The Viability of Orwell's Newspeak Through the Theory of Saussurean
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Art: NEWSPEAK
Communication NEWSPEAK - is not all that new! A couple of years ago, I went along to see Headlong’s 1 stage adaptation of George Orwell’s masterpiece ‘Nineteen Eighty-Four’ (at the Melbourne Festival); which started me thinking………. The way words shape people’s thinking can be very powerful. This power can be used for both good and bad and is an important element in effective communication. Oratory and rhetoric are generally seen as positive motivational and persuasive skills; propaganda as the ‘flip side’ focused on misleading and creating ‘false truths’. The question is, can project professionals learn to use these skills to enhance their stakeholder engagement activities; and is this ethical? My feeling is that the ability to persuade stakeholders to help you be successful is a positive skill and is ethical provided the skill is used for the greater good. Therefore, we can learn from the black arts of propaganda showcased in 1984 and turn them into assets to enhance our communication and stakeholder engagement activities; but only as long as the ‘dark side’ of this powerful capability is understood and avoided as well. Orwell is famous for two novels, Animal Farm published in 1945 and Nineteen Eighty-Four published in 1949. Both were focused on the evil of totalitarian regimes, but 1984 goes beyond politics to look at the process of manipulating the way people think, or more precisely, how to use language to stop people thinking. Paradoxically, ‘The Principles of Newspeak’ are defined in an appendix to 1984 (and therefore few people read it), but reading the appendix reframes the whole book 2. -
Newspeak’ in Polish Translations of British and American Press Articles Under Communist Rule
Research in Language, 2017, vol. 15:1 DOI: 10.1515/rela-2017-0003 PRINCIPLES OF ‘NEWSPEAK’ IN POLISH TRANSLATIONS OF BRITISH AND AMERICAN PRESS ARTICLES UNDER COMMUNIST RULE EDYTA ŹRAŁKA University of Silesia [email protected] Abstract The paper analyses selected Polish translations of British and American press articles published in the magazine Forum in the years 1965 – 1989. In communist Poland, all such texts were censored before publication, which forced the translators to avoid content and language that could be banned by censors and to adopt a specific style of expression known as Newspeak. The paper lists the linguistic phenomena in the target language that represent features typical of Newspeak and identifies manipulative procedures which led to their occurrence, using a corpus of 25 English texts and their Polish translations. Keywords: translation, manipulation, Newspeak, censorship, communist Poland 1. Introduction When the topic of Newspeak is raised in the context of the Polish language of speeches, slogans and publications of the communist times, what primarily comes to mind is ideological texts promoted in the mass media, praising the communist rule and socialist model of society. We normally ascribe the features of Newspeak to texts written in order to promote the communist authorities and their system of ruling by the followers of the system or according to imposed requirements, but in either case by authors living under the communist rule. We rarely realize that the language of Newspeak constituted an established system that had a considerable impact on the commonly used language, not only in texts originally written by authors who were following the requirements of the communist rule to allow publication of their works, but also – through translation – on contents coming from abroad and originally written by authors who had totally different attitudes and used a neutral, not ideologically- motivated, language. -
Doublespeak? Sustainability in the Arctic—A Text Mining Analysis of Norwegian Parliamentary Speeches
sustainability Article Doublespeak? Sustainability in the Arctic—A Text Mining Analysis of Norwegian Parliamentary Speeches Mikko Moilanen * and Stein Østbye School of Business and Economics, UiT The Arctic University of Norway, 9037 Tromsø, Norway; [email protected] * Correspondence: [email protected] Abstract: This paper contributes to the recent literature on sustainability in the Arctic as a political concept. Parliamentary proceedings have increasingly been recognized as an important source of information for eliciting political issues. In this paper, we use unsupervised text mining techniques to analyze parliamentary speeches for Norway from the period from 2009 to 2016 to answer whether political coalitions talk differently about sustainability in the Arctic depending on being in opposition or government. We find that the difference between being in government and opposition, controlling for political label (left-right), is far more important than the difference between left and right, con- trolling for role (opposition-government). The results suggest that in the trade-off between political preferences and election success, the balance is tilted in favour of the latter. Our interpretation is that opportunistic behavior seems to dominate partisan behavior in the politics related to sustainability in the Arctic. Keywords: text mining: sustainability; arctic; partisan theory Citation: Moilanen, M.; Østbye, S. Doublespeak? Sustainability in the 1. Introduction Arctic—A Text Mining Analysis of Do political parties talk differently about sustainability in the Arctic and differently Norwegian Parliamentary Speeches. Sustainability 2021, 13, 9397. https:// depending on being in opposition or government? In this paper we throw some light doi.org/10.3390/su13169397 on these questions using text-based quantitative analysis of parliamentary speeches for Norway from the period 2009 to 2016. -
Nineteen Eighty-Four
MGiordano Lingua Inglese II Nineteen Eighty-Four Adapted from : http://en.wikipedia.org/wiki/Nineteen_Eighty-Four Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by George Orwell published in 1949. The novel is set in Airstrip One (formerly known as Great Britain), a province of the superstate Oceania in a world of perpetual war, omnipresent government surveillance, and public manipulation, dictated by a political system euphemistically named English Socialism (or Ingsoc in the government's invented language, Newspeak) under the control of a privileged Inner Party elite that persecutes all individualism and independent thinking as "thoughtcrimes". The tyranny is epitomised by Big Brother, the quasi-divine Party leader who enjoys an intense cult of personality, but who may not even exist. The Party "seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power." The protagonist of the novel, Winston Smith, is a member of the Outer Party who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspaper articles so that the historical record always supports the current party line. Smith is a diligent and skillful worker, but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, Nineteen Eighty-Four is a classic novel in content, plot, and style. Many of its terms and concepts, such as Big Brother, doublethink, thoughtcrime, Newspeak, Room 101, Telescreen, 2 + 2 = 5, and memory hole, have entered everyday use since its publication in 1949. -
Topic Abstract When the Clocks Were Striking Thirteen: 1984
Topic Abstract When the Clocks Were Striking Thirteen: 1984 Non-Traditionals | Washington, D.C. | February 11-14, 2021 A Georgetown International Relations Association, Inc. Conference Dear Delegates and Advisors, Greetings from NAIMUN LVIII! The staff has been working hard to make the conference the most rewarding and educational experience yet, and we are excited to welcome you all to D.C. in February! This document is the topic abstract for When the Clocks Were Striking Thirteen: 1984. It contains three key elements to allow you to prepare well in advance for the committee: topic descriptions, questions to consider, and research avenues. This abstract will give you a better understanding of the committee’s content and procedures, and it can act as a starting point for further research. We hope to be of assistance to you in your preparation for NAIMUN LVIII. If you have any questions, comments, or concerns, please feel free to contact the Secretary- General, Director-General, or your Under-Secretaries-General. You may also contact your dais directly at [email protected]. We look forward to welcoming you to the NAIMUN family! Best, Alexander Chen Sanjna Jain Secretary-General Director-General [email protected] [email protected] Kate Reeves Hellen Kuang Under-Secretary-General, Under-Secretary-General, Non-Traditionals Non-Traditionals [email protected] [email protected] Topic Abstract | naimun.modelun.org | 2 What is a Crisis Committee? Crisis Committees are markedly different from both GAs and ECOSOCs. They tend to focus on specific issues, geographic areas, and historical periods. For example, the Court of Louis XIV, 1665 simulates the peak years of King Louis XIV in power, tackling issues from the international expansion of the French empire to developing domestic institutions. -
Nineteen Eighty-Four
Nineteen Eighty-Four This article is about the Orwell novel. For other uses, see 1984 (disambiguation). Nineteen Eighty-Four, sometimes published as 1984, is a dystopian novel by English author George Orwell pub- lished in 1949.[1][2] The novel is set in Airstrip One (for- merly known as Great Britain), a province of the super- state Oceania in a world of perpetual war, omnipresent government surveillance and public manipulation, dic- tated by a political system euphemistically named English Socialism (or Ingsoc in the government’s invented lan- guage, Newspeak) under the control of a privileged Inner Party elite, that persecutes individualism and independent thinking as "thoughtcrimes".[3] The tyranny is epitomised by Big Brother, the quasi- divine Party leader who enjoys an intense cult of per- sonality but who may not even exist. The Party “seeks power entirely for its own sake. We are not interested in the good of others; we are interested solely in power.”[4] The protagonist of the novel, Winston Smith, is a member of the Outer Party, who works for the Ministry of Truth (or Minitrue), which is responsible for propaganda and historical revisionism. His job is to rewrite past newspa- per articles, so that the historical record always supports A 1947 draft manuscript of the first page of Nineteen Eighty- the party line.[5] Smith is a diligent and skillful worker Four, showing the editorial development. but he secretly hates the Party and dreams of rebellion against Big Brother. As literary political fiction and dystopian science-fiction, his unforgiving novel” in 1944, the implications of divid- Nineteen Eighty-Four is a classic novel in content, plot ing the world up into Zones of influence that had been con- and style. -
Narrative Viewpoint and the Representation of Power in George Orwell’S Nineteen Eighty-Four
Narrative viewpoint and the representation of power in George Orwell’s Nineteen Eighty-Four BRIGID ROONEY This essay considers how ‘perspective’ and ‘choice of language’ in George Orwell’s novel, Nineteen Eighty-Four, position the reader and contribute to the text’s representation of power, powerplay and people power.1 The aims of this essay can be restated in the form of two key questions. What specific features of the narrative in Orwell’s Nineteen Eighty-Four construct the text’s representation of power, and of powerplay? How do those features position the responder to think and feel about political power and about whether there can be people power? Questions of medium, textual form, and genre It is important to distinguish, at the outset, between ‘narrative’, as a general term for story or the telling of story, and ‘the novel’, as a particular medium or form of narrative. Narratives are everywhere in culture. Not only are they integral to novels but they also permeate films, news reports, and even the everyday stories we use to make sense of life. Narratives always position the listener, reader, or responder in particular ways, expressing partial truths, and creating or constructing certain views of reality while minimizing or excluding others. The novel, on the other hand, is a specific textual form that developed, in the medium of print, during the last three hundred years or so in European societies. Not all cultures and societies have given rise to ‘novels’, though all have told stories, in visual, oral, or written forms. The European novel’s popularity peaked in the nineteenth century. -
AP United States Government and Politics Study Questions
AP United States Government and Politics Study Questions - 1984 When George Orwell's novel, 1984, was published in 1949, it gained instant notoriety. Some saw it as a true vision of Stalin's Soviet Union, a condemnation of totalitarianism, a study of power and its abuse through propaganda and terror. Others viewed it as a cautionary tale of the future, a society without moral direction, willing to be dominated by its technology and the image of “Big Brother.” The book stands today as a classic, some would say sarcastic, description of repression and human frailty. It is a work which demands thought and seeks reasoned evaluation. After reading 1984, please analyze the book and develop answers to the following questions. You may attend to other themes or issues as well, but make sure you focus the assignment around the questions presented below: 1) What are some of the primary themes present in 1984? Please address the particular themes of love, technology, and revolt. How are love and human relationships viewed by Orwell in the society of 1984? To what extent is ideology the basis of revolt? Or is revolt based around other principles? 2) What is the function of technology in 1984? How has technology been perverted in 1984 and what technological problems are still being studied at that time? 3) How are classes structured in the society of 1984? What is the Inner Party and what is the Outer Party? What is the function of the Proles in the society of 1984? What is meant by the slogan, “Proles and Animals are Free?” Is Winston Smith a sane -
Populism in Central Europe
Organiser: Objectives of this book are: The Association for International Affairs (AMO) is a Czech non-govern- ■ To examine the factors that feed the contemporary populist facet of Central European politics. mental organization that conducts research, and hosts educational pro- ■ To critically analyze the concept of populism: Is populism an inherent feature of politics? grams in the fields of international affairs, foreign policy and security ■ To discuss the historical and ideological roots of Central European populism: What has influenced studies. AMO, established in 1995, the formation of populism in Central Europe? is currently one of the leading institu- With kind support of: tions of its kind in the Czech ■ To ask whether the features shared by the Central European states outweigh their differences and Republic. whether there is such phenomenon as "Central European populism". The Research Center of AMO pro- Václav Nekvapil and Maria Staszkiewicz (editors) vides independent expert analyses, supports discussions at various levels and provides solutions for these issues. EMBASSY OF THE REPUBLIC OF POLAND IN PRAGUE MINISTRY OF FOREIGN AFFAIRS OF THE CZECH REPUBLIC POPULISM IN CENTRAL EUROPE Populism in Central Europe Editors: Václav Nekvapil and Maria Staszkiewicz Compiled by: Vendula Peisertová, Jiří Bednář, Lauren Trigero, Adéla Jurečková, Jitka Jurková, Lenka Ryjáčková and Vlaďka Votavová Translations: Gwendolyn Albert (Eva van de Rakt: Opening Remarks; Marie Gailová: Populism in the Context of "the Roma Question"; Jiří Musil: Reflections on Czech Populism; Václav Nekvapil: Populism and the Role of Political Parties in the Czech Republic and Lukáš Benda: Populism in Contemporary Hungarian Politics) Designed by: Tomáš Barčík – design studio Printed by: BCS, s. -
Language As Political Control: Newspeak Revisited
Language as Political Control: Newspeak Revisited Jonathan Pool Department of Political Science University of Washington Seattle, Washington 98195 Bernard Grofman School of Social Sciences University of California, Irvine Irvine, California 92717 Prepared for delivery at the 1984 Annual Meeting of the American Political Science Ass ociation, Washington, D. C., 30 August to 2 September, 1984. Copyright by the American Political Science Association. Pool & Grofman i Language as Political Control ABSTRACT Could a state make its citizens speak and write a language like Newspeak, described by Orwell in 1984? Would the use of su ch a language suppress the population's ability to-reason about politics? Newspeak is a language created by grafting the morphology of Esperanto onto the sy ntax, semantics, and style of bureaucratic English. The derivation and inflection of words are very regular, simple, and productive; words are etymo logically disassociated and easy to pronounce; meanings are controlled; synonyms are eliminated; and cliches and monotonous speech are legitimized. The evidence largely supports the belief that a language like Newspeak could be successfully ad opted for or by a speech community. Communities have accepted such language reforms with little coercion when proposed by states, voluntary associations, and individuals. Preliminary evidence does not, however, support the belief that a language like Newspeak would impair the capacity for political reasoning. Persons using a language with features of Newspeak maintain their ability to resist verbal manipulation. When such a language is officialized, it also reduces ethnic and elite-mass linguistic gaps. In important ways, Newspeak represents a new linguistic technology of political equality and liberation. -
Here Is Truth and There Are Facts
STUDY GUIDE AUCKLAND ARTS FESTIVAL AND GWB ENTERTAINMENT IN ASSOCIATION WITH STATE THEATRE COMPANY SOUTH AUSTRALIA AND AUCKLAND THEATRE COMPANY PRESENT THE HEADLONG, NOTTINGHAM PLAYHOUSE & ALMEIDA THEATRE PRODUCTION BY GEORGE ORWELL A NEW ADAPTATION CREATED BY ROBERT ICKE AND DUNCAN MACMILLAN “There is truth and there are facts. Freedom is the freedom to say that two plus two makes four.” Winston STUDY GUIDE contents Cast Headshots and Roles 3 Plot Overview 4 Orwell’s 1984 Appendix 4 Q&A 5 Technical Design 11 Insight from the Cast 12 Theatrical Style 15 Characters 15 Themes 17 Symbolism 18 Quotes 19 Background Information 20 Activities for the Classroom 24 Responding to 1984 29 Further Questions 31 Useful Links 33 Simple Plot Summary 34 Essays and Further Information 35 Glossary of Newspeak 40 Please note: The Pre-Show Briefing Document includes; Introduction to the show, A list of the Cast and Creative Team, Biography on Orwell, Preshow Activities and Links, Theatre Review Preparation and a Note for Students. Photo Credit – James Hartley 2 cast Paul Blackwell – Parsons Tom Conroy – Winston Rose Riley – Julia Terence Crawford – O’Brien Bill Allert – Martin Guy O’Grady – Syme Fiona Press – Mrs Parsons Simon London – Charrington Please go to http://www.1984play.com.au where the cast and creative’s professional 3 bios are listed. plot overview 1984 is set in the same year as its name, in a world called Oceania. Oceania is a place where the Inner Party watches its citizens actions and scrutinizes their thoughts. Defying a ban on individuality, the protagonist, Winston, a member of the Outer Party, writes his thoughts in a diary and falls in love with a young headstrong woman named Julia. -
Dystopian Language and Thought: the Sapir-Whorf Hypothesis Applied to Created Forms of English
DePauw University Scholarly and Creative Work from DePauw University Student research Student Work 2014 Dystopian Language and Thought: The aS pir- Whorf Hypothesis Applied to Created Forms of English Kristen Fairchild Follow this and additional works at: http://scholarship.depauw.edu/studentresearch Part of the English Language and Literature Commons Recommended Citation Fairchild, Kristen, "Dystopian Language and Thought: The aS pir-Whorf Hypothesis Applied to Created Forms of English" (2014). Student research. Paper 7. This Thesis is brought to you for free and open access by the Student Work at Scholarly and Creative Work from DePauw University. It has been accepted for inclusion in Student research by an authorized administrator of Scholarly and Creative Work from DePauw University. For more information, please contact [email protected]. 1 Dystopian Language and Thought: The Sapir-Whorf Hypothesis Applied to Created Forms of English Kristen Fairchild DePauw University Honor Scholar 401-402: Senior Thesis April 11, 2014 2 3 Acknowledgements I would like to acknowledge and thank my three committee members for their guidance and encouragement through this process. Additionally, a special thanks to my advisor, Istvan Csicsery-Ronay Ph.D, for all his extra time and support. 4 5 Introduction The genre of science fiction is a haven for the creation of new worlds, universes, and projections of the future. Many versions of the future represent dystopian societies. While the word dystopia often evokes images of hellish landscapes or militarized super-cities, the word dystopia simply implies “a dis-placement of our reality.”1 Dystopias usually originate from social or political conditions of the present.