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Warriors : Life and Death Among the Somalis Ebook
WARRIORS : LIFE AND DEATH AMONG THE SOMALIS PDF, EPUB, EBOOK Gerald Hanley | 200 pages | 10 May 2005 | Eland Publishing Ltd | 9780907871835 | English | London, United Kingdom Warriors : Life and Death Among the Somalis PDF Book Whenever it is worth our while to occupy Jubaland, and let them see a few hundred white men instead of half-a-dozen officials, which is literally all that they know of us at present, I anticipate that we shall not have much difficulty in getting on with them. All in all a good read. Like this: Like Loading But the book picks From the point of view of a British Officer during the colonial periods in What was then called Italian Somaliland, this is a book that attempts to describe the immensely complicated people that are the Somalis. Published by Eland Publishing Ltd -. There are a number of competing ideologies as events test the systems and beliefs of the characters. Monsoon Victory This book is an account of the Burma campaign, where Gerald served, from the point of view of a war correspondent attacked to the East African Division. Even so if high quality of your document will not be everything good, don't worry, you'll be able to ask website workers to convert, proof examine or edit in your case having a click of the button. Latest posts. Perhaps this is a real strength in the Somali. If youknow Warriors: Life and death among the Somalis for satisfaction and find yourself battling, make an effort preparing regular reading objectives on your own. Section 1. -
Dangerous Education? the Army As School in Colonial East Africa
This article was downloaded by: [Washington University in St Louis] On: 24 August 2012, At: 15:41 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of Imperial and Commonwealth History Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/fich20 Dangerous education? The army as school in colonial East Africa Timothy Parsons a a Washington University, St Louis, Missouri Version of record first published: 01 Jul 2008 To cite this article: Timothy Parsons (2000): Dangerous education? The army as school in colonial East Africa, The Journal of Imperial and Commonwealth History, 28:1, 112-134 To link to this article: http://dx.doi.org/10.1080/03086530008583081 PLEASE SCROLL DOWN FOR ARTICLE Full terms and conditions of use: http://www.tandfonline.com/page/ terms-and-conditions This article may be used for research, teaching, and private study purposes. Any substantial or systematic reproduction, redistribution, reselling, loan, sub-licensing, systematic supply, or distribution in any form to anyone is expressly forbidden. The publisher does not give any warranty express or implied or make any representation that the contents will be complete or accurate or up to date. The accuracy of any instructions, formulae, and drug doses should be independently verified with primary sources. The publisher shall not be liable for any loss, actions, claims, proceedings, demand, or costs or damages whatsoever or howsoever caused arising directly or indirectly in connection with or arising out of the use of this material. -
The Novel and the Short Story in Ireland
The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Thesis submitted in accordance with the requirements of the University of Liverpool for the degree of Doctor in Philosophy by Anthony Halpen April 2016 Anthony Halpen Institute of Irish Studies The University of Liverpool 27.03.2016 i ABSTRACT The Novel and the Short Story in Ireland: Readership, Society and Fiction, 1922-1965. Anthony Halpen, The Institute of Irish Studies, The University of Liverpool. This thesis considers the novel and the short story in the decades following the achievement of Irish independence from Britain in 1922. During these years, many Irish practitioners of the short story achieved both national and international acclaim, such that 'the Irish Short Story' was recognised as virtually a discrete genre. Writers and critics debated why Irish fiction-writers could have such success in the short story, but not similar success with their novels. Henry James had noticed a similar situation in the United States of America in the early nineteenth century. James decided the problem was that America's society was still forming - that the society was too 'thin' to support successful novel-writing. Irish writers and critics applied his arguments to the newly-independent Ireland, concluding that Irish society was indeed the explanation. Irish society was depicted as so unstructured and fragmented that it was inimical to the novel but nurtured the short story. Ireland was described variously: "broken and insecure" (Colm Tóibín), "often bigoted, cowardly, philistine and spiritually crippled" (John McGahern) and marked by "inward-looking stagnation" (Dermot Bolger). -
The Eland Catalogue, No. 14
Welcome to the Eland Catalogue, No. 14 In 1982, John Hatt set up Eland. His office was his attic, perched at the top of his house on a grid of 19th-century terraced streets. Thus was Eland born, earning its identity from a South London street named after a large African antelope, which had been nicknamed by a Dutch-African back in the 17th-century, half-remembering the German slang for an elk. Only later did we find out that there had been an old Devonian family of bookseller-publishers called Eland, who worked in the close of Exeter Cathedral, a football stadium in Leeds and an Anglo-Saxon manor in Yorkshire that survived the Norman conquest. But it is to the large, docile, spiral-horned antelope that we owe our brand name. They sound fine animals these African Elands. A bull can stand six feet tall at the shoulder and weigh over two thousand pounds, so can pretty much barge his way through anything in his path, especially when backed up by the rest of the herd. Unlike publishers they tend to avoid lunch, preferring to eat at dawn and dusk and digest with a siesta in the middle of the day. When the herd moves in the night, they create a distinctive castanet-like chorus from the clack of their hooves. For tens of thousands of years the Bushmen have honoured the Eland as a trickster god, who assists in trance, dance and spirit travel. The Eland has now and then been domesticated (their milk keeps well) but they are essentially nomadic, which is true for those who work at Eland, who have spent as much of their time as journalists, writers, editors, dog-whisperers and dragoman-guides as behind a desk. -
The History of Somali Piracy: from Classical Piracy to Contemporary Piracy, C
The History of Somali Piracy: From Classical Piracy to Contemporary Piracy, c. 1801-2011 Mohamed Haji Ingiriis Sur la côte nord-est de la Somalie, la piraterie est un péril contemporain tant sur mer que sur terre. Le but de ce papier est de traiter la dimension historique de la piraterie somalienne, en particulier dans le Puntland, en employant des limites théoriques qui dépassent le champ de l’historiographie somalien actuel. Cette étude montre que la piraterie contemporaine garde un lien historique avec la piraterie classique, fait qui n’a pas été noté à ce jour, en partie à cause d’une focalisation sur la récente famine qui a dévasté la Corne de l’Afrique et qui semble fournir une explication immédiate. L’intention ici est d’ajouter un nouveau point de vue historique et dimension culturelle au discours actuel sur la piraterie en Somalie afin de la mettre en contexte. Utilisant la tradition orale et la documentation de voyages somaliens coloniales, cet article examine la piraterie somalienne dans un contexte global et somalien, en faisant valoir que les causes profondes de la piraterie dans cette partie de la Corne de l’Afrique ont été cultivés—non comme les chercheurs « nationalistes » ont soutenu—mais par la culture somalienne de vol de chameau, exacerbée par l’environnement hostile. Il est impossible, on fera également valoir, de comprendre la piraterie somalienne contemporaine sans plonger dans l’histoire maritime de la Somalie et la piraterie classique à terre. Ce document conclut que les pirates somaliens contemporains sont les descendants des pirates classiques qui étaient connus pour leurs déprédations dans la région du Cap Guardafui au cours du XIXe siècle. -
The Case of the Missing Mahatma: Gandhi and the Hindi Cinema
AFTERLIFE The Case of the Missing Mahatma: Gandhi and the Hindi Cinema Rachel Dwyer M. K. “Mahatma” Gandhi (1869 – 1948) is regarded as the father of the Indian nation, or as Bapuji. Yet while Gandhi left many volumes of his work and many biographies have been written; his image is well known in India and throughout the world, mostly through photographs and chromolitho- graphs (Pinney 2004, chap. 6); every Indian town has his statue, and his image appears on every Indian banknote; and even an opera on his life has been com- posed (Philip Glass’s Satyagraha, 1980), there are surprisingly few Indian films about him and his role in the national drama, the historic struggle for indepen- dence, the most important event in twentieth- century India. Gandhi made the freedom struggle a popular movement in part through his manipulation of symbols such as khadi, the spinning wheel, and his dress, yet though a prolific writer, he eschewed the new medium of film for promulgating his message. Gandhi’s low opinion of cinema was recorded in his interview with the Indian Cinematograph Committee (ICC 1927 – 28): “Even if I was so minded, I should be unfit to answer your questionnaire, as I have never been to a cinema. But even to an outsider, the evil that it has done and is doing is patent. The good, if it has done any at all, remains to be proved.”1 Gandhi famously saw only part of one film in his life, Vijay Bhatt’sRam Rajya (1943); his curiosity was never aroused by the first all- Indian film, D. -
Urbano2012.Pdf (3.226Mb)
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Imagining the Nation, Crafting the State: The Politics of Nationalism and Decolonisation in Somalia (1940-60) Annalisa Urbano Doctor of Philosophy The University of Edinburgh 2012 Imagining the Nation, Crafting the State Abstract The thesis offers a first-hand historically informed research on the trajectory of the making of the post-colonial state in Somalia (1940-60). It does so by investigating the interplay between the emergence and diffusion of national movements following the defeat of the Italians in 1941 and the establishment of a British Military Administration, and the process of decolonisation through a 10-year UN trusteeship to Italy in 1950. It examines the extent to which the features of Somali nationalism were affected/shaped by the institutional framework established by the UN mandate. -
Paul Scott's Hippie Hanging On
Paul Scott's Hippie The Evolution of Genre and Aesthetic in Anglo-Indian Fiction ~ ~ ~ ~ ~ Hanging On A Novel Roger Ashton-Griffiths August 2015 A thesis submitted to the School of Literature, Drama and Creative Writing, University of East Anglia, in partial fulfilment of the requirements for the degree of Doctor of Philosophy. This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that use of any information derived therefrom must be in accordance with current UK Copyright Law. In addition, quotation or extract must include full attribution. 2 Abstract 'Paul Scott's Hippie' and Hanging On Roger Ashton-Griffiths 2015 This thesis consists of a critical essay examining the evolution of genre and aesthetic in English fiction about South Asia, and a novel about a family of Sri Lankans settled in England. In the essay I question how a contemporary English novelist can place himself amongst the cohort of those earlier writers who have written about South Asia, since the relationship between the former colonists and colonised has changed so greatly. I demonstrate that generic elements were established in the earliest examples of this fiction, which remained notably constant throughout, even up to the late work of Paul Scott. However, I show that the aesthetic attending this Anglo-Indian genre begins with an affirmation of the benefit to the subcontinent which the colonial project might bring and ends with a repudiation of that idea. I seek to break new ground by arguing that the repudiation is so unequivocal in the work of Scott and others that this fiction comes to express an aesthetic of apology. -
Coversheet for Thesis in Sussex Research Online
A University of Sussex DPhil thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details MICHAEL HALLAM UNIVERSITY OF SUSSEX AVANT-GARDE REALISM: JAMES HANLEY, PATRICK HAMILTON AND THE LOST YEARS OF THE 1940s THESIS SUBMITTED FOR THE DEGREE OF DOCTOR OF PHILOSOPHY APRIL 2011 I hereby declare that this thesis has not been and will not be, submitted either in whole or in part to any other University for the award of any other degree ACKNOWLEDGEMENTS I would like to express my deep gratitude to Peter Nicholls and Alistair Davies who supervised this thesis, and to the Arts and Humanities Research Council who funded the project. Many other people also helped with my research and I would like to thank Peter Boxall and Margaret Reynolds; Chris Gostick for his invaluable guidance on the biography of James Hanley; Geoff Gilbert and Philip Tew for sharing their thoughts on Patrick Hamilton, and William Baker and Pat Fox for helping me locate archive material at the libraries of Northern Illinois University and the Harry Ransom Centre for the Humanities. -
Ca T Alo Gue N O . 13
CatalogueCover2018_Catalogue Cover2015 08/08/2018 17:27 Page 1 Naples ’44 My Early Life ‘a nearly extinct integrity, an eccentric An Intelligence Officer in the Italian Labyrinth The Ginger Tree WINSTON CHURCHILL OSWALD WYND NORMAN LEWIS passion for quality and a wonderful survivor. We are all in Eland’s debt.’ COLIN THUBRON CATALOGUE NO. 13 NO. CATALOGUE A Year in Marrakesh Full Tilt The Innocent Anthropologist Notes from a Mud Hut Ireland to India with a Bicycle PETER MAYNE NIGEL BARLEY DERVLA MURPHY The Way of the World Travels on my Elephant Travels with Myself Two men in a car from Geneva to the Khyber Pass and Another Five Journeys from Hell NICOLAS BOUVIER MARK SHAND MARTHA GELLHORN Eland Publishing, 61 Exmouth Market, London EC1R 4QL www.travelbooks.co.uk Welcome to the Eland Catalogue, No. 13 In 1982, John Hatt set up Eland. His office was his attic, perched at the top of his house on a grid of 19th-century terraced streets. Thus was Eland born, earning its identity from a South London street named after a large African antelope, which had been nicknamed by a Dutch-African back in the 17th-century, half-remembering the German slang for an elk. Only later did we find out that there had been an old Devonian family of bookseller-publishers called Eland, who worked in the close of Exeter Cathedral, a football stadium in Leeds and an Anglo-Saxon manor in Yorkshire that survived the Norman conquest. But it is to the large, docile, spiral-horned antelope that we owe our brand name. -
“Old” Box Files Series
Index of Surnames found in the FIRST “OLD” BOX FILES SERIES 1 ABBOT Scanned 15 pages. From Lorton-Wilson? Check 2 ABRAHAM No Deed extracts. See Old Box Files Deeds.xls 3 ABRAHAMS No Deed extracts. See Old Box Files Deeds.xls 4 ADAMS Scanned Will of Stewart Adams, 1806, & Richard Adams, late of Co Cavan, 1833 5 ACHESON Scanned Letter re Sir Archibald Acheson (viv 1610), Lyon to Ulster 1914 6 ACHILLES Scanned Photocopy birth, marriage & death certificates 7 AGNEW Scanned Of Antrim. Mostly Edward Fitzgerald work 8 AHERN No Recent letter; no useful genealogical info. Not kept 9 AIKIN Scanned Of Pettigo. Chart by Edward Fitzgerald 10 ALEXANDER Scanned Of Ballyclose, with possible Cranston connection. Chart by Edward Fitzgerald 11 ALLEYNE No Deed extracts. See Old Box Files Deeds.xls 12 ANDERSON Partly Of Dunbell, Co Kilkenny & also of Moville, Co Donegal. 13 ANDROS Scanned Of Guernsey. Chart by Edward Fitzgerald. 14 ANNESLEY Scanned Of Ballysonan & Little Rath, Co Kildare. Chart by Edward Fitzgerald 15 ANSTER Scanned Notes on Anster family & their connection with the Earls of Desmond. 16 ARBUTHNOT Scanned Extract from printed narrative - "Memories of the Arbuthnots". Aberdeen & Mayo 17 ARCHBOLD Scanned Of Davidstown. Chart pedigree by Lt Col Gallwey. 18 ARCHER Partly Of Kilkenny. Large file, including defamatory letters. 19 ARMS Scanned Coats of Arms for various families 20 ARTHURE Scanned Descendants of John Arthure, Mayor of Dublin in 1607. Single page chart. 21 AST Scanned Of Clonmel. Single page narrative by Terrence Punch. 22 ATKINSON No Of Co Down. Reports of searches. 23 AYLMER No Of Co Kildare. -
RICHARD ATTENBOROUGH: a LIFE BOTH SIDES of the CAMERA Wednesday 21 October 2015
RICHARD ATTENBOROUGH: A LIFE BOTH SIDES OF THE CAMERA Wednesday 21 October 2015 RICHARD ATTENBOROUGH A LIFE BOTH SIDES OF THE CAMERA Wednesday 21 October 2015 at 10am Knightsbridge, London VIEWING ENQUIRIES CUSTOMER SERVICES PHYSICAL CONDITION OF Saturday 17 October 11am to 3pm Head of Sale Monday to Friday 8.30 to 6.00 LOTS IN THIS AUCTION Sunday 18 October 11am to 3pm Emma Corke +44 (0) 20 7447 7447 Monday 19 October 9am to 4:30pm +44 (0) 20 7393 3949 PLEASE NOTE THAT ANY Tuesday 20 October 9am to 4:30pm [email protected] Please see page 2 for bidder REFERENCE IN THIS information including after-sale CATALOGUE TO THE PHYSICAL SALE NUMBER Entertainment Memorabilia collection and shipment CONDITION OF ANY LOT IS 22874 Natalie Downing FOR GENERAL GUIDANCE +44 (0) 20 7393 3844 ILLUSTRATIONS ONLY. INTENDING BIDDERS CATALOGUE [email protected] Front cover: 466 (part lot) MUST SATISFY THEMSELVES £15.00 Inside front cover: 86 AS TO THE CONDITION OF ANY Press Inside back cover: 433 LOT AS SPECIFIED IN CLAUSE BIDS Andrew Currie Back cover: 387 14 OF THE NOTICE TO BIDDERS +44 (0) 20 7447 7447 +44 (0) 20 7468 5871 CONTAINED AT THE END OF +44 (0) 20 7447 7401 fax [email protected] All lots with an estimate less THIS CATALOGUE. To bid via the internet please than £2,000 to be sold without visit bonhams.com reserve. As a courtesy to intending bidders, Bonhams will provide a Please note that bids should be written indication of the physical submitted no later than 4pm on condition of lots in this sale if a the day prior to the sale.