September 2018 Volume 43, Number 7

After Eugene, his family moved to DAVE LOOMIS LEADS HIS Kent, Washington where his father took a job at Boeing. Dave attended Kent Me- GOOD HERB BAND FOR OUR ridian High School in 1975 and joined the band, which played a modern style of big SEPTEMBER 16TH CONCERT band music. There, he checked out music scores from the library, taking special note by John Ochs & George Swinford of how the arrangers voiced the different instruments. His first effort at arranging right time to play traditional must have pretty good because after re- jazz. “My musical parameters viewing it, the school band director handed were set in front of me at an him an envelope and said, “Here’s a check early age,” he recalls. “Dad for $50.” was a disc jockey in the Navy Dave enrolled as a music major at up in Adak, Alaska during the Western Washington State College where Korean War, playing Dave he played trombone and studied orchestra- Brubeck for Oklahoma cow- tion. In 1978, he accepted full-time work at boys. He joked that they gave Boeing and continued in music as a side- him death threats for playing man. Bands with which he was associated too much jazz.” the next few years included the New Deal More to the point, Dave’s Rhythm Band, the Jon Holte Swing Band, parents were fans of the Lu Wat- the Uptown Lowdown Jazz Band, and the ters and Turk Murphy bands, Castle Jazz Band of Portland, then led by and he was raised listening to cornetist Ernie Carson. A highlight was per- their Good Time Jazz record- forming at the St. Louis Ragtime Festival with Continuing our series of profiles of band lead- ings on LP, especially volumes 1 and 2 of Carson and the Castle band’s original leader ers, here is music director John Ochs’ sum- the Murphy band. As a result, even before Continued on page 3 mary of his interview with Dave Loomis: he could play an instrument, Dave absorbed Local jazz fans have long been able Turk’s trombone solos well enough to later WHERE: to enjoy the performance artistry of multi- play them note for note when he joined the Ballard Elks Lodge talented Dave Loomis. For more than 35 Uptown Lowdown band in the 1980s. years, his trombone and vocal offerings In 1961, Dave’s family settled in Eu- 6411 Seaview Ave. NW, Seattle have anchored at one time or another most gene, Oregon where his mother was a concert WHEN: of the leading traditional jazz bands in the pianist. “I received a pretty good grounding in 1 p.m. - 4:30 pm September 16 Seattle area. Not as obvious to the aver- classical music—Mahler, Strauss, things like ADMISSION: age onlooker, however, is his talent as an that. I used to play Bach’s piano duets with $12 PSTJS members arranger, a well kept secret which local my mother. I’d play the top half, and she’d bandleaders long have cherished as much play the lower parts. I didn’t read music, but I $15 non-members. Pay only at door. his work onstage. Fortunately for PSTJS used to goof around on the piano, playing by FURTHER INFO: members, all three facets of Dave’s artistry ear.” Beginning at 12, he took classical guitar Carol Rippey 425-776-5072. will be on full display when he brings his lessons for two years and then added tuba to Or - website: www.pstjs.org. Plenty of Good Herb Jazz Band to the bandstand for his musical meanderings. He started playing free parking; great view & dance floor, our September 16th concert. trombone when he was 16. By that time, he snacks, coffee, and other beverages Born in San Francisco in 1958, Loo- was already “pretty good at reading music and mis grew up in the right place and at the playing by ear.” available. Jazz Soundings September 2018 Page 2

Puget Sound Gigs for Local Bands Traditional Jazz Society BELLINGHAM TRADITIONAL JAZZ SOCIETY 19031 Ocean Avenue 1st Saturday, 2-5pm VFW Hall 625 N. State St., Bellingham, WA Edmonds, WA 98020-2344 Sept. 1 Bellingham Dixieland All Stars 425-776-5072 www.pstjs.org Oct. 6 Ray Skjelbred’s Yeti Chasers Plus One UPCOMING EVENTS Nov. 3 Uptown Lowdown Jazz Band Elks Lodge, Ballard, 6411 Seaview Ave N.W., Seattle Dec. 1 Crescent City Shakers

Sept. 16 Dave Loomis’ Good Herb Jazz Band Oct. 21 holotradband DAVE HOLO TRIO Nov. 18 Evergreen Classic Jazz Band Salty’s on Alki 1936 Harbor Avenue. SW Seattle, WA 98126 Dec. 16 Ray Skjelbred’s Yeti Chasers 206-937-1600 http://saltys.com/seattle PRESIDENT John Heinz [email protected] Sept. 7 5 - 8pm 425-412-0590 Sept. 21 5 - 8pm VICE PRESIDENT Jack Temp 425-647-6356 SECRETARY Cilla Trush [email protected] DAVE HOLO’s FOUR RHYTHM ACES 206-363-9174 Sept. 14 9-Midnight Eastside Stomp at the Aria Ballroom,15300 NE TREASURER Gloria Kristovich [email protected] 95th St. Redmond, 425-776-7816 BOARD OF DIRECTORS OLYMPIA JAZZ SOCIETY Keith Baker [email protected] Joanne Hargrave [email protected] 206-550-4664 2nd Sundays 1-4 pm Elks Lodge. 1818 Fourth Ave E., Olympia, WA Judy Levy [email protected] 425-606-1254 Sept. 9 Clearbrook Dixieland Jazz Band Edmunde Lewin 360-297-6633 Oct. 14 Hume Street Preservation Jazz Band John Ochs [email protected] 206-932-8313 Nov. 11 Black Swan Classic Jazz Band George Peterson [email protected] 425-890-8633 Carol Rippey [email protected] 425-776-5072 Dec. 9 Dukes of Swing Michael Shilley [email protected] George Swinford [email protected] 425-869-2780 PEARL DJANGO MEMBERSHIP COORDINATOR Sept. 18 7:30pm Djangofest NW DFNW Kick-off Concert Carol Rippey [email protected] 425-776-5072 Whidbey Island Center for the Arts; 565 Camano Avenue, Langley, WA, 98260 MUSIC DIRECTOR Sept. 28 8pm North City Bistro w/Jay Thomas. Tickets John Ochs [email protected] 206-932-8313 & reservations made directly through the Bistro EDITOR will be required to guarantee seating.Call (206) Anita LaFranchi [email protected] 206-522-7691 365-4447 Or email [email protected] for reservations.Tickets through Brown Paper Tickets WEBMASTER 1520 NE 177th St; Shoreline, WA; George Peterson [email protected] 425-890-8633 Sept. 29 8pm North City Bistro - See above JAZZ SOUNDINGS RAY SKJELBRED - (cont. on page 5) Published monthly except July and August by the Puget Sound Traditional Jazz Society. Anita LaFranchi, Editor, [email protected] Ads must be submitted in a jpeg or PDF format Payment in advance to: Gloria Kristovich, P.O. Box 373, Edmonds, WA 98020-0373 Advertising Rates: On Your Dial...... Full page $100. 7 1/2” wide by 9 1/2 “ tall Half Page $60. 7 1/2” wide by 4 1/4 “ tall Sunday Quarter Page $40. 3 5/8 wide by 4 1/4 “ tall 3 -6 pm Ken Wiley’s Art of Jazz on KNKX - 88.5FM

Deadline is the 10th of the month for the next month’s issue Jazz Soundings September 2018 Page 3

PRESERVING THE PSTJS the opportunity to sing, and sometimes I got kind of corny. Growing up, though, when- A COMMITMENT ever I listened to music, I would sing along and at the same time try to maintain good vo- cal quality. Ideally, all musicians should be by John Heinz able to sing the lyrics of whatever song they are playing.” It was a very sad day for me in July 2018 twenty years or so, which won’t help solve Loomis retired from Boeing earlier when I had to tell my Board member associ- the immediate problem. this year. Although he plays trombone reg- ates that I had to resign from the Presidency I can’t single-handedly save the PSTJS ularly with Mike Daugherty’s Washboard of the Society because I was moving to Coos from bankruptcy, but with help, we can. Thus, Cutups and with a variety of other bands Bay, OR, due to a combination of unexpected I invite you to think about how important the which perform mainly for swing danc- recent events in my personal life. This move is PSTJS, and the music it represents, is to you. ers, he derives a great deal of satisfaction very important to me. After you think about it, and if you can come teaching at “Jazz Night School,” a non- Our Board is engaged in new ideas to to the conclusion that you wouldn’t really profit organization which offers a variety preserve the PSTJS and the great music it rep- miss $50, or whatever amount you choose, of courses in jazz ensemble, ranging from resents, traditional jazz. As I leave the direct each month; then I encourage you to make basic improvisation to Brazilian, Gypsy, activity, I realize there is something I can do a monthly contribution. The PSTJS doesn’t Salsa, and mainstream jazz performance. from afar, begin a Planned Giving program on need a lot to survive. Should there be an un- The class Loomis teaches is, of course, behalf of the Society. Unbeknownst to most anticipated surge of enthusiasm that gener- traditional jazz. “I teach everyone the same of the membership, some 245 members, the ates much more than needed, you would be musical language, but it’s a challenge be- PSTJS is not self-sustaining. For calendar advised and could make adjustments accord- cause the students vary in experience and year 2017, the total operating cost was just ingly. Please give it some thought. ability,” explains Dave. “My youngest stu- under $22,000. The bulk of that is payment to dent was 11 years old and the eldest 68. Ev- the bands and rental of the Elks Lodge hall. (Note: This message to the membership from erybody plays. I do all the arrangements. I The annual dues from members, who are not John Heinz accompanied his resignation have to tailor them to the abilities of the mu- Lifetime members, was $4,100. Thus, in- letter to the board, dated July 2, 2018.) sicians.” It’s demanding work, but so far the come from attendees at the ten concerts has to results have been gratifying. make up the $18,000 difference. The fact of Editor’s Note: The Good Herb Jazz Band gives Dave the matter is, with only an average of twenty- See Page 5 for his resignation letter. an opportunity to return to his first love – the seven percent of the membership attending Yerba Buena Jazz Band. “I love each month, and a dozen or so non-members the sound of that band, whether it’s 1942 attending, we don’t break even; we lose mon- Loomis - continued from page 1 with two trumpets or the later version with ey. Obviously, that can’t continue. one lead horn,” he says. “For the arrange- There is a solution, a solution that near- and banjoist Monte Ballou in 1986. The other ments, I went mostly off the original record- ly all non-profit organizations engage in, bandsmen were Kim Cusack on clarinet; ings, the early ones where the blowing was Planned Giving programs. There seems to be Butch Thompson, piano; Harold (Shorty) not all that loud, and then double-checked a variety of ways to do so. One of the most Johnson, tuba; and Don Hooker, drums. with the charts. I love the older style of jazz. common is to include the PSTJS in your will, Loomis married his wife Susan in 1986 I would never give it up for anything. I like and another could be contributions while still and settled down to raise a family. His most having a melodic link to the past.” alive. As all attendees do, I have paid the atten- reliable music job at the time was as trombon- The Good Herb players who will pro- dance fee and contributed to the Youth Schol- ist with the Evergreen Classic Jazz Band led vide that melodic link to the past comprise arship Fund at each concert. Since I won’t be by Tom Jacobus. Organized in 1984, the band the same lineup we heard a year ago, in attending hereafter, and want the PSTJS to is still active, although since 2006 it has ap- the band’s first PSTJS appearance. Leader survive, I have set my credit union account peared only occasionally at festivals and jazz Dave Loomis will play trombone. Michael auto-pay program to send a check for $50 to club meetings. Loomis also played a weekly Van Bebber and Dave Holo will provide the PSTJS every month hereafter. In regard Tuesday night gig with Dave Holo’s holo- that powerful two-horn sound on trumpets. to my will, I don’t change my will for such tradband at the New Orleans Restaurant from Jacob Zimmerman’s clarinet will complete things because it is too cumbersome a process 2003 through December 2012. Like the Ever- the front line. Ray Skjelbred, veteran of the to do so. Instead I have a Directive to Execu- green band, Holo’s band still performs on an San Francisco scene, will play piano. Paul tors, my daughter and son, who will provide ad hoc basis, mostly at the request of estab- Hagglund, tuba, Kevin Johnston, banjo and the gift from my estate to the PSTJS in the lished clients and local festivals. Mike Daugherty on drums will complete the amount specified therein. I know my daughter Dave’s first opportunity to sing on stage rhythm section. Join us on the 16th for an and son will do that for me. The problem with came in the early 1980s with the Uptown afternoon of the music that drew many of us that is, I am planning to be around for another Lowdown Jazz Band. “Bert (Barr) gave me to jazz in the first place. Jazz Soundings September 2018 Page 4 DAVE HOLO WILL BRING HIS struggled through the gig well enough to be hired as regular banjoist. The band’s HOLOTRADBAND TO PSTJS IN OCTOBER personnel at the time was Barr, cornet; George Goldsberry, clarinet; Bert Ber- by John Ochs & George Swinford - Photo by Tim Cheeney tram, trombone; Rose Marie (Sparks) Barr, piano; Tom Jacobus, tuba; and Ste- had played cornet in her family’s band. ven Joseph, drums. Sometime later, Dave She taught Dave to play by writing out was promoted to second cornet. He stayed the correct fingering for the cornet and with the band through 1981. then playing the song chords along with Holo took a year or so off to live in him on piano. In this way, he learned to Hawaii before returning to the Seattle area play by ear at an early age, but not how in early 1984. He spent a year or so sitting in to read music until a few years later. frequently with the Rainier Jazz Band to get A product of Montana public educa- his lip back in shape, and then Tom Jacobus tion, Dave played music all through el- invited Dave Loomis and him for dinner to ementary, junior high, and high school in discuss Tom’s idea to form the Evergreen student bodies where the pupils seldom Classic Jazz Band. In the early years, the band’s Dave Holo was born in 1948 and grew numbered more than 100. His first orga- personnel featured Holo on cornet: Dave up in the small towns of Montana. His par- nized exposure to jazz was in high school at Loomis trombone; Jake Powel, saxophone; ents were school teachers, and the fam- Flaxville, Montana under the tutelage of Jack Dan Grinstead, piano; Al LaTourette, banjo; ily moved every four or five years as they Reiner, who had been a dance-hall musician and Jacobus, tuba. Dave played regularly with sought to advance in their profession. in St. Louis. Reiner played all the instru- the Evergreen at festivals and private parties Both sides of Dave’s family were mu- ments. If a student had trouble with a part, from 1985 into the spring of 1996. sical. As he recalls, “There was no one on he could demonstrate the correct fingering In 1985, Gaye Anderson opened the either side who couldn’t play songs on some- on the spot. Another advantage to studying now legendary New Orleans Restaurant and thing.” His maternal grandmother played pia- with Jack was the four-drawer file cabinet of hired a trio led by Bob Jackson to play music no and his grandfather violin. They taught all 1920s and ‘30s stock arrangements he took Monday evenings. Holo was the banjoist on four of their daughters to play music, and the with him from St. Louis. that first job and Skip McDaniel the bassist. Hansen family orchestra supplemented its in- Holo also played electric guitar in a four- “Jackson turned it into a regular gig, eventually come during the Depression playing dances piece rock band during senior year in high a quartet, featuring himself on trumpet; George in Grange halls all over North Dakota. On his school. “We’d rent a hall in a town and put on Goldsberry, clarinet; Mike Duffy, bass; and dad’s side, his grandfather played all the brass a dance,” he recalls. “Kids came from 75 miles McDaniel, banjo,” Dave recalled. “When Bob instruments; his two aunts played accordion; around. It was the Grange hall model with moved to Utah to pursue a graduate degree in one uncle taught junior college music after ‘60s rock.” The year was 1965, and he was 17 1988, Skip and Duffy asked me to play cornet.” working first as a concert pianist and then a years old. The band was successful enough for A year or so later, Bob Gilman was added on rehearsal pianist for several East Coast opera Dave to pay for his freshman year in college at piano, creating “The New Orleans Quintet.” companies; another uncle was a teacher and Montana State University. The job was a good one for Dave, running trombonist; and a third an amateur musician. At MSU, Dave played in the ROTC band from June 1988 to early 2013 when he left the Dave was the oldest of four children. His while earning tuition and pocket money play- Quintet a few months after Gaye’s death. sister played trumpet in high school and sang ing guitar and cornet in a variety of music orga- Meanwhile, encouraged by the success in the Idaho All-State Choir. Even during her nizations on the country club and high-school of the Monday quartet, Anderson expanded career as a pediatrician, she continued in mu- dance circuits. He graduated in 1971 with an her restaurant’s regimen to feature music six sic, performing frequently as a pianist for the engineering degree and eventually accepted nights a week. In September 2003, Holo began Sheldon High School music department in Eu- employment with Boeing in the Seattle area. rehearsing a full-size traditional jazz band in gene, Oregon where her son and daughter were For a while, Dave didn’t do much hope of finding more gigs. When the Tuesday all-state musicians too. Dave’s younger broth- with music except play guitar at home night slot opened in October, Gaye offered him er, an accomplished saxophonist and vocalist for pleasure. After four years, he tired of the job. The new band, called the holotradband, in high school, was a success in management engineering and took a sales job in 1977 included Dave on cornet, Craig Flory, clarinet; at Intel before giving it up to make guitars. His at Holiday Music, a local chain. There, Dave Loomis, trombone; Matt Weiner, bass; other brother showed promise on the baritone, he met a fellow employee named Bert Alex Guilbert, piano; Lance Haslund, guitar; but chose not to pursue music as a career. Barr, leader of the Uptown Lowdown and Mike Daugherty, drums. In addition to Holo’s first attempt to play music was as Jazz Band. One day, Barr offered Holo a the weekly gig, the band played at festivals all a precocious first-grader when he picked up date as the band’s banjoist on short no- over the Pacific Northwest during the group’s his next-door neighbor’s trombone and tried to tice. Dave never had played banjo, but he most active period from September 2003 to play it without a mouthpiece. The incident led took one home along with a chord book, December 2012. his father to buy an old cornet from a friend and stayed up all night learning moveable Holo - continued on page 5 and give it to Dave on his seventh birthday. fingerings for the major, minor, seventh, His mother was a primarily a pianist, but also and diminished chords. The next day, he Jazz Soundings September 2018 Page 5 NOTES FROM THE EX-PREZ THOSE WERE THE DAYS

by John Heinz by Doug Parker

Devoted Traditional Jazz Fans. It is with a The interesting article by John Ochs on recording sessions which produced first an heavy heart that I have to tell you that as of 30 about the re-creation of Paul Woltz’ LP, then an audiocassette entitled “Ragtime June I have resigned my presidency position in “Happy Jazz Band” brings back memories Recycled”, which was actually a mixture of the PSTJS. Last December, when you voted to this aging sometime banjoist, of his own rags and blues. At that time, Paul was in his for me, I had no idea that this day would come experiences of having played alongside last semester at USC as a BASSOON major. so soon. However, for a variety of personal these “bright young men” in the early 1970s He borrowed a sousaphone from the USC reasons, starting with the death of my partner in Southern California. music department, and rode with me across in April 2017, and more recent events, by the In the second paragraph of his article, Los Angeles to Bill’s home in Downey, CA. time you read this I will be living in Coos Bay, John mentions the “Fink Street Five”, whose As Paul said, that LA traffic can be “hairy” OR. Whereas I have loved living in Edmonds, leader was Jeff Beaumont, who played bass at times! But it was worth it in the long run! and Shoreline, for most of my life, I can assure saxophone at the time. Many of the other you that I am going to be exceedingly happy musicians mentioned were members of that “Ah yes, those were the days” living in Coos Bay. band, which usually had seven or more play- But leaving the PSTJS, at this somewhat ers on the stand, usually at jazz club meet- pivotal moment in time, is very distressing to ings. When they needed a banjo player, this me. I took the presidency with the personal writer was frequently asked to sit in. mission to do what I could do, with the Not mentioned was a multi-talented Holo - continued from page 4 exceptional help of the Board and our new young man named Ted DesPlantes, who at While the preceding paragraphs summa- Music Director, John Ochs, to preserve age 24 in early 1971, formed a band called rize the steady jobs Dave has played locally, our traditional jazz heritage and preserve the “Handlebar Stomp Aces”, after the name he also has been a much-sought-after cornetist the PSTJS from extinction in the process. of the restaurant where his band played. for festival bands all up and down the western Fortunately, we have a lot to look forward to, When his and my mutual good friend, clari- United States and elsewhere. A sample of ad- because the experience of John Ochs, and his netist Ron Going were discussing Ted’s ditional groups with which he has played in- intimate knowledge of our bands and band need for a banjo player, Ron recommend- clude the Handpicked Jazz Men of Vancouver, members, and the history of traditional jazz, ed “yours truly”. Ted played cornet at the B.C., the Good Time Jazz Band of Montana, make him the ideal person to move forward time, with Dan Barrett, who was probably the Riverboat Jazz and Black Swan Jazz bands with our mission. He is the key to that future. about 15 or 16 at the time, on trombone, of Portland, and Ray Skjelbred’s Yeti Chas- The foundation is being laid. I am Dave Hostetler - clarinet, Larry Wright - ers of Seattle. A partial list of festival venues referring back to our April concert, and the alto and soprano saxes (he, like DesPlantes, at which he has appeared include Sacramento, discussions in our May and June editions Clint Baker, and Seattle’s own Andy Hall, San Diego, Kalispell, Ellensburg, Lacey, Port of Jazz Soundings. In those relatively brief is a multi-instrumentalist who plays sever- Angeles, the San Juan Islands, and the Bohem moments, I have learned a lot from John al instruments well, backed by an unusual Jazz Festival in Kecskemet, Hungary (with the and Ray, and others, and begun to revise my rhythm section consisting of drums, bass Evergreen Classic band). somewhat narrow understanding of just what sax and banjo played by Steve Resnick, Paul Holo has scaled down his playing all traditional jazz really is. Woltz and - Doug Parker). considerably since the closure of the New John’s article in the June issue is a real At 33, going on 34, I was the “old Orleans Restaurant, and except for its annual eye-opener for me. I kid you not, I have read man” in the band, except when Dan Barrett appearance at our society’s concerts the it three times already, and will have it with couldn’t make the job, and veteran Dave holotradband is mostly on inactive status. For me always. I think it is a priceless summary, Kennedy filled in on trombone, and once the past five years, his main music job has been with references to a range of great musicians. when Paul couldn’t be there, Jeff Beaumont as leader of a trio on the first and third Fridays One group in particular, for me, is Tuba filled in on bass sax. of each month at Salty’s on Alki. Fortunately, Skinny, who I went to see in their home base, As you can guess from reading this Dave again has agreed to make an exception The Spotted Cat, and on Royal Street, in New piece, your friend and mine, Paul Woltz, and for us and reassemble his full band for our Orleans. A great group of relatively young, I go back a LONG WAYS. October concert. May we be so lucky for very talented musicians, playing a wide range In spring of 1972, shortly before this many years to come! of traditional jazz tunes I have never heard writer moved from Southern to Northern The holotradband lineup and notes before. Ten great days with my partner. Look California, another interesting musical ex- on the band will appear in October’s Jazz them up on YouTube. Also, look up The perience occurred. Paul, Hal Smith, and I Soundings. Watch for it then. Pasadena Roof Orchestra. Great music from were invited by the late great ragtime and the past. jazz pianist Bill Mitchell to accompany him Thank you for the privilege of having been your president. Unforgettable memories….. Jazz Soundings September 2018 Page 6

Jazz Soundings September 2018 Page 7

Puget Sound Traditional Jazz Society 19031 Ocean Ave., Edmonds, WA 98020-2344

Please (enroll) (renew) (me) (us) as a member or members

Name Address City, State Zip Code E-Mail Phone Check when renewing if your address label is correct

Dues for 12 months: Single $25 Couple $40 Lifetime single $200 Lifetime Couple $350 Patron $500 (One or two lifetime membership) Please enclose a self-addressed, stamped envelope.

The Puget Sound Traditional Jazz Society is a nonprofit, tax-exempt organization dedicated to the performance and preservation of traditional jazz. Your membership and contributions are tax-deductible. Thank you.

Gigs - continued from page 2

RAY SKJELBRED Wednesdays 8-11pm The Pink Door 1919 Post Alley Seattle, WA 98101 performing with Jacob and Matt Sept. 8 7:30 - 9:30 Third Place Commons - Lake Forest Park 17171 Bothell Way NE, Lake Forest Park, WA 98155 Performing with Jacob Zimmerman and His Pals Sept. 14 9-Midnight Eastside Stomp at the Aria Ballroom 15300 NE 95th St. Redmond, with the Dave Holo band, Sept. 28 9-Midnight Eastside Stomp at the Aria Ballroom We’re looking for new 15300 NE 95th St. Redmond, with Jacob Zimmerman and Pals. Members

WELCOME NEW MEMBERS: YOU can help with little effort and that’s by bringing just one of your friends or family ALLEN REED & DINA BLADE members into our club. If WE ALL do that, our membership will double.

GOOD NEWS!

There will be an America’s Classic Jazz Festival Red X on your Jazz Soundings mailing address label with your name on it - means it’s time to renew your membership. in Lacey WA -- June 27-30, 2019. TWO red means last chance to For more info, see www.olyjazz.com XX Renew Now! Puget Sound Non-profit Org Traditional Jazz Society U..S. Postage 19031 Ocean Ave. Paid Edmonds, WA 98020-2344 Seattle, WA Permit 1375 Address service requested

BANDS, CONTACTS AIN’T NO HEAVEN SEVEN Leader: Terry Rogers HUME STREET PRESERVATION JAZZ BAND [email protected] 206-465-6601 Bookings: Karla West 406-862-3814 BARRELHOUSE GANG Leader: James Walls JAZZ UNLIMITED BAND Leader: Duane Wright 206-280-1581 email: [email protected] [email protected] 206-930-9998 www.barrelhousegang.com JAZZ STRINGS Bookings: Dave Brown BOURBON STREET ALL STARS [email protected] 206-650-5501 Leader: Jeff Winslow (360) 731 0322 [email protected] LOUISIANA JOYMAKERS Leader: Mike Hobbs COAL CREEK JAZZ BAND Leader: Judy Logen, 425-641-1692 [email protected] Bookings: [email protected] THE MARKET STREET DIXIELAND JASS BAND COMBO DE LUXE Bookings: Candace Brown Ansgar Duemchen: 425-286-5703 Tim Sherman 206-547-1772 www.combodeluxe.net [email protected] 253-752-6525 www.marketstreetjazz.com CORNUCOPIA CONCERT BAND Leader: Allan Rustad MIGHTY APHRODITE Co-leaders: Bria Skonberg, Claire www.comband.org 425-744-4575 McKenna [email protected] 405-613-0568 DAVE HOLO TRIO Leader: Dave Holo email: [email protected] NEW ORLEANS QUINTET Jake Powel 206- 725-3514 www.holotradband.com [email protected] DUKES OF DABOB Bookings: Mark Holman, 360-779-6357, RAINIER JAZZ BAND Manager: Randy Keller [email protected]. [email protected] 206-437-1568 DUWAMISH DIXIELAND JAZZ BAND Bookings: RAY SKJELBRED Carol Johnston, 206-571-7938 [email protected], [email protected] 206-420-8535 www.duwamishdixielandjazzband.com RONNIE PIERCE JAZZ ENSEMBLE EVERGREEN CLASSIC JAZZ BAND Leader: Tom Jacobus [email protected], 206-467-9365 email: [email protected] ph: 253-852-6596 or cell 253-709-3013 UPTOWN LOWDOWN JAZZ BAND Leader: Bert Barr FOGGY BOTTOM JAZZ BAND Leader: Bruce Cosacchi [email protected] 425-898-4288 360-638-2074 WILD CARDS JAZZ Leader: Randy Keller GRAND DOMINION JAZZ BAND Bookings: Bob Pelland [email protected] 206-437-1568 [email protected] 360-387-2500 THE YETI CHASERS Leader: Ray Skjelbred HOT CLUB SANDWICH Contact: James Schneider [email protected] 206-420-8535 For more information: www.hotclubsandwich.com 206-561-1137 http://www.rayskjelbred.com/calendar.html