September 3, 1988 Schertzinger Toast of Hollywood

Total Page:16

File Type:pdf, Size:1020Kb

September 3, 1988 Schertzinger Toast of Hollywood , l"I •I Evening f Saturday, Region/State Herald September 3, 1988 - Schertzinger toast of Hollywood r I Band in its formative years after movie ventures, all the while saw the talents of their native son By BILL O'BRIEN learning the knack of directing, for the first time on Feb. 7, 1923, Herald writer World War I. At the age of eight Victor he producing and sometimes acting. when his film, "The Kingdom made his first public appearance, Finally, Ince asked him to Within," played at the Fatnily HE WAS a famous motion traveling to Philadelpia at the write the music for the epic film Theatre. picture producer, director, invitation of Victor Herbert to "Civilization," which is credited Billed as "A Victor Schert­ writer, actor, conductor, com­ play in a symphony concert at with being the first movie with an zinger Production," it was the poser, musician, concert violinist Washington Park. For the next orchestral background on screen. first movie to be produced en­ and one of the most brilliant six years, young Victor played It was a huge success and tirely in his studio. personalities in Hollywood. The Record-American writer concert violin for Herbert and for Schertzinger continued his i' All these things describe John Phillip Sousa. During this association with Ince for two who reviewed the film reported: Mahanoy City-born Victor period he also went to Europe to years, during which time they "We are not a moving picture fan Schertzinger, who stood at the study music and earn a degree at produced 16 movies. but it was with a great amont of pinnacle of moviedom success 50 the University of Brussels. satisfaction we viewed the years ago. By the time he reached EVENTUALLY Schertzinger production in its entirety and we According to metropolitan adolescence, his family was established his own studios and are honest enough to say that we newspaper stories in April 1938, making its home in Philadelphia embarked on a career that turned were alert to a possible flaw if Schertzinger was the most where the father opened a out more than one hundred there was any but we failed to talented man in all of filmdom. jewelry business while continuing productions. His silent screen discover one. The scenes were Check the credits attached to ownership of the Mahanoy City films included "The Showdown," well laid, the acting fine and the his name: store. It was obvious that the boy "Forgotten Faces," "Nothing But titles perfectly put so that the -Producer of the first movie in was a violin prodigy, and this the Truth " "Wheel of Life " picture reached our every ex­ technicolor. may have ~nfluenced the parents' "Fashion'in Love," "Laughing pectation, and like thousands of --Composer and conductor of decision to move to the city Lady" and "Paramount on others we left the Family Theatre the music for the first movie with where Victor had access to more Parade," all recognized as major last evening well pleased with the orchestral background screen. private tutoring. In addition ot productions of the era. film and better pleased to know it -Producer who changed the father's jewelry business, the By happenstance, another was a town boy's offort. Jimmy Cagney's image from mother managed a music store in Mahanoy City native appeared in tough guy to song-and-dance one of the Schertzinger films in A 1938 newspaper story on the city .. it man. Schertzinger noted hat his hob­ I. VICTOR entered Brown 1925. The movie was was a Civil -Producer-director-composer War story entitled "Thorough­ bies were collecting rare and t of the movie and title song that Preparatory School in beautiful art, lustreware, cameos Philadelphia with intentions of bred" and some of the scenes catapaulted Grace Moore to featured a company of U.S. and violins, and found relaxation I~- ·* stardom ("One Night of Love.") going on to the University of by playing the pipe organ in his Pennsylvania but business set­ Cavalry horsemen from Fort --Composer of the song Huacha, Arizona. In command of luxurious home north of "Marcheta" which sold six backs suffered by the family Hollywood. forced him to put his education the company was First million copies. Lieutenant William Wren, born The storyr added, "Having --Composer of songs for the aside and use his talent to sup­ known the privations of a career, port the family. and raised in Mahanoy City. Two Ziegfeld Follies. years later Lt. Wren was killed Schertzinger sympathizes with --Conductor of orchestras for His jobs as a concert violinist child prodigies and beginners in took him through Europe and when his horse stumbled. His Broadway musicals and military funeral took place from picture work and has helped Hollywood theatres. across the United States. He also many of them over rocky roads. appeared beside noted opera his home here at 216 W. Mahanoy -A violin virtuoso who, at the St. and he was buried in the U. S. He has maintained his popularity age of 10 years, played for the personalities of the era with Military Academy Cemetery at with co-workers and employees famed Victor Herbert and John names like Calve, Sembrich and by his generosity and subtle Melba. West Point where he was Phillip Sousa orchestras. graduated in 1924. ,ence of humor which seldom At age 14 he teamed up with a allows him to become term­ road company headed by Ellen THAT'S JUST a sampling of IN 1929 when sound became peramental - for which the long list of amazing Beach Yaw, a noted singer, and Hollwyood and the motion picture began earning the unheard-of widepread on the screen, achievements of Victor Schert­ Schertzinger produced a string of business should erect a stauary FAMIL·Y ,'' TONI.GUT· zinger (1890-1941). salary of $200 a week. The group emblem or something." played major theatres across the top-rated films such as "Safety in His musical talent was Numbers," "Uptown New York," inherited from his parents, who country, which took him to Los SCHERTZINGER died of a Angeles. "Strange Justice," The Cocktail were renowed violinists in their Hour" "My Women" heart attack at his Hollywood own right. His father, Charles AFTER ARRIVING in LA, "Bel~ved," "Let's Llve Tonight." home on Oct. 26, 1941. He was 51. Schertzinger, was a court Victor left the Yaw company and Until Grace Moore came under Some of the movies he violinist to Britain's Queen accepted the position of orchestra 9heKING06~f·WITHIN'' Schertzinger's direction, she was produced during the last few A VICTOR SCHERTZINGER. PRODUCTION Victoria. His mother, Pauline leader at the Belasco Theatre, a spectacular flop at another years of his career will be liAti111 11 11~ . Weber, a niece of the noted remaining there for two seasons. studio. Victor boomed her into a remembered by fans of the early RUSSEil SIMPSON. PAULINE STARKE German composer Carl Maria Next he returned east to the great attraction when he wrote 1940s: "Kiss the Boys Goodbye," · and GASTON CIASS von Webber, was hailed in her ballyhoo of Broadway. He served the title song and cast her in "The Road to Singapore" and prime as the one of the world's as conductor for various musicals "One Night of Love." She "Birth of the Blues." At the time greatest violinist. and began composing. Several of followed this with another major of his death he was directing And they all lived at one time his numbers were used by success, "Love Me Tonight," and "The Fleet's In." in Mahanoy City. The Schert­ Florenz Ziegfeld in his famed her fame was established. Victor was married in 1914 to . ~ zingers came here in the early Follies, but the tune that brought His 1938 production of Julia Niklin, a noted dancer. .. PICTURES 1870s. Charles and his brother him instant fame was "Mar­ "Something to Sing About" They had two daughters, Edward were watchmakers and cheta" which sold six million marked a new turn for the career Patricia, born in 1924, and Paula, ADDED jewelers who shared a shop at 9 copies. of Jimmy Cagney. The role in 1926. E. Centre St. until Charles opened Before long, Victor was wooed changed the Irishman's The Schertzinger girls, if ·"FAINT HEARTS" his own shop at 113 W. Centre St. back to Los Angeles by Fred and sterotyped image from that of a they're still alive, would be 63 David Belasco to resume KINOGRAMS tough guy to one of the leading and 62 today. As Mahanoy City J ' YOUNG VICTOR was born directorship of their theatre song and dance artists of his day. winds down its year of '. here in 1890 and began violin orchestra. It was 1916 and the One of the early Schertzinger quasquicentennial celebration, lessons at the age of four. He motion picture industry was films was "Redskin" starring are the daughters of Victor FAMED IN FILMDOM - Victor Schertzinger, attended Mahanoy City's public getting started. Two of the Schertzinger aware of their roots Richard Dix, which is credited top photo, made the journey from childhood in schools and in addition to the pioneers, Hobart Bosworth and with being the first movie in in this little hard coal town? Do musical training imparted by his Thomas H. Ince, talked a color. they know it was here that their Mahanoy City to fame and fortune in Hollywood. parents, he was tutored by reluctant Schertzinger into He also directed the first Jackie grandparents conducted a Below his autographed photograph is the ad­ Professor John Jones, a local joining their productions. jewelry store and their dad Coogan movies, including "Long vertisement for the first film he produced when it musical instructor and band Victor continued his orchestra Live the King." romped as a boy and received the conductor who directed the conducting and composing duties first music lessons that were the made its local debut in February 1923.
Recommended publications
  • Alshire Records Discography
    Alshire Discography by David Edwards, Mike Callahan & Patrice Eyries © 2018 by Mike Callahan Alshire International Records Discography Alshire was located at P.O. Box 7107, Burbank, CA 91505 (Street address: 2818 West Pico Boulevard, Los Angeles, CA 90006). Founded by Al Sherman in 1964, who bought the Somerset catalog from Dick L. Miller. Arlen, Grit and Oscar were subsidiaries. Alshire was a grocery store rack budget label whose main staple was the “101 Strings Orchestra,” which was several different orchestras over the years, more of a franchise than a single organization. Alshire M/S 3000 Series: M/S 3001 –“Oh Yeah!” A Polka Party – Coal Diggers with Happy Tony [1967] Reissue of Somerset SF 30100. Oh Yeah!/Don't Throw Beer Bottles At The Band/Yak To Na Wojence (Fortunes Of War)/Piwo Polka (Beer Polka)/Wanda And Stash/Moja Marish (My Mary)/Zosia (Sophie)/Ragman Polka/From Ungvara/Disc Jocky Polka/Nie Puki Jashiu (Don't Knock Johnny) Alshire M/ST 5000 Series M/ST 5000 - Stephen Foster - 101 Strings [1964] Beautiful Dreamer/Camptown Races/Jeannie With The Light Brown Hair/Oh Susanna/Old Folks At Home/Steamboat 'Round The Bend/My Old Kentucky Home/Ring Ring De Bango/Come, Where My Love Lies Dreaming/Tribute To Foster Medley/Old Black Joe M/ST 5001 - Victor Herbert - 101 Strings [1964] Ah! Sweet Mystery Of Life/Kiss Me Again/March Of The Toys, Toyland/Indian Summer/Gypsy Love Song/Red Mill Overture/Because You're You/Moonbeams/Every Day Is Ladies' Day To Me/In Old New York/Isle Of Our Dreams M/S 5002 - John Philip Sousa, George M.
    [Show full text]
  • Air Force Officials 'Spread Thin'
    * Ilift&iftAYSi 1941 IMOUN&'O^ ¦* iaal Rmwk " •Mlmi* V , / % •t Nit OD Sptwfiy %i C i hi r raDaifrldgo Flald RRR and pi—- mMarhifw mi *tku participate in a aacond M-G- 'Spread will Air Force Officials Thin' M Haws of tha Day ralaaaa fol- lowing of tha nowsreel wagmmMmwxm fom rw*ut return Group, craw to tha post or Mar 10 for m»sMLite» rwwit pictures, according to ;^y«||if th* additional 98881 litLkrut OR. Frederick, pub- Speeds Up Expansion MM par- as njuidpon Service iSWipMii'ii *— A a a - lic relations officer. ;tiiTiirm^r the pictures taken by M- Hall, Mount Motion mSErnT*** G-M from May 10 to 26 of the 30th Pursuit Squadron and iti '30,000-Pi lots-a-Yea r Program Swamps Small-Trained Personnel it 7 o'clock, the • . Mtaßklf planei are now being _ will In- Bell P-30 RT PAUL HARRISON [jp|ii|>Mkfrtikmint released. ' SSi buffet supper at 10 and MAXWELL FIELD, Ala. May fitting to the music of Sellridge s—That tribute te the RAF by tgMV swingsters under leaves for its new station a series Winston Church about so radio parties is planned, D|o of Sgt. Tom Som- of squadron many owing so much to so few pi diroctioh climaxed by a group affair later —could be applied pretty well Bator* the SSth Pursuit Group in the spring to our own air corps these days. Because it’s a tremendous job that must be done by smaller m I and smaller groups of veteran Radio Programs flying officers and technicians in hope the swift expansion of avia- gy j amplitude modulation stations tion training.
    [Show full text]
  • Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937
    An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929-1937 Peter Stanfield Cinema Journal, 41, Number 2, Winter 2002, pp. 84-108 (Article) Published by University of Texas Press DOI: 10.1353/cj.2002.0004 For additional information about this article http://muse.jhu.edu/journals/cj/summary/v041/41.2stanfield.html Access Provided by Amherst College at 09/03/11 7:59PM GMT An Excursion into the Lower Depths: Hollywood, Urban Primitivism, and St. Louis Blues, 1929–1937 by Peter Stanfield This essay considers how Hollywood presented the song St. Louis Blues in a num- ber of movies during the early to mid-1930s. It argues that the tune’s history and accumulated use in films enabled Hollywood to employ it in an increasingly com- plex manner to evoke essential questions about female sexuality, class, and race. Recent critical writing on American cinema has focused attention on the struc- tures of racial coding of gender and on the ways in which moral transgressions are routinely characterized as “black.” As Eric Lott points out in his analysis of race and film noir: “Raced metaphors in popular life are as indispensable and invisible as the colored bodies who give rise to and move in the shadows of those usages.” Lott aims to “enlarge the frame” of work conducted by Toni Morrison and Ken- neth Warren on how “racial tropes and the presence of African Americans have shaped the sense and structure of American cultural products that seem to have nothing to do with race.”1 Specifically, Lott builds on Manthia D iawara’s argument that “film is noir if it puts into play light and dark in order to exhibit a people who become ‘black’ because of their ‘shady’ moral behaviour.2 E.
    [Show full text]
  • Lister); an American Folk Rhapsody Deutschmeister Kapelle/JULIUS HERRMANN; Band of the Welsh Guards/Cap
    Guild GmbH Guild -Light Catalogue Bärenholzstrasse 8, 8537 Nussbaumen, Switzerland Tel: +41 52 742 85 00 - e-mail: [email protected] CD-No. Title Track/Composer Artists GLCD 5101 An Introduction Gateway To The West (Farnon); Going For A Ride (Torch); With A Song In My Heart QUEEN'S HALL LIGHT ORCHESTRA/ROBERT FARNON; SIDNEY TORCH AND (Rodgers, Hart); Heykens' Serenade (Heykens, arr. Goodwin); Martinique (Warren); HIS ORCHESTRA; ANDRE KOSTELANETZ & HIS ORCHESTRA; RON GOODWIN Skyscraper Fantasy (Phillips); Dance Of The Spanish Onion (Rose); Out Of This & HIS ORCHESTRA; RAY MARTIN & HIS ORCHESTRA; CHARLES WILLIAMS & World - theme from the film (Arlen, Mercer); Paris To Piccadilly (Busby, Hurran); HIS CONCERT ORCHESTRA; DAVID ROSE & HIS ORCHESTRA; MANTOVANI & Festive Days (Ancliffe); Ha'penny Breeze - theme from the film (Green); Tropical HIS ORCHESTRA; L'ORCHESTRE DEVEREAUX/GEORGES DEVEREAUX; (Gould); Puffin' Billy (White); First Rhapsody (Melachrino); Fantasie Impromptu in C LONDON PROMENADE ORCHESTRA/ WALTER COLLINS; PHILIP GREEN & HIS Sharp Minor (Chopin, arr. Farnon); London Bridge March (Coates); Mock Turtles ORCHESTRA; MORTON GOULD & HIS ORCHESTRA; DANISH STATE RADIO (Morley); To A Wild Rose (MacDowell, arr. Peter Yorke); Plink, Plank, Plunk! ORCHESTRA/HUBERT CLIFFORD; MELACHRINO ORCHESTRA/GEORGE (Anderson); Jamaican Rhumba (Benjamin, arr. Percy Faith); Vision in Velvet MELACHRINO; KINGSWAY SO/CAMARATA; NEW LIGHT SYMPHONY (Duncan); Grand Canyon (van der Linden); Dancing Princess (Hart, Layman, arr. ORCHESTRA/JOSEPH LEWIS; QUEEN'S HALL LIGHT ORCHESTRA/ROBERT Young); Dainty Lady (Peter); Bandstand ('Frescoes' Suite) (Haydn Wood) FARNON; PETER YORKE & HIS CONCERT ORCHESTRA; LEROY ANDERSON & HIS 'POPS' CONCERT ORCHESTRA; PERCY FAITH & HIS ORCHESTRA; NEW CONCERT ORCHESTRA/JACK LEON; DOLF VAN DER LINDEN & HIS METROPOLE ORCHESTRA; FRANK CHACKSFIELD & HIS ORCHESTRA; REGINALD KING & HIS LIGHT ORCHESTRA; NEW CONCERT ORCHESTRA/SERGE KRISH GLCD 5102 1940's Music In The Air (Lloyd, arr.
    [Show full text]
  • The Digital Deli Online - List of Known Available Shows As of 01-01-2003
    The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977.
    [Show full text]
  • Songs by Title
    Karaoke Song Book Songs by Title Title Artist Title Artist #1 Nelly 18 And Life Skid Row #1 Crush Garbage 18 'til I Die Adams, Bryan #Dream Lennon, John 18 Yellow Roses Darin, Bobby (doo Wop) That Thing Parody 19 2000 Gorillaz (I Hate) Everything About You Three Days Grace 19 2000 Gorrilaz (I Would Do) Anything For Love Meatloaf 19 Somethin' Mark Wills (If You're Not In It For Love) I'm Outta Here Twain, Shania 19 Somethin' Wills, Mark (I'm Not Your) Steppin' Stone Monkees, The 19 SOMETHING WILLS,MARK (Now & Then) There's A Fool Such As I Presley, Elvis 192000 Gorillaz (Our Love) Don't Throw It All Away Andy Gibb 1969 Stegall, Keith (Sitting On The) Dock Of The Bay Redding, Otis 1979 Smashing Pumpkins (Theme From) The Monkees Monkees, The 1982 Randy Travis (you Drive Me) Crazy Britney Spears 1982 Travis, Randy (Your Love Has Lifted Me) Higher And Higher Coolidge, Rita 1985 BOWLING FOR SOUP 03 Bonnie & Clyde Jay Z & Beyonce 1985 Bowling For Soup 03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 BOWLING FOR SOUP '03 Bonnie & Clyde Jay Z & Beyonce Knowles 1985 Bowling For Soup 03 Bonnie And Clyde Jay Z & Beyonce 1999 Prince 1 2 3 Estefan, Gloria 1999 Prince & Revolution 1 Thing Amerie 1999 Wilkinsons, The 1, 2, 3, 4, Sumpin' New Coolio 19Th Nervous Breakdown Rolling Stones, The 1,2 STEP CIARA & M. ELLIOTT 2 Become 1 Jewel 10 Days Late Third Eye Blind 2 Become 1 Spice Girls 10 Min Sorry We've Stopped Taking Requests 2 Become 1 Spice Girls, The 10 Min The Karaoke Show Is Over 2 Become One SPICE GIRLS 10 Min Welcome To Karaoke Show 2 Faced Louise 10 Out Of 10 Louchie Lou 2 Find U Jewel 10 Rounds With Jose Cuervo Byrd, Tracy 2 For The Show Trooper 10 Seconds Down Sugar Ray 2 Legit 2 Quit Hammer, M.C.
    [Show full text]
  • Understanding Music Past and Present
    Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Understanding Music Past and Present N. Alan Clark, PhD Thomas Heflin, DMA Jeffrey Kluball, EdD Elizabeth Kramer, PhD Dahlonega, GA Understanding Music: Past and Present is licensed under a Creative Commons Attribu- tion-ShareAlike 4.0 International License. This license allows you to remix, tweak, and build upon this work, even commercially, as long as you credit this original source for the creation and license the new creation under identical terms. If you reuse this content elsewhere, in order to comply with the attribution requirements of the license please attribute the original source to the University System of Georgia. NOTE: The above copyright license which University System of Georgia uses for their original content does not extend to or include content which was accessed and incorpo- rated, and which is licensed under various other CC Licenses, such as ND licenses. Nor does it extend to or include any Special Permissions which were granted to us by the rightsholders for our use of their content. Image Disclaimer: All images and figures in this book are believed to be (after a rea- sonable investigation) either public domain or carry a compatible Creative Commons license. If you are the copyright owner of images in this book and you have not authorized the use of your work under these terms, please contact the University of North Georgia Press at [email protected] to have the content removed. ISBN: 978-1-940771-33-5 Produced by: University System of Georgia Published by: University of North Georgia Press Dahlonega, Georgia Cover Design and Layout Design: Corey Parson For more information, please visit http://ung.edu/university-press Or email [email protected] TABLE OF C ONTENTS MUSIC FUNDAMENTALS 1 N.
    [Show full text]
  • Glorious Technicolor: from George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 the G
    Glorious Technicolor: From George Eastman House and Beyond Screening Schedule June 5–August 5, 2015 Friday, June 5 4:30 The Garden of Allah. 1936. USA. Directed by Richard Boleslawski. Screenplay by W.P. Lipscomb, Lynn Riggs, based on the novel by Robert Hichens. With Marlene Dietrich, Charles Boyer, Basil Rathbone, Joseph Schildkraut. 35mm restoration by The Museum of Modern Art, with support from the Celeste Bartos Fund for Film Preservation; courtesy The Walt Disney Studios. 75 min. La Cucaracha. 1934. Directed by Lloyd Corrigan. With Steffi Duna, Don Alvarado, Paul Porcasi, Eduardo Durant’s Rhumba Band. Courtesy George Eastman House (35mm dye-transfer print on June 5); and UCLA Film & Television Archive (restored 35mm print on July 21). 20 min. [John Barrymore Technicolor Test for Hamlet]. 1933. USA. Pioneer Pictures. 35mm print from The Museum of Modern Art. 5 min. 7:00 The Wizard of Oz. 1939. USA. Directed by Victor Fleming. Screenplay by Noel Langley, Florence Ryerson, Edgar Allan Woolf, based on the book by L. Frank Baum. Music by Harold Arlen, E.Y. Harburg. With Judy Garland, Frank Morgan, Ray Bolger, Bert Lahr, Ray Bolger, Margaret Hamilton, Billie Burke. 35mm print from George Eastman House; courtesy Warner Bros. 102 min. Saturday, June 6 2:30 THE DAWN OF TECHNICOLOR: THE SILENT ERA *Special Guest Appearances: James Layton and David Pierce, authors of The Dawn of Technicolor, 1915-1935 (George Eastman House, 2015). James Layton and David Pierce illustrate Technicolor’s origins during the silent film era. Before Technicolor achieved success in the 1930s, the company had to overcome countless technical challenges and persuade cost-conscious producers that color was worth the extra effort and expense.
    [Show full text]
  • Bob Thomas Papers, 1914-2004
    http://oac.cdlib.org/findaid/ark:/13030/kt300030cb No online items Bob Thomas papers, 1914-2004 Finding aid prepared by Sarah Sherman and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2005 The Regents of the University of California. All rights reserved. Bob Thomas papers, 1914-2004 PASC 299 1 Title: Bob Thomas papers Collection number: PASC 299 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 28.5 linear ft.(57 boxes and 3 flat boxes) Date (bulk): Bulk, 1930-1989 Date (inclusive): 1914-2004 (bulk 1930-1980s) Abstract: Since 1944 Bob Thomas has written thousands of Hollywood syndicated columns for The Associated Press and has authored (or co-authored) at least thirty books relating to the entertainment industry. The collection consists of materials related to his professional career as a writer and includes manuscripts, research and photographs for books by Thomas as well as Associated Press columns, research files, and a small amount of printed ephemera. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Thomas, Bob, 1922- Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Use of audio materials may require production of listening copies.
    [Show full text]
  • Battles Around New Music in New York in the Seventies
    Presenting the New: Battles around New Music in New York in the Seventies A Dissertation SUBMITTED TO THE FACULTY OF UNIVERSITY OF MINNESOTA BY Joshua David Jurkovskis Plocher IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY David Grayson, Adviser December 2012 © Joshua David Jurkovskis Plocher 2012 i Acknowledgements One of the best things about reaching the end of this process is the opportunity to publicly thank the people who have helped to make it happen. More than any other individual, thanks must go to my wife, who has had to put up with more of my rambling than anybody, and has graciously given me half of every weekend for the last several years to keep working. Thank you, too, to my adviser, David Grayson, whose steady support in a shifting institutional environment has been invaluable. To the rest of my committee: Sumanth Gopinath, Kelley Harness, and Richard Leppert, for their advice and willingness to jump back in on this project after every life-inflicted gap. Thanks also to my mother and to my kids, for different reasons. Thanks to the staff at the New York Public Library (the one on 5th Ave. with the lions) for helping me track down the SoHo Weekly News microfilm when it had apparently vanished, and to the professional staff at the New York Public Library for Performing Arts at Lincoln Center, and to the Fales Special Collections staff at Bobst Library at New York University. Special thanks to the much smaller archival operation at the Kitchen, where I was assisted at various times by John Migliore and Samara Davis.
    [Show full text]
  • Mabel Normand
    Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne.
    [Show full text]
  • Approved Movie List 10-9-12
    APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title ALEXANDER THE GREAT (1968) ANCHORMAN (2004) APACHES (also named APACHEN)(1973) BULLITT (1968) CABARET (1972) CARNAGE (2011) CINCINNATI KID, THE (1965) COPS CRUDE IMPACT (2006) DAVE CHAPPEL SHOW (2003–2006) DICK CAVETT SHOW (1968–1972) DUMB AND DUMBER (1994) EAST OF EDEN (1965) ELIZABETH (1998) ERIN BROCOVICH (2000) FISH CALLED WANDA (1988) GALACTICA 1980 GYPSY (1962) HIGH SCHOOL SPORTS FOCUS (1999-2007) HIP HOP AWARDS 2007 IN THE LOOP (2009) INSIDE DAISY CLOVER (1965) IRAQ FOR SALE: THE WAR PROFITEERS (2006) JEEVES & WOOSTER (British TV Series) JERRY SPRINGER SHOW (not Too Hot for TV) MAN WHO SHOT LIBERTY VALANCE, THE (1962) MATA HARI (1931) MILK (2008) NBA PLAYOFFS (ESPN)(2009) NIAGARA MOTEL (2006) ON THE ROAD WITH CHARLES KURALT PECKER (1998) PRODUCERS, THE (1968) QUIET MAN, THE (1952) REAL GHOST STORIES (Documentary) RICK STEVES TRAVEL SHOW (PBS) SEX AND THE SINGLE GIRL (1964) SITTING BULL (1954) SMALLEST SHOW ON EARTH, THE (1957) SPLENDER IN THE GRASS APPROVED NSH MOVIE SCREENING COMMITTEE R-RATED and NON-RATED MOVIE LIST Updated October 9, 2012 (Newly added films are in the shaded rows at the top of the list beginning on page 1.) Film Title TAMING OF THE SHREW (1967) TIME OF FAVOR (2000) TOLL BOOTH, THE (2004) TOMORROW SHOW w/ Tom Snyder TOP GEAR (BBC TV show) TOP GEAR (TV Series) UNCOVERED: THE WAR ON IRAQ (2004) VAMPIRE SECRETS (History
    [Show full text]