DOCSLIB.ORG

Lv K : '■••'••■ " ■ ■ J P T I ■Il --■ - - ^ — M ----- ■ H '■ R-: X

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Lv K : '■••'••■ ^.... » •............. _______ ________ m m n .. ■' ■ . ' r -A lv k : '■••'••■ " ■ ■ J P T I ■iL --■ - - ^ — M ----- ■ H '■ r-: X.. I > _____ : ' w a^o/^/tnyja^iNi tt i # K S Fridayty, Septem ber 27, 2( 50 cc n ts ■ ''tkX3& ^l3RNING ^ BailififFs \y E A tH E R J.S. li d a p B x t a y inks"Iraq,“al-Q)aida '* d o u i b . n t * M actior)ns iMr^'Port- •• ' • idnmshJne. — ^^ h a d bbeen . dis* guish betw«:ween al-Qaida and While the comments appppeared cusseded during Saddam wheilien you talk about the toto announce new proof of such • : | « |Sig h 7 0 ,lo w . , W A taiNGTON o l - Xi^ a series of . K briefing war on terror.•or.” tilties, ad m in istratio n off: I.'.'. -'.'i' ■ Statemenents over the past ^48- . IJATO Wednesdaylay night. White House ofoffered no details to substa w ipeso u t j- .Plj8>2 , hmu%'autbeBiish a^inistradon: ' nse minis- N atio n al SS ecu rity A dviser ththem, leaving what some ofofficials has reigngnited debate, over to needngin Condoleezzaza Rice said al'Qaida acacknowledged was a confusir ^ i u u e i t ^laidasidKweeksago^'^' a saw. .O n captives, “inh particular I some fligh—- ture m of both-the so-ength-ar JS^g ic Vall>LE^ ubejtttlr t h m is evidence of sub' Inesday, rankingdetaitainees, have said tlu t susubstance of the evidence,“tfr-eonvi t e e t i o n — «>-»'• stanove, ongoingoi des between sident Iraq providedled some training to a|. hehave solid evidence of the 20201M (lin^:n>R ve Msgic Qaida amsnd the government of . spoke of Qaida in chemicalcl weapons enence in Iraq of al-Qalda men VedEey re^4 e& ts azeteparto£a ] Irai Pred I danger -... developmentsnt. ... And there are inincluding some membersi-E Conversadadons void $74i^m li«irifbluej(ibjrfbbon? : „ 0 « S *(Mday, » Ditfense Secretaiy al-Qaida . some al-Qaiiaida personnel-who hshave been in Baghdad," \ a O A S e ? R um sfeld'said th ere is' .' io r- iraes an found refugege in Baghdad” after HiHouse spokesman Ari Flei T .F. womiman’s case )^idc Kenptiior&e. ?Wd?n"c?’ce of links between'^al* < d ^ e naiadnes^” s U.S. attacks■s againstt th ^ began Paga'Bl md Iraq, which he said i tersnum’t distin* in Afghanistajctan last October. Please see IRAQ; PageA2Pa TheTlnie»Kewsarrsand TheAseoclatedPrtIPrcM_________ ' C- - W arsa W ed n M oney Pres>ISAGREI ---------- BOISE - The.he Idaho Court of Bush s EMENT Appeals bas void)'oided the drug con- ^ M o n t ^ I “the dl . victions of a TwjTwin Falls County tBnilte 4to*C wuwouswer t woman becausese ofol conversations a IMii reque^t fbrfb flints. - b « o ^ coun baiM hadid with the jury, extension of Saddam's mi In the unanimclimous dedsion, the Paceoe and noted that *Vou can’ three-judge panelpai ruled that because proscctsccutors could not show that th e communicationsct between the bailibailiff and the jury D airy d were harmless,ess, the verdicts against Michelledie Eguilior had to . be set aside undeinder state Supreme Court precedents.nts. Eguillor wasas Iconvicted and given a 3- to 10-year10* sentence after being charglarged with selling marijuana to anin undercoverui infor* mant for the Twiirwin Falls Sheriffs Department in1 2000.20 A search of :l Buriesi^’ i her home tumed ned up more mari- ^^^tiht TTai^iaw Heiiierita^ . .. IH o t *. juana, metbdmpImphetamine and .^twdation reprises"s “The drugi^phemalun a lk . - During the juryjui^ deliberations Ibffetas** startin g to:onight n at that led to her convicdon,con a bailiff ^ King Center. .. - an employee5 of the Twin Falls 'P a g e C l . County Sheriff’s s Office-reported-01 ly spoke to membnnberS of the'jury. The bailiff wasIS notn< id en d fi^ in R B | court records. I''.'.'T' Eguilior’s attorttomey raised the ToiKtfertus- •• issue with Sthh ED istrict Ju d g e sle: Fourth* ; Roger Burdick,c, wiwwl determined r a n l ^ C S I li*. that the bailifff in fact did have b b ^ N o . Wbi}Si unauthorized cont:onract with jurors on three separate-ate occasions. But ZUtah ^ ■ H Burdick nUed thatthai the conversa- VaUey dons.didn’tprejudijudice thejtuY and State in V: -denied Eguilior-an^trial. an ' ' ^ ralleyball. One of the bail Ztiur^day. dons with the juryury involved a pro- P ag ep i ■ m . cedural issue.. ButBu the appeals court said theree wwas no'evidence ■MiMOM/n*Tta ■ V "'^- 'a>- ‘ ' . ■ '•'• ■' taMMt in the record to> indicateinc what the' O p in io n ' M i i t f Q Hutdl i ^ scrapM'tMo cfossr to cow* Is. Quesnell bought property nssrnpi Haieltori to coMOlldateI hlihis three sites Into one dairy -andai other two convciiversations were tbs'opsrstlon, but ■eme neighbor N o g ^ exposures;'!i t t t e Please see BAIUFF.I Page A2 Sierra'Qub^ loc^ can not.impress Magii if ^ d e n t ^ t^ o y % e ^^ tc Ha:izeltonrc SOppOS(le dairy fproposal,1 Suit see;eks ^ y s - Ps«eA6 ByJannltarSfSandmann Q n .dating played into thehe dedsion. appealapp to the county commis: rswrttsr bi oday the In the dairyiry's county permit NowNov they ore challenging a ZZw damage;es in -------------------------^------ wsdl bn hls telry MsrTwtn Fall*,herd of application,, thetl Quesnells'out* ri^ri^ t transfer still n e e d ^ by r T p ...HAZELTL T O N -A new 2,000- iborsui are protesting the move.I out on lined ■ why rheyt chose th e dairy.dai: A hearing is schedu ' (S O M IN O U. milldng-cowow-dalry-per^tted by^ th Hazelton site. It is todaytod: in Jerome. They alsoH! Canyon»n View bouncy has a few neigh- .. fa iifechurcKgrowttd ■ rural but only challengingchai the county permin it in t • i d i i ^ & S Sihgto'stopitland^oog ' th Wefeellikelfecatt^oJ abouti 3 miles SthSth District Court. their argumluients is the proposed at south of the NeighborsN Scott an d Oii shootingng dairy’s prO]roximity to’the Snake esidents\e aicroadmieiit ofihe Greenw\ ood exit Breeding,Bre Gerald Huettig.i River canyoiyon. dl off Interstate 84, EvanEvs Khotz are represent QuesneU family tradition.iry ofTb'iu Falls, zve | » There areiren’t many neighbors in diback to the early 1900s. Toe an d still w ithin :hemsclvesthei in the appeal. ] th e area,t, w hich is why th e ofdairy operates with a nnothi expand isshem we comi m uting dis* . HolperHol| of Jerome is Joiidng thi Q u e s n ^ femilyt o daily chose the .re tan ce fo r dairy 'Mike'M Quesnell said the 'chS-cl t w in fall\L L S . - A under 500 cows spread ( are rig/if now.’ \ nan who was shot I location theChat reaches to within threefo sites. A new ■ , workers who live len(cnges come with the territ«itory Massachusetts man less than1 ta. half mile of the M . In1 surro u n d in g ijeurlyNea every water right tran lost year by a TwiTwin Falls police- ,- farin would allow ■■■•“ kiagic officer during a confrontadoncon at a canyon. Tbebe QuesneDs have been sathemtoansoUdate ‘11 communides. And loughtsou( by a dairy in th e Ms sincedie 1940s south of- -MikcQuesnisll, aj couple o f.th e /alleyVall is protested, he said. psychiatric hospitallital deserves com- S^ValleyBibleCht end expand. ^ f suf. pensation and damaamagcs, a c co r^ g ^^jthe^w^ dty ni"Growth in the bn expanding to a neighboringi fanns TheTi dairy would nearly i . .vHIl sh are a o u i l d i ^ - : hasreachedi hav e ag reed to rouround Khotz’s 11 acres. He lilives B lawsuit filedled by the m an’s dairy industry is fit\new site in Jerome t id, to anomey in U.S. DistrictDist Court *'; Srtlm ^ II “We feeld like because of the bedirectly the result. ^ take manure for therhere and had plans, he said len t of the d ty of Twin - si) their fields. rebiebuild a historical rock hoiQuse Police and staffff at Canyon View : ' TIm Him »N «w i of dairy farmers CQTit Councy ‘ Psychiatric andand Addiction FaUs, we cacannot expand where Atreaping less profit . But a few neigh: . and;nd sel] it for profit. ' we are rightht now,” &Uke Quesnell .mi —--------^ ^ ^• bors\ aren’t sup* “1“I love the area, but it’s gogoing Services were neglijegligent in letting for milk per cow.” ■Jle 50 David A Smilii,, 48, be taken out ', -.said. Mikeda Quesnell portive. They lost to0 make m it much less desirable QuesneUlU and his son. Matt, Tvgy{^, part.to in their opposositio n before the liveive here,” I he said. of restraints and wanderwai about the hospital on May' 10, 2001, accord- ar DS operate IH arvey Q uesneU thi Expansion plan- > ross the Jero m e Countinty Planning and f Inc. .Dair^ng is a ri^ nmission and on Please see PROPOSAL. PageIge A2 ing to the lawsuit. factors Zoning Comc ' jB & ifi^ £ ^ 1 6 . Nasbar n in g . an d ' site Smith later founound two butter searching have . $ m lc s';^ :. .El. -Nationaxes .i 32 I knives - the typtyped used by %iwswoid Q7 Obttuarie been underway for ^ 1 ^ padents for o rdingnary meals - and M^JB-7 A ANerfelk,Hk, six years, he said. q|MrAbt)]| B7 Opinion ■ Five5 die duriling bantiV confronted policelice officer Tim ts D15 Nsb.,poBee About li^months of Green and others,irs, according to rtDfoscopf J 7 Sportsr>er J\2 - oflletrand aB .moratoriums, on.-------- police reports.
Load more

Recommended publications
  • Jessie Lloyd's Mission Songs Project
    7/10/2017 Media campaign: Jessie Lloyd’s Mission Songs Project – Wolfe Words Wolfe Words Writing, Publicity & Media Strategy Media campaign: Jessie Lloyd’s Mission Songs Project February 27, 2017June 1, 2017 The Songs Back Home is a collection of Australian Indigenous folk songs performed from 1900-1999 on Christian missions, settlements and native camps where Indigenous people were relocated. As part of her Mission Songs Project, Jessie Lloyd has spent the past two years faithfully exploring the journey of Indigenous Australian music, connecting traditional with contemporary, and charting continuing cultural practice and oral traditions well into the 21st century. The songs, largely hidden from the outside world, comprise rare and almost-forgotten stories, shedding light onto the history and experiences of Indigenous people, their families and communities. Jessie launched The Songs Back Home, the first of the Mission Songs Project collection, in March 2017 at the Brunswick Music Festival and is touring the album throughout the east coast of Australia. “The 20th Century songs composed and sung on Aboriginal missions and settlements are records of our history and history and tell us about the emotions and aspirations of their composers. Jessie Lloyd’s research to find these songs is a profoundly important contribution to our nation and music.”—Professor Marcia Langton, AM, Mission Songs Project advisor and contributor “Mission Songs Project presents contemporary folk songs that continue the ancient song lines of this country. The songs speak
    [Show full text]
  • Australian Kodály Journalintroduction
    Australian Kodály JournalINTRODUCTION 2012 THE KODÁLY MUSIC EDUCATION INSTITUTE OF AUSTRALIA INC A publication of The Kodály Music Education Institute of Australia Inc FROM THE EDITOR Affiliated National Institutional Member of the International Kodály Society Once again this issue of the Australian Kodály ISSN 1839-2032 Journal aims to engage KMEIA members with AUSTRALIAN KODÁLY JOURNAL current research and practice in music education, © 2012 and is focused on building national and international partnerships, and the sharing of ideas and information through the Kodály music education community. The aim is to produce a journal that stimulates ideas and debate across all areas of music education. It is hoped that the open online access provided will make the journal more readily available to academics, researchers and classroom educators. Founder I acknowledge the lateness in this edition of the Dr Deanna Hoermann journal being published. Unfortunately this was due President to circumstances preventing a more timely release. Tess Laird I would like to thank the group of distinguished Vice-President music education researchers and practitioners Helene Matters who provided scripts for the journal as well as Immediate Past President: Ex Officio the reviewers who voluntarily provided their time, expertise and advice to review the articles in the Gail Godfrey 2012 issue. Secretary I would also like to encourage you to think about Treasurer preparing and submitting papers of interest. The survival of the journal is dependent on your Susan Fredline contributions and submissions. These could be Membership Secretary focused in the areas of classroom pedagogy, Jason Boron curriculum development, creative music making, leadership or research.
    [Show full text]
  • PLAYLIST 900 Songs, 2.3 Days, 7.90 GB
    Page 1 of 17 MAIN PLAYLIST 900 songs, 2.3 days, 7.90 GB Name Time Album Artist 1 Waterloo 2:43 101 Hits - Are We There Yet?! - CD4 Abba 2 Hello 3:57 ADELE 3 They Should Be Ringing (Single Edit) 3:28 Adore 4 The Memory Reel 3:24 LEAVES Advrb 5 You Look Good In Blue 2:18 triple j Unearthed Al Parkinson 6 Closer 3:55 Alana Wilkinson Alana Wilkinson 7 Good For You 3:37 Good For You Alana Wilkinson 8 fixture picture 4:07 Designer Aldous Harding 9 Good Conversation 3:16 The Turning Wheel Alex Hallahan 10 Don't Be So Hard On Yourself 4:18 Alex Lahey 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 Easy Exit Station 3:01 Watching Angels Mend Alex Lloyd 13 January 3:03 Ali Barter 14 I Feel Better But I Don't Feel Good 3:32 Alice Skye 15 Push 3:14 Alta 16 Remember That Sunday 2:37 Alton Ellis 17 Keep My Cool (with intro) 3:01 Aluka 18 Moana Lisa 3:44 I Woke Up This Morning After a Dream Amaringo 19 Sacred 4:44 Amaringo 20 I Got You 2:58 Love Monster Amy Shark 21 All Loved Up 3:30 Love Monster Amy Shark 22 Sisyphus 4:07 Andrew Bird 23 The Beloved - with intro 5:57 Carved Upon the Air Anecdote 24 The Sea - with intro 4:25 Carved Upon the Air Anecdote 25 No Secrets 4:18 101 Aussie Hits [CD2] The Angels 26 Pasta 4:38 Salt Angie McMahon 27 Missing Me 3:17 Salt Angie McMahon 28 Ring My Bell 3:17 Gold_Sensational 70's_ [Disc 1] Anita Ward 29 Nobody Knows Us - with intro 4:44 Nobody Knows Us Anna Cordell 30 You - with intro 5:41 Nobody Knows Us Anna Cordell 31 Train In Vain 4:44 Medusa Annie Lennox 32 Pale Bue Dot 3:04 Stay Fresh Annual
    [Show full text]
  • “We Are Australian”: an Ethnographic Investigation of the Convergence of Community Music and Reconciliation
    “We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. “We are Australian”: An ethnographic investigation of the convergence of community music and reconciliation. Julie Ann Rickwood Interdisciplinary Cross-Cultural Research Programme Research School of Humanities and the Arts The Australian National University 21 June 2013 A thesis submitted for the degree of Doctor of Philosophy The Australian National University Canberra Statement of Authorship I hereby declare that this thesis is entirely my own work. This thesis contains no material previously published or written by myself or another person, except where reference is made in the thesis itself. This thesis has not previously been submitted towards a degree or diploma in any university or other higher education institution. Julie Rickwood 21 June 2013 This research project has received clearance from the Human Research Ethics Committee at the Australian National University: Protocol 2009/337 Indigenous readers are advised that the thesis contains names and images of deceased individuals. IN MEMORY OF JEANNETTE HENNESSY-WRIGHT, 1957-2011: A SINGER IN A COMMUNITY CHOIR, A LONG TERM FRIEND AND A DETERMINED WOMAN And the first sound I heard in my heavens was the sound of moving air becoming the wind. Richard Lewis 1991 The second sound I heard in my heavens was the sound of many voices blending into one. Julie Rickwood 2013 IN RECOGNITION OF THE YOTHU YINDI FRONTMAN, 1956-2013: A MUSICAN, EDUCATOR AND CAMPAIGNER FOR RECONCILIATION “On the last day of National Reconciliation Week (Mabo Day) we are extremely saddened to learn of the passing of Yothu Yindi frontman Dr Yunupingu, who died overnight at his home in Yirrkala, East Arnhem Land following a long battle with kidney disease.
    [Show full text]
  • Sing! 1975 – 2014 Song Index
    Sing! 1975 – 2014 song index Song Title Composer/s Publication Year/s First line of song 24 Robbers Peter Butler 1993 Not last night but the night before ... 59th St. Bridge Song [Feelin' Groovy], The Paul Simon 1977, 1985 Slow down, you move too fast, you got to make the morning last … A Beautiful Morning Felix Cavaliere & Eddie Brigati 2010 It's a beautiful morning… A Canine Christmas Concerto Traditional/May Kay Beall 2009 On the first day of Christmas my true love gave to me… A Long Straight Line G Porter & T Curtan 2006 Jack put down his lister shears to join the welders and engineers A New Day is Dawning James Masden 2012 The first rays of sun touch the ocean, the golden rays of sun touch the sea. A Wallaby in My Garden Matthew Hindson 2007 There's a wallaby in my garden… A Whole New World (Aladdin's Theme) Words by Tim Rice & music by Alan Menken 2006 I can show you the world. A Wombat on a Surfboard Louise Perdana 2014 I was sitting on the beach one day when I saw a funny figure heading my way. A.E.I.O.U. Brian Fitzgerald, additional words by Lorraine Milne 1990 I can't make my mind up- I don't know what to do. Aba Daba Honeymoon Arthur Fields & Walter Donaldson 2000 "Aba daba ... -" said the chimpie to the monk. ABC Freddie Perren, Alphonso Mizell, Berry Gordy & Deke Richards 2003 You went to school to learn girl, things you never, never knew before. Abiyoyo Traditional Bantu 1994 Abiyoyo ..
    [Show full text]
  • Smashing the Silence
    Streit-Warburton Perfect Beat v1 n3 July 1993 ing interest in World Music. There was the cultural construction, of the white male pro­ 1988 Bicentennial event. And then there ducers who presently dominate all levels of are the Aboriginal the music industry. "'" Music Festivals: the 'Sing Loud, Play Strong' festival held annu­ ally in Darwin since I 989; and now the all­ night gig in Broome, 'Stompem Ground', With Open Eyes held for the first time in October 1992 and broadcast live to airnationally by the ABC. a. Performers SMASHING THE SILENCE Finally, the most recent festival dedicated entirely to indigenous artists was staged in It would be hard to forget Leah Purcell on A review of With Open Eyes - The First National Sydney in December 1992. Called 'With stage at Sydney's Marquee Club. She was Open Eyes', it was the first National Abo­ standing in the spotlight, waiting while the Aboriginal and Torres Strait Islander Contemporary riginal and Torres Strait Islander Women's technical assistant searched for the right Women's Music Festival Music Festival. Notwithstanding Yothu place on her tape. On stage with her were Yindi's success, the question needs to be two young women,Janine Croft and Victo­ JILLI STREIT-WARBURTON I asked in 1993, The International Year of ria Kennedy. The three had met for the first the World's Indigenous People, what is the time during the five days of workshops J status of Aboriginal music and where are which preceded the concert. In a matter of the women? hours, they had crafted together a group Ask an Australian to name an Aboriginal tiona! society caused by colonial contact, which was to be broadcast nationwide on singer and there is a fair chance that the the expropriation of land, and the concomi­ Discussions of this kind involve analysis ABC TV and radio.
    [Show full text]
  • Reconciliation Made Sound: Madjitil Moorna's Experience of Harmony
    202 © Julie Rickwood, Context 37 (202): 93–06. Reconciliation Made Sound: Madjitil Moorna’s Experience of Harmony and Healing * Julie Rickwood Music both articulates and offers the immediate experience of collective identity … In responding to a song, to a sound, we are drawn into affective and emotional alliances … Music is especially important for our sense of ourselves because of its unique emotional intensity—we absorb songs into our own lives and rhythm into our own bodies … Identity is always an ideal, what we would like to be, not what we are … What makes music special is that musical identity is both fantastic—idealizing not just oneself but also the social world one inhabits—and real: it is enacted in activity. In this quote, musicologist Simon Frith captures the link between music and identity, drawing attention to music’s ability to craft affective and emotional alliances. He does not, * An earlier version of this paper was presented at ‘Power of Music’: The 34th National Conference of the Musicological Society of Australia and the 2nd International Conference on Music and Emotion, 30 Nov.– 3 Dec. 2011, The University of Western Australia. It was included in a Panel Roundtable entitled ‘Singing Sorry: Performing Emotion and Reconciliation in Kerry Fletcher’s Sorry Song’ that was chaired by my colleague, Katelyn Barney from the University of Queensland. The Sorry Song was performed by Fletcher and Madjitil Moorna as part of the roundtable. Fletcher and members of Madjitil Moorna spoke to the song in their contribution to the roundtable. Barney also presented a short paper. A more detailed discussion of those contributions and the roundtable itself will be included in my doctoral thesis (forthcoming).
    [Show full text]
  • PLAYLIST 16.0 - AUG 2020 - FEB 2021 900 Songs, 2.3 Days, 5.50 GB
    Page 1 of 17 INDIGO FM - PLAYLIST 16.0 - AUG 2020 - FEB 2021 900 songs, 2.3 days, 5.50 GB Name Time Album Artist 1 The Bond - with intro 4:35 Adrian Clark 2 Kelly Watch The Stars 3:46 Electrospective Air 3 I Believe To My Soul 4:28 Rare & Well Done D1 (Rare) Al Kooper 4 Rib Cage 3:36 Alana Wilkinson Alana Wilkinson 5 Good For You 3:37 Good For You Alana Wilkinson 6 Hard Rock Gold 4:33 Hidden Hand Alaska String Band 7 Workin' Man Blues 3:57 Working Man Albert Cummings 8 The Barrel 4:53 Uncut 2020.01 The Sound of 2019 - 15 Tracks of the Year's… Aldous Harding 9 Before Too Long 3:04 Alex Cameron 104:05 4:07 Alex Lleo 11 Everybody's Laughing 3:50 Watching Angels Mend Alex Lloyd 12 I Think You're Great 3:47 I Think You're Great Alex the Astronaut 13 Split The Sky 4:07 Split the Sky Alex the Astronaut 14 Steppenwolf Express 3:47 On The Move To Chakino Alexander Tafintsev 15 The Captain (Live From Inside) 3:40 Live From Inside Ali Barter 16 I Won't Lie (Live From Inside) 3:49 Live From Inside Ali Barter 17 Ticket To Heaven feat. Thelma Plum 4:17 Alice Ivy 18 Don't Sleep 3:24 Alice Ivy 19 King Of The World 3:45 triple j Unearthed Alice Night 20 Rainbow Song 3:59 triple j Unearthed Alice Night 21 Friends With Feelings 4:15 Alice Skye 22 Grand Ideas 3:12 Alice Skye 23 Sacred 4:44 Amaringo 24 Endangered Man 4:35 Rituals Amaya Laucirica 25 I Said Hi 2:50 Love Monster Amy Shark 26 Never Coming Back 3:14 Love Monster Amy Shark 27 Me & Mr.
    [Show full text]
  • In the Bath Timing Sheet
    Loosely Woven Programs 1995-2020 By the sea Final Start Item Dur 19:30 7:30 pm Matilda's Waltz 3:00 7:35 pm Donna Donna 3:00 7:40 pm Tonight my sleep will be restless 3:00 7:45 pm The Seeds of Love 3:00 7:50 pm Sleeps the Noon in the Deep Blue Sky 3:00 7:55 pm Over the rainbow 3:00 8:00 pm Carrickfergus 3:00 8:05 pm Rocky Top 3:00 8:10 pm I'll take you home again Kathleen 3:00 8:15 pm The Ross Memorial Hospital 3:00 8:20 pm Half a world away 3:00 8:25 pm With God on your side 3:00 8:30 pm Da New Riggit Ship 3:00 8:35 pm The lark in the clear air 3:00 8:40 pm Flower of the Quern 3:00 8:45 pm Si Tous Les Oiseauz 3:00 8:50 pm Mr Bojangles 3:00 8:55 pm The Purple People Eater 3:00 9:00 pm And the band played Waltzing Matilda 3:00 9:05 pm Hard Times 3:00 1:40 9:10 pm Interval 25:00 9:37 pm Ashokan Farewell 3:00 9:42 pm Boree 3:00 9:47 pm Miss Linda MacFarlane 3:00 9:52 pm (A song from Rhonda) (Mr Tambourine Man?) 3:00 9:57 pm Dark Eyes 3:00 10:02 pm (3 songs from Matt & Judie) 3:00 10:07 pm Greensleeves Variations 3:00 10:12 pm Fox Hunter's Jig Set 3:00 10:17 pm O mio babino caro 3:00 10:22 pm Durme durme mi angelico 3:00 10:27 pm Grey Funnel Line 3:00 10:32 pm Mr Tambourine Man 3:00 10:37 pm Traditional Gaelic Air 3:00 10:42 pm What have they done to the rain? 3:00 1:10 10:47 pm End of Concert 2:50:00 Here Comes The Sun (Warriewood Surf Club - 2.30pm, Sunday 28th April, 1996) 2:30 Here Comes The Sun [p124] 2:45 Straight through as writ Start: Wayne begins on his own Wayne welcomes everybody 2:33 Early One Morning [p128] 2:10 Verse 1 Verse 2 Verse 3 Start: Wayne plays last line as intro Instrumental Verse 4 2:35 Grey Funnel Line [p60] 4:00 Verse 1: Tune only over sustained strings Instrumental (in time) Verse 2: Tutti (soft instruments) Start: Wayne plays F chord (strings) Verse 3: Tutti (full-on instruments) Verse 4: Choir only (no instruments) Nicky back announces Grey Funnel Line and introduces Durme durme 2:40 Durme durme [p52] 3:00 1.
    [Show full text]
  • Loosely Woven Programs
    Loosely Woven Programs 1995-2015 Updated for Loosely Woven’s 20th Anniversary Celebration Sunday 20th September 2015 By the sea Final Start Item Dur 19:30 7:30 pm Matilda's Waltz 3:00 7:35 pm Donna Donna 3:00 7:40 pm Tonight my sleep will be restless 3:00 7:45 pm The Seeds of Love 3:00 7:50 pm Sleeps the Noon in the Deep Blue Sky 3:00 7:55 pm Over the rainbow 3:00 8:00 pm Carrickfergus 3:00 8:05 pm Rocky Top 3:00 8:10 pm I'll take you home again Kathleen 3:00 8:15 pm The Ross Memorial Hospital 3:00 8:20 pm Half a world away 3:00 8:25 pm With God on your side 3:00 8:30 pm Da New Riggit Ship 3:00 8:35 pm The lark in the clear air 3:00 8:40 pm Flower of the Quern 3:00 8:45 pm Si Tous Les Oiseauz 3:00 8:50 pm Mr Bojangles 3:00 8:55 pm The Purple People Eater 3:00 9:00 pm And the band played Waltzing Matilda 3:00 9:05 pm Hard Times 3:00 1:40 9:10 pm Interval 25:00 9:37 pm Ashokan Farewell 3:00 9:42 pm Boree 3:00 9:47 pm Miss Linda MacFarlane 3:00 9:52 pm (A song from Rhonda) (Mr Tambourine Man?) 3:00 9:57 pm Dark Eyes 3:00 10:02 pm (3 songs from Matt & Judie) 3:00 10:07 pm Greensleeves Variations 3:00 10:12 pm Fox Hunter's Jig Set 3:00 10:17 pm O mio babino caro 3:00 10:22 pm Durme durme mi angelico 3:00 10:27 pm Grey Funnel Line 3:00 10:32 pm Mr Tambourine Man 3:00 10:37 pm Traditional Gaelic Air 3:00 10:42 pm What have they done to the rain? 3:00 1:10 10:47 pm End of Concert 2:50:00 Here Comes The Sun (Warriewood Surf Club - 2.30pm, Sunday 28th April, 1996) 2:30 Here Comes The Sun [p124] 2:45 Straight through as writ Start: Wayne begins on his own Wayne welcomes everybody 2:33 Early One Morning [p128] 2:10 Verse 1 Verse 2 Verse 3 Start: Wayne plays last line as intro Instrumental Verse 4 2:35 Grey Funnel Line [p60] 4:00 Verse 1: Tune only over sustained strings Instrumental (in time) Verse 2: Tutti (soft instruments) Start: Wayne plays F chord (strings) Verse 3: Tutti (full-on instruments) Verse 4: Choir only (no instruments) Nicky back announces Grey Funnel Line and introduces Durme durme 2:40 Durme durme [p52] 3:00 1.
    [Show full text]
  • Winter 2015 CRAM 2015 3CR STAFF 2015 MANAGEMENT
    855AM | DIGITAL | 3CR.ORG.AU winter 2015 CRAM 2015 3CR STAFF 2015 MANAGEMENT The CRAM guide is made Station Manager COMMITTEE with the generous contribution Marian McKeown of volunteer writers, photographers and 3CR Programme Coordinator programmers. Directors Gabrielle Reade James McKenzie (Chairperson) CRAM Editors Office and Finance Coordinator Terry Costello (Vice-Chairperson) Jarrod Marrinon, Rachel Kirby Annie McLoughlin (Vice-Chairperson) and Marian McKeown Loretta O’Brien Michael Smith (Secretary) Current Affairs Coordinator Design and Layout Perambalam Senthooran (Treasurer) Ronny Kareni Rachel Kirby Helen Gwilliam Contributors Projects Coordinator Marisol Salinas Juliet Fox Marian McKeown Therese Virtue James McKenzie Promotions Coordinator Pat Khor Corey Green Jarrod Marrinon Liz Wright Areej Nur Meg Butler - maternity leave Teishan Aherne Training Coordinator Elena McMaster Leanne McLean Riah Williams Volunteer Coordinator Fiona Dean Rachel Kirby Jarrod Marrinon Namila Benson Community Language Support Workers Par Tha Hluan Mang Cin Namila Benson Ben Rinaudo Par Tha Hluan Mang Cin Lynn Beaton Kevin Healy Technical Coordinator Greg Segal Denis Evans Chloe Beaton Technical Assistant Greg Segal Riah Williams Helen Gwilliam I.T Worker Farzana Shariffie Luke Neeson Jessie Boylan Accountant 3CR’s Book Working Group Denis West Pilar Aguilera, Nancy Atkin, Lucy de Kretser, Denis Evans, Juliet Fox, Libby Jamieson, Rachel Kirby, Clare Land and Sam Sowerwine Cover: Radiothon 2015 poster by Sam Wallman ACTIVATE THE AIRWAVES Marian McKeown, Station Manager Our Radiothon theme for 2015 is Activate The Airwaves. our common purpose is. There is a keen sense of history We see it as a call to action at a time in our political and and an awareness of how that history propels us forward.
    [Show full text]
  • Still Bringing Them Home
    Link-Up (Qld) ABORIGINAL CORPORATION ® Still Bringing Them Home Volume 18 January - February 2016 Chairperson - Sam Watson Tragically, Rudd had stated most emphatically that “The observation of the his government would never consider any form of National Apology Day compensation to the Stolen Generations. I have always was the first major argued that those people were victims of a criminal community event that act and therefore they had every right to be fully was held at the newly compensated. Then when the speech was over we all renovated Jagera had to leave the parliament so they could get on with Community Hall in the business of government. Musgrave Park in early February. The day was At that stage there was only one indigenous member a very special day for in the parliament (Ken Wyatt MHR ) and he was a members of the Stolen LNP member. Sam Watson Generations and indeed, There has been a certain degree of progress since it was a moment for the 2008; but we are still fighting for a proper funding entire nation to reflect on the apology that was offered level and proper resources to achieve real and lasting to our people by the incoming Prime Minister - Kevin outcomes for our clients and our community. Rudd. Kevin Rudd has moved on to other things and the I was in Canberra for that day back in 2008 and I was current prime minister has never even mentioned the amazed at the large number of Aboriginal people who word “aboriginal” in any one of his speeches. I hope made their way to the national capital from all points that our old aunty from Western Australia still has of the compass.
    [Show full text]