Representations, Effects, and Social Commentary by Vaness Olivia Cox
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Collaboratv: Making Television Viewing Social Again
CollaboraTV: Making Television Viewing Social Again Mukesh Nathan Chris Harrison Svetlana Yarosh University of Minnesota Carnegie Mellon University Georgia Inst. of Technology [email protected] [email protected] [email protected] Loren Terveen Larry Stead Brian Amento University of Minnesota AT&T Research Labs AT&T Research Labs [email protected] [email protected] [email protected] ABSTRACT was first collected, a 50% increase since the 1950s, and a 12% With the advent of video-on-demand services and digital increase from 1996. The average person watches 4.5 hours video recorders, the way in which we consume media is un- of programming a day, with the average household tuned in dergoing a fundamental change. People today are less likely for more than 8 hours [10]. to watch shows at the same time, let alone the same place. Given the significant place that television holds in our As a result, television viewing, which was once a social ac- daily lives, our research focuses on understanding the so- tivity, has been reduced to a passive and isolated experience. cial aspects of television viewing – especially in today’s age To study this issue, we developed a system called Collabo- of social behavior-altering technological advances – and the raTV and demonstrated its ability to support the communal utility of social television systems for meeting the new chal- viewing experience through a month-long field study. Our lenges that such advances bring about. study shows that users understand and appreciate the utility of asynchronous interaction, are enthusiastic about Collabo- Declined Social Interactions Around Television raTV’s engaging social communication primitives and value Television was once championed as the “electronic hearth” implicit show recommendations from friends. -
Black Women, Natural Hair, and New Media (Re)Negotiations of Beauty
“IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe A DISSERTATION Submitted to Michigan State University in partial fulfillment of the requirements for the degree of African American and African Studies—Doctor of Philosophy 2019 ABSTRACT “IT’S THE FEELINGS I WEAR”: BLACK WOMEN, NATURAL HAIR, AND NEW MEDIA (RE)NEGOTIATIONS OF BEAUTY By Kristin Denise Rowe At the intersection of social media, a trend in organic products, and an interest in do-it-yourself culture, the late 2000s opened a space for many Black American women to stop chemically straightening their hair via “relaxers” and begin to wear their hair natural—resulting in an Internet-based cultural phenomenon known as the “natural hair movement.” Within this context, conversations around beauty standards, hair politics, and Black women’s embodiment have flourished within the public sphere, largely through YouTube, social media, and websites. My project maps these conversations, by exploring contemporary expressions of Black women’s natural hair within cultural production. Using textual and content analysis, I investigate various sites of inquiry: natural hair product advertisements and internet representations, as well as the ways hair texture is evoked in recent song lyrics, filmic scenes, and non- fiction prose by Black women. Each of these “hair moments” offers a complex articulation of the ways Black women experience, share, and negotiate the socio-historically fraught terrain that is racialized body politics -
73Rd-Nominations-Facts-V2.Pdf
FACTS & FIGURES FOR 2021 NOMINATIONS as of July 13 does not includes producer nominations 73rd EMMY AWARDS updated 07.13.2021 version 1 Page 1 of 20 SUMMARY OF MULTIPLE EMMY WINS IN 2020 Watchman - 11 Schitt’s Creek - 9 Succession - 7 The Mandalorian - 7 RuPaul’s Drag Race - 6 Saturday Night Live - 6 Last Week Tonight With John Oliver - 4 The Marvelous Mrs. Maisel - 4 Apollo 11 - 3 Cheer - 3 Dave Chappelle: Sticks & Stones - 3 Euphoria - 3 Genndy Tartakovsky’s Primal - 3 #FreeRayshawn - 2 Hollywood - 2 Live In Front Of A Studio Audience: “All In The Family” And “Good Times” - 2 The Cave - 2 The Crown - 2 The Oscars - 2 PARTIAL LIST OF 2020 WINNERS PROGRAMS: Comedy Series: Schitt’s Creek Drama Series: Succession Limited Series: Watchman Television Movie: Bad Education Reality-Competition Program: RuPaul’s Drag Race Variety Series (Talk): Last Week Tonight With John Oliver Variety Series (Sketch): Saturday Night Live PERFORMERS: Comedy Series: Lead Actress: Catherine O’Hara (Schitt’s Creek) Lead Actor: Eugene Levy (Schitt’s Creek) Supporting Actress: Annie Murphy (Schitt’s Creek) Supporting Actor: Daniel Levy (Schitt’s Creek) Drama Series: Lead Actress: Zendaya (Euphoria) Lead Actor: Jeremy Strong (Succession) Supporting Actress: Julia Garner (Ozark) Supporting Actor: Billy Crudup (The Morning Show) Limited Series/Movie: Lead Actress: Regina King (Watchman) Lead Actor: Mark Ruffalo (I Know This Much Is True) Supporting Actress: Uzo Aduba (Mrs. America) Supporting Actor: Yahya Abdul-Mateen II (Watchmen) updated 07.13.2021 version 1 Page -
68Th EMMY® AWARDS NOMINATIONS for Programs Airing June 1, 2015 – May 31, 2016
EMBARGOED UNTIL 8:40AM PT ON JULY 14, 2016 68th EMMY® AWARDS NOMINATIONS For Programs Airing June 1, 2015 – May 31, 2016 Los Angeles, CA, July 14, 2016– Nominations for the 68th Emmy® Awards were announced today by the Television Academy in a ceremony hosted by Television Academy Chairman and CEO Bruce Rosenblum along with Anthony Anderson from the ABC series black-ish and Lauren Graham from Parenthood and the upcoming Netflix revival, Gilmore Girls. "Television dominates the entertainment conversation and is enjoying the most spectacular run in its history with breakthrough creativity, emerging platforms and dynamic new opportunities for our industry's storytellers," said Rosenblum. “From favorites like Game of Thrones, Veep, and House of Cards to nominations newcomers like black-ish, Master of None, The Americans and Mr. Robot, television has never been more impactful in its storytelling, sheer breadth of series and quality of performances by an incredibly diverse array of talented performers. “The Television Academy is thrilled to once again honor the very best that television has to offer.” This year’s Drama and Comedy Series nominees include first-timers as well as returning programs to the Emmy competition: black-ish and Master of None are new in the Outstanding Comedy Series category, and Mr. Robot and The Americans in the Outstanding Drama Series competition. Additionally, both Veep and Game of Thrones return to vie for their second Emmy in Outstanding Comedy Series and Outstanding Drama Series respectively. While Game of Thrones again tallied the most nominations (23), limited series The People v. O.J. Simpson: American Crime Story and Fargo received 22 nominations and 18 nominations respectively. -
Sponsorship Opportunities
SPONSORSHIP OPPORTUNITIES October 22–October 29, 2020 1 ABOUT THE MISSION Austin Film Festival furthers the art and craft of FESTIVAL storytelling by inspiring and championing the work of writers, filmmakers, and all Austin Film Festival is a 27-year- It was the first event of its kind to agents and screenwriters together artists who use written and visual language to tell a story. old arts organization serving over bring professional and amateur to foster the sale of screenplays and 20,000 people annually with year- screenwriters (and now filmmakers) launch long-term successful careers. round programming, film and together to celebrate the role of Hundreds of writers’ groups, screenplay competitions, a young the screenplay in filmmaking and services and festivals have followed filmmakers program, and, what it discuss the considerable creative the Conference’s model over the is probably best known around the possibilities of writing for film and past ten years, reinforcing the world for, its annual October television. Equally important, the value of its continuing mission to Austin Film Festival & Conference. Conference assembled producers, recognize the art of screenwriting. NORMAN LEAR “ There is no city like Austin and no people like those who live there. Both are as warm and welcoming as they are youthful in spirit and endlessly entertaining.” —Norman Lear, Writer All in the Family OLIVER STONE ISSA RAE JAY AND MARK DUPLASS 2 2019 FESTIVAL AND CONFERENCE DEMOGRAPHICS GENDER AGE 65 & FEMALE over 18-24 45% (11.76%) (10.01%) — — — — -
The History of Black Women in Society
University of Washington Tacoma UW Tacoma Digital Commons Gender & Sexuality Studies Student Work Collection School of Interdisciplinary Arts and Sciences Winter 2020 The History of Black Women in Society La Toya A. Love University of Washington Tacoma Follow this and additional works at: https://digitalcommons.tacoma.uw.edu/gender_studies Part of the Gender and Sexuality Commons Recommended Citation Love, La Toya A., "The History of Black Women in Society" (2020). Gender & Sexuality Studies Student Work Collection. 47. https://digitalcommons.tacoma.uw.edu/gender_studies/47 This Undergraduate Presentation is brought to you for free and open access by the School of Interdisciplinary Arts and Sciences at UW Tacoma Digital Commons. It has been accepted for inclusion in Gender & Sexuality Studies Student Work Collection by an authorized administrator of UW Tacoma Digital Commons. T H E S C O O P T H E N E W S L E T T E R A B O U T A N D F O R T H E B L A C K W O M A N January 24 Vol. 1 C O N T E N T A Brief History of Black Women's Role in Society - 2 Black Women in Today's Society - 3 The Future for Black Women- 4 "Black women can do anything. We've proven that time and time again." -Tarana Burke. " They were devalued as human beings, not Black women have come a long way and we considered women; "In America, no less can do anything and indeed have proved that distinguished and learned a figure than Thomas time and time again. -
The Complete Guide to Social Media from the Social Media Guys
The Complete Guide to Social Media From The Social Media Guys PDF generated using the open source mwlib toolkit. See http://code.pediapress.com/ for more information. PDF generated at: Mon, 08 Nov 2010 19:01:07 UTC Contents Articles Social media 1 Social web 6 Social media measurement 8 Social media marketing 9 Social media optimization 11 Social network service 12 Digg 24 Facebook 33 LinkedIn 48 MySpace 52 Newsvine 70 Reddit 74 StumbleUpon 80 Twitter 84 YouTube 98 XING 112 References Article Sources and Contributors 115 Image Sources, Licenses and Contributors 123 Article Licenses License 125 Social media 1 Social media Social media are media for social interaction, using highly accessible and scalable publishing techniques. Social media uses web-based technologies to turn communication into interactive dialogues. Andreas Kaplan and Michael Haenlein define social media as "a group of Internet-based applications that build on the ideological and technological foundations of Web 2.0, which allows the creation and exchange of user-generated content."[1] Businesses also refer to social media as consumer-generated media (CGM). Social media utilization is believed to be a driving force in defining the current time period as the Attention Age. A common thread running through all definitions of social media is a blending of technology and social interaction for the co-creation of value. Distinction from industrial media People gain information, education, news, etc., by electronic media and print media. Social media are distinct from industrial or traditional media, such as newspapers, television, and film. They are relatively inexpensive and accessible to enable anyone (even private individuals) to publish or access information, compared to industrial media, which generally require significant resources to publish information. -
Social TV Engagement for Increasing and Sustaining Social TV Viewers
sustainability Article Social TV Engagement for Increasing and Sustaining Social TV Viewers Odukorede Odunaiya *, Mary Agoyi and Oseyenbhin Sunday Osemeahon Department of Management Information Systems, School of Applied Sciences, Cyprus International University, 99258 Nicosia, Turkey; [email protected] (M.A.); [email protected] (O.S.O.) * Correspondence: [email protected] Received: 30 April 2020; Accepted: 4 June 2020; Published: 16 June 2020 Abstract: With little known about how social TV (STV) strategies can be harnessed by the broadcasting industry in order to increase and sustain their viewers, this study brings new insight to the social TV phenomenon by investigating the effect of game uncertainty and social media use (SMU) on social TV engagement in generating network loyalty (NL). The study also analyzed the mediating effect of severity between game uncertainty and social media use with social TV engagement. SmartPLS 3 was used to analyze the survey data of 364 participants for the proposed model, and the findings from the study revealed that game uncertainty and social media use have a positive effect on social TV engagement, which positively influences network loyalty. In addition, it was seen that severity mediates the relationship between game uncertainty and social media use with social TV engagement. Keywords: social TV; game uncertainty; perceived severity; social media; social media use; social TV engagement; network loyalty 1. Introduction Social television is the union of television and social media. This has encouraged a massive rise in connectivity and content engagement among TV viewers via social media interactions [1]. Millions of people now share their TV experience with others on online social networking platforms such as Facebook and Twitter. -
The Hollywood Reporter November 2015
Reese Witherspoon (right) with makeup artist Molly R. Stern Photographed by Miller Mobley on Nov. 5 at Studio 1342 in Los Angeles “ A few years ago, I was like, ‘I don’t like these lines on my face,’ and Molly goes, ‘Um, those are smile lines. Don’t feel bad about that,’ ” says Witherspoon. “She makes me feel better about how I look and how I’m changing and makes me feel like aging is beautiful.” Styling by Carol McColgin On Witherspoon: Dries Van Noten top. On Stern: m.r.s. top. Beauty in the eye of the beholder? No, today, beauty is in the eye of the Internet. This, 2015, was the year that beauty went fully social, when A-listers valued their looks according to their “likes” and one Instagram post could connect with millions of followers. Case in point: the Ali MacGraw-esque look created for Kendall Jenner (THR beauty moment No. 9) by hairstylist Jen Atkin. Jenner, 20, landed an Estee Lauder con- tract based partly on her social-media popularity (40.9 million followers on Instagram, 13.3 million on Twitter) as brands slavishly chase the Snapchat generation. Other social-media slam- dunks? Lupita Nyong’o’s fluffy donut bun at the Cannes Film Festival by hairstylist Vernon Francois (No. 2) garnered its own hashtag (“They're calling it a #fronut,” the actress said on Instagram. “I like that”); THR cover star Taraji P. Henson’s diva dyna- mism on Fox’s Empire (No. 1) spawns thousands of YouTube tutorials on how to look like Cookie Lyon; and Cara Delevingne’s 22.2 million Instagram followers just might have something do with high-end brow products flying off the shelves. -
Exploring Social Media Scenarios for the Television
Exploring Social Media Scenarios for the Television Noor F. Ali-Hasan Microsoft 1065 La Avenida Street Mountain View, CA 94043 [email protected] Abstract social media currently fits in participants‟ lives, gauge their The use of social technologies is becoming ubiquitous in the interest in potential social TV features, and understand lives of average computer users. However, social media has their concerns for such features. This paper discusses yet to infiltrate users‟ television experiences. This paper related research in combining TV and social technologies, presents the findings of an exploratory study examining presents the study‟s research methods, introduces the social scenarios for TV. Eleven participants took part in the participants and their defining characteristics, and three-part study that included in-home field visits, a diary summarizes the study‟s findings in terms of the study of participants‟ daily usage of TV and social media, participants‟ current TV and social media usage and their and participatory design sessions. During the participatory interest in social scenarios for the TV. design sessions, participants evaluated and discussed several paper wireframes of potential social TV applications. Overall, participants responded to most social TV concepts with excitement and enthusiasm, but were leery of scenarios Related Work that they felt violated their privacy. In recent years, a great deal of research has been conducted around the use of blogs and online social networks. Studies exploring social television applications have been Introduction fewer in number, likely due to the limited availability of Whether in the form of blogs or online social networks, such applications in consumers‟ homes. -
Media Analysis.Docx
Surname 1 Student’s Name Professor’s Name Course Date Media Analysis The first season of Empire drama series was premiered on Fox on January 7, 2015, and till March 18, 2015. The show was aired on Fox on Wednesdays at 9.00 PM ET (Fox, 2015). The 12 episodes American Television series, centers on an entertainment company, The Empire Entertainment Company. It is a family business making lots of profit from signing in popular musicians and hip-hop artists as well as recordings from talented family members. Each of the family members fights for control over the company. The main casts in the movie are a divorced couple Lucious Lyon and his ex-wife Cookie Lyon. The couple has three sons Andre (oldest son and married to Rhonda), Jamal (middle son), and Hakeem Lyon (Fox, 2015). Lucious and Cookie spent most of their early lives in drug dealing until Cookie was imprisoned. Although the family was living in poverty, they had ambitions to prosper in the music industry. They were a happy family always protecting and encouraging each other until Cookie was imprisoned (Fox, 2015). The interaction in the Empire Series is family-based. The ambitions and fight for control over The Empire Company bring the interactions in the family (IMDb, 2015). While in jail, the interaction between Cookie, Lucious, and their sons are minimal. After the release of Cookie from jail, her relationship with her ex-husband Lucious is business-centered until episode 7, where it becomes intimate (Fox, 2015). Although the divorced couple tries to keep their relationshipx-essays.com business-wise, it is clear Lucious loves Cookie. -
Hollywood Foreign Press Association 2017 Golden Globe Awards for the Year Ended December 31, 2016 Press Release
HOLLYWOOD FOREIGN PRESS ASSOCIATION 2017 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2016 PRESS RELEASE 1. BEST MOTION PICTURE – DRAMA a. HACKSAW RIDGE Pandemonium Films / Permut Productions; Lionsgate b. HELL OR HIGH WATER Sidney Kimmel Entertainment / Film 44 / LBI Entertainment / OddLot Entertainment; CBS Films / Lionsgate c. LION See-Saw Films; The Weinstein Co. d. MANCHESTER BY THE SEA Pearl Street Films / The Media Farm / K Period Media / The A | Middleton Project / B Story; Amazon Studios e. MOONLIGHT A24 / Plan B / Pastel; A24 2. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA a. AMY ADAMS ARRIVAL b. JESSICA CHASTAIN MISS SLOANE c. ISABELLE HUPPERT ELLE d. RUTH NEGGA LOVING e. NATALIE PORTMAN JACKIE 3. BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA a. CASEY AFFLECK MANCHESTER BY THE SEA b. JOEL EDGERTON LOVING c. ANDREW GARFIELD HACKSAW RIDGE d. VIGGO MORTENSEN CAPTAIN FANTASTIC e. DENZEL WASHINGTON FENCES HOLLYWOOD FOREIGN PRESS ASSOCIATION 2017 GOLDEN GLOBE AWARDS FOR THE YEAR ENDED DECEMBER 31, 2016 PRESS RELEASE 4. BEST MOTION PICTURE – MUSICAL OR COMEDY a. 20TH CENTURY WOMEN Annapurna; A24 b. DEADPOOL Twentieth Century Fox; Twentieth Century Fox c. FLORENCE FOSTER JENKINS Paramount Pictures / Pathe / BBC Films; Paramount Pictures d. LA LA LAND Impostor Pictures / Gilbert Films / Marc Platt Productions; Lionsgate e. SING STREET Cosmo Films; The Weinstein Co. 5. BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY a. ANNETTE BENING 20TH CENTURY WOMEN b. LILY COLLINS RULES DON'T APPLY c. HAILEE STEINFELD THE EDGE OF SEVENTEEN d. EMMA STONE LA LA LAND e.