DOCSLIB.ORG

Chorus-Program.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Chorus-Program.Pdf Malvern Prep Men’s Chorus & Notre Dame Women’s Chorale Another Op’nin, Another Show arr. P Kern From “Kiss Me Kate”, written by Cole Porter, 1949 Summertime arr. M. Hayes From “Porgy and Bess”, written by George & Ira Gershwin, Dubose & Dorothy Heyward, 1935 Sit Down You’re Rockin’ the Boat arr. M. Brymer From “Guys and Dolls”, written by Frank Loesser, 1950 Aquarius / Let The Sunshine In arr. G. Gilpin From “Hair”, Music by Galt MacDermot, Lyrics by James Rado & Gerome Ragni, 1966 All Good Gifts arr. J. Leavitt Sololist: Christina Dietzler From “Godspell”, Music by Stphen Schwartz, Lyrics by Matthias Claudius, 1971 Ease On Down The Road arr. Mac Huff From “The Wiz”, Written by Charlie Smalls, 1974 One arr. A. Kerr From “A Chorus Line”, Music by Marvin Hamlisch, Lyrics by Edward Kleban, 1975 Notre Dame Women’s Chorale Make Them Hear You arr.R. Emerson From “Pippin”, Witten by Stephen Schwartz, 1972 Morning Glow arr. M. Brymer From “Ragtime”, Written by Stephen Flaherty and Lynn Ahrens, 1996 Malvern Prep Men’s CHorus Choral Highlights from Jersey Boys arr. M. Brymer Sololist: Christian Franck Dec. ’63, Working My Way Back To You, Stay, Sherry, Can’t Take My Eyes off of You, Who Loves You Written by Bob Gaudio, Judy Parker, Denny Rendell Maurice Williams and Sandy Linzer, 1965 The Combined Choirs One Day More arr. M. Brymer From “Les Miserables”, Music by Claude-Michel Schonberg, Lyrics by Herbert Kretzmer, 1980 Seasons of Love arr. R. Emerson From “Rent”, Written by Jonathan Larson, 1996 Circle of Life arr. K. Christopher From “The Lion King”, Written by Elton John and Tim Rice, 1994 West Side Story Medley arr. L. Thomas Tonight, I Feel Pretty, Maria, America, One Hand, One Heart, Somewhere Music by Leonard Bernstein, Lyrics by Stephen Sondheim, 1956 Notre Dame Women’s Chorale Malvern Prep Director: Men’s Chorus Mrs. Linsday Miller Director: Emily Apadula Mr. Ed Liga Julia Barry Max Armenti Grace Black Ethan Bedwell Christina Dietzler Nico Contreras Lauren Dietzler Skyler Davis Francesca Giangiulio Rob DiCicco Julia Goldschmidt Turner Emery Nicolle Hughes Christian Franck Emily Kinka Nick Gatti Jennifer Lepore Mike Gormley Allison Magee Jack Magargee Michaella Massa Zach Maher Molly McCarthy Joe Markferding Rose McDonald RJ Napoli Abigail McNamee John Papandon Sara Meguerian John Skrocki Jordan Pietrafitta Bryan Willcox Cayla Preston Elizabeth Speers Upcoming Upcoming Malvern Prep NOTRE DAME Arts events Arts events Spring Band Concert Spring Concert Thursday, April 21 Friday, April 29 - 7:00 PM 7:00 PM Cuvilly Gym Spring Visual Art Show Spring Dance Performance Wednesday, April 27 Friday, May 6 - 7:00 PM 6:00 PM Cuvilly Gym Spring Choral Concert Middle School Thursday, April 28 Evening of the Arts 7:00 PM Thursday, May 12 - 7:00 PM Cuvilly Gym Middle School Musical: Godspell Friday, May 13 - Saturday, May 14 7:00 PM Acknowledgements Dr. Judith Dwyer, Mrs. Jacqueline Coccia, Ms. Jennifer Nobles, faculty & staff of The Academy of Notre Dame de Namur The Malvern Maintenance Department, especially to Mr. Mark McLaughlin for his technical and organizational expertise in the Duffy Center Fr. James Flynn, OSA, Mr. Christian Talbot, Mr. Steve Valyo, Mr. Ron Algeo, and Mr. Patrick Sillup for their unending support and encouragement Mr. Tom Gray and his staff for providing umpteen linens on the spur of the moment and for all the food preparations The Performing and Visual Arts students who continually surprise and amaze us with their many talents and for sharing them with the community The Parents, for your tremendous support.
Load more

Recommended publications
  • MEDIA RELEASE 2450 West Main Street Littleton, Colorado 80120 303.794.2787
    MEDIA RELEASE 2450 West Main Street Littleton, Colorado 80120 www.TownHallArtsCenter.org 303.794.2787 April 27, 2017 Media Contact: Leslie Rutherford, Marketing & PR Director [email protected] 303.810.5276 Town Hall Arts Center Announces 2017-2018 Season Littleton, CO – Town Hall Arts Center announced it’s 2017-2018 Season offerings in a series of VIP Nights to season subscribers and invited guests this week. The line-up comprises six musicals, ranging from shows by a Pulitzer Prize winner, a murder mystery, two musical reviews, and two magical family friendly shows. There is something for every musical theatre lover! Darrell Schulte, Town Hall’s President of the Board of Director’s says, “We are delighted to be bringing you a 36th Season at Town Hall, and are grateful for the support of the community.” Cheryl McNab, Executive Director advises, “Town Hall Art Center has been bringing quality theatre productions to the Littleton community for 36 years. We are thrilled to announce our 2017-2018 Season!” Director, Bob Wells, is excited to be returning to Town Hall, stating, “Lin-Manuel Miranda. Dr. Seuss. Peter Pan. Agatha Christie. The Andrews Sisters. “Fats” Waller. Can you imagine what that party would be if we could get these people together in one place? Well, we’re doing exactly that, and you’re invited! All the music, stories, thrills and fun will make Town Hall Arts Center’s 36th season a party you won’t want to miss. I’m pumped to be part of the festivities!” In the Heights Presented by Catamount Constructors September 8 – October 8, 2017 Music and Lyrics by Lin-Manuel Miranda, Book by Quiara Alegría Hudes, Conceived by Lin-Manuel Miranda.
    [Show full text]
  • Hair: the Performance of Rebellion in American Musical Theatre of the 1960S’
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Winchester Research Repository University of Winchester ‘Hair: The Performance of Rebellion in American Musical Theatre of the 1960s’ Sarah Elisabeth Browne ORCID: 0000-0003-2002-9794 Doctor of Philosophy December 2017 This Thesis has been completed as a requirement for a postgraduate research degree of the University of Winchester MPhil/PhD THESES OPEN ACCESS / EMBARGO AGREEMENT FORM This Agreement should be completed, signed and bound with the hard copy of the thesis and also included in the e-copy. (see Thesis Presentation Guidelines for details). Access Permissions and Transfer of Non-Exclusive Rights By giving permission you understand that your thesis will be accessible to a wide variety of people and institutions – including automated agents – via the World Wide Web and that an electronic copy of your thesis may also be included in the British Library Electronic Theses On-line System (EThOS). Once the Work is deposited, a citation to the Work will always remain visible. Removal of the Work can be made after discussion with the University of Winchester’s Research Repository, who shall make best efforts to ensure removal of the Work from any third party with whom the University of Winchester’s Research Repository has an agreement. Agreement: I understand that the thesis listed on this form will be deposited in the University of Winchester’s Research Repository, and by giving permission to the University of Winchester to make my thesis publically available I agree that the: • University of Winchester’s Research Repository administrators or any third party with whom the University of Winchester’s Research Repository has an agreement to do so may, without changing content, translate the Work to any medium or format for the purpose of future preservation and accessibility.
    [Show full text]
  • Hair for Rent: How the Idioms of Rock 'N' Roll Are Spoken Through the Melodic Language of Two Rock Musicals
    HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Music Eryn Stark August, 2015 HAIR FOR RENT: HOW THE IDIOMS OF ROCK 'N' ROLL ARE SPOKEN THROUGH THE MELODIC LANGUAGE OF TWO ROCK MUSICALS Eryn Stark Thesis Approved: Accepted: _____________________________ _________________________________ Advisor Dean of the College Dr. Nikola Resanovic Dr. Chand Midha _______________________________ _______________________________ Faculty Reader Interim Dean of the Graduate School Dr. Brooks Toliver Dr. Rex Ramsier _______________________________ _______________________________ Department Chair or School Director Date Dr. Ann Usher ii TABLE OF CONTENTS Page LIST OF TABLES ............................................................................................................. iv CHAPTER I. INTRODUCTION ............................................................................................................1 II. BACKGROUND OF THE STUDY ...............................................................................3 A History of the Rock Musical: Defining A Generation .........................................3 Hair-brained ...............................................................................................12 IndiffeRent .................................................................................................16 III. EDITORIAL METHOD ..............................................................................................20
    [Show full text]
  • The Wiz Short FINAL
    media contact: erica lewis-finein brightbutterfly pr brightbutterfly[at]hotmail.com BERKELEY PLAYHOUSE CONCLUDES FIFTH SEASON WITH “THE WIZ” July 13-August 25, 2013 Book by William F. Brown Music and lyrics by Charlie Smalls Adapted from The Wonderful Wizard of Oz by L. Frank Baum Berkeley, CA (June 5, 2013) – Berkeley Playhouse closes its fifth season with the Tony Award-winning musical THE WIZ. Kimberly Dooley (Lucky Duck, Seussical, The Musical, Once On This Island) directs and choreographs this soulful re-imagining of L. Frank Baum’s family classic The Wonderful Wizard of Oz, featuring a cast of 46. THE WIZ plays July 13 through August 25 (Press opening: July 13) at the Julia Morgan Theater in Berkeley. For tickets ($17-60) and more information, the public may visit berkeleyplayhouse.org or call 510-845-8542x351. In THE WIZ, Dorothy gets swept away by a tornado and ends up in the land of Oz. There, she learns that the only way she can get home again is to see the magical Wiz in the Emerald City. Along the way, she meets a Scarecrow made of garbage who wants a brain, a Tin Man who wants a heart, and a Lion who wants courage, and together they set off down the Yellow Brick Road to seek help from the all-powerful Wiz. This stage classic about the power of believing in yourself features such soul-stirring songs as “Home,” “The Feeling We Once Had,” “If You Believe,” “No Bad News,” and “Ease On Down the Road.” THE WIZ opened on Broadway in 1975 and closed in 1979, after four years and 1,672 performances.
    [Show full text]
  • Musical! Theatre!
    Premier Sponsors: Sound Designer Video Producer Costume Coordinator Lance Perl Chrissy Guest Megan Rutherford Production Stage Manager Assistant Stage Manager Stage Management Apprentice Mackenzie Trowbridge* Kat Taylor Lyndsey Connolly Production Manager Dramaturg Assistant Director Adam Zonder Hollyann Bucci Jacob Ettkin Musical Director Daniel M. Lincoln Directors Gerry McIntyre+ & Michael Barakiva+ We wish to express our gratitude to the Performers’ Unions: ACTORS’ EQUITY ASSOCIATION AMERICAN GUILD OF MUSICAL ARTISTS AMERICAN GUILD OF VARIETY ARTISTS SAG-AFTRA through Theatre Authority, Inc. for their cooperation in permitting the Artists to appear on this program. * Member of the Actor's Equity Association, the Union of Professional Actors and Stage Managers in the United States. + ALEXA CEPEDA is delighted to be back at The KRIS COLEMAN* is thrilled to return to the Hangar. Hangar! Select credits: Mamma Mia (CFRT), A Broadway Credit: Jersey Boys (Barry Belson) Chorus Line (RTP), In The Heights (The Hangar Regional Credit: Passing Strange (Narrator), Jersey Theatre), The Fantasticks (Skinner Boys - Las Vegas (Barry Belson), Chicago (Hangar Barn), Cabaret (The Long Center), Anna in the Theatre, Billy Flynn), Dreamgirls (Jimmy Early), Sister Tropics (Richard M Clark Theatre). She is the Act (TJ), Once on This Island (Agwe), A Midsummer founder & host of Broadway Treats, an annual Nights Dream (Oberon) and Big River (Jim). benefit concert organized to raise funds for Television and film credits include: The Big House Animal Lighthouse Rescue (coming up! 9/20/20), and is (ABC), Dumbbomb Affair, and The Clone. "As we find ourselves currently working on her two-person musical Room 123. working through a global pandemic and race for equality, work Proud Ithaca College BFA alum! "Gracias a mamacita y papi." like this shows the value and appreciation for all.
    [Show full text]
  • 046-49 Stonesthrow.Qxd
    046 49 StonesThrow.qxd 10/30/06 7:00 AM Page 64 STONES THROW TURNS 10 BY CHRIS MARTINS — PHOTOS BY B+ “I’VE GOT A WHOLE FRIDGE FULL OF WINE,” better known as Egon: general manager, vintage director Jeff Jank, an erstwhile graffiti artist and illus- says Eothen Alapatt with the air of a veteran busi- regional funk archivist, DJ and all-around hustler trator from Oakland who made the move south with nessman. “Going up to places like Lompoc and (though it must be mentioned that he’s much more Wolf. Photographer B+, an Irish transplant whose Buellton right outside Santa Barbara, to these wineries endearing than he is business) for Stones Throw credits include album covers for N.W.A., the Watts that are site specific…it’s just like the music I like.” Records. Of course, this isn’t to say that the label’s Prophets, DJ Shadow, and the majority of the Stones He is, after all, an accomplished record label manager. basic function isn’t happening (that previously men- Throw catalog. Rapper Medaphoar, who grew up with “I feel the same way traveling to Omaha to track a funk tioned “supposed to” about reinventing hip-hop), the label’s flagship artist Madlib in Oxnard, California, band as when I’m going to a winery seeing where they because it most certainly is. But times have changed. 60 miles northwest of L.A. Producer J-Rocc, founding grow the grapes, tasting the wine and meeting the Ten years is a lot of time for an independent hip-hop member of the seminal West Coast turntablist crew people that do it.” But Eothen isn’t an industry old- (etc.) imprint that never had dreams of pressing its the World Famous Beat Junkies (who’ve worked with, timer.
    [Show full text]
  • SWR2 Musikstunde
    SWR2 MANUSKRIPT SWR2 Musikstunde Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt (3) Mit Michael Struck-Schloen Sendung: 11. April 2018 Redaktion: Dr. Ulla Zierau Produktion: SWR 2018 Bitte beachten Sie: Das Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des Urhebers bzw. des SWR. Service: SWR2 Musikstunde können Sie auch als Live-Stream hören im SWR2 Webradio unter www.swr2.de Kennen Sie schon das Serviceangebot des Kulturradios SWR2? Mit der kostenlosen SWR2 Kulturkarte können Sie zu ermäßigten Eintrittspreisen Veranstaltungen des SWR2 und seiner vielen Kulturpartner im Sendegebiet besuchen. Mit dem Infoheft SWR2 Kulturservice sind Sie stets über SWR2 und die zahlreichen Veranstaltungen im SWR2- Kulturpartner-Netz informiert. Jetzt anmelden unter 07221/300 200 oder swr2.de SWR2 Musikstunde mit Michael Struck-Schloen 09. April – 13. April 2018 Blumen und Pflastersteine 1968 und die musikalische Verjüngung der Welt 3. Ideologische Zuspitzung und Gewaltausbruch Und heute wieder: „Blumen und Pflastersteine ‒ 1968 und die musikalische Verjüngung der Welt“. Herzlich willkommen sagt Michael Struck-Schloen. Und ich will heute da weitermachen, wo die gestrige Sendung endete ‒ bei den Blumenkindern und Hippies, die ihr Zentrum in San Francisco hatten, aber bald auch in Paris oder auf dem Berliner Ku’damm zu sehen waren. Eine Zwischenstation war New York, wo im April 1968 das Musical Hair am Broadway herauskam und zu einem der erfolgreichsten Musicals aller Zeiten wurde ‒ obwohl Aussteiger und Kriegsdienstverweigerer mit langen Haaren, Hass aufs Establishment und Lust auf Drogen und Sex die Hauptrollen spielten. Aber letztlich war gerade diese Mischung auch das Erfolgsrezept.
    [Show full text]
  • The South African Who Wrote the English Lyrics for 'Les Miserables' Talks to Marianne Gray in London HERBERT Kretzmer Has Ve
    The South African who wrote the English lyrics for ‘Les Miserables’ talks to Marianne Gray in London HERBERT Kretzmer has very little to be miserable about. Apart from living a fascinating life, which started in Kroonstad then went via Paris and New York to London, he also wrote the English lyrics for Les Miserables, the world’s longest-running musical, which is now coming out as an all-star film. For the film, he has written the lyrics for an additional song, Suddenly, which has been nominated for an Oscar as Best Original Song. We meet in his elegant townhouse in Kensington, London, to talk about the film of the musical which is based on Victor Hugo’s novel set in 19th-century France. The musical has been running worldwide for 27 years, has been seen by 60 million people and shows no signs of flagging. The film stars two Australian leading men —Russell Crowe as the relentless Inspector Javert and Hugh Jackman as the hunted ex convict Jean Valjean — and the gorgeous Anne Hathaway as the hapless Fantine, mother of Cosette, who sells her hair to raise money. Hathaway actually had her beautiful long hair shorn to the scalp during one of the movie’s possibly most emotional sequences. Kretzmer only went on set twice during the shoot. He says he is now a “spare wheel”. “Nobody wants a writer round once his work is done,” he laughs. “He’s just being a tourist.” At 87, and with an OBE (Order of the British Empire), a chevalier of the French Ordre des Arts et des Lettres and an honorary doctorate from Rhodes University (which he dropped out of when a student), he still is totally on the ball as he chats, in a soft South African accent, about his extraordinary life.
    [Show full text]
  • Wagner College to Stage Galt Macdermot-Matty Selman Musical 'Goddess Wheel'
    March 29, 2012 Wagner College to Stage Galt MacDermot-Matty Selman Musical ‘Goddess Wheel’ By ADAM HETRICK The Lysistrata-inspired musical “Goddess Wheel,” by Tony Award winner Galt MacDermot and Matty Selman, will receive an April staging at Wagner College. “Goddess Wheel,” according to Wagner, “tells the story of the Peloponnesian War between Sparta and Athens. The women, fed up with the war, decide to withhold sex until the men sign a peace treaty bringing the war to an end.” It has music by MacDermot (“Hair,” “Two Gentleman of Verona”) and book and lyrics by Selman, both of whom are Staten Island natives. The musical was first staged at the American Repertory Theater and the Prince Music Theatre under the title “Lysistrata” in 2002. Cherry Jones starred in the central role. NYU’s CAP 21 program also offered a developmental production of “Goddess Wheel” in 2005. Rusty Curcio will direct the production that has musical direction by James Higgins. The band for “Goddess Wheel” will be MacDermot’s New Pulse Jazz Band. Performances run April 18-29. The cast will include Danielle Dallacco as Lysistrata; Leighann Colin as Penelope/Persephone; Ilana Bolotsky as Young Widow; Tara Kirk and Ashley Burger as Women of Sparta; Caroline LaTorre, Heather Kirschenbauer and Erica Weiderlight as Goddesses; Matt Sydney as the Chancellor; Ryan Cole as the Spartan Envoy/Soldier Ghost; and Andrew Khouri and Matt Favetta as Men of Athens. John Jamiel, head of acting at Wagner, plays Oracle/Hates. Wagner College's athletes are also featured in the production as Spartans. For tickets phone (718) 390-3259.
    [Show full text]
  • POPS Concert 5.31.19 | 7:00 PM
    by Lauren Gubler CVHS Instrumental Music Presents POPS Concert 5.31.19 | 7:00 PM Good Evening! Few experiences are as captivating as going to Broadway and seeing a live musical, where dancing, singing, acting and stage craft come together to provide a moving experience for the audience. Whether it is seeing Tony and Maria explore the other side of the American dream, or governess Maria keeping kids distracted during the Nazi occupation of Austria, or even seeing a person with social anxiety trying to fit in, musicals have a way of transporting us out of our day-to-day reality and into another world, where wondrous feats of artistry occur. Tonight the Crescenta Valley High School Instrumental Music Program presents a concert filled with songs from musicals. It’s an eclectic collection with songs from classic musicals like The King and I and Porgy and Bess, as well as movie musicals such as The Wizard of Oz, West Side Story and The Wiz. We have music from some modern classics such as Cats, Phantom of the Opera and Les Misérables, as well as the recent Broadway smash Dear Evan Hansen. Our students have had another exemplary year. We started with the Marching Band placing 4th in their competitive division in CSBC with The Planets, earning numerous High Music, High Auxiliary, and High Percussion awards. Then Concert Band, String Orchestra and Symphony Orchestra all earned Superiors at SCSBOA Regionals during Festival season. In fact, one judge expressed that she had not heard a high school Symphony Orchestra better than ours in her vast years of judging! Our Jazz Band, rebuilding due to a large senior class last year, didn’t skip a beat and ended up earning Superiors at its last few festivals.
    [Show full text]
  • „Nowhere to Go but Up“? Die Gattungsmerkmale Des Musicals
    „Nowhere to Go But Up“? Die Gattungsmerkmale des Musicals Dissertation zur Erlangung des Grades der Doktorin der Philosophie an der Fakultät für Geisteswissenschaften der Universität Hamburg im Promotionsfach Historische Musikwissenschaft vorgelegt von Sarah Baumhof Hamburg, 2021 Tag der Disputation: 21.1.2021 Vorsitzende der Prüfungskommission: Prof. Dr. Ivana Rentsch Erstgutachterin: Prof. Dr. Ivana Rentsch Zweitgutachter: Prof. Dr. Oliver Huck Anmerkungen zu Begrifflichkeiten, Schreibweisen und Quellenangaben ............................................ IV 1 Einleitung .......................................................................................................................... 1 1.1 Ziel und Titel der Dissertation .................................................................................... 1 1.2 Aktueller Forschungsstand ......................................................................................... 2 1.2.1 Sekundärliteratur: Umfang und Publikationsart ..................................................... 2 1.2.2 Subjektivität und qualitative Mängel ...................................................................... 6 1.2.3 Geographische Zentrierung .................................................................................. 11 1.2.4 Fehlende Musikanalyse ........................................................................................ 13 1.2.5 Determiniertheit .................................................................................................... 15 1.3 Fragestellung und
    [Show full text]
  • 100% Print Rights Administered by ALFRED 633 SQUADRON MARCH
    100% Print Rights administered by ALFRED 633 SQUADRON MARCH (Excluding Europe) Words and Music by RON GOODWIN *A BRIDGE TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS A CHANGE IS GONNA COME (from “ Malcolm X”) Words and Music by SAM COOKE A CHI (HURT) (Excluding Europe) Words and Music by JIMMIE CRANE and AL JACOBS A CHICKEN AIN’T NOTHING BUT A BIRD Words and Music by EMMETT ‘BABE’ WALLACE A DARK KNIGHT (from “ The Dark Knight ”) Words and Music by HANS ZIMMER and JAMES HOWARD A HARD TEACHER (from “ The Last Samurai ”) Words and Music by HANS ZIMMER A JOURNEY IN THE DARK (from “ The Lord of the Rings: The Fellowship of the Ring”) Music by HOWARD SHORE Lyrics by PHILIPPA BOYENS A MOTHER’S PRAYER (from “ Quest for Camelot ”) Words and Music by CAROLE BAYER SAGER and DAVID FOSTER *A WINDOW TO THE PAST (from “ Harry Potter and the Prisoner of Azkaban ”) Words and Music by JOHN WILLIAMS ACCORDION JOE Music by CORNELL SMELSER Lyrics by PETER DALE WIMBROW ACES HIGH MARCH (Excluding Europe) Words and Music by RON GOODWIN AIN'T GOT NO (Excluding Europe) Music by GALT MACDERMOT Lyrics by JAMES RADO and GEROME RAGNI AIN’T MISBEHAVIN’ (from “ Ain’t Misbehavin’ ) (100% in Scandinavia, including Finland) Music by THOMAS “FATS” WALLER and HARRY BROOKS Lyrics by ANDY RAZAF ALL I DO IS DREAM OF YOU (from “ Singin’ in the Rain ”) (Excluding Europe) Music by NACIO HERB BROWN Lyrics by ARTHUR FREED ALL TIME HIGH (from “ Octopussy ”) (Excluding Europe) Music by JOHN BARRY Lyrics by TIM RICE ALMIGHTY GOD (from “ Sacred Concert No.
    [Show full text]