Program Notes

Total Page:16

File Type:pdf, Size:1020Kb

Program Notes Thursday Evening, March 17, 2016, at 8:00 m a r g Anaïs Mitchell o r P Liam Robinson , Piano Michael Chorney , Guitar e Todd Sickafoose , Bass h T This evening’s program is approximately 75 minutes long and will be performed without intermission. Please make certain all your electronic devices are switched off. Major support for Lincoln Center’s American Songbook is provided by Amy & Joseph Perella. Endowment support provided by Bank of America This performance is made possible in part by the Josie Robertson Fund for Lincoln Center. Stanley H. Kaplan Penthouse American Songbook Additional support for Lincoln Center’s American Songbook is provided by The DuBose and Dorothy Heyward Memorial Fund, The Shubert Foundation, Jill and Irwin B. Cohen, The G & A Foundation, Inc., Great Performers Circle, Chairman’s Council, and Friends of Lincoln Center. Public support is provided by the New York State Council on the Arts. Artist catering provided by Zabar’s and zabars.com MetLife is the National Sponsor of Lincoln Center UPCOMING AMERICAN SONGBOOK EVENTS IN THE STANLEY H. KAPLAN PENTHOUSE: Friday Evening, March 18, at 8:00 The Cooper Clan All Together with Chuck, Eddie, Alex & Lilli Cooper Wednesday Evening, March 30, at 8:00 Liz Callaway sings Maltby & Shire Thursday Evening, March 31, at 8:00 Imani Uzuri Friday Evening, April 1, at 8:00 Grace McLean IN THE DAVID RUBENSTEIN ATRIUM: Tuesday Evening, March 22, at 7:30 Rana Santacruz Tuesday Evening, April 5, at 7:30 Rick Barry The Stanley H. Kaplan Penthouse is located in the Samuel B. and David Rose Building at 165 West 65th Street, 10th floor. The David Rubenstein Atrium is located on Broadway between West 62nd and 63rd Streets. Shows at the Atrium are free, with seating available on a first-come, first-served basis. For tickets, call (212) 721-6500 or visit AmericanSongbook.org. Call the Lincoln Center Info Request Line at (212) 875-5766 or visit AmericanSongbook.org for complete program information. Join the conversation: #LCSongbook We would like to remind you that the sound of coughing and rustling paper might distract the performers and your fellow audience members. In consideration of the performing artists and members of the audience, those who must leave before the end of the performance are asked to do so between pieces . Flash photography and the use of recording equipment are not allowed in the building. American Songbook I Meet the Artists s t s i t r A e h t t e e Anaïs Mitchell M Originally from Vermont, Anaïs Mitchell is a Brooklyn-based songwriter who comes from the world of narrative folk song, poetry, and balladry. She recorded for Ani DiFranco’s Righteous Babe Records for several years before founding her own label, Wilderland Records, in 2012. Among her recorded works are six full-length albums, including 2010’s sensationally reviewed Hadestown , a folk opera based on the Orpheus myth, and 2013’s Child Ballads , a collaboration with Jefferson Hamer, which won a BBC Radio 2 Folk Award. Ms. Mitchell has headlined worldwide, as well as performed on tours for Bon Iver, Josh Ritter, Patty Griffin, and Punch Brothers. Her recent albums have landed on a number of year-end “best of” lists, including those by NPR, the Wall Street Journal , and the Guardian . The stage production of her album Hadestown will premiere Off-Broadway at New York Theatre Workshop in May. Liam Robinson Liam Robinson (piano) is a musician, composer, producer, and actor living in Brooklyn. He originated the Broadway role of Songman in the Lincoln Center production of War Horse in 2011 and will be music director and bandleader in the upcoming Off-Broadway production of Hadestown at New York Theatre Workshop. Other recent theater work includes perform - ing in Howard Fishman’s A Star Has Burnt My Eye and original composi - tion and music direction for the Smith Street Stage production of Henry IV in two parts. Mr. Robinson plays accordion and banjo, and sings with Jean Rohe under the name Robinson & Rohe , performing a repertoire of original and traditional songs. He also tours and records as a vocalist and keyboard American Songbook I Meet the Artists multi-instrumentalist with Jean Rohe & the End of the World Show and with the Becca Stevens Band. Michael Chorney Michael Chorney (guitar) is a composer, guitarist, saxophonist, producer, side - man, and bandleader. His own groups—Hollar General, viperHouse, the MC6, and Orchid—feature original music, each reflecting different aspects of his writ - ing. As an arranger Mr. Chorney worked most prominently on Hadestown with Anaïs Mitchell, with whom he has also done many tours. As a producer he has worked with Mitchell, David Moss, Iain Morrison, and many others. Mr. Chorney is the music director for the dance program at Middlebury College, and has lived and worked in Vermont for more than 30 years. Todd Sickafoose A native of northern California, Todd Sickafoose (bass) spent some years in Los Angeles studying bass with Charlie Haden and composition with the late Mel Powell. Since then, he has been recording and performing with innovative folks and genre benders including Ani DiFranco, Andrew Bird, Jenny Scheinman, Allison Miller, and Nels Cline. As a music producer and arranger, he collaborates often with Anaïs Mitchell; their album version of her folk opera Hadestown has won critical praise. American Songbook In 1998, Lincoln Center launched American Songbook, dedicated to the celebra - tion of popular American song. Designed to highlight and affirm the creative mastery of America’s songwriters from their emergence at the turn of the 19th century up through the present, American Songbook spans all styles and gen - res, from the form’s early roots in Tin Pan Alley and Broadway to the eclecticism of today’s singer-songwriters. American Songbook also showcases the out - standing interpreters of popular song, including established and emerging con - cert, cabaret, theater, and songwriter performers. Lincoln Center for the Performing Arts, Inc. Lincoln Center for the Performing Arts (LCPA) serves three primary roles: pre - senter of artistic programming, national leader in arts and education and com - munity relations, and manager of the Lincoln Center campus. A presenter of more than 3,000 free and ticketed events, performances, tours, and educational activities annually, LCPA offers 15 programs, series, and festivals including American Songbook, Great Performers, Lincoln Center Festival, Lincoln Center Out of Doors, Midsummer Night Swing, the Mostly Mozart Festival, and the American Songbook White Light Festival, as well as the Emmy Award–winning Live From Lincoln Center , which airs nationally on PBS. As manager of the Lincoln Center campus, LCPA provides support and services for the Lincoln Center complex and the 11 resident organizations. In addition, LCPA led a $1.2 billion campus renovation, completed in October 2012. Lincoln Center Programming Department Jane Moss, Ehrenkranz Artistic Director Hanako Yamaguchi, Director, Music Programming Jon Nakagawa, Director, Contemporary Programming Jill Sternheimer, Director, Public Programming Lisa Takemoto, Production Manager Charles Cermele, Producer, Contemporary Programming Mauricio Lomelin, Producer, Contemporary Programming Regina Grande, Associate Producer Amber Shavers, Associate Producer, Public Programming Nana Asase, Assistant to the Artistic Director Luna Shyr, Senior Editor Nick Kleist, Company Manager Olivia Fortunato, House Seat Coordinator For American Songbook Rocky Noel, Lighting Design Scott Stauffer, Sound Design Kyle Moore, Sound Engineer.
Recommended publications
  • The Singing Guitar
    August 2011 | No. 112 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Mike Stern The Singing Guitar Billy Martin • JD Allen • SoLyd Records • Event Calendar Part of what has kept jazz vital over the past several decades despite its commercial decline is the constant influx of new talent and ideas. Jazz is one of the last renewable resources the country and the world has left. Each graduating class of New York@Night musicians, each child who attends an outdoor festival (what’s cuter than a toddler 4 gyrating to “Giant Steps”?), each parent who plays an album for their progeny is Interview: Billy Martin another bulwark against the prematurely-declared demise of jazz. And each generation molds the music to their own image, making it far more than just a 6 by Anders Griffen dusty museum piece. Artist Feature: JD Allen Our features this month are just three examples of dozens, if not hundreds, of individuals who have contributed a swatch to the ever-expanding quilt of jazz. by Martin Longley 7 Guitarist Mike Stern (On The Cover) has fused the innovations of his heroes Miles On The Cover: Mike Stern Davis and Jimi Hendrix. He plays at his home away from home 55Bar several by Laurel Gross times this month. Drummer Billy Martin (Interview) is best known as one-third of 9 Medeski Martin and Wood, themselves a fusion of many styles, but has also Encore: Lest We Forget: worked with many different artists and advanced the language of modern 10 percussion. He will be at the Whitney Museum four times this month as part of Dickie Landry Ray Bryant different groups, including MMW.
    [Show full text]
  • Ani Difranco – Revolutionary Love Biography
    Ani DiFranco – Revolutionary Love Biography The transcendent new album from Ani DiFranco, Revolutionary Love marks the latest proof of one of her most powerful gifts as an artist: a rare ability to give voice to our deepest frustrations and tensions, on both a personal and political level. “My songs have always reflected an acute connection between my personal life and the life of my society,” says the trailblazing musician and activist. “As I started to come out of dealing with years of personal hardship, I saw that my entire country was struggling with the same problems: the same themes of how much damage we do to each other and how much pain we’re carrying, and the same question of how to keep going when we’re so broken.” As her 22nd studio album in an iconic career—one that’s included winning a Grammy and countless other accolades, collaborating with legends like Prince, and breaking ground as one of the first artists to launch her own label, Righteous Babe Records— Revolutionary Love first began taking shape in the final weeks of winter 2020. After returning from a West Coast tour with a new batch of songs she’d written on the road, DiFranco laid down those tracks at her New Orleans home studio with bassist Todd Sickafoose and drummer Terence Higgins (her longtime touring bandmates), but then felt compelled to keep on writing. Before long, she’d amassed a body of work whose urgency felt undeniable. “I suddenly decided I need to push this record out by fall,” she recalls.
    [Show full text]
  • This Machine Kills Fascists" : the Public Pedagogy of the American Folk Singer
    University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 8-2016 "This machine kills fascists" : the public pedagogy of the American folk singer. Harley Ferris University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Rhetoric Commons Recommended Citation Ferris, Harley, ""This machine kills fascists" : the public pedagogy of the American folk singer." (2016). Electronic Theses and Dissertations. Paper 2485. https://doi.org/10.18297/etd/2485 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN FOLK SINGER By Harley Ferris B.A., Jacksonville University, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in English/Rhetoric and Composition Department of English University of Louisville Louisville, KY August 2016 “THIS MACHINE KILLS FASCISTS”: THE PUBLIC PEDAGOGY OF THE AMERICAN
    [Show full text]
  • Ani Difranco – Biography
    Ani DiFranco – Biography Widely considered a feminist icon, Grammy winner Ani DiFranco is the mother of the DIY movement, being one of the first artists to create her own record label in 1990. While she has been known as the “Little Folksinger,” her music has embraced punk, funk, hip hop, jazz, soul, electronica and even more distant sounds. Her collaborators have included everyone from Utah Phillips to legendary R&B saxophonist Maceo Parker to Prince. She has shared stages with Bob Dylan, Bruce Springsteen, Pete Seeger, Kris Kristofferson, Greg Brown, Billy Bragg, Michael Franti, Chuck D., and many more. Her most recent studio album Binary was released in June 2017 on Righteous Babe Records. Her memoir No Walls and the Recurring Dream was released in May 2019, and DiFranco released a No Walls Mixtape alongside the book, offering her take on songs related to the memoir. Over the years she's performed at countless benefit concerts, donated songs to many charity albums, and given time and energy to many progressive causes. She has learned from and demonstrated beside Gloria Steinem, Jesse Jackson and Dennis Kucinich. In 2004, she marched in the front row of the March for Women's Lives along with Margaret Cho, Janeane Garofalo, Whoopi Goldberg, and many others, later performing on the main stage. She has beaten the drum for voter registration and turnout with "Vote Dammit" tours in multiple presidential election years, including most recently in 2016. She's currently on the board of Roots of Music, an organization that provides at-risk youth with support and musical education in New Orleans, and the creative council of EMILY’s List, which helps elect pro-choice Democratic women to office.
    [Show full text]
  • TEACHING GUIDES for the Children’S Music Album Ask the Planet Ask the Planet Is an Award-Winning Album of Children’S Music from the Biomimicry Institute
    TEACHING GUIDES for the children’s music album Ask the Planet Ask the Planet is an award-winning album of children’s music from the Biomimicry Institute. Parents and educators have long called for more creative and palatable approaches to raising awareness about environmental problems. Ask the Planet was created to help children connect with nature and develop a sense of awe for the environment. Children need positive solutions and realistic tools, such as biomimicry, to address the challenges that they will grow up with. This music inspires and motivates kids to make a difference. Teaching Guides Ask the Planet is a great educational tool in both formal and non-formal educational settings. Song lyrics and FREE teaching guides are available for each of the original songs; Spanish translations a provided for three of them. The activities in the guides are appropriate for elementary school students and include connections to language arts and social studies. Buy the album, download the complete guides, and learn more at: www.AskNature.org/resource/ask-the-planet Lyrics & music © 2007 Amy Martin 2009 The Biomimicry Institute Performed by the Missoula Coyote Choir, a children’s music ensemble in Missoula, MT, under the direction of Amy Martin. Guest Vocals: Ani DiFranco, Bruce Cockburn, Brandi Carlile, Dar Williams, Erin McKeown, Laura Love, Bill Harley, and Bill Sims, Jr. Credits Executive Producer: Bryony Schwan & The Biomimicry Institute Produced by: Allison Miller & Amy Martin Project Coordination: Cindy Gilbert All songs written by: Amy Martin Recording engineer: Michael Bongiorno Assistant engineer: Jon Miller Mixed by: Todd Sickafoose at Earycanal Mastered by: Alan Douches at West West Side Music Album Illustrations: Emily Harrington Ask the Planet 3 Ask the Planet, the title track on the album, gets to the heart of what biomimicry is all about: entering into con- versation with the Earth and listening to the wisdom other life forms have to offer.
    [Show full text]
  • Three Waves of Feminism
    01-Krolokke-4666.qxd 6/10/2005 2:21 PM Page 1 1 Three Waves of Feminism From Suffragettes to Grrls e now ask our readers to join us in an exploration of the history of W feminism or, rather, feminisms: How have they evolved in time and space? How have they framed feminist communication scholarship in terms of what we see as a significant interplay between theory and politics? And how have they raised questions of gender, power, and communication? We shall focus our journey on the modern feminist waves from the 19th to the 21st century and underscore continuities as well as disruptions. Our starting point is what most feminist scholars consider the “first wave.” First-wave feminism arose in the context of industrial society and liberal politics but is connected to both the liberal women’s rights movement and early socialist feminism in the late 19th and early 20th century in the United States and Europe. Concerned with access and equal opportunities for women, the first wave continued to influence feminism in both Western and Eastern societies throughout the 20th century. We then move on to the sec- ond wave of feminism, which emerged in the 1960s to 1970s in postwar Western welfare societies, when other “oppressed” groups such as Blacks and homosexuals were being defined and the New Left was on the rise. Second-wave feminism is closely linked to the radical voices of women’s empowerment and differential rights and, during the 1980s to 1990s, also to a crucial differentiation of second-wave feminism itself, initiated by women of color and third-world women.
    [Show full text]
  • Endthewarondrugs
    #EndTheWarOnDrugs April 9, 2013 President Barack H. Obama The White House 1600 Pennsylvania Ave., N.W. Washington, DC 20500 Dear Mr. President, Your hard work and leadership on issues affecting the unrepresented classes of people in our nation have served as an inspiration to many of us who hope for brighter futures for all Americans. In that spirit, we believe the time is right to further the work you have done around revising our national policies on the criminal justice system and continue moving from a suppression-based model to one that focuses on intervention and rehabilitation. We are proud of your accomplishments around these issues, specifically your leadership on gun control, your investments in "problem solving courts," your creation of the Federal Interagency Reentry Council, your launching the National Forum on Youth Violence Prevention and your prosecution of a record number of hate crimes in 2011 and 2012. We certainly hope that this type of leadership is appreciated by all members of Congress, regardless of political affiliation, and you are joined by members of all parties in your pursuit of a more perfected union. Mr. President, it is evident that you have demonstrated a commitment to pursue alternatives to the enforcement-only "War on Drugs" approach and address the increased incarceration rates for non-violent crimes. Your administration has moved in the right direction by committing increased funds to drug prevention and treatment programs and supporting state and local re-entry grants. We encourage you to continue your efforts to revamp the policies of the last 30 years that have seen the prison population skyrocket.
    [Show full text]
  • Ani Difranco's Musical Structuring of Subjectivity and Pleasure in Dilate
    Dilating on Life: Ani DiFranco's Musical Structuring of Subjectivity and Pleasure in Dilate. by Adelia Honeywood Harrison B.M., The Eastman School of Music of the University of Rochester, 1993. A THESIS SUBMITTED IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in THE FACULTY OF GRADUATE STUDIES (Department of Music; Historical Musicology) We accept thi^thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA April 2000 © Adelia Honeywood Harrison, 2000 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia Vancouver, Canada Date Agrii atJmn DE-6 (2/88) Abstract The experience of subjectivity provided by an art form can consist of the sense of "recognizing ourselves, our feelings, our bodies, our beliefs, or our social positions" in the art work (Middleton, 1990). For fans of guitarist-singer-songwriter Ani DiFranco, the identification with a subjective reality experienced in her music is powerful and pleasurable enough to inspire them with ardent devotion. Ani DiFranco's influence may not be simply reduced to her media image as a bisexual feminist, with fanatically obsessive and possessive fans, who has achieved stunning financial success completely independent of any major recording label.
    [Show full text]
  • Mustang Daily, October 6, 2006
    1916 C] TODAY’S WEATHER Controversial Shotwell, Poly football team to High 68 musician releases new album face UC Davis Low 48 IN SPOTLIGHT, 8 IN GAME DAY, 3-6 Volume LXX, Number 21 Friday, October 6, 2006 www.niiistangdaily.net Engineers discuss power of the sun Nicole Small to speak after the film and answer bility,” said attendee Kelly Seiler. MUSIANt. DAIIY questions. The (?al Poly movie pre­ The fifth year electrical engineer­ miere event took place in the Fisher ing student spoke about how some­ Many great minds have studied it. Science building Oct. 4 as part of the thing as simple as a redesigned light -J It powers our cell phones and terror­ Institute of Electrical and Electmnics bulb, light emitting diodes (LED) that ;•***♦# ist cannot touch it. C!ive up? It’s the Engineers (IEEE) monthly meetings uses half the w.ittage of a regular light sunlight. series. Annind lOU people attended. bulb, helps the save energy. The movement is on to equip The .S6-minute documentary The element silicon has replaced cities with the ability to operate using covered early light theories and dis­ the old energy resource coal. their own generated electricity. cussed the latest in solar technology Perlin said that within the last 10 Professor David Braun invited John used in the United States and abroad. years silicon has seen a .50 to 40 per­ NICK CAMACHO Ml'SIANc. [MII V Perlin from the Universiry of Santa “1 always felt that solar power could cent increase in demand. John Perlin, a professor at UC Santa Barbara, co-produced his docu­ Barbara physics department and co­ help the environment if technologs’ “The beauty of silicon is that it’s mentary on solar power which was shown Wednesday night.
    [Show full text]
  • BAM Announces May Bamcafé Live Lineup
    BAM announces May BAMcafé Live lineup Featuring performances as part of BAM & WNYC’s RadioLoveFest and th the 38 annual DanceAfrica celebration No cover! No minimum! Friday and Saturday nights Brooklyn, NY/April 2, 2015—Now in its 15th season, BAMcafé Live (30 Lafayette Avenue)—the performance series curated by Darrell M. McNeill, associate producer, music programming— announces its lineup for May. Highlights include Royal KhaoZ’s blend of reggae rhythms with smooth R&B and Indie-folk sextet 5J Barrow as part of RadioLoveFest, and JUMP N FUNK with Rich Medina and The Marksmen as a part of the 38th annual DanceAfrica celebration. BAMcafé Live events have no cover charge and no drink minimum. For information and updates, call 718.636.4100 or visit BAM.org. JUMP N FUNK is North America’s original Afrobeat party started by DJ Rich Medina and dedicated to the late Nigerian icon Fela Anikulapo Kuti. Medina’s aim is to raise global awareness for the genre while also driving home the party spirit. Friday & Saturday night schedule Fri, May 1—Lily Virginia Sat, May 2—Todd Sickafoose’s Tiny Resistors Fri, May 8— Royal KhaoZ* Sat, May 9—5J Barrow* Fri, May 15— Ayelet Rose Gottlieb Sat, May 16—Gifrants and SEGWE Sat, May 23—JUMP N FUNK with Rich Medina and The Marksmen** Fri & Sat, May 29 & 30—Stolen Moments: Red Hot + Cool 20 Years Revisited*** * part of RadioLoveFest, curated by Terrance McKnight **part of the 38th annual DanceAfrica celebration ***part of Master Mix: Red Hot + Arthur Russell! Host: Phillip Andry House DJ: DJ Idlemind “The Appropriate Agent” For press inquiries, contact Baha Ebrahimzadeh at 718.636.4129 x 8 or [email protected].
    [Show full text]
  • Anaïs Mitchell
    Singer-songwriter, Playwright, Creator ANAÏS MITCHELL is a Vermont and Brooklyn-based singer-songwriter, and the Tony and Grammy award-winning creator of the Broadway musical Hadestown for which she wrote the book, music and lyrics. Hadestown won 8 Tony Awards overall including Best Musical as well as the Grammy for Best Musical Theater Album. Mitchell was named to TIME’s prestigious TIME100 list in 2020, and her first book, ‘Working on a Song – The Lyrics of Hadestown’ was published by Penguin/Plume in the same year. Dubbed by NPR as “one of the greatest songwriters of her generation”, Mitchell comes from the world of narrative folksong, poetry and balladry. Her recordings include the original studio album of Hadestown (2010, featuring Justin Vernon and Ani Difranco) and Young Man in America (2012), along with reinterpretations of traditional music including Child Ballads (2013, with Jefferson Hamer) and Bonny Light Horseman (2020, as Bonny Light Horseman, which received two Grammy nominations). She has headlined worldwide and supported tours for Bon Iver, Josh Ritter and Punch Brothers, and her music has featured in year-end best lists including NPR, Wall Street Journal, MOJO, Uncut, The Guardian, Sunday Times and The Observer. If there's a common thread in Mitchell's work it's that she's as interested in the world around her as the one inside her. As the New York Times wrote, “Ms Mitchell’s songs address contemporary angst with uncanny vision….a formidable songwriting talent”. “The most engaging, and in some ways, most original artist working in the field of new American folk music” - Independent on Sunday “One of the greatest songwriters of her generation” - NPR “A national treasure, one of our great modern singer-songwriters” - Time Out “Ms.
    [Show full text]
  • Ani Difranco- (Folk Singer and Political Activist from Buffalo, USA) Democrat
    Kate Grarock Essay STS300, “The environmental context” Autumn session, 2005 Science, Technology & Society University of Wollongong Major Essay Criteria: Dialogue between two people addressing an environmental issue. Characters: Ani DiFranco- (Folk singer and political activist from Buffalo, USA) Democrat. George W. Bush- (president of the USA) Capitalist, or as seen by DiFranco-Crony capitalist. Major Topics: Global warming, suppression of environmental science and technological choice Total Dialogue Word count: 2198 1 Enter a exhausted George Bush: after a day of riding around in his pickup truck and chasing armadillos with his two dogs1 on his ranch in Texas. Bush walks out onto the porch and eases back in his ol’ rocking chair. The radio is playing in the background on a non-commercial radio station. Bush: What’s this crap Jenna’s2 listening to these days? Despite his distaste to the radio station, the day had taken its toll as his eyes grow heavy and he drifts off to sleep. On the radio a song buy Ani DiFranco is playing, she sings: DiFranco: Coming of age during the plague of Reagan and Bush watching capitalism gun down democracy it had this funny effect on me, I guess… and the mighty multinationals have monopolised the oxygen, so it’s as easy as breathing for us all to participate.3 [Bush moves in his chair as DiFranco’s words penetrate his subconscious] Bush: Mmmmm, conservation good. Mmmmm, my energy plan good.4 DiFranco: What crap are you going on about?…. Hello…Hello. [DiFranco leans over and knocks on Bush’s head] DiFranco: Knock, knock…Hello, anybody home…Earth to Gorge.
    [Show full text]