Translating telecinematic texts Linguistic and Cultural Representation in Audiovisual T ranslation Voicing difference? The role of voice - over in negot iating identity in non - fiction BBC broadcasting across Italian/English lingua - cultures Denise Filmer, University of Catania Email
[email protected] Introduction Gieve and Norton ( 2007, 2010) have argue d that the linguistic representation of “foreigners” in non - fiction British broadcasting has considerable “ideological impact on the discursive construction of identity, and cross - cultural relationships” ( 2010, p. 208) . According to the authors, linguistic difference in documentary, travel and lifestyle television genres is flattened or even erased . Consequent ly , c ommunic ation between speakers of different languages is routinely portrayed as " smooth, unproblematic, and everyday ” ( Gieve and Norton , 2010 , p. 206). The reconstructed reality (Orero , 20 06, p. 2 ) inherent in these genres is achieved through transfer modes such as voice - over translation , re voicing, narration , and simultaneo us interpreting , which in turn give rise to "the peculiar situation of two people apparently speaking to each other in different languages” ( Gieve and Norton , 2007 , p. 200) . V oice - ov er is also used to convey meaning in t ranslation - mediated audiovisual news products ; in particular, f oreign politician's speeches , and interviews ( Darwish , 2003, 2006; Darwich and Orero, 2014 ). These are discursive fields in which the translation process is susceptible to ideological manipulation (Diaz - Cintas 2012) that could provoke wide - ranging and possibly disastrous consequences . D espite such potential t o create or subvert meaning, voice - over techniques remain mainly unchartered forms of audiovisual translation ( Orero 2004, p 76; Franco et al 2010 , p.