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Uncle Earl's Homecoming
EVENTS NIGHTSPOTS RESTAURANTS Ann Arbor Weather: Mostly cloudy & 70°F SEND A TIP >> AnnArborObserver.com >> Articles >> Culture Uncle Earl's homecoming A2 to Colorado, and back by Whitley Hill From the March, 2007 issue Uncle Earl got himself born right here in Ann Arbor. He sprang fully formed and thoroughly functional from the fertile minds, nimble fingers, and soulful voices of singer-songwriters K. C. Groves and Jo Serrapere and fiddle player Tahmineh Gueramy. He tripped giddily about local venues, perplexed, at times, at his role as avatar and masthead of such plaintive, delicate music. He shuffled uncomfortably on the sidelines after gigs as fans asked, "So, which one of you has an uncle Earl?" In fact, Uncle Earl is an old-time string band that features neither uncles nor anyone remotely named Earl. Today, Groves, now based in Colorado, is the only original member of the group. She's joined now by three fine, seasoned women - Kristin Andreassen (guitar, clogging, ukulele, and vocals), Rayna Gellert (fiddle and vocals), and Abigail Washburn (banjo and vocals) - who love this music deeply and play it with passion. In this quartet's capable hands, everything old is scrubbed fresh. With rainwater. Heaven knows how they managed it, amid their increasingly international touring schedule, but a black crow on a clothesline tells me that Uncle Earl's newest album, Waterloo, Tennessee (Rounder Records), was made in about two weeks last fall at a luxurious live-in studio in the rolling hills outside of Nashville. Aside from the joy of unfettered, fully supported creativity (beautifully manifested in the four tracks I heard), the G'Earls got their first taste of actual obsequiousness: a crew of bowing, scraping interns who insisted on washing their white fluffy robes every day. -
Béla Fleck & Abigail Washburn
BÉLA FLECK & ABIGAIL WASHBURN ADELAIDE TOWN HALL 12 AUGUST 8PM USA ADELAIDE PREMIERE 16 - time Grammy winner Béla Fleck and his critically lauded partner Abigail Washburn bring together, in a seemingly mystical union, Fleck’s revered modern compositions for banjo with Washburn’s equally respected old-school take on the instrument. Their 2014 debut duo album revealed new musical possibilities found in their combined styles, heralded by Washburn’s angelic voice. The triumph of their collaboration was recognised when the record won the 2016 Grammy Award for Best Folk Album. “A stunning collection of eloquent duets” – THE NEW YORKER “the couple has mined various intimate intricacies of the banjo duet, using an aesthetic of front-porch minimalism to play an eclectic mix of country blues, Appalachian mountain songs and expansive chamber folk…. The duo's eponymous debut is filled with understated force” – WASHINGTON POST “two monsters of the banjo” – NPR All Things Considered BÉLA FLECK & ABIGAIL WASHBURN Sure, in the abstract, a banjo duo might seem like a musical concept beset by limitations. But when the banjo players cast in those roles are Abigail Washburn and Béla Fleck—she with the earthy sophistication of a postmodern, old-time singer-songwriter, he with the virtuosic, jazz-to-classical ingenuity of an iconic instrumentalist and composer with bluegrass roots— it’s a different matter entirely. There’s no denying that theirs is a one-of-a-kind pairing, with one-of- a-kind possibilities. Fleck and Washburn have collaborated in the past, most visibly in their Sparrow Quartet with Casey Driessen and Ben Sollee. -
1 a Conversation with Abigail Washburn by Frank
A Conversation with Abigail Washburn by Frank Goodman (9/2005, Puremusic.com) It’s curious in the arts, especially music, that success or notoriety can sometimes come more easily to those who started late, or never even planned to be an artist in the first place. But perhaps, by the time that music seriously enters their life, people they’ve met or other things that they’ve done or been interact with that late-breaking musical urge and catalytically convert it into something that works, takes shape or even wings. And so many who may have played the same instrument or sung or composed the same style of music all their lives may never have been rewarded, or at least noticed, for a life’s work. Timing, including the totality of what one brings to the table at that particular time, seems to be what matters. Or destiny, perhaps, if one believes in such a thing. By the time that musical destiny came knocking at Abigail Washburn’s door, her young life was already paved with diverse experiences. She’d gone abroad to China in her freshman year at college, and it changed her fundamentally. She became so interested in that culture and that tradition that it blossomed into a similar interest in her own culture when she returned, and she went deeply into the music of Doc Watson and other mountain music figures, into old time and clawhammer banjo music in particular. She’d sung extensively in choral groups already, so that came naturally. She was working as a lobbyist and living in Vermont, and had close friends who were a string band. -
01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen
|--Abigail Washburn | |--City of Refuge | | |--01 Prelude | | |--02 City of Refuge | | |--03 Bring Me My Queen | | |--04 Chains | | |--05 Ballad of Treason | | |--06 Last Train | | |--07 Burn Thru | | |--08 Corner Girl | | |--09 Dreams Of Nectar | | |--10 Divine Bell | | |--11 Bright Morning Stars | | |--cover | | `--folder | |--Daytrotter Studio | | |--01 City of Refuge | | |--02 Taiyang Chulai | | |--03 Bring Me My Queen | | |--04 Chains | | |--06 What Are They Doing | | `--07 Keys to the Kingdom | |--Live at Ancramdale | | |--01 Main Stageam Set | | |--02 Intro | | |--03 Fall On My Knees | | |--04 Coffee’s Cold | | |--05 Eve Stole The Apple | | |--06 Red & Blazey | | |--07 Journey Home | | |--08 Key To The Kingdom | | |--09 Sometime | | |--10 Abigail talks about the trip to Tibet | | |--11 Song Of The Traveling Daughter | | |--12 Crowd _ Band Intros | | |--13 The Sparrow Watches Over Me | | |--14 Outro | | |--15 Master's Workshop Stage pm Set | | |--16 Tuning, Intro | | |--17 Track 17 of 24 | | |--18 Story about Learning Chinese | | |--19 The Lost Lamb | | |--20 Story About Chinese Reality TV Show | | |--21 Deep In The Night | | |--22 Q & A | | |--23 We’re Happy Working Under The Sun | | |--24 Story About Trip To China | | |--index | | `--washburn2006-07-15 | |--Live at Ballard | | |--01 Introduction | | |--02 Red And Blazing | | |--03 Eve Stole The Apple | | |--04 Free Internet | | |--05 Backstep Cindy_Purple Bamboo | | |--06 Intro. To The Lost Lamb | | |--07 The Lost Lamb | | |--08 Fall On My Knees | | |--Aw2005-10-09 | | `--Index -
2O21-22 Season
CELEBRATING 2O21-22 SEASON EST. 1996 2021-22 contents 5 Welcome 6 Season Calendar 8 Subscribe 10 Series 22 Performances 86 Performances for Young People 88 How to Order 89 Discounts 91 Helpful Information 92 Beyond the Footlights 94 Support On the cover: Hodgson Concert Hall 2Camerata RCO Painting: J.N. Smith 3 Welcome Back What a time it has been! Our world has experienced unprecedented disruption since we last gathered in the spring of 2020 in our beautiful venues to witness exquisite music, dance, and theatre together. Throughout these many long and painful months of separation and isolation, I have been yearning for the time when we can be together once again. It appears that time is finally now upon us! I am absolutely thrilled to share our plans for celebrating the University of Georgia Performing Arts Center’s historic 25th anniversary season throughout the fall of 2021 and spring of 2022. Our silver anniversary season will feature a variety of acclaimed guest artists—some new to us and some returning favorites—with an equally wide variety of personal life experiences. They will come to us from across the United States and several different countries. Their experiences inform their work, and we will, for a brief moment in time, commune together as the universal languages of music, spoken word, and movement unite us in hope and healing. Not only has the world changed significantly since we first opened our doors 25 years ago, it has changed dramatically in the last year as we have endured the devastating impact of a global pandemic, social injustice, political uncertainty, and any number of other things. -
Ben Sollee Annual Institute Performance an Evening of Music, Storytelling, and Community Fellowship
E T U T I Welcome to Berea T RK INS RK O Y F Y A small town with a big story! H Each year the Brushy Fork Annual Institute brings PHOTO: BRUS PHOTO: together a group of dedicated regional leaders from across Appalachia to share ideas and resources to Agenda address community needs and challenges. We invite you to join us this September here on the campus of Berea College. While here, you'll participate in regional networking, hands-on training, and spend some time Tuesday, September 22 getting to know our campus and community. 12:00 p.m. – 5:00 p.m. Registration 2:00 p.m. – 5:00 p.m. Early Bird Sessions Berea is home to a thriving population of weavers, 5:30 p.m. – 6:30 p.m. Dinner on the Lawn instrument makers, furniture artisans, jewelry designers, glass workers, potters, painters, sculptors, Wednesday, September 23 and musicians. 7:30 a.m. Breakfast The story of Berea's artisan community is interwoven 8:00 a.m. Registration Opens with historic Berea College, the first interracial 9:00 a.m. Opening Plenary and Address and coeducational college in the South. Berea has a 10:30 a.m. – 12:00 p.m. Concurrent Track Sessions long-standing tradition of diversity, social justice, 12:00 p.m. – 1:00 p.m. Picnic Lunch environmental responsibility, and community service. 1:00 p.m. – 5:00 p.m. Concurrent Track Sessions Both college and town are committed to the practice 6:00 p.m. – 7:00 p.m. Dinner at Historic Boone Tavern of sustainability and conservation. -
Sunspot Concerts at the Lyceum Furnace Mountain Martin Hayes
Sunspot Concerts at the Lyceum Furnace Mountain Saturday, March 20, 2010, 8 PM $18 advance/$21 door Furnace Mountain, named after the tallest peak of the Catoctin Mountains, is a quartet of traditional musicians who play the music of the Virginia countryside and mountains. Dave Van Deventer (fiddle) and Danny Knicely (mandolin & guitar) front the instrumental side of things, while vocalists Morgan Morrison (bouzouki) and Aimee Curl (bass) layer in a stunning mix of the earthy and ethereal. Their music is at times lively and raucous, with spirited fiddle melodies weaving in and around the powerful rhythms of the bass and bouzouki. At other times it is poignant and poetic, with sublime vocal harmonies beautifully interpreting some of the oldest songs ever written. They’ve just released a new CD, Fields of Fescue. www.furnacemountain.com. Martin Hayes & Dennis Cahill Saturday, April 10, 2010, 8 PM $26 advance/$30 door Martin Hayes has drawn musical inspiration from sources as diverse as the Estonian composer Arvo Pärt, the Spanish viola da gamba master Jordi Savall and the jazz genius John Coltrane to create his own signature style of Irish fiddle music. Still, he remains grounded in the music he grew up with in his own locality, Maghera, Feakle, East County Clare. Coming this Summer & Fall: Saturday, July 31, The Kane Sisters Friday, Sept. 17, Red Molly Tickets available at www.sunspotpro.com The Lyceum, 201 South Washington St, Alexandria, VA Join Sunspot online at www.myspace.com/sunspotpro and on Facebook www.groups.to/sunspotconcerts Sunspot Production • www.sunspotpro.com • 800 404-9049 About the Concerts Past Sunspot Shows Sunspot Concerts Sunspot showcases musicians from the United Irish singer Karan Casey ● Irish-American At The Lyceum States and around the globe, representing all singer Cathie Ryan ● American banjo master styles of traditional and contemporary folk Tony Trischka ● Connemara fiddlers The Kane Spring 2010 music. -
Cover CW 470 June 2017
CONCERTINA WORLD Magazine of the International Concertina Association since 1952 CW 470 June 2017 Information/interviews/techniques/ events/music supplement Subscriptions run from 1 January each year Photos with the article “Music of Ireland” by Bill Crossla nd Concertina World Editor: 1 Index Pauline de Snoo, tel. 0031 73 54 79837 2 Editorial Goudenregenstraat 5, 5482 CW Schijndel, Netherlands 3 Internet Video Jukebox 11 Email: [email protected] 5 Virtual Folk Club 5 or [email protected] 12 John Holman Obituary Committee Chairman and Concertina World 13 Eighteen months in the life of the Correspondent: Yorkshire Concertina Club Paul Walker 17 The anglo concertina music of Ireland Email: [email protected] or [email protected] – a Rough Guide 25 Minutes of the AGM 22 April 2017 Membership Secretary: Martin Henshaw, tel. 01767 627 566 Oak End, 23A Bedford Road Northill, Biggleswade, Beds, SG18 9AH Contributors: Bill Crossland, Colin Dipper, Email: [email protected] Helen Graham, Pauline de Snoo, Paul Walker and Colin Whyles. Treasurer: Paul McCann Email: [email protected] Center magazine: removable A4 szie Librarian/Archivist: pages Music Supplement and article on Jeremy Hague Email: [email protected] ICA archive: contributions by Paul Walker (John Kirkpatrick) and John Wild Secretary: Colin Whyles Email: [email protected] Webmaster: Michel van der Meiren Photos cover see article page 27. Email: [email protected] Other committee members: Roger Gawley; Graham Heffernann; Jon McNamara; Gill Noppen-Spacie. Subscriptions run from 1 January to 31 December. Membership subscriptions are due on 1 January of each year. Membership UK 20 GBP, Europe 23 GBP, USA 26 GBP. -
September / October
CONCERT & DANCE LISTINGS • CD REVIEWS • FREE EVENTS FREE BI-MONTHLY Volume 5 Number 5 September-October 2005 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers THE TILT OF THE KILT Wicked Tinkers Photo by Chris Keeney BY RON YOUNG inside this issue: he wail of the bagpipes…the twirl of the dancers…the tilt of the kilts—the surge of the FADO: The Soul waves? Then it must be the Seaside Highland Games, which are held right along the coast at of Portugal T Seaside Park in Ventura. Highly regarded for its emphasis on traditional music and dance, this festival is only in its third year but is already one Interview: of the largest Scottish events in the state. Games chief John Lowry and his wife Nellie are the force Liz Carroll behind the rapid success of the Seaside games. Lowry says that the festival was created partly because there was an absence of Scottish events in the region and partly to fill the void that was created when another long-standing festival PLUS: was forced to move from the fall to the spring. With its spacious grounds and variety of activities, the LookAround Seaside festival provides a great opportunity for first-time Highland games visitors who want to experience it all. This How Can I Keep From Talking year’s games will be held on October 7, 8 and 9, with most of the activity taking place on the Saturday and Sunday. -
Bellowhead „Burlesque“ (Westpark Music 87132)
Bellowhead „Burlesque“ (Westpark Music 87132) “Astonishing. I mean, I’ve had a drink but this sounds to me like a landmark ... Bellowhead are taking the music forward with a flair and urgency rarely heard in these parts and I, for one, can’t wait for them to make a proper album.“ COLIN IRWIN – fRoots Magazine And - here it is. ‘Burlesque’ out via Westpark Music. Not so much a Big Band as a small independent country, Bellowhead is an 11 piece busy pushing the boundaries of English roots music into regions where few have previously dared to tread. Bellowhead’s debut gig took place at the first Oxford festival in April 2004, brought together by the acclaimed folk duo John Spiers & Jon Boden. They dreamt up the band while stuck in traffic somewhere on the M25. John & Jon phoned Paul Sartin, Benji Kirkpatrick and Giles Lewin who all agreed to form the core of the new band while the duo were still on said motorway. The idea was to have an English traditional folk band at the heart of the collective, also capable of switching between a big band sound, funk styles, and a string section. The first gig was an instant success de- spite the fact that Bellowhead had only managed to spend one afternoon, in a scout hut, rehearsing. Later that same summer, Bellowhead managed to inspire such enthusiasm, on a balmy night at Sidmouth Festival, that an invigorated crowd broke the dance floor. Interest in the band developed beyond the immediate fringes of the folk scene immediately after the independ- ent release of the ‘E.P.Onymous’, a 5 track demo which was initially produced to send to promoters and sell a few at gigs. -
Winter 2011-2012
NNootteess The Newsletter of Readifolk Issue 12 Reading's folk song Winter 2011/12 and music club McKinnon & Anne Tarrant and Bob & Gill Berry for giving us Welcome two really enjoyable evenings. But on a sadder note, it was because of serious illness that to another Readifolk Johnny Silvo had to cancel his UK Autumn tour, which included an appearance at Readifolk. Reports indicate that his illness newsletter has now become terminal. Our thoughts are with Johnny and his family as we recall the many happy times shared with him. Rumblings from the Roots Looking forward to the new year, we have already booked Welcome to the Winter edition of Notes. With this edition we many excellent guests. You will see from the previews and the welcome in another New Year and we take this opportunity of listing on the back page that we have several newcomers to wishing you all a very happy and successful 2012. the club in the first quarter. Some of them are wellestablished artists and some are younger performers who we feel are We are delighted with the new format of Notes which Stewart destined for greater things. Do look up their details on their has compiled. As well as several interesting articles and news web sites etc., and you can listen to tracks from all of the items, we include previews of all the forthcoming artists in the artists in a special preview edition of The Readifolk Radio first quarter of the year. It was felt preferable to give previews Show, broadcast on Reading4U, Reading's community radio of artists rather than reviews of past performances, so that you station on www.reading4u.co.uk on Friday 30 December. -
Time's the Revelator
Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music Ashley Denise Melzer A thesis submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Arts in the Department of American Studies (Folklore). Chapel Hill 2009 Approved by: Dr. William Ferris Dr. Robert Cantwell Dr. Patricia Sawin © 2009 Ashley Denise Melzer ALL RIGHTS RESERVED ii ABSTRACT ASHLEY MELZER: Time’s the Revelator: Revival and Resurgence in Alt.country and Modern Old-Time American Music (Under the directions of Dr. William Ferris, Dr. Robert Cantwell, and Dr. Patricia Sawin) This thesis investigates the relationship between the modern old-time and alt.country movements through the comparison of four different female musicians: Abigail Washburn, Rayna Gellert, Gillian Welch, and Neko Case. These four women often pull from the same wellspring of old-time songs/structures/sounds, but their instincts come from exceptionally different places. The disparity between the ways they approach their music, reveals how the push toward modern capitalist industrialism has affected how different artists and communities access and transmit those old-world icons and sounds. Furthermore, their engagement specifically with the topic of gender exposes key tactical differences. Old-time musicians, Washburn and Gellert, work within the strictures of tradition so as to remain in dialogue with their community. Welch and Case play into the experimental bent of alt.country to emotionally affect listeners in order to create discreet, personal connections between themselves and their audience. iii To the ones who listen and love me anyway iv PREFACE In the summer, Florida is so hot the home becomes some dark prison of necessary air conditioning.