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Jazz in Poland. Improvised Freedom | Pol-Int
Pol-Int MONOGRAPHIE Jazz in Poland. Improvised Freedom Beitrag vom: 16.03.2016 Rezension von Dr. Lisa Jakelski Redaktionell betreut von Dorothea Traupe Poland in the 1950s and 1960s boasted a jazz scene of remarkable vibrancy. State-sponsored festivals in Sopot and Warsaw gave audiences the chance to hear jazz performers from all over the world. Local groups crafted their own sound, releasing seminal recordings such as the Krzysztof Komeda Quintet's Astigmatic (1966). The sounds of jazz permeated the films of Andrzej Wajda and Roman Polański. An important part of Poland's cultural and social history during the post-Stalin Thaw, jazz remains a lively element in the country's contemporary musical life. Igor Pietraszewski's Jazz in Poland: Improvised Freedom investigates Polish jazz as both a historical and present- day phenomenon. The second in the Jazz Under State Socialism Series edited by Gertrud Pickhan and Rüdiger Ritter, this book is part of an ongoing effort to understand the significance of jazz in the cultures and societies of East-Central Europe. Pietraszewski is ideally placed to carry out such a study. His experiences as a jazz saxophonist and board member of the Jazz on the Odra Festival in Wrocław give him an insider's insight into the musical world he describes. His training as a sociologist, on the other hand, enables him to approach his subject with an outsider's detachment. Pietraszewski draws on survey responses, interviews, print and other media sources, and scholarship by sociologists and cultural historians in an analysis that proceeds systematically from theory to data. -
Why Jazz Still Matters Jazz Still Matters Why Journal of the American Academy of Arts & Sciences Journal of the American Academy
Dædalus Spring 2019 Why Jazz Still Matters Spring 2019 Why Dædalus Journal of the American Academy of Arts & Sciences Spring 2019 Why Jazz Still Matters Gerald Early & Ingrid Monson, guest editors with Farah Jasmine Griffin Gabriel Solis · Christopher J. Wells Kelsey A. K. Klotz · Judith Tick Krin Gabbard · Carol A. Muller Dædalus Journal of the American Academy of Arts & Sciences “Why Jazz Still Matters” Volume 148, Number 2; Spring 2019 Gerald Early & Ingrid Monson, Guest Editors Phyllis S. Bendell, Managing Editor and Director of Publications Peter Walton, Associate Editor Heather M. Struntz, Assistant Editor Committee on Studies and Publications John Mark Hansen, Chair; Rosina Bierbaum, Johanna Drucker, Gerald Early, Carol Gluck, Linda Greenhouse, John Hildebrand, Philip Khoury, Arthur Kleinman, Sara Lawrence-Lightfoot, Alan I. Leshner, Rose McDermott, Michael S. McPherson, Frances McCall Rosenbluth, Scott D. Sagan, Nancy C. Andrews (ex officio), David W. Oxtoby (ex officio), Diane P. Wood (ex officio) Inside front cover: Pianist Geri Allen. Photograph by Arne Reimer, provided by Ora Harris. © by Ross Clayton Productions. Contents 5 Why Jazz Still Matters Gerald Early & Ingrid Monson 13 Following Geri’s Lead Farah Jasmine Griffin 23 Soul, Afrofuturism & the Timeliness of Contemporary Jazz Fusions Gabriel Solis 36 “You Can’t Dance to It”: Jazz Music and Its Choreographies of Listening Christopher J. Wells 52 Dave Brubeck’s Southern Strategy Kelsey A. K. Klotz 67 Keith Jarrett, Miscegenation & the Rise of the European Sensibility in Jazz in the 1970s Gerald Early 83 Ella Fitzgerald & “I Can’t Stop Loving You,” Berlin 1968: Paying Homage to & Signifying on Soul Music Judith Tick 92 La La Land Is a Hit, but Is It Good for Jazz? Krin Gabbard 104 Yusef Lateef’s Autophysiopsychic Quest Ingrid Monson 115 Why Jazz? South Africa 2019 Carol A. -
29 Th of the Countries of Central and Eastern Europe, Was Finally Brought Down
th n the fall of 1989, something happened that many never thought could happen: the IIron Curtain, the sphere of influence and control the Soviet Union maintained over many –29 of the countries of Central and Eastern Europe, was finally brought down. Nowhere was that process of liberation more dramatic than in rd Czechoslovakia. Responding to a brutal po- lice suppression of a peaceful protest march, millions of Czechs and Slovaks took to their 23 streets, the final proof (if any were still needed) that the “people’s government” represented The Kind Revolution little more than those who ran it. Within months, Václav Havel, a dissident ` playwright who had become the best-known symbol of resistance to the Soviet-backed re- gime, was elected president of a new, multi-par- ty democracy. Czechoslovakia, which would soon split into separate Czech and Slovak enti- ties, was once again free to carve out its own October path, make its own mistakes, and establish the role of a small nation in the middle of Europe and a rapidly globalizing world. To celebrate the 20th anniversary of the Citizen Havel Velvet Revolution—so-called because of the ˇ impressive lack of violence that accompanied Citizen Havel / Obcanˇ Havel the toppling of the Communist government—this PaveL KouTeck‘Y anD MiroSLav JaneK, series presents some of the finest Czech films CzeCh rePuBLiC, 2008; 120M Chronicling the private and public life of dissi- made since 1989, including several internation- Designed by Frantisek Kast/SSS and Laura Blum. Pink Tank by David Cerny by Blum. Pink Tank and Laura Kast/SSS Frantisek Designed by dent playwright-turned-president václav havel, al prizewinners and box-office successes. -
1St International Zbigniew Seifert Jazz Violin Competition / PROGRAM
/ PROGRAM 1st International Zbigniew Seifert Jazz Violin Competition 16th – 19th July 2014 / Lusławice, Kraków A Competition held under the Honorary Patronage of the President of the Academy of Music in Cracow, in cooperation with the “Emanations” Festival and the Summer Jazz Festival at Piwnica pod Baranami. Organizer: Partners: The Competition project has been made possible by the financial support of the Ministry of Culture and National Heritage, the Małopolska Province and Kraków City Council. Media Patrons: 2 1st International Zbigniew Seifert Jazz Violin Competition 16 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 17 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice semifinal auditions 18 JULY 2014 7 pm The European Krzysztof Penderecki Centre for Music in Lusławice final auditions 19 LIPCA 2014 r. 7 pm Manggha Museum of Japanese Art and Technology in Cracow gala concert www.seifertcompetition.com 3 n love with the music of John Coltrane, he originally took up the saxophone, and soon afterwards - set up ZBIGNIEW his first ensemble, the Zbig- Iniew Seifert Quartet, where he played with Jan Jarczyk, Jan Gonciarczyk and Janusz SEIFERT Stefański. Uncompromising and very daring in their artistic AN ICON OF THE JAZZ VIOLIN aims from the very start, they won the 2nd (1968) and then the Born in Cracow, he was associated with that city almost 1st (1969) prize at the Jazz on throughout his life. It was there that he completed primary and the Oder Festival, while Seifert secondary music schools and where he graduated from the himself took individual prizes. -
KATEGORIE / GENRE LAND BIBLIOGRAPHISCHE ANGABEN Verlag Ersch
Ersch. KATEGORIE / GENRE LAND BIBLIOGRAPHISCHE ANGABEN Verlag SIGNATUR -jahr DOKU Mali Vogel, Susan : Living memory. Prince Street Pictures 2003 AP 19734 V878DVD DOKU Deutschland Knopf, Eva : Majubs Reise. 2013 AP 44910 M234DVD DOKU / Diawara, Manthia : Neues afrikanisches Kino.- Afrika Prestel 2010 AP 44970 D541DVD Interview München [u.a.] (Begleit DVD zum Buch) DOKU Sudan Müller, Ray : Leni Riefenstahl - Der Traum von Afrika. EuroVideo 2003 AP 49400 M946DVD DOKU Südafrika Rogosin, Lionel : Coffret Lionel Rogosin 1 On the Bowery.- Paris Carlotta Films 2010 AP 49400 R735DVD-1 SPIEL Südafrika Rogosin, Lionel : Coffret Lionel Rogosin 2 Come back, Africa.- Paris Carlotta Films 2010 AP 49400 R735DVD-2 Rogosin, Lionel : Coffret Lionel Rogosin 3 Good times, wonderful DOKU Afrika Carlotta Films 2010 AP 49400 R735DVD-3 times.- Paris DOKU Sahara/Sahel region Herzog, Werner : Wodaabe. 0 AP 51164 W838DVD SPIEL Frankreich Bouchareb, Rachid : Tage des Ruhms.- Stuttgart Ascot Elite Home Entmt 2008 AP 51400 B752DVD SPIEL Mali Cissé, Souleymane : Yeelen.- Ennetbaden Trigon-Film 2009 AP 51400 C579 Y4-DVD SPIEL Äthiopien Gerima, Haile : Teza.- Ennetbaden Trigon-Film 2010 AP 51400 G369 T3DVD DOKU Südafrika Hirsch, Lee : Amandla!.- [London] Metrodome 2009 AP 51400 H669DVD SPIEL Frankreich Kassovitz, Mathieu : La haine.- Paris Studio Canal 2006 AP 51400 K19DVD DOKU Afrika Schmerberg, Ralf : Hommage à noir.- New York Palm Pictures 1999 AP 51400 S347 H7DVD SPIEL Senegal Sembène, Ousmane : Mandabi.- New York New Yorker Films Artwork 2005 AP 51400 S471DVD SPIEL England/Nigeria Nwandu, Adaora : Rag tag.- [Studio City, CA] Ariztical Entmt 2010 AP 52000 R144DVD DOKU USA Blank, Les : J'ai été au bal.- El Cerrito, CA. -
June 2020 Volume 87 / Number 6
JUNE 2020 VOLUME 87 / NUMBER 6 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
The Jazz Rag
THE JAZZ RAG ISSUE 140 SPRING 2016 EARL HINES UK £3.25 CONTENTS EARL HINES A HIGHLY IMPRESSIVE NEW COLLECTION OF THE MUSIC OF THE GREAT JAZZ PIANIST - 7 CDS AND A DVD - ON STORYVILLE RECORDS IS REVIEWED ON PAGE 30. 4 NEWS 7 UPCOMING EVENTS 8 JAZZ RAG CHARTS NEW! CDS AND BOOKS SALES CHARTS 10 BIRMINGHAM-SOLIHULL JAZZ FESTIVALS LINK UP 11 BRINGING JAZZ TO THE MILLIONS JAZZ PHOTOGRAPHS AT BIRMINGHAM'S SUPER-STATION 12 26 AND COUNTING SUBSCRIBE TO THE JAZZ RAG A NEW RECORDING OF AN ESTABLISHED SHOW THE NEXT SIX EDITIONS MAILED 14 NEW BRANCH OF THE JAZZ ARCHIVE DIRECT TO YOUR DOOR FOR ONLY NJA SOUTHEND OPENS £17.50* 16 THE 50 TOP JAZZ SINGERS? Simply send us your name. address and postcode along with your payment and we’ll commence the service from the next issue. SCOTT YANOW COURTS CONTROVERSY OTHER SUBSCRIPTION RATES: EU £20.50 USA, CANADA, AUSTRALIA £24.50 18 JAZZ FESTIVALS Cheques / Postal orders payable to BIG BEAR MUSIC 21 REVIEW SECTION Please send to: LIVE AT SOUTHPORT, CDS AND FILM JAZZ RAG SUBSCRIPTIONS PO BOX 944 | Birmingham | England 32 BEGINNING TO CD LIGHT * to any UK address THE JAZZ RAG PO BOX 944, Birmingham, B16 8UT, England UPFRONT Tel: 0121454 7020 FESTIVALS IN PERIL Fax: 0121 454 9996 Email: [email protected] In his latest Newsletter Chris Hodgkins, former head of Jazz Services, heads one item, ‘Ealing Jazz Festival under Threat’. He explains that the festival previously ran for eight Web: www.jazzrag.com days with 34 main stage concerts, then goes on: ‘Since outsourcing the management of the festival to a private contractor the Publisher / editor: Jim Simpson sponsorships have ended, admission charges have been introduced and now it is News / features: Ron Simpson proposed to cut the Festival to just two days. -
Jazz: a Celebration of Freedom
Two Freedoms, Two Independences 61 Megan Roy Will Jazz: A Celebration of Freedom Introduction Jazz has long been a symbol of freedom in the United States. Born out of racial strife and ethnic tension, this art form provided an escape and opportunity for those living in a post-Civil War America. Developed around the turn of the 20th century in New Orleans, jazz gained popularity and began to change, adjusting to the current cultural climate while maintaining its meaning of freedom and personal independence. A message like this could not be contained, and soon spread around the globe across radio airwaves and by means of traveling musicians. Many nations welcomed this music that bore the mark of freedom, but few embraced it as exuber- antly as Poland. After the fallout from the Second World War, the Polish nation was thrown into the dark ages of communism. It was during this time that jazz was clung to as a symbol of freedom, and a means of individual expression. Adopted and fostered by Polish musicians, jazz began to take on new and different sounds, eventually leading to the invention of a uniquely Polish style. The purpose of this article is to investigate why jazz stands as a symbol of freedom in both the American and Polish cultures, and how the ideas of freedom and independence are expressed through this music in each country. Historical and Cultural Context Jazz is considered a truly American invention, one that emerged in the late nine- teenth century largely due to the mixing of various peoples and the tension that resulted from the American Civil War. -
Classical Music Radio Stations
Concerts from Home French National Orchestra https://www.youtube.com/watch?v=Sj4pE_bgRQI&feature=youtu.be #LAOAtHome: Opera Happy Hour https://www.youtube.com/watch?v=Mx6EEe9FkMg&feature=youtu.be LA Phil at Home https://www.youtube.com/playlist?list=PL7dQ19jsdStWuxLyQYNV4q-LmY5-uZExd Vengerov and friends from home https://youtu.be/nmwWNa4xunE Relaxation music from BGM https://www.youtube.com/channel/UCQINXHZqCU5i06HzxRkujfg #OurHouseToYourHouse from the Royal Opera House https://www.youtube.com/watch?v=cJQNl7D0AbQ Fly On The Wall series of behind-the-scenes videos of classical musicians https://www.youtube.com/channel/UCV0qOEWWrQ550s_BvUvGzWA/playlists OPERA A Comprehensive List of All Opera Companies Offering Free Streaming Services Right Now https://operawire.com/a-comprehensive-list-of-all-opera-companies-offering- free-streaming-services-right-now/ Met Opera free daily streaming http://tiny.cc/MetOpera Full Opera Performances | by EuroArts https://www.youtube.com/playlist?list=PLBjoEdEVMABIWxD- YGUwbjI2GY_uj51pV MAJOR RECORDING LABELS DeccaClassics https://www.youtube.com/user/DeccaMusicGroup/playlists Deutsche Grammophon https://www.youtube.com/channel/UC34DbNyD_0t8tnOc5V38Big ECM Records https://www.youtube.com/user/ECMRecordsChannel/playlists Harmonia Mundi https://www.youtube.com/user/harmoniamundivideo/playlists Nonesuch Records https://www.youtube.com/user/nonesuchrecords/playlists Sony Classical https://www.youtube.com/user/sonyclassicaluk/videos WORLD PHILHARMONICS Berliner Philharmoniker https://www.digitalconcerthall.com/en/home -
The Czech Republic
THE CZECH ...CZECH IT OUT! REPUBLIC IN YOUR OWN BACKYARD NÁVRAT DIVOKÝCH KONÍ / THE CZECH RETURN OF THE WILD HORSES JAN HOŠEK 2011, 28MIN ROK ĎÁBLA / YEAR OF THE DEVIL The Central Asian Przewalski’s Horse is the very last PETR ZELENKA surviving wild horse species. The world learned of its 2002, 90MIN existence only in 1881 – but less than a hundred years REPUBLIC later it had already been driven to extinction in the Year of the Devil is a 2002 Czech “Mockumentary” wild, surviving only in the care of zoological gardens. film directed by Petr Zelenka. It stars musicians who act as themselves: Czech folk music band Čechomor, Extraordinary credit for the preservation of the IN YOUR OWN BACKYARD musicians & poets Jaromír Nohavica, Karel Plihal & Przewalski’s horse goes to Prague Zoo, which in British/NZ musician & composer Jaz Coleman. 1959 was charged with managing the international studbook for the species & which has bred over two It was awarded the Crystal Globe at the Karlovy Vary hundred foals. Under the leadership of the late Prof. International Film Festival & won the Findling Award Veselovský, a former director of Prague Zoo, the & the FIPRESCI Prize at the Cottbus Film Festival of Czech Republic became one of the leading organizers Showing at Dorothy Browns Cinema Buckingham St Arrowntown. Young East European Cinema in 2002. In 2003 it won of international transports of Przewalski’s horses back 6 Czech Lions, including Best Film, Best Director, Best For more information www.czechffqueenstown.nz. to their original homeland. Editing, & was nominated for 5 more, including Best Screenplay & Best Cinematography. -
THE VISUAL STRATEGIES of ECM RECORDS By
IMAGE AND SOUND: THE VISUAL STRATEGIES OF ECM RECORDS by ERIK HOLM B.A., The University of Saskatchewan, 1999 A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Fine Arts ) We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA October 2001 © Erik Bjorn Holm, 2001 in presenting this thesis in partial fulfilment of the requirements for an advanced degree at the university of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives, it is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. rtment of ^H^Vf, l/lWl Art A T^crf y The university of British Columbia Vancouver, Canada Date \ Abstract Commercial recordings - CDs, LPs - are familiar objects. However, discussion about them has often attempted to conceal the fact that, as communicating objects, recordings pose special problems due to the fact that they unite text, image, and sound in a material commodity. This thesis examines the role of the visual in the production, circulation and use of recordings. The album cover is the primary category of study, with an emphasis on its functioning in relation to the recording as a sonic and material commodity. The label ECM, a German company which has been producing recordings since 1969, provides the main focus in this analysis. -
ALBA – ECM Records Release 2477 April 2016
Markus Stockhausen & Florian Weber - “Inside Out” ALBA – ECM records release 2477 April 2016 Short text (by ECM Records – please mention source!): Alba is the premiere recording of trumpeter Markus Stockhausen’s duo with pianist Florian Weber, a formation in existence for some six years now. Though very different in their connections to the language of jazz, both musicians share a deep interest in the process of creative expression: of looking inwards and outwards with intensity at things, for echoes, resonances, insights. Initially, the duo experimented with electronic sounds, also to create the “opening sounds” that have attracted Stockhausen since he first played with Rainer Brüninghaus’s trio in the early 1980s. But with Weber, the realization soon came that the duo sounded stronger playing acoustically. “Florian has this incredible touch and possibilities to modulate the sound of the piano. There are so many colours available”. Alba is Markus Stockhausen’s first ECM recording since Karta was released in 2000. Florian Weber, a German Jazz Critics prize winner who has played with Albert Mangelsdorff, Lee Konitz and many others, makes his ECM debut here. Long text (by ECM Records – please mention source!): Alba is the premiere recording of trumpeter Markus Stockhausen’s duo with pianist Florian Weber, a formation in existence for some six years now. Though very different in their connections to the language of jazz, both musicians share a deep interest in the process of creative expression: of looking inwards and outwards with intensity at things, for echoes, resonances, insights. The dramatic arc and palette of the duo’s music is wide, from the joyous melodic roll of “Befreiung” (Liberation) and refracted optimism of “Better World”, to the chill sobriety of “Die weise Zauberin” (The Wise Witch) and the intriguingly reflective cast of “Emilio” (written for Florian’s son).