THE JAPANESE SWORD the Material, Manufacturing and Computer Simulation of Quenching Process
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Today's Challenges. Tomorrow's Opportunities
See page 215 for more information. Today’s Challenges. Tomorrow’s Opportunities. The World’s Largest Annual Steel Conference and Exposition TECHNICAL CONFERENCE 550+ Presentations Learn about cutting-edge processes and technological advancements that power today’s progressive industry. Plant Tours See the latest technology and industry processes up close with tours of: • ArcelorMittal Cleveland SOLD OUT • Charter Steel – Cleveland • TimkenSteel Corp. – Faircrest Plant Plant tours typically sell out, so reserve your spot early. REGISTRATION Full Conference Member US$650 Non-Member US$850* Register by 13 April 2015 and save up to US$100 on One-Day Conference Member US$475 Non-Member US$675* full conference or one-day registration. Exposition Only Member FREE Non-Member US$50 *Includes AIST membership AISTech.org EXPOSITION 500+ Exhibitors With 245,000 sq. ft. (22,760 m2) of exhibit space, AISTech 2015 is your opportunity to develop your contacts and promote your business with the individuals who specify, purchase, design and operate a variety of plants and facilities all over the world. Contact [email protected] to reserve your exhibit space and sponsorships today. Lodging AIST has reserved a block of rooms at several hotels in downtown Cleveland. We strongly encourage you to reserve your hotel room well in advance. The block sells out quickly! Reserve your room today at AISTech.org. NETWORK 8,000 Global Industry Professionals Strengthen your network by interacting with your steel industry peers during AISTech’s numerous events, programs and exposition. 550+ Presentations Visas Learn about cutting-edge processes and technological AIST provides letters of invitation to registered international advancements that power today’s progressive industry. -
STUFF MATTERS Hold Together Our Physical World
Watch author photo color. Use CMYK file provided for target. Color substitutions for C,M,Y channels. PMS 801 C for C / PMS 806 C for M / PMS 803 C for Y Process Black / PMS 185 C Red — Scuff Free Matte Lamination $26.00 Higher in Canada MARK MIODOWNIK An eye-opening adventure deep inside the everyday materials that surround us, packed with “I stayed up all night reading this book. Miodownik writes with such knowledge, such enthusiasm, such a palpable love for his subject.” surprising stories and fascinating science — OLIVER SACKS, author of Hallucinations Why is glass see-through? What makes elastic stretchy? Why does a paper clip bend? Why does any “Concrete, chocolate, paper, porcelain; this is a fascinating and informative MARK MIODOWNIK material look and behave the way it does? These are account of the ‘stuff’ of our everyday lives.” the sorts of questions that Mark Miodownik is con- — PENNY LE COUTEUR, coauthor of Napoleon’s Buttons: stantly asking himself. A globally renowned materials How 17 Molecules Changed History scientist, Miodownik has spent his life exploring ob- jects as ordinary as an envelope and as unexpected as concrete cloth, uncovering the fascinating secrets that “It is a rare thing for a true scientist to be able to explain how things work so STUFF MATTERS hold together our physical world. clearly to the layperson — and even rarer to do so in such an entertaining fashion. MATTERS STUFF In Stuff Matters, Miodownik entertainingly exam- No one who reads this book will look at the world quite the same again.” ines the materials he encounters in a typical morn- — KATE ASCHER, author of The Works, ing, from the steel in his razor and the graphite in his The Heights, and The Way to Go pencil to the foam in his sneakers and the concrete in a nearby skyscraper. -
Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade. -
Latest Japanese Sword Catalogue
! Antique Japanese Swords For Sale As of December 23, 2012 Tokyo, Japan The following pages contain descriptions of genuine antique Japanese swords currently available for ownership. Each sword can be legally owned and exported outside of Japan. Descriptions and availability are subject to change without notice. Please enquire for additional images and information on swords of interest to [email protected]. We look forward to assisting you. Pablo Kuntz Founder, unique japan Unique Japan, Fine Art Dealer Antiques license issued by Meguro City Tokyo, Japan (No.303291102398) Feel the history.™ uniquejapan.com ! Upcoming Sword Shows & Sales Events Full details: http://new.uniquejapan.com/events/ 2013 YOKOSUKA NEX SPRING BAZAAR April 13th & 14th, 2013 kitchen knives for sale YOKOTA YOSC SPRING BAZAAR April 20th & 21st, 2013 Japanese swords & kitchen knives for sale OKINAWA SWORD SHOW V April 27th & 28th, 2013 THE MAJOR SWORD SHOW IN OKINAWA KAMAKURA “GOLDEN WEEKEND” SWORD SHOW VII May 4th & 5th, 2013 THE MAJOR SWORD SHOW IN KAMAKURA NEW EVENTS ARE BEING ADDED FREQUENTLY. PLEASE CHECK OUR EVENTS PAGE FOR UPDATES. WE LOOK FORWARD TO SERVING YOU. Feel the history.™ uniquejapan.com ! Index of Japanese Swords for Sale # SWORDSMITH & TYPE CM CERTIFICATE ERA / PERIOD PRICE 1 A SADAHIDE GUNTO 68.0 NTHK Kanteisho 12th Showa (1937) ¥510,000 2 A KANETSUGU KATANA 73.0 NTHK Kanteisho Gendaito (~1940) ¥495,000 3 A KOREKAZU KATANA 68.7 Tokubetsu Hozon Shoho (1644~1648) ¥3,200,000 4 A SUKESADA KATANA 63.3 Tokubetsu Kicho x 2 17th Eisho (1520) ¥2,400,000 -
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others. -
Parallel Deformation of the Metals
Modeling and Numerical Simulation of Material Science, 2013, 3, 79-83 http://dx.doi.org/10.4236/mnsms.2013.33010 Published Online July 2013 (http://www.scirp.org/journal/mnsms) Parallel Deformation of the Metals Chetan Nikhare Mechanical Engineering Department, The Pennsylvania State University, Erie, USA Email: [email protected] Received January 30, 2013; revised March 3, 2013; accepted March 15, 2013 Copyright © 2013 Chetan Nikhare. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited. ABSTRACT The metal goes into the plastic deformation after the application of external load. Most of the metal forming industries work on this principle of plastic deformation. Thus the understanding of plastic deformation in the metal forming indus- try is important. The research on the single material plastic deformation has been carried out from many centuries be- fore the era of Tresca. In this study the two metals 0.05% C steel annealed (soft metal) and 0.6% C steel quenched and tempered (hard metal) were deformed plastically in the parallel combination in the composite form. This study has been carried out with simple mathematical theory and simulated numerical model. The comparison shows the exact match between the mathematical and numerical results. It is also observed that the individual metal thickness affects the de- formation flow curve. Keywords: Plasticity; Bi-Metal; Metal Forming; Mathematical Model; Numerical Model 1. Introduction at soda fountain corner through the straw which was long enough from her mouth reach. -
Analysis of Scale-Up of a Shaft Furnace by Process Engineering-From the Iron-Manufacturing Experiment by Using Bei-Tetsu in Hippo Tatara
ISIJ International, Vol. 54 (2014), No. 5, pp. 1051–1058 Analysis of Scale-up of a Shaft Furnace by Process Engineering - From the Iron-manufacturing Experiment by Using Bei-tetsu in Hippo Tatara - Yoshiyuki MATSUI,1)* Keiichi TERASHIMA2) and Reijiro TAKAHASHI3) 1) Kobelco Research Institute, Inc., 1-5-5, Takatsukadai, Nishi-ku, Kobe, Japan. 2) Chiba Institute of Technology, 2-17-1, Tsudanuma, Narashino, Chiba, Japan. 3) Former Tohoku University, 2-1-1, Katahira, Aoba-ku, Sendai, Miyagi, Japan. (Received on November 30, 2013; accepted on March 3, 2014) “Iron technology and history forum” obtained the opportunity to participate in the 38th iron-manufacture experiment by using Bei-tetsu (lump iron ore with rice cake shape) conducted like in 1859 (Ansei era 6) by “the committee of restoring iron manufacture of “Hippo” (Village of Marumori-Town, Igu-County, Miyagi-Prefecture, Japan)” as early reconstruction assistance from the Great East Japan Earthquake in 2011. This experimental result was analyzed by process engineering and discovered the bird’s eye view on the conversion from the Japanese-style indirect iron-making into the shaft furnace historically and tech- nically. KEY WORDS: Tatara; shaft furnace; Blast Furnace; similarity rule; golden ratio. the old Sendai-feudal domain. 1. Introduction By restoring northeastern industrial history by carrying It is said that “Technology is sublimated to learning as it out using the Bei-tetsu from Taneyama plateau of the north- grows on a large scale. This is certain by theoretic common ernmost tip of old Sendai-feudal domain as the tatara mate- evolution.” In manufacturing technique, the blast furnace is rial of the Marumori-tawn renaissance at the southernmost the maximum scale serves as the comprehensive tip of the old Sendai-feudal domain as traditional craftsman- engineering1) of many learning fields as well as rolling. -
" Tatara" Process*
" Tatara" Process* - A Pig Iron- and Steel-Making Process, Transmitted from Ancient Times in Japan - By lukichi KOZ lIka** Sy n op sis at " Cha-no-Yu ") were m a d e from it. From Gncient times 111 j ajJa n Ihere are excellent swords called In the following the a uthor d escribes " T a tara" " NijJjJon- t6" as a symbol of " Samurai" . The)' are weLL-knowll and p rocess putting the stress on the direct steelmaking sland high in their aesthetic value aLL over Ihe world. The material of m ethod, " Keraoshi " . " N ijJjJo /l-to" is " Tamahagallc" (c/'ltde steel ) or " H ocho-Ietsu" (c rude wrought iron) produced by " T atara " process which was devel II. The Historical Development of "Tatara )) oped jJeCl.tiiariy ill j ajJa Il alld has bem hallded down to us f rom ollr Process ancestors. This pajJer briefly describes the method of " Totaro " /J I"Qcess and From the a rchaeological viewpoint, it is regarded several malters related to it. that the process was brough t to j a pan for the firsL Lime from the Asia tic Con tinent in the first a nd second I. Introduction centuries. The primitive m ethod of the process ex R aw m ateria l used in " T atara " process is thc isted in the fa bulous age of j a pa n, when our a ncestors. specia l iron sand ca lled " M asa " or "Aka m e" whi ch manufactured by aid of natura l draft a mixture of is mined only in San-in distri ct, sou th-wes t pa rt of iron, steel, sponge iron, slag, a nd charcoal in a hole the m a in isla nd of j apa n . -
Japanese Swords As Symbols of Historical Amnesia: Touken Ranbu and the Sword Boom in Popular Media
Volume 19 | Issue 7 | Number 1 | Article ID 5564 | Apr 01, 2021 The Asia-Pacific Journal | Japan Focus Japanese Swords as Symbols of Historical Amnesia: Touken Ranbu and the Sword Boom in Popular Media Kohki Watabe Abstract: This essay analyses the Japanese revisionism, nationalism, symbolism of sword boom in popular media in the 21st Japanese swords, Touken Ranbu century, situating Touken Ranbu, an online video game franchise, within its wider political and historical context. In the first two decades of the 21st century, government, commercial, Introduction and semi-public institutions, such as museums, extensively deployed positive depictions of In the 2010s, Japan's media culture witnessed a Japanese swords in popular media, including phenomenon that could be termed a Japanese anime, manga, TV, and films in public relations sword boom, evident in forms from manga and campaigns. As a historical ideological icon, anime to video games and films. The swords have been used to signify class in the transmedia popularity of sword iconography Edo period (1603-1868) and to justify the has influenced public relations strategies of Japanese Empire’s expansion into Asia during companies and governments and encouraged the Asia-Pacific War (1931-1945). Bycollaborations among public and private emphasizing the object's symbolism andsectors. Arguably, the most notable example of aestheticism, the sword boom of the 21st this phenomenon is a video game called Touken century is following a similar trajectory. Ranbu and its transmedia franchise. Taken Popular representations of swords in media together, these trends represent a fascination culture selectively feature historical episodes with the trope of the sword: some that are deemed politically uncontroversial and representations are historically grounded while beneficial for promoting a sense of national others are radically decontextualized; some pride. -
Introduction to Japanese Swods Ⅲ HAMON Jul
Apr. 17 (Sat) ~ Introduction to Japanese Swods Ⅲ HAMON Jul. 11 (Sun) ,2021 List of Works No. Designation Type Inscription Size(cm) Province Period Collection Appreciation of Hamon Patterns (Basics) 1 □ Wakizashi Signed Echigo-no-kami KANESADA 54.5 Settsu Early Edo Period(17th century) Private collection Komidare End of Heian - Beginning of Kamakura The Japanese Sword 2 〇 Tachi Signed TOMONARI saku 96.05 Bizen Period (12-13th century) Museum The Japanese Sword 3 〇 Tachi Signed SANEKAGE 79.2 Hōki End of Heian Period (12th century) Museum Suguha Sōshū jū TSUNAHIRO 4 □ Tachi Signed Tenbun 17 nen boshin 2 gatsujitsu 77.9 Sagami Late Muromachi Period (1548) Private collection (attached) Kawa tsutsumi tetsuzukuri tachi-goshirae 5 〇 Tachi Signed UNJI 74.1 Bizen End of Kamakura Period (14th century) Private collection Chōji The Japanese Sword 6 Katana Unsigned ICHIMONJI 66.4 Bizen Mid-Kamakura Period (13th century) ※1 Museum The Japanese Sword 7 ◎ Tachi Unsigned Fukuoka ICHIMONJI 77.1 Bizen Mid-Kamakura Period (13th century) ※2 Museum (Gold inlay The Japanese Sword 8 Katana SUKEZANE 72.1 Bizen Mid-Kamakura Period (13th century) inscription) Museum Bizen Osafune jū Yokoyama SUKEKANE saku The Japanese Sword 9 Katana Signed Genji 1 nen 8 gatsujitsu 72.4 Bizen End of Edo Period (1864) Museum Tomonari 58 dai mago Notare Tsuda Echizen-no-kami SUKEHIRO The Japanese Sword 10 Katana Signed 71.1 Settsu Early Edo Period (1667) Kanbun 7 nen 8 gatsujitsu Museum 11 ■ Wakizashi Unsigned Attributed to MASAMUNE 57.5 Sagami End of Kamakura Period(14th century) -
Ancient Japanese Steelmaking Processes
Ancient Japanese Steelmaking Processes By Shinnosuke Yamamoto * Methods of direct steelmaking were evolved in Japan several thousand years ago. The steel prod uced was used to make famous Japanese swords. Many archaeologists and scientis t s 1 ):'!):!} have carried out resear ch on these ancient iron and steelmaking processes. It cannot be said, h owever, that their origin and theoretical aspects have been thoroughly and fu lly investigated. At the present time, there is strong proof to support opinions that the origin can be traced back to about 2,000 years , ago. The iron and steel making process of that time is generall y call ed the "Tatara" furnace process, and the process was different from that used in the Asia n a rea. This furnace was r ectangu lar in Photo 1. Prototype of the "Tatara" furnace shape with a low shaft, and the furnace body was made of clay with heat-resistant properties. This furnace is s hown in Photo l. This pictures a type of steelmaking furnace, and there was another kind of furnace for making pig iron. This type of furnace is 850 mm X 2,100 mm in diameter and 1,150 mm hig h. Its des ign is shown in Fig. l. There are 18-20 tuyeres on both longitudinal s ides of the furnace, and these tuyeres come out of the bell ows on both sides. The fou ndation part of the furnace does not appear above the ground, but t his foundation is three times as high as the furnace itself so that it can keep complete heat-insulation • and prevention of moisture penetration. -
Reinventing the Sword
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2007 Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan Charles Edward Ethridge Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Ethridge, Charles Edward, "Reinventing the sword: a cultural comparison of the development of the sword in response to the advent of firearms in Spain and Japan" (2007). LSU Master's Theses. 3729. https://digitalcommons.lsu.edu/gradschool_theses/3729 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. REINVENTING THE SWORD: A CULTURAL COMPARISON OF THE DEVELOPMENT OF THE SWORD IN RESPONSE TO THE ADVENT OF FIREARMS IN SPAIN AND JAPAN A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Charles E. Ethridge B.A., Louisiana State University, 1999 December 2007 Acknowledgments I would like to express my gratitude to my supervisor, Dr. Fredrikke Scollard, whose expertise, understanding, and patience added considerably to my graduate experience. I appreciate her knowledge of Eastern cultures and her drive to promote true ‘cross-cultural’ research.