Appendix of Colors
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Color Conversion Chart
Color Conversion Chart CMYK & RGB COLOR VALUES Opalescent C-M-Y-K R-G-B Opalescent C-M-Y-K R-G-B 000009 Reactive Cloud 4-2-1-0 241-243-247 000164 Egyptian Blue 81-48-0-0 49-116-184 000013 Opaque White 4-2-2-1 246-247-249 000203 Woodland Brown 22-63-87-49 120-70-29 000016 Turquoise Opaque Rod 65-4-27-6 75-174-179 000206 Elephant Gray 35-30-32-18 150-145-142 000024 Tomato Red 1-99-81-16 198-15-36 000207 Celadon Green 43-14-46-13 141-167-137 000025 Tangerine Orange 1-63-100-0 240-119-2 000208 Dusty Blue 60-25-9-28 83-123-154 000034 Light Peach Cream 5-12-15-0 243-226-213 000212 Olive Green 44-4-91-40 104-133-42 000100 Black 75-66-60-91 10-9-10 000216 Light Cyan 62-4-9-0 88-190-221 000101 Stiff Black 75-66-60-91 10-9-10 000217 Green Gold Stringer 11-6-83-13 206-194-55 000102 Blue Black 76-69-64-85 6-7-13 000220 Sunflower Yellow 5-33-99-1 240-174-0 000104 Glacier Blue 38-3-5-0 162-211-235 000221 Citronelle 35-15-95-1 179-184-43 000108 Powder Blue 41-15-11-3 153-186-207 000222 Avocado Green 57-24-100-2 125-155-48 000112 Mint Green 43-2-49-2 155-201-152 000224 Deep Red 16-99-73-38 140-24-38 000113 White 5-2-5-0 244-245-241 000225 Pimento Red 1-100-99-11 208-10-13 000114 Cobalt Blue 86-61-0-0 43-96-170 000227 Golden Green 2-24-97-34 177-141-0 000116 Turquoise Blue 56-0-21-1 109-197-203 000236 Slate Gray 57-47-38-40 86-88-97 000117 Mineral Green 62-9-64-27 80-139-96 000241 Moss Green 66-45-98-40 73-84-36 000118 Periwinkle 66-46-1-0 102-127-188 000243 Translucent White 5-4-4-1 241-240-240 000119 Mink 37-44-37-28 132-113-113 000301 Pink 13-75-22-10 -
Gamblin Provides Is the Desire to Help Painters Choose the Materials That Best Support Their Own Artistic Intentions
AUGUST 2008 Mineral and Modern Pigments: Painters' Access to Color At the heart of all of the technical information that Gamblin provides is the desire to help painters choose the materials that best support their own artistic intentions. After all, when a painting is complete, all of the intention, thought, and feeling that went into creating the work exist solely in the materials. This issue of Studio Notes looks at Gamblin's organization of their color palette and the division of mineral and modern colors. This visual division of mineral and modern colors is unique in the art material industry, and it gives painters an insight into the makeup of pigments from which these colors are derived, as well as some practical information to help painters create their own personal color palettes. So, without further ado, let's take a look at the Gamblin Artists Grade Color Chart: The Mineral side of the color chart includes those colors made from inorganic pigments from earth and metals. These include earth colors such as Burnt Sienna and Yellow Ochre, as well as those metal-based colors such as Cadmium Yellows and Reds and Cobalt Blue, Green, and Violet. The Modern side of the color chart is comprised of colors made from modern "organic" pigments, which have a molecular structure based on carbon. These include the "tongue- twisting" color names like Quinacridone, Phthalocyanine, and Dioxazine. These two groups of colors have unique mixing characteristics, so this organization helps painters choose an appropriate palette for their artistic intentions. Eras of Pigment History This organization of the Gamblin chart can be broken down a bit further by giving it some historical perspective based on the three main eras of pigment history – Classical, Impressionist, and Modern. -
RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey -
Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth
GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE -
A Short History of 18-19Th Century
A SHORT HISTORY OF 18-19TH CENTURY BRITISH HAND-COLOURED PRINTS; WITH A FOCUS ON GAMBOGE, CHROME YELLOW AND QUERCITRON; THEIR SENSITIVITIES AND THEIR IMPACT ON AQUEOUS CONSERVATION TREATMENTS Stacey Mei Kelly (13030862) A Dissertation presented at Northumbria University for the degree of MA in Conservation of Fine Art, 2015 VA0742 Page 1 of 72 Table of Contents List of figures……………………………………………………………………………………...…2 List of tables……………………………………………………………………………………….....2 Abstract………………………………………………………………………………………………3 Introduction……………………………………………………………………………..………...…3 Research aims, methodology and resources………………………………………………….…....4 1. Aims……………………………………………………………………………………..…...4 2. Research Questions…………………………………………………………………..…...….4 3. Literature review……………………………………………………………………….....….5 4. Case Study Survey………………………………………………………………………..….5 5. Empirical Work……………………………………………………………………………....6 Chapter 1: A Brief History of Hand-coloured Prints in Britain………………………………....6 1.1 The popularity of hand-coloured prints…………………………………………………….....6 1.2 The people behind hand-colouring……………………………………………………..….….9 1.3 Materials and Methods……………………………………………………………………....14 Chapter 2: Yellow Pigments: A focus on Gamboge, Chrome Yellow, and Quercitron……….19 2.1 Why Gamboge, Chrome Yellow, and Quercitron……………………………………….…..19 2.2 Gamboge……………………………………………………………………………….....….20 2.2.1 History…………………………………………………………………………….…....20 2.2.2 Working properties…………………………………………………………………..…21 2.2.3 Physical and chemical properties…………………………………………………..…..21 2.2.4 Methods of -
The Color of Sunshine by Lydia Holley, Master Gardener When I Was a Child, My Mother Painted My Room Yellow
HENDERSON COUNTY MASTER GARDENERS ASSOCIATION (HCMG) WEEKLY NEWS ARTICLE September 14, 2020 The Color of Sunshine By Lydia Holley, Master Gardener When I was a child, my mother painted my room yellow. After having lived surrounded by the color of lemon chiffon, I adore almost every shade of yellow, whether it is a soft cream or a dark gold. Yellow is a happy color, and one that mixes well with most color schemes. Want a warm color scheme? Try yellow, red, and orange. Want a complimentary scheme? Purple and yellow are fun together. Yellow, blue, and red is another classic color scheme. I have read that an all- yellow garden is the easiest color scheme to get right. Simply add plants in all shades of this sunny color. Daffodils, forsythia, azalea, mahonia, irises, coreopsis, and Carolina jessamine are eye-catching in the spring. Your summer garden can be filled with black-eyed Susans, marigolds, daylilies, lilies, yarrow, zinnias, and sunflowers. Portulaca can reseed and give you yellow blooms for years to come. For fall, add mums and a non-aggressive cultivar of goldenrod. Esperanza and candlestick bushes can fill an entire corner with joy. The cheerful color of yellow can be added in winter with the merry faces of pansies. If you are lucky, you can find a yellow camellia. There are also several plants that have golden-variegated foliage. With the number of yellow flowers available, it must be one of Mother Nature’s favorite colors. Throw caution to the wind and add it in abundance. For more information, call 903-675-6130, email [email protected], or visit txmg.org/hendersonmg. -
SDS Is Correct to the Best of Our Knowledge, Information and Belief at the Date of Its Publication
SAFETY DATA SHEET Issuing Date 28-Oct-2016 Revision Date 28-Oct-2016 Revision Number 0 This document complies with the US OSHA Hazard Communication Standard (29 CFR 1910.1200), Canada WHMIS 2015 which includes the amended Hazardous Products Act (HPA) and the Hazardous Products Regulation (HPR), and Mexico’s NMX-R-019-SC-2011. 1. IDENTIFICATION OF THE SUBSTANCE/PREPARATION AND THE COMPANY/UNDERTAKING GHS product identifier Product Name Dykem Transparent Stain Bulk - Steel Blue, Steel Red and Black Other means of identification Part Number Dk Blue - Steel Blue (80200, 80300, 80400, 80600, 80700), Red - Steel Red (80296, 80396, 80496, 80696), Black (81731) Formula Code Dk Blue - Steel Blue (8706), Red - Steel Red (8705), Black (8749) UN-Number UN1263 Synonyms None Recommended use of the chemical and restrictions on use Recommended Use Staining Colors Uses advised against No information available Supplier's details Initial Supplier Supplier Address ITW Permatex Canada ITW PRO BRANDS 1-35 Brownridge Road 805 E. Old 56 Highway Halton Hills, ON, L7G 0C6 Olathe, KS 66061 Canada TEL: 1-800-443-9536 Emergency telephone number Emergency Telephone 800-535-5053 Infotrac Number 2. HAZARDS IDENTIFICATION Classification This product is considered hazardous according to the criteria set within the US OSHA Hazard Communication Standard (29 CFR 1910.1200), Canada WHMIS 2015 which includes the amended Hazardous Products Act (HPA) and the Hazardous Products Regulation (HPR), and Mexico’s NMX-R-019-SC-2011. Skin Corrosion/Irritation Category 2 _____________________________________________________________________________________________ -
Textures of Williamsburg Handmade Oil Colors
Textures of Williamsburg Handmade Oil Colors VERY FINE FINE MEDIUM COARSE Alizarin Orange Permanent Red-Orange Brown Umber Alizarin Crimson Brown Pink Bismuth Vanadate Yellow Permanent Yellow Deep Burnt Sienna Alizarin Yellow Dutch Brown (Transparent) Brilliant Yellow Extra Pale Permanent Yellow Light Burnt Umber Bohemian Green Earth Italian Pink Brilliant Yellow Pale Permanent Yellow Medium Cadmium Green Brown Ochre Olive Green Carl’s Crimson Persian Rose Cadmium Green Light Cyprus Orange Stil De Grain Cerulean Blue French Phthalo Blue Cadmium Lemon Earth Green Chromium Oxide Green Phthalo Green Cadmium Orange French Ardoise Grey Cinnabar Green Light Phthalo Green-Yellowish Cadmium Purple French Brown Ochre Cobalt Blue Phthalo Turquoise Cadmium Red Deep French Burnt Ochre Cobalt Blue Deep Provence Violet Bluish Cadmium Red Light French Burnt Umber Cobalt Green Provence Violet Reddish Cadmium Red Medium French Light Sienna Cobalt Teal Bluish Prussian Blue Cadmium Red Purple French Ochre Havane Cobalt Teal Greenish Pyrrole Orange Cadmium Red Vermilion French Raw Sienna Cobalt Turquoise Bluish Pyrrole Red Cadmium Yellow Deep French Raw Umber Cobalt Turquoise Greenish Quinacridone Magenta Cadmium Yellow Extra Deep French Rouge Indien Cobalt Violet Deep Quinacridone Red Cadmium Yellow Light French Terre Verte Cobalt Violet Light Quinacridone Violet Cadmium Yellow Medium French Yellow Ochre Deep Courbet Green Sevres Blue Canton Rose German Earth Dianthus Pink SF Cerulean Blue French Cerulean Blue (Genuine) Graphite Grey Egyptian Violet SF -
Opaque Colors
When glazing, it helps to know which colors are transparent and which are opaque. Whether a particular color is transparent or opaque has to do simply with its inherent chemical makeup. An opaque color will offer more coverage than a transparent one; that much is obvious. But it is important to remember that opacity and transparency have nothing to do with color saturation/intensity or color permanence. Both groups contain fugitive colors as well as powerful ones (red can fade quickly in UV light; blue used in even small quantities will turn the mixture strongly blue). This list is provided to help you determine which colors are best used for underpainting, which are best for glazing right out of the tube, and which may require the use of a glazing medium. Opaque Oil Colors Transparent Oil Colors Whites Whites lead white zinc white titanium white transparent white Yellows Yellows cadmium yellow (all tones) aureolin (cobalt yellow) Naples yellow Indian yellow yellow ochre transparent gold ochre jaune brilliant transparent oxide yellow nickel titanate yellow stil de grain jaune Reds and Oranges Reds and Oranges cadmium red (light and dark) alizarin crimson cadmium orange rose madder (light and dark) English red ultramarine red Mars red quinacridone red Venetian red quinacridone burnt orange terra rosa transparent red oxide vermillion naphthol scarlet anthraquinoid red perinone orange Greens Greens chromium green oxide viridian permanent green phthalo green cadmium green phthalo turquoise green gold terre verte Browns Browns burnt umber burnt sienna raw umber raw sienna Pozzuoli earth brown madder alizarin transparent brown stil de grain brun Blues Blues cerulean blue ultramarine blue cobalt blue phthalo blue manganese blue indanthrone blue indigo Violets Violets cadmium purple cobalt violet Mars violet manganese violet caput mortuum violet carbazole violet quinacridone violet rose dore’ dioxazine purple Blacks and Neutrals Blacks and Neutrals lamp black ivory black peach black Davy’s gray Mars black Paynes gray . -
Sb – Stonebrier Color Palette
SB – STONEBRIER COLOR PALETTE SB0300BL – LOT #59 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS 8714M WILDCAT 8700W AC114N (windows at side of door) 8714M WILDCAT NOT AVAILABLE POWDERING SNOW BLACK DECO 8700W POWDERING SNOW SB0303BL – LOT #58 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS 8673M 8672W TEQUILA 8672W TEQUILA (windows at side of door) 8672W TEQUILA 8672W TEQUILA TAVERN TAUPE NOT AVAILABLE SB0304BL – LOT #60 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS SW6142 CW052W SW2802 (windows at side of door) NOT AVAILABLE NOT AVAILABLE MACADAMIA NOT AVAILABLE ROCKWOOD RED NOT AVAILABLE SB0307BL – LOT #57 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS SW7036 SW6147 SW6207 (windows at side of door) NOT AVAILABLE NOT AVAILABLE ACCESSIBLE BEIGE PANDA WHITE RETREAT NOT AVAILABLE SB – STONEBRIER COLOR PALETTE SB0308BL – LOT #61 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS BRICK/BM1079 ROYAL LINEN CAPE MAY GRAY (windows at side of door) ROYAL LINEN NOT AVAILABLE BAYSHORE BEIGE NOT AVAILABLE SB0311BL – LOT #56 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS 7711W CW020W CW020W (windows at side of door) 7711W NOT AVAILABLE ANGELICA BLOSSOM LEMON WHITE LEMON WHITE CW020W ANGELICA BLOSSOM LEMON WHITE SB0312BL – LOT #62 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. SIDELIGHT COLOR GARAGE SHUTTERS 8502W WHITE WATERS AC084N (windows at side of door) 8502W NOT AVAILABLE DAWN WONDER NIGHT NAVY WHITE WATERS DAWN WONDER SB0315BL – LOT #55 EXT. BASE (WALLS) EXT. TRIM FRONT DOOR EXT. -
3-18-19 OGH Master.Xlsx
GC Prices Effective 03/18/2019 Tel (508) 822-1151 Delivery - $75 per stop Fax (508) 824-3014 M-F 7:30a - 3:30p Customers can PICK UP Product MARCH 18th Sales - Lisa x204 Sat 7:30a - 10:30a We Will Begin DELIVERING Product MARCH 18th Minimum Order $1,000 Pansy (15) 4" Pansy Flats 804 BULBS DELTA DEEP BLUE Lt. Color DELTA COTTON CANDY MIX Lt. Color Tête- à-T ête (15) 4.0 DELTA LAVENDER BLUE SHADES DELTA LAVENDER BLUE SHADES Green DELTA PREMIUM BLOTCH MIX DELTA PREMIUM BLOTCHED MIX DELTA PREMIUM PURE MARINA DELTA PREMIUM BLUE MORPHO Tête- à-T ête (8) 6.0 DELTA PREMIUM PURE PRIMROSE DELTA PREMIUM DEEP BLUE Yellow Green DELTA PREMIUM PURE VIOLET DELTA PREMIUM MARINA DELTA PREMIUM PURE WHITE DELTA PREMIUM PRIMROSE W/ BLOTCH DELTA PREMIUM PURE YELLOW DELTA PREMIUM PURE PRIMROSE HYACINTH (15) 4.0 DELTA PREMIUM VIOLET AND WHITE DELTA PREMIUM PURE VIOLET Blue Color Bud DELTA PREMIUM WHITE W/BLOTCH DELTA PREMIUM PURE WHITE Pink DELTA PREMIUM YELLOW W/ BLOTCH DELTA PREMIUM PURE YELLOW DELTA PREMIUM YELLOW W/ PURPLE WING DELTA PREMIUM TRUE BLUE DELTA PURE COLORS MIX DELTA PREMIUM VIOLET AND WHITE HYACINTH (8) 6.0 DELTA PURE ORANGE DELTA PREMIUM YELLOW W/ PURPLE WING Blue Color Bud DELTA TRUE BLUE DELTA PURE COLORS MIX Pink DELTA PURE ORANGE DELTA YELLOW W/ BLOTCH Viola (15) 4" TULIP (8) 6.0 SORBET LEMON CHIFFON Color Pink Green SORBET PURPLE XP Viola Flats 804 Purple SORBET SPRING SELECT MIX SORBET LEMON CHIFFON Color Rose Pink SORBET XP MORPHO SORBET MORPHO Yellow SORBET XP TRUE BLUE SORBET SELECT MIX SORBET YELLOW SORBET TRUE BLUE SORBET YELLOW Quart Perennials (15) BELLIS BELLISIMA MIX Osteospernum 4.5" (10) BELLIS BELLISSIMA ROSE TRADESWIND DEEP PURPLE 10" Pansy Hanger~ 10 per Shelf PAPAVER SPRING FEVER MIX TRADESWIND LIGHT PURPLE PANOLA YELLOW XP Color PRIMROSE PRIMERA PINK TRADESWIND YELLOW PANOLA BEACONSFIELD PRIMROSE PRIMERA VIOLET TRADEWIND WHITE PANOLA DEEP BLUE BLOTCH PRIMULA PRIMERA BLUE PANOLA LILAC SHADES PRIMULA PRIMERA LIGHT YELLOW PANOLA MARINA PRIMULA PRIMERA VIOLET PANSY (8) 6.0 PANOLA PINK SHADES MATRIX MORPHEUS Lt. -
Available Colors
SeeAvailable product order forms Colors for standard and optional colors Rebel Series Braces RelieverOne OA Powdercoat Colors Standard Powdercoat Colors Gloss Black Argento Gray Texture Black Bengal Silver Gloss Black Silver Candy Green Sky Blue Electric Blue Violet These images are a close representation of actual colors, but are not an exact duplication. The colors and fabrics shown are for illustration purposes only, and will vary slightly from the actual finish of the Bengal White Bengal Yellow Sparkle Red Copper brace. If you have questions, please call Townsend Design’s fabrication center, 800.432.3466. Premier Series Braces Premier Series Braces Paint Colors Textured Powdercoat Colors Gloss Black Quicksilver Pearl White Indy Yellow Texture Black Royal Blue Emerald Green Steel Blue Royal Blue Burnt Orange Burgundy Pewter Beige Dark Violet Burgundy Full Shell Series Braces Fabrics/Pigments Gloss Black Royal Blue Navy Blue Grey Sheer fabrics (red, teal and purple) are added over the graphite to create a snake skin like look (a clear graphite brace with a color tint). Patients can also provide 1 yard of material. We recommend small Red Green Beige Burgundy repeat pattern polyester or cotton materials. Any logo or emblem must be small enough to fit within the trim lines of the brace. Dipping a piece of the fabric in water shows how the material could appear after fabrication (the lamination process will Clear Sheer Red Sheer Teal Sheer Purple generally darken and dull colors). There is a charge for this inlay service if the patient provides their own fabric. Flag Fabric Townsend Design Custom Paint Finishes GD100 GD200 Townsend Design offers several custom paint finishes.