Acclaimed Singer/Songwriter Hayes Carll Returns With
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John Fullbright Pg 30 “What’S So Bad About Happy?” T He Oklahoma Tunesmith Seeks Answers to That Burning Question and Others While Crafting the Songs of His Life
LoneStarMusic | 1 2 | LoneStarMusic LoneStarMusic | 3 inside this issue JOHN FULLBRIGHT pg 30 “What’s so bad about happy?” T he Oklahoma tunesmith seeks answers to that burning question and others while crafting the songs of his life. by Lynne Margolis FEATUREs 26 Q&A: Billy Joe Shaver — By Holly Gleason 38 Miranda Lambert: The true heart and real deal behind the platinum supernova — By Holly Gleason 42 The Mastersons: The duke and duchess of Americana power pop embrace their chemistry on Good Luck Charm — By Holly Gleason 43 Corb Lund: Americana’s favorite Hurtin’ Albertan goes to Memphis — By Adam Dawson 46 Kelly Willis and Bruce Robison: “This will be our year, took a long time to come ...” — By Richard Skanse 50 Robyn Ludwick: Hard woman with a heartache — By Richard Skanse John Fullbright photo by John Carrico 4 | LoneStarMusic LoneStarMusic | 5 after awhile inside this issue Publisher: Zach Jennings Editor: Richard Skanse Notes from the Editor | By Richard Skanse Creative Director/Layout: Melissa Webb Cover Photo: John Carrico I can’t, for the life of me, remember what song it was that John Fullbright Advertising/Marketing: Kristen Townsend played the first time I saw him — but I damn sure remember the impact. Advertising: Erica Brown It was back in February 2011 at the 23rd International Folk Alliance Conference Artist & Label Relations: Kristen Townsend in Memphis, sometime well after midnight, when the private showcases overrunning the top three floors of the Marriott were in full swing. I’d wandered Contributing Contributing from room to room for what felt like (and probably was) hours, catching a song Writers Photographers here, a short set there, and foraging for drinks and late-night snacks the whole time. -
Mountain Stage Guest Artist List
MOUNTAIN STAGE GUEST ARTIST LIST 1981 March Bob Thompson Jazz Trio, Putnam County Pickers 1983 December Larry Parson’s Chorale, Bob Thompson Jazz Trio, John Pierson 1984 January Currence Brothers, Ethel Caffie-Austin Singers, Terry Wimmer February Rhino Moon, Moloney, O’Connell & Keane, Alan Klein, Robert Shafer March Trapezoid, Charleston String Quartet, Bonnie Collins, April Stark Raven, Joe Dobbs/Friends, Alan Freeman, Joe McHugh May Hot Rize, Red Knuckles & Trailblazers, Karen McKay, Alan/Jeremy Klein June Norman Blake/Rising Fawn Ensemble, Appalachian String Quartet, Elmer Bird, Jeff and Angela Scott July Still Portrait, Everett Lilly/Appalachian Mountain, Sweet Adelines August Bill Danoff, Ann Baker/Bob Thompson Trio, Bob Shank, Alice Rice September Clan Erdverkle, Ron Sowell, Tracy Markusic, Shirley Fisher October Critton Hollow String Band, Tom Church, Marc & Cheryl Harshman November Turley Richards, Night Sky, Mountain Stage Regulars December (1 hr. Christmas special) West Virginia Brass, Bob Thompson, Devon McNamara 1985 January Turley Richards, West Virginia Brass, Bonnie Collins February Whetstone Run, Lucky Jazz Band, Alice Rice March Alex de Grassi, Nat Reese, Maggie Anderson April Guy Clark, Trapezoid, Marc Harshman May Bob Thompson, Ann Baker, Paul Skyland, Devon McNamara June 1 (Spoleto-Chas, SC) Hot Rize, Red Knuckles, John Roberts/Tony Barrand, Moving Star Singers June John McEuen, Mountain Thyme, John Rosenbohm, Bonnie Collins July Bill Danoff, Steadfast, Faith Holsaert August Buster Coles, Bing Brothers, Bob Baber -
Jack Ingram and the Roots of the Texas Country Scene Rich Kelly
32 Jack Ingram and the Roots of the Texas Country Scene Rich Kelly Jack Ingram performing at Gruene Hall, March 31, 2000. Photo by and courtesy of Jeremy Elliott. In May of 2016 Guy Clark, a songwriting giant in both his native Texas and his adopted Nashville, passed away. A week later, a bus of Clark’s Tennessee friends delivered their mentor’s cremated remains to fellow artist Terry Allen’s Santa Fe home for a wake for the legend. The intimate picking party featured a who’s who of alternative country luminaries including Steve Earle, Emmylou Harris, Vince Gill, Joe Ely, Rodney Crowell, Lyle Lovett, 33 and Robert Earl Keen. Among the impressive gathering of singer-songwriters, only two were under sixty years old: Allen’s son Bukka, an accomplished accordionist, and Jack Ingram.1 The 45-year-old Ingram had come a long way from his musical beginnings in Dallas’s Deep Ellum more than twenty- five years earlier. Along with the chance to honor one of his heroes and inspirations, the invitation signaled Ingram’s ascension into the pantheon of Texas’s elite singer-songwriters. Along the way Ingram pushed against the prevailing musical winds, played a key role in reviving fan interest in original Texas country music, and served as the key inspiration for the early artists of the emerging Texas Country scene. In the 1990s in college cities and towns throughout Texas, a Kacey Musgraves. Despite the genre’s widespread popularity, regional country music scene developed. The artists and fans there has been little academic examination of its beginnings or in this musical movement consciously strove to revive the values impact. -
BUDDY Livin' – a Family Creation
BUDDY THE ORIGINAL TEXAS MUSIC MAGAZINE SEPTEMBER 2014 VOLUME XXXXII, NUMBER 3 Livin’ – a family creation Lee Ann Womack’s new CD, The Way I’m Livin’, took her six years and a new contract with Sugar Hill Records to release. By Tom Geddie R EMOVE AN EXCELLENT COUNTRY Rsinger — one of our best — from the con- Rstraints of major record label demands and what do we get? Very probably her best album yet. The artist is Lee Ann million lovers couldn’t set me Womack, who might be consid- free, he haunts me” . “I am a far ered a sort of female George Strait cry, you are a whisper” . “go for the respect she gets in the tell my baby that I am happy and songs she chooses to cover, to that I’m never coming home, interpret in her own way. The make up some reason I had to album is The Way I’m Livin’, leave him, the only true love I’ve which took her six years and a ever known” . “Sunday morn- new contract with Sugar Hill ing singin’, chicken gettin’ fried, Records to release. I missed it all by sleepin’ in and First, always, is the East I feel no light inside” and more. Texas-raised Womack’s perfect Womack shares the words in voice. A close second is her choice slow, contemplative songs, in a of songs. On this fine, mostly sort of Southern gospel, and traditional album, the words we somehow hopeful, some blues- get come from Chris Knight, oriented country, and a lot of Mindy Smith, Buddy Miller, real country weepers. -
Hayes Carll Hayes Carll Is an Odd Mix. Wildly Literate, Utterly Slackerly
Hayes Carll Hayes Carll is an odd mix. Wildly literate, utterly slackerly, impossibly romantic, absolutely a slave to the music, he is completely committed to the truth and unafraid to skewer pomposity, hypocrisy and smallminded thinking. In a world of shallow and shallower, where it’s all groove and gloss, that might seem a hopeless proposition. Carll connects with music lovers across genres lines. Playing rock clubs and honkytonks, Bonnaroo, Stones Fest, SXSW and NXNE, he and his band merge a truculent singer/songwriter take that combines Ray Wylie Hubband’s lean freewheeling squalor with Todd Snider’s brazen Gen Y reality and a healthy dose of love amongst unhealthy people. “I guess you could say I write degenerate love songs,” Carll says. “That, and songs about people who’re wedged between not much and even less; people who see how hopeless it is and somehow make it work anyway. And the best kind of irony, sometimes, is applying no irony and letting reality do the work.” Letting reality do the work has sure worked for the lanky Texan who walks slow and talks slower. Born in Houston, he went to college at Hendrix College in Conway, Arkansas – getting a degree in History, then heading back to Crystal Beach to play for a wild assortment of people either hiding out, hanging on or getting lost in the bars along the Texas Gulf coast. After releasing Flowers & Liquor in 2002, Carll was voted the Best New Artist of 2002 by The Houston Post. He would go on to release Little Rock on his own Highway 87 label, which became the first selfowned project to the top the Americana charts. -
I'll Be Here in the Morning: the Songwriting Legacy of Townes Van
Atkinson: I'll Be Here in the Morning I’ll Be Here in the Morning: The Songwriting Legacy of Townes Van Zandt Brian T. Atkinson 22 Produced by The Berkeley Electronic Press, 2010 1 Townes Van Zandt performing in Nijmegen, The Netherlands, Photo courtesy Paul Needham Journal of Texas Music History, Vol. 10 [2010], Iss. 1, Art. 4 Townes Van Zandt never was a good fit for this earthly world.1 After all, the Fort Worth native, a cult figure at best outside the Austin and Nashville music communities during his lifetime, knew his time here would be short.“I don’t envision a very long life for myself,” a youthful Van Zandt says early in Margaret Brown’s 2005 documentary Be Here To Love Me.“Like, I think my life will run out before my work does, you know? I’ve designed it that way.” He lived fast and wrote faster, even as his blueprint devolved into alcoholism and 2 drug addiction. Like his childhood hero, Hank 23 Williams, Van Zandt died on New Year’s Day. He rests in Fort Worth’s Dido Cemetery. Van Zandt baited his demons for 52 years, a journey further darkened by severe manic depression and electroshock therapy, before dying at his Tennessee home in 1997.3 Along the way, he became one of the modern era’s most elegant lyricists. Consider the opening lines of “Quicksilver Daydreams of Maria”: “Well, the diamond fades quickly when matched to the face of Maria/All the harps they sound empty when she lifts her lips to the sky.” Every word frames the woman’s beauty. -
Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016)
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-13-2016 The People's Poets: Literature Born of the Texas Singer- Songwriter Movement of the Last Forty Years Phyllis M. Dunham [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Dunham, Phyllis M., "The People's Poets: Literature Born of the Texas Singer-Songwriter Movement of the Last Forty Years" (2016). University of New Orleans Theses and Dissertations. 2212. https://scholarworks.uno.edu/td/2212 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The People’s Poets: Literature Born of the Texas Singer-Songwriter Tradition of the Last Forty Years A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Phyllis Dunham B. A. Sul Ross State University, 2013 May 2016 Table of Contents List of Figures ................................................................................................................... -
Hayes Carll – Alone Together Sessions
Hayes Carll – Alone Together Sessions “It was one of those legendary Nashville nights. We threw a picking party in late December. The songs were singing, the drinks were drinking. It was around midnight when Darrell Scott showed up. He sat down in front of the fireplace, picked up a guitar, and we played “Sake of the Song” together. It’s a song — one of several — we had written years before, but we never had really played it. I knew right then and there that I wanted to capture more of that energy.” When Hayes Carll released Flowers & Liquor in 2002, he had no master plan beyond continuing to write songs, play shows, and see where the music would take him. Of course, when you write songs that ply a cocktail of Guy Clark’s detail, John Prine’s humor, and Ray Wylie Hubbard’s outlier musk, things have a way of happening. A pair of Americana Music Awards for Best Emerging Artist (2010) and Song of the Year for “She Left Me For Jesus,” (2008) a triple at the 2016 Austin Music Award for Artist/Songwriter/Singer, and a 2012 Grammy nomination for Best Country Song for “Chances Are,” are just the tip of Carll’s slow-moving career. He’s had the Most Played Record on Americana Radio twice — in 2011 with “KMAG-YOYO,” and in 2019 with “What It Is,” and his songs have been recorded by a diverse group of artists including Kenny Chesney, The Hard Working Americans, Curtis Stigers, Lee Ann Womack, Jack Ingram, and the Brothers Osborne. -
Guy-Clark-Nashville-Scene.Pdf
“Well, I just want to interject this,” Clark tells me. Harris and was herself a talented songwriter. corners of modern American life with equal says. “You’ve used that word twice, and I find It is impossible to think of Clark’s work (Her composer credits include “I’ll Be Your precision. “El Coyote” is an account of a that word a little offensive when it’s applied to without the work ethic that informs it. For one San Antone Rose,” a 1975 hit for country border crossing effected by means of cash songwriting. I really think it’s poetry and it’s thing, only a man with serious resolve could singer Dottsy, and “Easy From Now On,” and a smuggler’s semi. “Rain in Durango” art. I let it get stuck on me when one of those have made it through his past few years. written with Carlene Carter and recorded takes an amused look at a modern-day hippie small record companies that puts out all the by Emmylou Harris and later Miranda who travels very lightly around the festival — what’s their name?” n Guy Clark’s songs, poetry never Lambert.) You can see her grinning with circuit. Written with Camp, it employs a I fumble around in my memory, and finally precludes psychological penetration. Clark on the back of his 1976 Texas Cookin’ Newgrass style appropriate to the song’s I get it: “Rounder.” But his work has achieved poetic album, where she looks like a woman who subject matter. “Right, Rounder had bought some masters density over his 40-year career as knows her own mind, and your mind too. -
For Immediate Release August 2020 Award-Winning Singer
FOR IMMEDIATE RELEASE AUGUST 2020 AWARD-WINNING SINGER/SONGWRITER HAYES CARLL REIMAGINES SONGS FROM HIS ACCLAIMED BODY OF WORK ON NEW ACOUSTIC ALBUM ALONE TOGETHER SESSIONS OUT SEPTEMBER 4TH ON DUALTONE NEW VERSION OF “DOWN THE ROAD TONIGHT” RELEASED TODAY FEATURING A SWINGIN’ BLUES MAKEOVER LISTEN HERE "Over the course of almost two decades and [six] albums, [Carll] has gained a reputation for his own way with words, as his straight-talking lyrics and wry delivery have garnered nods from the Grammys and Americana Music Awards." - Garden & Gun Nashville, TN – Acclaimed singer/songwriter Hayes Carll has announced the September 4th release of Alone Together Sessions (Dualtone), a collection of ten reimagined works from his celebrated, award-winning career plus a duet with singer/songwriter and wife, Allison Moorer, on the country classic “That’s The Way Love Goes.” Homebound by the pandemic, Carll found himself with a rare gift of time. “It’s probably good to pause every now and then, to take stock of everything,” Carll says. “When you make your living playing out there for people, you’re constantly in motion. That momentum doesn’t leave much time for thinking about what happened, let alone what it all means. How often does someone get to go back in, change the rhythms, turn up guitars, shift the perspective of a lyric or the delivery of a vocal? The more I sang these songs, the more I learned about them.” To create “Alone Together” Carll teamed up with friend and frequent collaborator, singer/songwriter/multi-instrumentalist/producer Darrell Scott, who produced, sang, and - aside from Carll’s acoustic guitar and harmonica, and Luke Moeller’s violin - played every instrument on the album. -
RLRM-Playbill-13-Small-Res.Pdf
MAKE EVERY OCCASION A PIECE OF CAKE Howdy Friends, with Celebrations & Sweet Creations Twenty years ago I stepped onto “songwriters hallowed ground” at the Bluebird Café in Nashville, Tennessee and had my first listening room experience. It was there that I heard more clearly than ever the stories and hearts behind the songs. I returned from that first trip to music city and began hosting “songwriters in the round” in various venues across Texas where my songwriting buddies and I could present our tunes. In late 2006 I walked into Dosey Does’ Big Barn for lunch, and knew I’d found a home. Over 150 shows later Real Life Real Music is still going behind the lives and songs of our favorite artists and broadcasting it all across our online and syndicated networks. Take a look beneath the surface and you’ll see that Real Life is not just a radio program taped in front of a live studio audience. Throughout the year, in addition to our 24 tapings we work to develop the next generation of songwriters through our SELECT Songwriting Program and Songwriters Experience Summer Camps. These opportunities, designed for students 5th – 12th grades, have become a huge part of our year! And if you enjoy being inspired like I do, come check out any of our Student Artist Showcases to see how bright the future of music really is! And be sure and stop in for our newest addition, “The Filling Station”, held one Sunday evening a month at The Dosey Doe Music Café where we dig deeper into the spiritual truths behind special guest artists’ tunes. -
Award-Winning Singer/Songwriter Hayes Carll to Release You Get It All on October 29Th
FOR IMMEDIATE RELEASE JULY 2021 ACCLAIMED SINGER/SONGWRITER HAYES CARLL TO RELEASE YOU GET IT ALL ON OCTOBER 29th VIA DUALTONE MUSIC ENDEARING TITLE TRACK REMINDS US HOW “YOU GET IT ALL” IN RELATIONSHIPS, INCLUDING THE POSITIVES AND THE NEGATIVES LISTEN HERE Nashville, TN – Grammy-nominated singer/songwriter Hayes Carll will release his highly anticipated new album You Get It All on October 29th. Produced by Kenny Greenberg and Allison Moorer, You Get It All is the award-winning troubadour’s eighth album and the follow-up to his critically acclaimed 2019 release What It Is. What It Is was praised highly by Entertainment Weekly, The Associated Press, Wall Street Journal, NPR Music, Garden & Gun, No Depression, American Songwriter, and received four-star reviews in Rolling Stone, MOJO, and more. See Highlights. Listen to the new title track, “You Get It All” HERE. Hayes Carll has won over audiences for the better part of two decades with his literate, cinematic, and soulful songwriting. The 11 songs on You Get It All, all co-written by Carll, uniquely blend his signature balance of grit and tenderness. Album opener “Nice Things”, a signature Carll classic written with the Brothers Osborne, features his sardonic humor and an infectious chorus about a God who is not at all pleased with the way things are going on earth. The easygoing title track (co-written with Craig Wiseman) is a sweet declaration of adult love, in which one must be honest about the good and the not-so-good that comes with giving and taking. “Different Boats” (co- written with Adam Landry and Allison Moorer) addresses our differences while still squarely landing on our common ground over a slow, bluesy groove.