer member, Australian Amateur Radio Association Transcendence, Facticity and Modes oNon-oein In Being and Nothingness Sartre proposes a primordial split, or fissure, between human (conscious) reality and the material order--that is, between the being-for-itself and the being-in-itself. -
DEVELOPING a HAUNTOLOGY of the BLACK BODY Kashif Jerome
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Carolina Digital Repository SPECTERS AND SPOOKS: DEVELOPING A HAUNTOLOGY OF THE BLACK BODY Kashif Jerome Powell, MA A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Department of Communication Studies. Chapel Hill 2014 Approved by: Renee Alexander-Craft Ashley Lucas Della Pollock Alvaro Reyes Eric King Watts © 2014 Kashif Jerome Powell ALL RIGHTS RESERVED ii ABSTRACT Kashif Jerome Powell: Specters and Spooks: Developing a Hauntology of The Black Body (Under the direction of Dr. Renee Alexander-Craft) This dissertation utilizes theories of embodiment and performance to develop a “hauntology of blackness,” which investigates imaginative sites of death constructed through the historical, social, and performative facets of institutional slavery in the United States to theorize notions of blackness and the black body. I argue that the relationship between the black body and death have conjured a death-driven specter that manifest historically, performatively, visually, and phenomenally as blackness. The rise and continual return of this “specter of blackness” positions the black body in the United States as a body “haunted” by its own biological and phenotypical disposition. Placing the theory of Jacques Derrida and Frantz Fanon in conversation with scholars such as Avery Gordon, Saidiya Hartman, Toni Morrison, and others, I evoke the language of haunting to consider the profound effect the relationship between the black body and death has had on ontological, psychoanalytic, and phenomenological understandings of blackness within post-modernity. -
The Frankfurt School's Neo-Marxian Critiques Of
The Frankfurt School’s Neo-Marxian Critiques of Capitalism and Consumer Culture Dustin Garlitz University of South Florida November 2005 1 In this study, I move to make the point that the critical theorists of the Frankfurt School, in their reinterpretation and extension of social philosopher Karl Marx, were responsible for the entry of two "key-terms" in the realm of cultural theory: "The Culture Industry” and “Aura”. The term “The Culture Industry” first appeared in the West-Coast collaboration of Institute members Max Horkheimer and Theodor W. Adorno titled Dialectic of Enlightenment (1944). The romantic notion of “Aura” first appeared in an essay by affiliate-member Walter Benjamin titled “The Work of Art in the Age of Mechanical Reproduction” (1936). Although the critical writings of the Frankfurt School are incredibly diverse and span the range of multiple traditional disciplines in the humanities and social sciences, I want to examine the social commentary of the Institute for Social Research from an interdisciplinary perspective, spanning cultural sociology to continental philosophy to psychoanalytic thought. This examination will place special emphasis on the Institute's legacy to the interdisciplinary field of contemporary cultural studies. I would like to pay a great deal of interest on the Institute’s critiques of ideology, specifically capitalism and political economy. "The Culture Industry" and "Aura" are important terms to consider in such a study1 because they are the very cultural consequences of unrestrained, stringent American capitalism: it is the capitalist marketplace which festishizes "aura" and standardizes art. Since a capitalist line of inquiry will be taken, it only makes sense to examine the Frankfurt School’s writings on consumer culture as well (consumer culture being derivative of the dominant ideology that we call "capitalism"). -
Cristine Celich G. the Face of the Other As Human Facticity: from Husserlian Lebenswelt to Levinasian Alterity . Philos Int J 20
Philosophy International Journal ISSN: 2641-9130 MEDWIN PUBLISHERS Committed to Create Value for Researchers The Face of the Other as Human Facticity: From Husserlian Lebenswelt to Levinasian Alteritya Cristine Celich G* Post Degree Program of Philosophy of the Federal University of Santa Maria, Brazil Research Article Volume 4 Issue 2 *Corresponding author: Grasiela Cristine Celich, Philosophy PhD student at the post degree Received Date: April 13, 2021 program of Philosophy of the Federal University of Santa Maria. City: Santa Maria. State: Rio Published Date: May 10, 2021 Grande do Sul, Brazil, Email: [email protected] DOI: 10.23880/phij-16000176 Abstract This article aims to demonstrate the possibility of a connection between phenomenology, human facticity and ethics. The possibility of connection between the concepts becomes pertinent from the philosophy of Husserl and the philosophy of Levinas, for both are inserted in the phenomenological theme. Since Husserl’s discovery that science, when based on concepts, on reason, has separated itself from the concrete world and the experiences of the subjects, it has lost its ethical dimension. sphere is characterized by being richer and wider than the objective world of science. Facing this, Levinas, having Husserl as Therefore, Husserl, in formulating the phenomenological method, sought to recover the pre-scientific sphere of life. This his master, managed, based on some Husserlian concepts such as Lebenswelt and the “return to the same things”, to find in the figure of the Face of the Other an irreducible human facticity to all apprehension and understanding by the concept. Thus, concepts are presented regarding Lebenswelt, so that later, the Levinasian concepts which lead to the meeting of irreducible Levinas explains that ethics focuses on the Face of otherness. -
Hermeneutics of Heidegger's Facticity and Its Religious Aspects
Studia Philosophiae Christianae UKSW 50(2014)1 POVILAS AleksandravičIUS HERMENEUTICS OF HEIDEGGer’s FACTICITY AND ITS RELIGIOUS ASPECTS Abstract. The concept of facticity that was developed by Heidegger from 1919 to 1923 composes the basis of all his further thought: the conceptions of Dasein and ontological temporality will originate namely from this concept. The article analyzes various expressions of the factitious life (care, Er-eignis, life, Self- Destruction, meaningfulness, death), yet the special consideration is paid to its religious aspects. Really the essence of facticity is treated by Heidegger as a temporality that is essentially correlated with the Christian experience. The influence of Saint Augustine to Heidegger and the Heideggerian concept of methodical atheism are analyzed and this analysis raises the intricate problem of the relation of the Black Forest philosopher to Christian faith and to God. Keywords: Heidegger, hermeneutics, facticity, religious, care, Er-eignis, life, temporality 1. The emergence of the concept of facticity in Heidegger’s work. 2. The account of facticity. 3. Facticity as movement: care. 4. Er-eignis and the formation of the living world. 5. Facticity as life 6. Factical life as self-destruction. 7. Meaningfulness of factical life or the hermeneutic dimension of facticity. 8. Facticity as temporality. 9. Factical life and death. 10. Christian facticity. 11. St. Augustine’s influence on hermeneutics of facticity and the issue of God. 12. Methodological atheism and the mystery of life’s facticity. Povilas Aleksandravicius Mykolas Romeris University, [email protected] Institute of Philosophy and Humanities Ateities g. 20, LT-08303 Vilnius, Lithuania 174 Povilas aleksandravičius [2] On 9 January, 1919, a 30-year old Martin Heidegger wrote a letter to his friend, the canon Engelbert Krebs, informing him of his withdrawal from the Catholic Church and indicating the main reason for his choice: a scholastic system, where the Church aimed to squeeze Christian be- liefs, had become “problematic and unacceptable”1 to him. -
Facticity and Transcendence Across the Disciplines: Phenomenology and the Promise
Digital Collections @ Dordt Faculty Work Comprehensive List 12-2015 Facticity and Transcendence Across the Disciplines: Phenomenology and the Promise Neal DeRoo Dordt College, [email protected] Follow this and additional works at: https://digitalcollections.dordt.edu/faculty_work Part of the Christianity Commons, and the Philosophy Commons Recommended Citation DeRoo, N. (2015). Facticity and Transcendence Across the Disciplines: Phenomenology and the Promise. Schutzian Research, 7, 89-103. https://doi.org/10.5840/schutz201576 This Conference Proceeding is brought to you for free and open access by Digital Collections @ Dordt. It has been accepted for inclusion in Faculty Work Comprehensive List by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Facticity and Transcendence Across the Disciplines: Phenomenology and the Promise Abstract This paper begins from one of the most commonly found questions in phenomenology, “What is Phenomenlogy?”, to argue that phenomenology is a trans-disciplinary approach to engaging with the products of human culture. This approach is characterized by paying particular attention to the distinction between facticity and transcendence within “lived experience” so as to help us better articulate and evaluate the promises that animate every human institution. Such a task necessarily requires inter- disciplinary input and helps us engage in our lives—in our shared cultural life—differently. Keywords facticity, transcendence, phenomenological method, the promissory discipline, inter-disciplinary Disciplines Christianity | Philosophy Comments This paper was first presented at the annual meeting of the Interdisciplinary Coalition of North American Phenomenologists (ICNAP) at Brock University in St. Catharines, ON, May 22-24, 2015. It was subsequently published in December 2015. -
Human Values in a Postmodern World
Human Values in a Postmodern World Steven L. Winter* More than forty years ago, Maurice Merleau-Ponty identified a philosophical fault line that continues to rumble through diverse contem- porary debates. "Today," he proclaimed, "a humanism does not oppose religion with an explanation of the world. It begins by becoming aware of contingency. ' In the current period of deconstruction and other postmodernisms, Merleau-Ponty's rejection and reconception of the Enlightenment idea of humanism has greater resonance than ever.2 For many, it has become a postmodern truism that "the human condition" cannot be represented, described, or explained as just so many facts about the world. According to the now standard (if somewhat overstated) axiom of postmodernism, everything about humanity is socially contingent. Reactions vary dramatically. For some, the recognition of contingency appears to open up conceptual space for transformative politics and radical social change. For others, however, the specter of contingency is radically destabilizing. Because they equate social contingency with the loss of foundations, they believe that social contingency leads inevitably from moral relativism to nihilism. For them, the logic of this trajectory is ineluctable. If everything is socially contingent, no social or moral system can claim greater validity than any other. And if all such systems are equally valid, then we are left with no reliable values, no moral standards, and no criteria of choice. The absence of sure foundations, they are convinced, means that we are left with an alarming and intolerable nihilism.3 * © Steven L. Winter, 1994. All rights reserved. 1. MAURICE MERLEAU-PONTY, SIGNS 241 (Richard C.