Lavoy Resume 2/2018

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JANUARY LAVOY BROADWAY THEATRE ENRON Hewitt, Reporter, others Broadhurst Theatre, Rupert Goold OFF-BROADWAY THEATRE MEASURE FOR MEASURE Escala, Mistress Overdone TFANA, Simon Godwin WAKEY, WAKEY Lisa Signature Theatre, Will Eno FUNNYHOUSE OF A NEGRO Duchess of Hapsburg Signature Theatre, Lila Neugebauer WINGS Amy Second Stage, John Doyle CORALINE Mother, Miss Spink MCC, Leigh Silverman TWO TRAINS RUNNING Risa Signature Theatre, Lou Bellamy HOME Woman 1/Pattie Mae Wells Signature Theatre, Ron OJ Parson CIVILIZATION (workshop) Zoe Sundance Theatre Lab, Daniel Aukin JOY Kegan Actors’ Playhouse, Ben Rimalower SPILL THE WINE Colleen Gayfest NYC, Margarett Perry REGIONAL THEATRE NATIVE GUARD The Poet Alliance Theatre, Susan V. Booth BENNY AND JOON Ruthie Old Globe Theatre, Jack Cummings III JOE TURNER’S COME & GONE Mattie Campbell Mark Taper Forum, Phylicia Rashad GOOD PEOPLE Kate Pittsburgh Public, Tracy Brigden A CHRISTMAS CAROL Mrs. Cratchit McCarter Theatre, Michael Unger WHAT I LEARNED IN PARIS Lena Alliance Theatre, Susan V. Booth MEASURE FOR MEASURE Isabella Shakespeare NJ, Jack Wetherall A STREETCAR NAMED DESIRE Stella Denver Center, Israel Hicks MRS. BOB CRATCHIT… The Ghost City Theatre, Tracy Brigden RAW BOYS Altagracia Wilma Theater, Blanka Zizka THE MERCHANT OF VENICE Portia Denver Center, Anthony Powell LOBBY HERO Dawn Denver Center, David McClendon JAZZLAND Chilli CATF, Ed Herendeen CYRANO DE BERGERAC Lise, Roxane Denver Center, Nagle Jackson THE PIANO LESSON Grace Pittsburgh Public, Israel Hicks FOOTLOOSE Wendy Jo Ogunquit Playhouse, Jacques Stewart TELEVISION/FILM BLUE BLOODS Guest Star CBS, Robert Harmon ONE LIFE TO LIVE Contract ABC, Frank Valenti LAW & ORDER Recurring Co-Star NBC, Constantine Makris 3 LBS. Co-Star CBS, Nicole Kassell L&O: SVU Co-Star NBC, Jim Hayman L&O: CI Co-Star NBC, Constantine Makris ALL MY CHILDREN Recurring ABC, Various WAR OF THE WORLDS Brazilian Neighbor’s Wife Paramount, Steven Spielberg HIGH GROUND (short) Lead Plowshare Films, Geoff Bailey AWARDS 2013 LA OVATION AWARD Best Ensemble, Joe Turner 2009 AUDELCO AWARD Best Ensemble, Home 2004 DENVER OVATION Best Actress, Merchant TRAINING/ SPECIAL SKILLS MFA, Nat’l Theatre Conservatory Denver, CO Dialects, Mezzo-soprano pop mix (low E to high E), multiple marathons completed .

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Copyright by Charles Patrick Tyndall 2002
Copyright by Charles Patrick Tyndall 2002 The Dissertation Committee for Charles Patrick Tyndall Certifies that this is the approved version of the following dissertation: August Wilson’s Play Cycle: A Healing Black Rage for Contemporary African Americans Committee: Ann Daly, Supervisor Oscar G. Brockett Charlotte Canning Joni L. Jones Stacy Wolf August Wilson’s Play Cycle: A Healing Black Rage for Contemporary African Americans by Charles Patrick Tyndall, B.A., M.A. DISSERTATION Presented to the Faculty of the Graduate School of the University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY The University of Texas at Austin May 2002 Acknowledgements First and foremost, I would like to thank God, without whom I would not have been able to complete this endeavor. I must acknowledge my supervisor, Ann Daly, for her tireless devotion to this project. Thank you for helping me with my transition from student to scholar. You know I could not have done this without your support, tenacity, dedication, and humor. Thank you to my committee members, for making an insane process pretty painless. I appreciate the immense knowledge that you brought to this experience, both in and out of the classroom. I would like to acknowledge my family, especially: Mom, Dad, Chris, and Carl, for helping to shape me into the person I am today. Much thanks to my friends: Lana Williams, Richard Perry, C. Francis Blackchild, and Jacqueline E. Lawton, for enduring the madness with me! Much appreciation to the Department of Theatre and Dance at the University of Texas at Austin and the Drama department at the University of Arkansas – Fayetteville, where I currently teach, for all of the support offered to me.
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AUGUST WILSON: the GROUND on WHICH I STAND a Documentary Presented by AUGUST WILSON’S WQED Multimedia and the PBS Series, American Masters
AUGUST WILSON: THE GROUND ON WHICH I STAND A documentary presented by AUGUST WILSON’S WQED Multimedia and the PBS series, American Masters Premiering February 2015*… August Wilson: The Ground On Which I Stand details 10-PLAY CENTURY CYCLE August Wilson’s unexpected rise from humble beginnings 1966 and adversity to create a 10-play cycle about African American life — a groundbreaking achievement in theater Rise of the Black Power 1865 1896 Movement history. From the 1980s into the first decade of the 21st century, Wilson was the most produced playwright both 13th Amendment to the Plessy v. Ferguson 1965 Constitution ratified, upholds racial 1995 1990s 1986 1980s on Broadway and in regional theaters. His unprecedented prohibiting slavery segregation and Voting Rights Act 10-play Century Cycle (also known as the Pittsburgh Cycle) Million Man March Martin Luther King establishes “separate KING HEDLEY II outlawed discrimination helped launch the careers of countless actors and earned but equal” RADIO GOLF Jr. Day is declared a 1968 in the voting process national holiday in An ex-convict tries to rebuild Wilson two Pulitzer Prizes. Harmond Wilks has ambitious the U.S. his life, family, and sense of plans to redevelop the Hill District, but Dr. Martin Luther King, Jr. self in a community plagued clashes with his partner over whether is assassinated A native of Pittsburgh’s Hill District where all but one with violence and prejudice. to deny the past in the name of Civil Rights Act outlaws housing of the plays in the Cycle are set, Wilson put the joys, development, or to preserve the Hill’s history.
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Trinity Fade Program.Indd
Fade by Tanya Saracho 2019–20 SEASON • Your Home for Dramatic Discoveries • TrinityRep.com Right surgeons. Right robots. Right in South County. L to R: Joseph F. Renzulli II, MD, FACS; Robert C. Marchand, MD; Ian A. Madom, MD Looking for Rhode Island’s leader in robotic surgery? Come to South County. At the Institute for Robotic Surgery at South County Health, surgical procedures with smaller incisions, fewer complications, and faster recoveries happen every day. Our surgeons use the latest robotic technology for hip and knee replacements, minimally invasive spine surgery, urologic, and general surgery. Discover how the Institute for Robotic Surgery can get you back to living your life – faster. www.roboticsurgeryRI.com 2 2019–20 Season at the Lederer Theater Center under the direction of Curt Columbus Tom Parrish The Arthur P. Solomon and Executive Director Sally E. Lapides Artistic Director Fade by Tanya Saracho THE ARTISTIC TEAM THE CAST Directed by Tatyana-Marie Carlo Lucia Elia Saldana* Set Design by Efren Delgadillo, Jr. Abel Daniel Duque-Estrada*‡ Costume Design by Amanda Downing Carney Co-Lighting Design by Pablo Santiago Understudies Alfredo Antillon, Jihan Haddad & Ginevra Lombardo Sound Design by David R. Molina Fade is performed with no intermission. Production Stage Managed by Kristen Gibbs* Production Director Laura E. Smith December 5, 2019 – January 5, 2020 * Member of Actors’ Equity Association, the union of professional actors & stage managers ‡ Trinity Rep Resident Acting Company member in the Sarah and Joseph Dowling, Jr. Theater Understudies never substitute for a listed player unless a specific announcement is made at the time of performance.
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Regulatory Taking's Anti-Subordination Insights
REBUILDING THE PUBLIC-PRIVATE CITY: REGULATORY TAKING’S ANTI-SUBORDINATION INSIGHTS FOR EMINENT DOMAIN AND REDEVELOPMENT AUDREY G. MCFARLANE* ABSTRACT The eminent domain debate, steeped in the language of property rights, currently lacks language and conceptual space to address what is really at issue in today’s cities: complex, fundamental disagreements between market and community about development. The core doctrinal issue presented by development is how can we acknowledge the subordination of citizens who happen to live in areas that are attractive to wealthier citizens. In particular, how should we address the political process failure reflected in the privatized methods of decisionmaking that typify redevelopment? The conceptual language and analytical construct for appropriately addressing these issues come from critical race theory and its project of anti-subordination. The doctrinal model for resolving urban development disagreement comes from the anti-subordination principles reflected in regulatory takings doctrine. This Article argues that regulatory takings doctrine reflects one of the most developed, yet underappreciated, anti-subordination doctrines in the law. Both takings and critical race theory provide a template for properly focusing on ways to improve the lack of public accountability in development and the unresponsiveness of eminent domain doctrine to commonly accepted notions of fairness as a component of the public good. “They don’t know I got a[n] [eminent domain] clause of my own . They can carry me out feet first . but my clause say . they got to meet my price!”1 —Memphis Lee, Two Trains Running * Professor of Law, University of Baltimore School of Law. This Article was made possible by the generous research support of the University of Baltimore Law School.
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American Studies Periodical
International Black Sea University Faculty of Humanities Direction of American Studies American Studies Periodical 4th Edition American Studies International Research Conference Materials Tbilisi 2011 Chief Editor: Prof. Dr. Tamar Shioshvili, The Dean of the Faculties of Humanities and Education International Black Sea University Computer and Editorial Assistance: Tea Chumburidze, B.A., Research Assistant of the Faculty of Humanities International Black Sea University © International Black Sea University, 2011 UDC: 908 (73) A-47 TABLE OF CONTENTS: SECTION I: Education and Social Issues TAMAR SHIOSHVILI Why does “Culture Shock” Occur? Cross-Cultural Adjustment Stress.......................................... 5 NINO GAMSAKHURDIA The Leadership Styles of African Americans in the First Decades of the 20th century ............... 12 IRINA BAKHTADZE Main Criteria for Measuring Excellence of College Teaching in the U.S. ................................... 24 TEA CHUMBURIDZE President Barack Obama Health Care Policy: Implementation and Results ................................ 33 LASHA KURDASHVILI The Methods and Role of Lobbing System in the U.S. ................................................................ 39 TAMAR MKALAVISHVILI Print Medium and Its Impact on Society (On the example of TIME magazine) .......................... 48 KETEVAN ROSTIASHVILI E-government in the U.S.A. & World Comparative Tendencies ................................................. 55 ANASTASIA ZAKARIADZE Current Tendencies in American Moral Philosophy ...................................................................
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2013 Suggestions for Teaching Two Trains Running by August Wilson
2013 Suggestions for Teaching Two Trains Running by August Wilson Before seeing/reading the play 1. Who was August Wilson? What is his unique contribution to American theatre? Research Wilson’s ten-play series, the Pittsburg Cycle, of which Two Trains Running is the seventh play. These and other websites provide information: http://www.gale.cengage.com/free_resources/bhm/bio/wilson_a.htm http://www.augustwilson.net/ http://www.august-wilson-theatre.com/index.php 2. Research the migration of African-Americans from the south to the north during the early part of the 20th century. What were the catalysts that led African-Americans to leave the south? What were they searching for? What were they running from? What were they leaving behind? These and other websites provide information: http://www.pbs.org/jazz/places/faces_migration.htm http://en.wikipedia.org/wiki/Great_Migration_(African_American) http://www.npr.org/templates/story/story.php?storyId=129827444 3. Two Trains Running takes place during 1969 in Pittsburgh’s historic Hill District. Investigate the history of the Hill District, paying special attention to its transformation during the 1950’s, 60’s and 70’s. What were the consequences of urban renewal on the Hill District? How did the Civil Rights Movement affect the Hill District community? These and other websites provide information: http://en.wikipedia.org/wiki/Hill_District http://www.clpgh.org/exhibit/neighborhoods/hill/hill_n4.html http://www.freedomcorner.org/civil_rights_in_pittsburgh.html http://www.wqed.org/education/pghist/logs/wylie.php 4. Research the timeline of the American Civil Rights Movement, paying attention to events beginning in 1954 and ending the year before Two Trains Running is set, in 1968.
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FENCES” Stellar Cast Is Rich with Actors from Stage and Screen
10075 Commons Street • Lone Tree, Colorado 80124 • www.lonetreeartscenter.org Contact: Leigh Chandler, Marketing Director FOR IMMEDIATE RELEASE Phone: 720-509-1007 February 23, 2018 Fax: 720-509-1101 Email: [email protected] LONE TREE ARTS CENTER ANNOUNCES CREATIVE TEAM FOR AUGUST WILSON’S “FENCES” Stellar Cast Is Rich with Actors from Stage and Screen LONE TREE, CO – Continuing its tradition of presenting remarkable professional theater in the South Metro area, the Lone Tree Arts Center announces the creative team for August Wilson’s Fences, April 4 - 21. Director Wren T. Brown joins LTAC for the first time to direct the play, which stars TV, movie, and stage veterans Esau Pritchett as Troy Maxson and Julanne Chidi Hill as Rose. Wren T. Brown is the co-founder, with Israel Hicks, of Ebony Repertory Theatre in Los Angeles, the first African-American professional theatre company in that city. Under his leadership, ERT has produced Ovation Award and NAACP Theatre Award-winning productions of August Wilson's Two Trains Running, Regina Taylor's Crowns, Lorraine Hansberry's A Raisin In the Sun, and Clarke Peters' Five Guys Named Moe. Brown currently serves on the board of Antioch University, Los Angeles, and has formerly served on the board of directors of the Screen Actors Guild, the Friends of Washington Preparatory High School, Complexions Contemporary Ballet, and the Charles R. Drew University. As an actor, Brown has appeared in the films Waiting to Exhale, Heart and Souls, Under Siege 2: Dark Territory, The Dinner, Hollywood Shuffle, Biker Boyz, The Importance of Being Earnest, Midnight Clear, and David Mamet's Edmond.
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EYE on the TENTH Vol
HERB J. WESSON, JR. COUNCILMEMBER EYE ON THE TENTH 10th DISTRICT AUTUMN, 2008 Vol. 3, Issue 3 HERB J. WESSON, JR Councilmember . Tenth District CAMP WESSON Hello, Mother, Hello, Father Here I am at Camp Wesson Where we learned some life lessons We went fishing We went swimming We even went paddle boating I rode a horse Did a skit I think that is it For day one And the evening has only just begun. Love, The Wesson Cadets Page 2 Eye on the Tenth MOVIES IN THE PARK…….page 3 THANKING SPEAKER NÚÑEZ…….page 14 TABLE OF CONTENTS Taking Care of the Tenth.…………......3 Herb Honors..….………….....….…….13 Out & About………………..…..……....15 Alerts & Bulletins.…………...…….….17 Parting Shots….....…..………….…....18 “Look Who’s Reading”……….……...20 Contact Information……….…...…….20 LIVING HISTORY…………...page 16 AT YOUR SERVICE…..page 11 TEAM WESSON……………………………………….....page 6 CAMP WESSON…………………………………………..page 7 Eye on the Tenth Page 3 TAKING CARE OF THE TENTH A CD10 SUMMER MOVIES IN THE PARK On Saturday (9/13), Councilman Wesson, CD10 staff and volunteers completed our "Movies in the Park" series - the first we have ever done. We showed mov- ies, provided food (hotdogs, popcorn, candies, drink) and distributed raffle prizes - all for free - at four dif- ferent parks in CD10 (Reynier, Rancho Cienega, Queen Anne and Seoul International). The series was a tremendous success. All in all, we fed and entertained over 2,000 residents in and around CD10. The response from our community has been overwhelmingly positive. Councilman Wesson and the CD10 staff recognize that the success of the series was in part due to the Reynier Park area residents (below) prepared to watch “The Neverending Story” Councilmember Wesson and the Reynier Park raffle win- ners A few of the families who came out to enjoy the movie, popcorn and the face-painter Page 4 Eye on the Tenth CD10 Summer (continued) cooperation and assistance that came from LAPD, Recreation and Parks, LAFD, Sanitation and the Cul- tural Affairs staff - for which we are very grateful.
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August Wilson's Presentation of Interracial Movements in 1960S
English Language Teaching; Vol. 11, No. 6; 2018 ISSN 1916-4742 E-ISSN 1916-4750 Published by Canadian Center of Science and Education August Wilson’s Presentation of Interracial Movements in 1960s Yanghua Li1 1 School of Foreign Languages, Leshan Normal University, Sichuan, China Correspondence: Yanghua Li, School of Foreign Languages, Leshan Normal University, Sichuan, China. E-mail: [email protected] Received: March 25, 2018 Accepted: May 10, 2018 Online Published: May 12, 2018 doi: 10.5539/elt.v11n6p41 URL: http://doi.org/10.5539/elt.v11n6p41 Abstract August Wilson’s Two Trains Running tells the life predicaments of the patrons at Memphis’ restaurant in the 1960s. Though Wilson avoids addressing the interracial conflicts and movements on stage to eschew protesting and propaganda, they as social background could not be totally ignored in the play. The paper analyses Wilson’s use of symbolic characters, off-stage space and storytelling to show how the playwright implies his assessment of the black political movements and of the political awareness of common blacks in1960s. Keywords: August Wilson, off-stage space, storytelling, symbolic character 1. Introduction August Wilson (1945-2005), African American poet and playwright, is thought to be on a par with great American dramatists such as Eugene O’Neill, Tennessee Williams and Arthur Miller. He ambitiously and successfully finished his Pittsburgh cycle (Note 1), a set of ten plays, to record the life and struggle of African American in each decade of the twentieth century. Two Trains Running, the seventh play in the Pittsburgh cycle, revolves on the life of black Americans in the 1960s.
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Directed by Jude Sandy STUDY GUIDE
STUDY GUIDE August Wilson’s Radio Golf Directed by Jude Sandy 1 Education Supported by TABLE OF CONTENTS Theater Audience Etiquette ........................................................................................................3 Using the Guide in Your Classroom .............................................................................................4 Season sponsored by UNIT ONE: BACKGROUND INFORMATION A Conversation with the Director: Jude Sandy .............................................................................6 Biography of August Wilson .......................................................................................................8 Support for Trinity Rep’s education programs Plot Synopsis .............................................................................................................................9 comes from the Dexter Donation Trust, The The View from The Hill ...............................................................................................................10 Norman and Rosalie Fain Family Foundation, Phyllis Kimball Johnstone & H. Earl Kimball Character Analysis .....................................................................................................................12 Foundation, Mary Dexter Chafee Fund, The McAdams Charitable Foundation, Rhode Vocabulary .................................................................................................................................14 Island State Council on the Arts, Shakespeare in American Communities, Textron
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AM Augustwilson Film Interviewees Rev011315
Press Contact: Natasha Padilla, WNET, 212.560.8824, [email protected] Press Materials: http://pbs.org/pressroom or http://thirteen.org/pressroom Websites: http://pbs.org/americanmasters , http://facebook.com/americanmasters , @PBSAmerMasters , http://pbsamericanmasters.tumblr.com , http://youtube.com/AmericanMastersPBS , http://instagram.com/pbsamericanmasters , #AugustWilsonPBS American Masters August Wilson: The Ground on Which I Stand Premieres nationwide Friday, February 20, 9-10:30 p.m. on PBS (check local listings) in honor of the 70 th anniversary of Wilson’s birth, 10 th anniversary of his death and Black History Month Film Interviewees (in alphabetical order) Dwight Andrews , music direction for Ma Rainey’s Black Bottom , Fences , Joe Turner’s Come and Gone ; music and musical direction on Gem of the Ocean and numerous plays; officiate at August Wilson’s funeral Lou Bellamy , met August Wilson when he moved to St. Paul, Minn., and acted in and directed a number of his early works; directed and acted in numerous productions of Wilson’s American Century Cycle including Fences , Two Trains Running and Radio Golf Robert Brustein , dean of Yale School of Drama (1966-1979); founded the Yale Reparatory Theatre in 1966; theatre critic Julia Burley , friend of August Wilson’s mother; Charley Burley’s widow Rocky Carroll , actor , played Lymon in original Broadway production of The Piano Lesson and originated the role of Harmon in Radio Golf Anthony Chisholm , actor, played Wolf in the original Broadway production of Two Trains Running , Fielding in the original production of Jitney and Elder Barlow in original Broadway cast of Radio Golf Viola Davis , actor, played Vera in original Broadway productions of Seven Guitars and King Hedley II Charles Dutton , actor, played Levee in the original Broadway production and revival of Ma Rainey’s Black Bottom , Boy Willie in original Broadway and Hallmark Hall of Fame productions of The Piano Lesson , originated the role of Harold Loomis in Joe Turner’s Come and Gone Dr.
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August Wilson and Pittsburgh's Hill District Betina Jones
Duquesne University Duquesne Scholarship Collection Electronic Theses and Dissertations 2011 "This Is Me Right Here": August Wilson and Pittsburgh's Hill District Betina Jones Follow this and additional works at: https://dsc.duq.edu/etd Recommended Citation Jones, B. (2011). "This Is Me Right Here": August Wilson and Pittsburgh's Hill District (Doctoral dissertation, Duquesne University). Retrieved from https://dsc.duq.edu/etd/709 This Immediate Access is brought to you for free and open access by Duquesne Scholarship Collection. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Duquesne Scholarship Collection. For more information, please contact [email protected]. “THIS IS ME RIGHT HERE”: AUGUST WILSON AND PITTSBURGH‟S HILL DISTRICT A Dissertation Submitted to the McAnulty College and Graduate School of Liberal Arts Duquesne University In partial fulfillment of the requirements for the degree of Doctor of Philosophy By Betina Jones May 2011 Copyright by Betina Jones 2011 “THIS IS ME RIGHT HERE”: AUGUST WILSON AND PITTSBURGH‟S HILL DISTRICT By Betina Jones Approved March 29, 2011 ________________________________ ________________________________ Linda Kinnahan, Ph.D. Anne Brannen, Ph.D. Professor of English Associate Professor of English Dissertation Director (Committee Member) ________________________________ Magali Michael, Ph.D. Professor of English (Committee Member) ________________________________ ________________________________ Christopher M. Duncan, Ph.D. Magali Michael, Ph.D. Dean, McAnulty College and Graduate Chair, Department of English School of Liberal Arts Professor of English iii ABSTRACT “THIS IS ME RIGHT HERE”: AUGUST WILSON AND PITTSBURGH‟S HILL DISTRICT By Betina Jones May 2011 Dissertation supervised by Linda Kinnahan, Ph.D.
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