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Strange Brew√ Fresh Insights on Rock Music | Edition 03 of September 30 2006
M i c h a e l W a d d a c o r ‘ s πStrange Brew Fresh insights on rock music | Edition 03 of September 30 2006 L o n g m a y y o u r u n ! A tribute to Neil Young: still burnin‘ at 60 œ part two Forty years ago, in 1966, Neil Young made his Living with War (2006) recording debut as a 20-year-old member of the seminal, West Coast folk-rock band, Buffalo Springfield, with the release of this band’s A damningly fine protest eponymous first album. After more than 35 solo album with good melodies studio albums, The Godfather of Grunge is still on fire, raging against the System, the neocons, Rating: ÆÆÆÆ war, corruption, propaganda, censorship and the demise of human decency. Produced by Neil Young and Niko Bolas (The Volume Dealers) with co-producer L A Johnson. In this second part of an in-depth tribute to the Featured musicians: Neil Young (vocals, guitar, Canadian-born singer-songwriter, Michael harmonica and piano), Rick Bosas (bass guitar), Waddacor reviews Neil Young’s new album, Chad Cromwell (drums) and Tommy Bray explores his guitar playing, re-evaluates the (trumpet) with a choir led by Darrell Brown. overlooked classic album from 1974, On the Beach, and briefly revisits the 1990 grunge Songs: After the Garden / Living with War / The classic, Ragged Glory. This edition also lists the Restless Consumer / Shock and Awe / Families / Neil Young discography, rates his top albums Flags of Freedom / Let’s Impeach the President / and highlights a few pieces of trivia about the Lookin’ for a Leader / Roger and Out / America artist, his associates and his interests. -
Talousvaliokunnalle 18.10.2017 ASIA Asiantuntijalausunto Liittyen Asiaan
1 Talousvaliokunnalle 18.10.2017 ASIA Asiantuntijalausunto liittyen asiaan U 51/2016 vp Valtioneuvoston kirjelmä eduskunnalle Euroopan komission ehdotuksesta Euroopan parlamentin ja neuvoston asetukseksi maarajoitusten ja muiden asiakkaan kansallisuuteen tai asuin- tai sijoittautumispaikkaan perustuvien syrjinnän muotojen torjumisesta sisämarkkinoilla ja asetuksen (EY) N:o 2006/2004 (asetus kuluttajansuojaa koskevasta yhteistyöstä) ja direktiivin 2009/22/EY (direktiivi kuluttajien etujen suojaamista tarkoittavista kieltokanteista) muuttamisesta LAUSUNNON ANTAJA Musiikkituottajat – IFPI Finland ry (Musiikkituottajat) Musiikkituottajat kiittää mahdollisuudesta lausua asiassa. Lausumme kunnioittaen seuraavaa: Kannatamme valtioneuvoston kantaa (puheenjohtajamaan kompromissiehdotuksen hyväksyminen), jonka mukaan palvelut, jotka sisältävät musiikkia, eivät tule kuulumaan asetusehdotuksen soveltamisalaan. Mitkään tutkimukset eivät tue Euroopan parlamentin näkemystä siitä, että musiikkipalvelut tulisi sisältää asetuksen soveltamisalan piiriin. Musiikkipalvelut kuten Deezer, Spotify ja Apple Music ovat jo nyt eurooppalaisten kuluttajien saatavilla, tarjoten yli 40 miljoonan kappaleen valikoiman kuluttajien kuultavaksi milloin vaan ja missä vaan. On kuitenkin huomattava, että Itä-Europpan markkinoilla, jossa elintaso on vielä alhaisempi ja digitaaliset musiikkimarkkinat vasta kehittymässä, kuluttajat maksavat em. musiikkipalveluista edullisemman hinnan kuin kuin esimerkiksi suomalainen kuluttaja Suomessa. Tämä on oikein ja kohtuullista ja se on -
V Nocus Calks
VOLUME 92 NUMBER 49 AMi[T, CAMBRIDGE, MASSACHUSETTS TUESDAY,, NOVEMBER 21, 1972 FIVE CENTS __ .M r~~~~~~ eme By Walter ']. Middlebrook When asked about the sup- last Monday be observed as a Approximately 200 people port for the students from the day of moratorium, and that gathered at Kresge Auditorium black community, she replied, next Monday be used as the first last night to discuss the slayings "From the community our sup- day of a nation wide student of two black students as port has been over-whelming, strike. Southern University. parents, workers, students from Long before any ot the news The rally at Kresge was the other campuses in the city, and media in the city began to cover climax in the Boston area of a residents of the state are doing the events at Southern in detail, nationwide day-long protest and all that can be done in our WTBS began a grueling campaign moratorium concerning the struggle." She was rather upset, for support and facts regarding deaths of Denver A. Smith of however, at the lack of response the incident by way of one of its New Roads, Louisiana and that had been received from the programs, the Ghetto. Since Leonard Brown of Gilbert, black faculties on the campuses. twelve midnight on Thursday, Louisiana. The other memorial She did point out that some the Ghetto has been carrying services imathe Boston area were faculty members had shown constant coverage of the events held at Boston College, Boston some sense of concern and as of that went on in Baton Rouge University, Harvard University, this date, six of those professors with recorded telephone reports and Brandeis University. -
Neil Young’S Worldwide Copyright and Income Interests in His Entre Song Catalogue Comprising 1,180 Songs
6 January 2021 Hipgnosis Songs Fund Limited (“Hipgnosis” or the “Company”) Acquisi=on of Music Catalogue The Board of Hipgnosis Songs Fund Limited, the first UK listed investment Company offering investors a pure-play exposure to songs and assoCiated intelleCtual property rights, and its Investment Adviser, The Family (MusiC) Limited, are pleased to announCe that the Company has acquired 50% of Neil Young’s worldwide Copyright and inCome interests in his enTre song Catalogue Comprising 1,180 songs. Merck Mercuriadis, Founder of The Family (Music) Limited and Hipgnosis Songs Fund Limited, said: “I bought my first Neil Young album aged 7. ‘Harvest’ was my Companion and I know every note, every word, every pause and silenCe inTmately. Neil Young, or at least his musiC, has been my friend and Constant ever sinCe. Over the last 50 years that friendship took me back to Buffalo Springfield, Crosby, STlls, Nash & Young, 'Everybody Knows This Is Nowhere’, ‘A`er The Gold Rush’, and guided me forward to 'On The Beach', 'Tonight’s The Night', ‘Zuma', 'Comes A Time', 'Rust Never Sleeps', ‘Trans', 'This Notes For You', ‘Freedom', 'Ragged Glory', ‘Greendale' and through each suCCessive album and on to last year’s ‘Colorado’. They're part of who I am, they're in many ways responsible for who I’ve beCome and they're most Certainly in my dNA. I knew I would never be a singer or songwriter myself so my love for Neil also extended to his manager Elliot Roberts, who is sadly no longer with us. Elliot was the template for who I wanted to be. -
Ben Keith, Neil Young's Ste
Ben Keith, Neil Young's steel guitarist: 1937-2010 | Pop & Hiss | Los Angeles Times July 27, 2010 | 1:25 pm Ben Keith, the veteran steel guitarist who played on Patsy Cline’s 1961 hit “I Fall to Pieces” before befriending Neil Young and going on to play on more than a dozen of the Canadian rocker's albums, has died. He was 73. He died of a heart attack, director Jonathan Demme said Tuesday. Demme, who directed Young’s concert films “Neil Young Trunk Show” from earlier this year and 2006’s “Heart of Gold,” said Keith had been staying at Young’s ranch in Northern California, working on new projects with his longtime collaborator. Keith was featured prominently in both. In “Neil Young Trunk Show,” shot in Pennsylvania at a stop on Young’s 2007-2008 concert tour, Young said a key reason he chose to tour with Keith, bassist Rick Rosas and Crazy Horse drummer Ralph Molina, rather than convening the full, hard-rocking Crazy Horse trio, was that “I can do more variety this way, because Ben plays so many instruments.” Demme called Keith “an elegant, beautiful dude, and obviously a genius. He could play every instrument. He was literally the bandleader on any of that stuff… Neil has all the confidence in the world, but with Ben on board, there were no limits. Neil has a fair measure of the greatness of his music, but he knew he was even better when Ben was there.” Most recently, Keith had been touring with Young’s wife, Pegi, in support of her second solo album, “Foul Deeds,” for a handful of West Coast performances in June. -
Neil Young & Crazy Horse Live in New York 1969 Mp3, Flac
Neil Young & Crazy Horse Live In New York 1969 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Live In New York 1969 Country: Italy Released: 1991 Style: Country Rock MP3 version RAR size: 1612 mb FLAC version RAR size: 1260 mb WMA version RAR size: 1420 mb Rating: 4.3 Votes: 214 Other Formats: APE AUD AAC MP1 MOD MPC VQF Tracklist A1 Cinnamon Girl A2 Cowgirl In The Sand A3 Winterlong A4 Downtown B1 Down By The River B2 Everybody Knows This Is Nowhere B3 Wondering Credits Bass – Billy Talbot Drums – Ralph Molina Electric Guitar – Danny Whitten Lead Vocals, Electric Guitar – Neil Young Other versions Category Artist Title (Format) Label Category Country Year Neil Young & Sunset Cowboy (CD, Living Legend LLRCD 042 LLRCD 042 Italy 1989 Crazy Horse Unofficial) Records Neil Young & Live In New York 1969 Armando Curcio DIR - 07 DIR - 07 Italy 1991 Crazy Horse (CD, RM, Unofficial) Editore Neil Young And Blankness (CD, TGP-CD-127 The Genuine Pig TGP-CD-127 Italy 1990 Crazy Horse* Unofficial) Neil Young & Blankness (CD, Black Panther BP-081 BP-081 Japan 1993 Crazy Horse Unofficial) Records Related Music albums to Live In New York 1969 by Neil Young & Crazy Horse 1. Neil Young & Crazy Horse - The Violent Side 2. Neil Young With Crazy Horse - Neil Young With Crazy Horse 3. Neil Young & Crazy Horse - Year Of The Horse Radio Press Kit 4. Neil Young & Crazy Horse - LIVE DURING USA TOUR NOVEMBER 1956 5. Neil Young & Crazy Horse - Afternoon Radio 6. Neil Young & Crazy Horse - Touch The Night - Santa Cruz 1984 7. -
New Neil Young Album: "Chrome Dreams II"
2007-09-25 18:06 CEST New Neil Young album: "Chrome Dreams II" The new album by Neil Young, "Chrome Dreams II", will be released by Reprise Records on October 17th. Speaking from a vacation retreat with his family, Young says it’s “an album with a form based on some of my original recordings, with a large variety of songs, rather than one specific type of song.” It comes at a creative peak for the artist, following the Greendale, Prairie Wind, and Living With War albums, and a summer 2006 tour by Crosby, Stills, Nash & Young that concert audiences are still talking about. In many ways, Chrome Dreams II is the ultimate example of what Young does best: most of the songs were written recently and came quickly, and the “live” recording sessions in northern California were over before they were announced. The album includes all kinds of music, and taken together, offers a complete picture of where Neil Young is today. “Where Living With War and Everybody’s Rockin’ were albums focused on one subject or style,” Young says, “Chrome Dreams II is more like After The Goldrush or Freedom, with different types of songs working together to form a feeling. Now that radio formats are not as influential as they once were, it’s easier to release an album that crosses all formats with a message that runs through the whole thing, regardless of the type of song or sound.” On the sessions for the album, Neil Young was joined by Crazy Horse drummer Ralph Molina, pedal steel guitarist and dobro player Ben Keith (Harvest, Comes A Time, Harvest Moon) and bassist Rick Rosas (Freedom, Living With War, This Note’s For You). -
Chris Nelson Speaking of Neil Young
music Chris Nelson Speaking of Neil Young s a junior in high school I found myself humming along to Neil Young’s “Old Man” and “Heart of Gold” whenever the local classic Arock station decided to take a break from Aerosmith or Boston or AC/ DC. Senior year I’d take the scenic route home from football practice while blaring Harvest Moon in the used Mustang I shared with my older brother, driving past the cornfields just as the setting sun made them glow and feeling nostalgic for the innocence I had yet to lose. First semester of college I was getting high to his 1969 self-titled solo debut, and by spring I waited for rainy days to wallow in my loneliness with the haunting On the Beach, playing it over and over on an old turntable of my father’s that I had restored. In accordance with the natural progression of other Neil faithfuls, it wasn’t until I had exhausted this mostly acoustic, more accessible singer/songwriter side of Neil Young that I was able to graduate to an appreciation of his electric work—the highest and most challenging level a Neil faithful can reach. And it took me even longer to fall in love with it. Only recently have I begun to figure out why: his style of playing, with its wailings and repetitions and clutter and incoherence, is my style of speaking. Like his guitar, I stutter. The phonetic makeup of the word itself seems cruel, stutter, in that its intonation peaks at the difficult and forceful “t” sound—a voiceless alveolar stop produced by blocking airflow in the vocal tract—and therefore prevents sufferers from cleanly vocalizing what’s afflicting them, rather like the blatantly onomatopoeic lisp. -
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present
B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present George Plasketes B-SIDES, UNDERCURRENTS AND OVERTONES: PERIPHERIES TO POPULAR IN MUSIC, 1960 TO THE PRESENT for Julie, Anaïs, and Rivers, heArt and soul B-Sides, Undercurrents and Overtones: Peripheries to Popular in Music, 1960 to the Present GEORGE PLASKETES Auburn University, USA © George Plasketes 2009 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise without the prior permission of the publisher. George Plasketes has asserted his moral right under the Copyright, Designs and Patents Act, 1988, to be identified as the author of this work. Published by Ashgate Publishing Limited Ashgate Publishing Company Wey Court East Suite 420 Union Road 101 Cherry Street Farnham Burlington, VT 05401-4405 Surrey GU9 7PT USA England www.ashgate.com British Library Cataloguing in Publication Data Plasketes, George B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present. – (Ashgate popular and folk music series) 1. Popular music – United States – History and criticism I. Title 781.6’4’0973 Library of Congress Cataloging-in-Publication Data Plasketes, George. B-sides, undercurrents and overtones : peripheries to popular in music, 1960 to the present / George Plasketes. p. cm.—(Ashgate popular and folk music series) ISBN 978-0-7546-6561-8 (hardcover : alk. paper) 1. Popular music—United -
Worldmags.Net V 1976 .£ APRIL
^5 « A -j if k - y.. it ^ ■ *Wm WorldMags.net V 1976 .£ APRIL Marchl6,1976:maMarchl6,1976:ina m m hotel inin Copenhagen,Copenhagen, in London, the crew was in his hotel bedroom to Denmark, on tour in London, the crewwas in his hotel bedroom to Denmark,ontour i' with Crazy HorseHorse literally filmfilm NeilNeil wakingwaking up,up, gettinggetting outout ofof bed.b ed. mm m * & Connoisseurs of ofthe the Young storystorywill will recallrecall his % x flirtation with movie-making through the years, flirtation with movie -making through the years, 4 and thisthis exerciseexercise waswas described by himhim as "part ofof the plan".plan". HeHe alsoalso intended intended toto loafloaf aroundaround LondonLondon W. Bridge during rush hour, guitar in hand, to be -v Bridge during rush hour, guitar in hand, to be r filmed playingplaying atat busking."busking. " JustJust lovelove gettinggetting v" i c r some good film. I've got loadsloads of footagefootage - H 1 X of filmfilm backback homehome atat my ranch;ranch; mymy musicmusic will continue,continue, at leastleast on record, butbut REPRISESEPfllSE RECORDSRECORDS A eventually I'd I'd like to makemake films. I havehave V. all thethe moviemovie equipmentyou'dequipment you'd imagineimagine THE i I f STILLSSTILLS -- backhome,back home, andand it'sit's moremore thanthan justjust REP 1365 YOUNGYONGU REP 1365 I3 (UFLO071)S(UFL0071JS g a hobby-it'shobby -it's anan obsession."obsession." BAND SIDEsine ONEONE •r & i' ProducedOn! byby S Staphon Stilli. Time: 3:53 9 - • My ownown visitvisit to to his his Dorchester Dorchester hotelhotel 5 st7try:1:14.Neil Young 5 andantl Don - Gen man. -
Tuomas Riihimäki
LAPPEENRANNAN TEKNILLINEN YLIOPISTO Kauppatieteellinen tiedekunta Johtaminen ja organisaatiot Tuomas Riihimäki SUOMALAISEN MUSIIKKITEOLLISUUDEN MURROS Työn ohjaaja/tarkastaja: Professori Pia Heilmann 2. tarkastaja: Professori Jukka Hallikas TIIVISTELMÄ Tekijä: Tuomas Riihimäki Tutkielman nimi: Suomalaisen musiikkiteollisuuden murros Tiedekunta: Kauppatieteellinen tiedekunta Pääaine / Maisteriohjelma: Johtaminen ja organisaatiot Vuosi: 2013 Pro gradu -tutkielma, Lappeenrannan teknillinen yliopisto: 86 sivua, 10 kuvaa, 1 taulukko, 1 liite Tarkastajat: professori Pia Heilmann ja professori Jukka Hallikas Hakusanat: musiikkiteollisuus, murros, arvoketju Tämä tutkimus on kvalitatiivinen monitapaustutkimus, jossa tutkitaan suomalaisen musiikkiteollisuuden arvoketjun sisältöä ja sen muutoksia vuosituhannen vaihteen jälkeisenä aikana. Tutkimuksen tavoitteena on selvittää millainen on suomalaisen musiikkiteollisuuden arvoketjun sisältö nykyisin ja miten se on muuttunut musiikkiteollisuuden nykyisen murroksen myötä. Nykyinen murrostilanne johtuu pääosin fyysisten äänitteiden myyntimäärien laskusta ja teknologian kehityksestä. Äänitteiden myynnistä saatavien tulovirtojen pienennyttyä monet teollisuudenalan toimijat ovat joutuneet tehostamaan toimintaansa, ja niiden roolit ovat jatkuvan muutoksen alla. Teknologian kehityksen myötä teollisuudenalalle on tullut myös uusia toimijoita, jotka ovat mahdollistaneet uusia toimintatapoja ja ansaintalogiikoita. ABSTRACT Author: Tuomas Riihimäki Title: Finnish music industry transformation Faculty: Business -
Äänilevytuottajayhtiöiden Palveluksessa Olevia Muusikkoja, Laulajia Ja Kapellimestareita Koskeva TYÖEHTOSOPIMUS
Äänilevytuottajayhtiöiden palveluksessa olevia muusikkoja, laulajia ja kapellimestareita koskeva TYÖEHTOSOPIMUS 1.2.2017 – 31.1.2018 Sisällysluettelo 1 § Sopimuksen soveltamisala ................................................................................... 1 2 § Työn johto ja jakaminen sekä järjestäytymisoikeus .............................................. 1 3 § Työsuhteen alkaminen ......................................................................................... 1 4 § Työsopimuksen peruuttaminen ............................................................................ 1 5 § Palkka .................................................................................................................. 2 6 § Vaativat tehtävät................................................................................................... 2 7 § Kapellimestarit ...................................................................................................... 3 8 § Miksaus ................................................................................................................ 3 9 § Nuotinkirjoitus ....................................................................................................... 3 10 § Ylityö .................................................................................................................. 3 11 § Pyhätyö .............................................................................................................. 4 12 § Ilta- ja yötyö .......................................................................................................