Le Art Building De Sherbrooke 1887-1927
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Schéma D'aménagement Et De Développement Révisé 2010
SCHÉMA D’AMÉNAGEMENT ET DE DÉVELOPPEMENT RÉVISÉ 2010 II LISTE DES AM ENDEMENTS Numéro de règlement Date d’entrée en vigueur 2011-678 9 juin 2011 2013-781 9 décembre 2013 2014-819 16 janvier 2015 2015-834 23 novembre 2015 2016-915 3 mars 2017 2017-954 19 décembre 2017 2018-992 4 octobre 2018 2019-1026 18 juin 2019 RÉALISATION : Ville de Rouyn-Noranda COORDINATION DU PROJET : Violaine Lafortune RECHERCHE ET RÉDACTION : Violaine Lafortune Frédéric Gauthier CARTOGRAPHIE : Natalie Marsan SUIVI ET SUPERVISION PAR LE COMITÉ D’AMÉNAGEMENT ET D’URBANISME : Mario Provencher, maire et président du comité Marc Bibeau, conseiller municipal Jean Olivier, conseiller municipal Pierre Monfette Robert Deschênes MISE EN PAGE : Isabelle Lacombe RÉVISION LINGUISTIQUE : Carmen Dion GRAPHISME: Karine Berthiaume EXPLICATIONS DU GRAPHISME DE LA PAGE COUVERTURE : L’illustration de la page couverture représente la Ville de Rouyn-Noranda en tant que territoire. La forme du globe terrestre nous rappelle cette occupation et sa couleur cuivrée nous ramène directement à notre dénomination de Capitale nationale du cuivre. Tous les éléments et couleurs qui se trouvent sur la sphère sont une énumération non exhaustive des ressources naturelles, de l’économie, du progrès et des services disponibles dans notre ville. Le point central de l’image est une famille, parce que la population est toujours au premier plan et que ce schéma d’aménagement et de développement est conçu en pensant à la qualité de vie des générations présentes et à venir. Finalement, la couleur dominante verte nous rappelle que Rouyn-Noranda est une ville en santé et soucieuse de son environnement. -
26727 Consignor Auction Catalogue Template
Auction of Important Canadian & International Art September 24, 2020 AUCTION OF IMPORTANT CANADIAN & INTERNATIONAL ART LIVE AUCTION THURSDAY, SEPTEMBER 24TH AT 7:00 PM ROYAL ONTARIO MUSEUM 100 Queen’s Park (Queen’s Park at Bloor Street) Toronto, Ontario ON VIEW Please note: Viewings will be by appointment. Please contact our team or visit our website to arrange a viewing. COWLEY ABBOTT GALLERY 326 Dundas Street West, Toronto, Ontario JULY 8TH - SEPTEMBER 4TH Monday to Friday: 9:00 am to 5:00 pm SEPTEMBER 8TH - 24TH Monday to Friday: 9:00 am to 5:00 pm Saturdays: 11:00 am to 5:00 pm Sunday, September 20th: 11:00 am to 5:00 pm 326 Dundas Street West (across the street from the Art Gallery of Ontario) Toronto, Ontario M5T 1G5 416-479-9703 | 1-866-931-8415 (toll free) | [email protected] 2 COWLEY ABBOTT | September Auction 2020 Cowley Abbott Fine Art was founded as Consignor Canadian Fine Art in August 2013 as an innovative partnership within the Canadian Art industry between Rob Cowley, Lydia Abbott and Ryan Mayberry. In response to the changing landscape of the Canadian art market and art collecting practices, the frm acts to bridge the services of a retail gallery and auction business, specializing in consultation, valuation and professional presentation of Canadian art. Cowley Abbott has rapidly grown to be a leader in today’s competitive Canadian auction industry, holding semi-annual live auctions, as well as monthly online Canadian and International art auctions. Our frm also ofers services for private sales, charity auctions and formal appraisal services, including insurance, probate and donation. -
Votes and Proceedings of the Assembly
FIRST SESSION FORTY-SECOND LEGISLATURE Votes and Proceedings of the Assembly Thursday, 4 April 2019 — No. 29 President of the National Assembly: Mr. François Paradis Thursday, 4 April 2019 No. 29 The Assembly was called to order at 9.40 o’clock a.m. _____________ ROUTINE PROCEEDINGS Statements by Members Mr. Émond (Richelieu) made a statement to congratulate figure skater Ms. Maude Frappier and basketball player Ms. Myriam Leclerc on their athletic achievements. _____________ Mr. Proulx (Jean-Talon) made a statement to underline the 20th anniversary of the organization Le Verger, Centre communautaire en santé mentale. _____________ Mrs. Lavallée (Repentigny) made a statement to underline the 15th anniversary of Ensemble vocal Vox Luminosa. _____________ Mrs. Rizqy (Saint-Laurent) made a statement to pay tribute to Mr. Claude Leblanc for his volunteer work and community involvement. _____________ Mrs. McCann (Sanguinet) made a statement to congratulate the athletes of Sanguinet riding on their athletic performances. 445 4 April 2019 Mr. Bérubé (Matane-Matapédia) made a statement to pay tribute to Mrs. Carole Duval, Director General of the Mont-Joli Regional Airport. _____________ Mrs. Hébert (Saint-François) made a statement to pay tribute to Mr. Claude Leblanc for his volunteer work and community involvement. _____________ Mr. Ouellette (Chomedey) made a statement to underline the work of a Université de Sherbrooke team in the fight against planned obsolescence and for the right to repair. _____________ Mr. Lévesque (Chapleau) made a statement to underline the 50th anniversary of the Club de l’âge d’or de Templeton. _____________ Mrs. Laforest (Chicoutimi) made a statement to underline the 125th anniversary of the Institut des Sœurs de Notre-Dame du Bon-Conseil. -
The Influence of the Visual Arts on the Landscape Photographs of William James Topley
The Influence of the Visual Arts on the Landscape Photographs of William James Topley by Sharon Mary Newton A thesis submitted to the Faculty of Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree of Master of Arts in Art History Carleton University Ottawa, Ontario © 2020 Sharon Mary Newton Abstract My thesis proposes a new way of understanding one of the most prominent Canadian photographers of the nineteenth and early twentieth century: it considers William James Topley as an aspiring photographic artist. Previous literature has studied him as a commercial photographer and businessman; however, my argument moves away from that characterization and discusses his various connections and interests in the visual arts. The case study looks at photographic reproduction of artworks from Album 29 (Ottawa & Paintings), including Lucius O'Brien's, Sunrise on the Saguenay, Cape Trinity (1880). Furthermore, it compares them to selected photographs from Paysages canadiens, Topley II. The comparison brings to light Topley's connection to the arts and artists the Royal Canadian Academy of Art and The National Gallery of Canada. I argue that Topley used these reproductions of landscape paintings as references for his landscape photographs of the Cape Trinity on the Saguenay River. ii Acknowledgements There are many who travelled with me on this journey and to whom I am indebted. All have given me the guidance and support I needed in various ways through a very difficult few years in my life. To my family, (Paul, Miranda, Connor, and Nathan), it has not always been easy while Mom has been working on this these last few years. -
Chauveau Lévis La Peltrie Montmorency Vanier
RÉGION DE QUÉBEC RÉGION DE GATINEAU RÉGION DE TROIS-RIVIÈRES Lac à la Grandes- in Pêche Saint-Tite Saint-Adelphe Chem Ed el R Piles (VL) we ou (V) R (P) PROPOSITION RÉVISÉE DE DÉLIMITATION i te ss Sainte-Brigitte-de-Laval (V) (3 ) d Shawinigan (V) o 6 u arr u s 6 07 C efo Château-Richer (V) ur Lac t Lac n ) (3 (366) e Hérouxville (P) ro ale des Piles u ip 1 DES CIRCONSCRIPTIONS ÉLECTORALES Hayes c Lac H in 5 3 Saint-Séverin (P) r 5 Lac- s P Lac 5 Delage e La Pêche (M) ute 1 R Ro Lac à la te o d Lac la u u McGregor Delage o te A e Perchaude R 1 CONFORMÉMENT AU SECOND RAPPORT r Retenue u Lac-Beauport (M) 5 (V) t 9 è i o Lac à la r iv o LAVIOLETTE– u Île Tortue R t Stoneham-et- e FÉVRIER 2017 Lac Enchanteresse L Lac a R Tewkesbury (CU) u Beauport Tourbillon r e i SAINT-MAURICE) v n i Val-des-Monts (M) 5 t è 5 i Saint-Mathieu-du-Parc (M) ( e r Saint-Gabriel-de-Valcartier (M) Lac Lac e n e i n e M g Saint-Charles Fortier r ( o e 7 (3 n 3 Lac n L'Ange-Gardien (M) al 51 É Bouleva ) p ) ' R t i l c Neigette m in i Lac du r e v P o C d Frontière Québec–Terre-Neuve-et-Labrador Saint-Stanislas (M) Circonscriptions proposées r in i r h e e è e Sud-Ouest m m (cette frontière n’est pas définitive) i n e r t rd i e r h n c C d a e a y e s ut u C É o - r r x a to Réseau routier s Lac Ray b u Lac-Saint- e M le A P Lac s mond u o i Jaune ( n Québec (V) R n Joseph (V) q B 3 Limite de circonscription actuelle (2011) o Clément t 5 Réserve et établissement indien s c i é GATINEAU u v 1 R a le e ) i ) o è J v d u a r 6 e t r e Limite nationale d 6 e Saint-Narcisse (P) e 3 3 52 r V CHARLEVOIX– l 3 CHARLEVOIX– ( 5 G a e a 9 t Cantley (M) r u è l a o Lac i c S Carte de base : Ministère de l’Énergie et des a ti u L'Ange-Gardien (M) R v r n o o Limite provinciale i t e f Perceval ie e u Ressources naturelles du Québec n e R r r r c (3 u a r CÔTE-DE-BEAUPRÉ e 7 a u a Limite municipale 1 C CHAUVEAU J ( ) 3 u e Lac des 0 Les limites municipales sont celles d r A 7 ) e è u t i Roches Shawinigan (V) Limite d'arrondissement existant le 30 septembre 2016. -
Programme De Financement Des Infrastructures
Engagements de plus de 25 000 $ ANNEXE - PFI JANVIER À MARS 2019 MINISTÈRE DE LA FAMILLE SERVICE DE GARDE CIRCONSCRIPTION No VALEUR MONTANT MONTANT TOTAL SÉQ NOMINALE INTÉRÊT (CAP. + INTÉRÊT) No DIVISION NOM ADRESSE (division) No NOM 1 2312-3318 CPE NEZ-À-NEZ 567, rue Desjardins Nord, Granby, QC, J2H 1Z5 206 Granby 1 431 763,61 $ 332 228,84 $ 1 763 992,45 $ 2 3000-2069 CPE DE MONTRÉAL-NORD 4875, boulevard Léger, Montréal-Nord, QC, H1G 6P8 360 Bourassa-Sauvé 2 061 342,68 $ 340 078,01 $ 2 401 420,69 $ 3 1627-7204 CPE JOLI-COEUR INC. 18, rue Louis-Jolliet, Sainte-Catherine-de-la-Jacques-Cartier, QC, G3N 2N6 720 La Peltrie 1 554 734,12 $ 229 734,86 $ 1 784 468,98 $ 4 2315-3299 CPE L'ESCARGOT INC. 8055, rue Collerette, Saint-Léonard, QC, H1P 2V6 364 Jeanne-Mance - Viger 152 450,86 $ 12 956,39 $ 165 407,25 $ 5 2958-0909 CPE MON AUTRE MAISON ET B.C. DE LA GARDE EN M.F344, rue de Monseigneur-Panet, Nicolet, QC, J3T 1B7 150 Nicolet-Bécancour 646 861,93 $ 88 815,32 $ 735 677,25 $ 6 1364-2186 CPE LA RUCHE 2555, rue Leclaire, Montréal, QC, H1V 3A8 352 Hochelaga-Maisonneuve 1 058 876,91 $ 156 464,65 $ 1 215 341,56 $ 7 1503-0893 CPE PIERROT LA LUNE INC. 1080, boulevard Sainte-Foy, Longueuil, QC, J4K 1W6 246 Marie-Victorin - $ 396 145,11 $ 396 145,11 $ 8 1478-5323 LES PETITS AMIS DE LORRAINE INC. 70, rue Belfort, Lorraine, QC, J6Z 2T5 536 Blainville - $ 291 345,15 $ 291 345,15 $ 9 1356-8654 CPE LA GROSSE TORTUE 2391, rue Nicolas-Pinel, Québec, QC, G1V 4H9 702 Jean-Talon - $ 21 432,26 $ 21 432,26 $ 10 3000-8426 CPE UATIKUSS 204, rue Lorraine, Schefferville, QC, G0G 2T0 902 Duplessis - $ 352 170,74 $ 352 170,74 $ 11 3000-4897 CPE LA GRANDE OURSE 2600, rue Principale, Sainte-Julie, QC, J3E 2H6 256 Verchères - $ 213 292,81 $ 213 292,81 $ 12 2326-4443 LES PETITS TRÉSORS DE BOISBRIAND 505, chemin de la Grande-Côte, Boisbriand, QC, J7G 3K7 502 Groulx - $ 78 908,57 $ 78 908,57 $ 13 3000-4994 CPE LA PETITE RUCHE ENSOLEILLÉE 820, boulevard de la Chapelle, Pointe-Calumet, QC, J0N 1G1 492 Mirabel - $ 16 311,13 $ 16 311,13 $ 14 2758-8557 CPE L'ANODE MAGIQUE INC. -
Votes and Proceedings of the Assembly
FIRST SESSION FORTY-SECOND LEGISLATURE Votes and Proceedings of the Assembly Tuesday, 3 November 2020 — No. 139 President of the National Assembly: Mr. François Paradis Tuesday, 3 November 2020 No. 139 The Assembly was called to order at 1:41 p.m. _____________ ROUTINE PROCEEDINGS Statements by Members Mr. Rousselle (Vimont) made a statement to underline the 30th anniversary of the organization Éduc’alcool. _____________ Mr. Tremblay (Dubuc) made a statement to underline Mr. André Gagné’s generosity and efforts to hand out candy to children on Halloween during the pandemic. _____________ Mr. Derraji (Nelligan) made a statement to congratulate Mr. Philippe Boucher, award recipient at the Forces AVENIR gala. _____________ Ms. Proulx (Côte-du-Sud) made a statement to underline École Saint-Joseph students’ project to set up an outdoor skating rink. _____________ 2593 3 November 2020 Ms. Perry Mélançon (Gaspé) made a statement to underline the heroic actions of Ms. Roberte Boucher and Mr. Gérald Ouellet. _____________ Mr. Martel (Nicolet-Bécancour) made a statement to underline citizens’ heroic actions during the 20 June 2020 boating accident on Rivière Nicolet. _____________ Mr. Fontecilla (Laurier-Dorion) made a statement to underline the 10th white poppy campaign. _____________ Mr. Schneeberger (Drummond−Bois-Francs) made a statement to pay tribute to the organization Parrainage civique Drummund’s volunteers, participants and team members. _____________ Ms. Boutin (Jean-Talon) made a statement to pay tribute to Ms. Gloria Lizama, Director of the organization Le Mieux-Être des Immigrants. _____________ At 1:51 p.m., Mr. Picard, First Vice-President, suspended the proceedings for a few minutes. -
Thème 4 Liste Des Sections Thème 4
SCHEMA D’AMENAGEMENT REVISE DE Page 4-1 REMPLACEMENT – VERSION 2 de 28 THÈME 4 LISTE DES SECTIONS THÈME 4 : LES CONTRAINTES PARTICULIÈRES ................................................................................. 2 4.1 LA PROBLÉMATIQUE .................................................................................................................. 2 4.1.1 LES CONTRAINTES DE NATURE ANTHROPIQUE .............................................................. 3 4.1.2 LES CONTRAINTES D'ORIGINE NATURELLE ................................................................... 16 4.2 LA GRANDE ORIENTATION D'AMÉNAGEMENT ...................................................................... 22 4.2.1 GRANDE ORIENTATION 10 ................................................................................................. 22 4.3 LES PROPOSITIONS .................................................................................................................. 23 LISTE DES TABLEAUX TABLEAU 4-1: POSITION DES ISOPHONES DES VOIES DE CIRCULATION DE LA MRC LES MOULINS DONT LE NIVEAU DE BRUIT EXCEDE 55 ET 65 DBA ............................................................................................... 6 SCHEMA D’AMENAGEMENT REVISE DE Page 4-2 REMPLACEMENT – VERSION 2 de 28 THÈME 4 THÈME 4 : LES CONTRAINTES PARTICULIÈRES En vertu du quatrième paragraphe de l'article 5 de la Loi sur l'aménagement et l'urbanisme, le schéma d'aménagement doit déterminer toute zone où l'occupation du sol est soumise à des contraintes particulières pour des raisons de sécurité -
UAAC Conference.Pdf
Friday Session 1 : Room uaac-aauc1 : KC 103 2017 Conference of the Universities Art Association of Canada Congrès 2017 de l’Association d’art des universités du Canada October 12–15 octobre, 2017 Banff Centre for Arts and Creativity uaac-aauc.com UAAC - AAUC Conference 2017 October 12-15, 2017 Banff Centre for Arts and Creativity 1 Welcome to the conference The experience of conference-going is one of being in the moment: for a few days, we forget the quotidian pressures that crowd our lives, giving ourselves over to the thrill of being with people who share our passions and vocations. And having Banff as the setting just heightens the delight: in the most astonishingly picturesque way possible, it makes the separation from everyday life both figurative and literal. Incredibly, the members of the Universities Art Association of Canada have been getting together like this for five decades—2017 is the fifteenth anniversary of the first UAAC conference, held at Queen’s University and organized around the theme of “The Arts and the University.” So it’s fitting that we should reflect on what’s happened in that time: to the arts, to universities, to our geographical, political and cultural contexts. Certainly David Garneau’s keynote presentation, “Indian Agents: Indigenous Artists as Non-State Actors,” will provide a crucial opportunity for that, but there will be other occasions as well and I hope you will find the experience productive and invigorating. I want to thank the organizers for their hard work in bringing this conference together. Thanks also to the programming committee for their great work with the difficult task of reviewing session proposals. -
In Partial Fulfillnent of the Requirements for the Degree of Doctor of Philosophy in History
BUSINESS, ART AND LABOUR: BRIGDEN'S AND THE GROWTH OF THE CANADIAN GRAPHIC ARTS INDUSTRY 1870_1950 By Angela E. Davis A Thesis presented to the University of Manitoba in partial fulfillnent of the requirements for the degree of Doctor of PhiLosophy in History The University of Manitoba t{innipeg, Manitoba September 1986 ABSTRACT The thesis presented in this dissertation concerns the inter-reLationship between business, art and labour in Canada during the years 1870 to 1950. It will suggest that the foundations of "Canadian Art" and a Canadian popular culture rest not only within the European traditions of "fine" art, but also in the work of those artists who practiced in the commercial environment of engraving, or graphic arts, houses. Indeed most artists, for the period under discussion, worked as both "commercial" and "fine" artists. In order to substantiate this argument, a history of the development of the Canadian graphic arts industry will be traced, using the firm of Brigden's Limited as a case study. Graphic arts firns such as Brigden's demonstrate the unique aspects of an industry which included among its workforce artÍsts as wel.l as skilled technicians. Not only did thjs reguire a management capable of recognizing artistic creativity and practical knowledge, but it al.so necessitated an organization capable of adapting to econonic, social and technoj.ogical change. It was from out of this structure that the product of the industry, the reproduced visual image, made its considerabLe contribution to the development of a Canadian -
WILLIAM NOTMAN Life & Work by Sarah Parsons
WILLIAM NOTMAN Life & Work by Sarah Parsons 1 WILLIAM NOTMAN Life & Work by Sarah Parsons Contents 03 Biography 11 Key Works 34 Significance & Critical Issues 41 Style & Technique 48 Where to See 55 Notes 57 Glossary 62 Sources & Resources 67 About the Author 68 Copyright & Credits 2 WILLIAM NOTMAN Life & Work by Sarah Parsons William Notman arrived in Canada from Scotland in 1856 and swiftly established himself as Montreal’s most prominent photographer, with studio portraits forming the core of his work. Notman developed complex composite pictures for large groups and innovative techniques for creating winter scenes in his studio. Through his unparalleled combination of photographic and promotional skills, he was the first Canadian photographer to build an international reputation. Notman was still deeply involved in photography when he died in 1891 after a short illness. 3 WILLIAM NOTMAN Life & Work by Sarah Parsons GLASGOW EARLY YEARS The broad strokes of William Notman’s life could have anchored a Victorian novel. He was born March 8, 1826, in Paisley, Scotland, to William Notman and Janet Sloan. His father was a designer and manufacturer of woollen cloth; his paternal grandfather had been a dairy farmer. Young William Notman was the beneficiary of his family’s ambitious upward mobility. When he was a teenager the Notmans moved from the town of Paisley to the city of Glasgow. Although there are no known details of his schooling, it is evident that young William received a decent education, including training in painting and drawing. He had hopes of becoming a professional artist but was advised to join his father’s business, deemed a more stable line of work. -
Ten Canadian Art Escapes
TEN CANADIAN ART ESCAPES Even if you’re not leaving home this weekend, you can take a trip to these destinations presented by some of our most celebrated artists From everyone at the Art Canada Institute, we wish you a happy and safe Victoria Day long weekend. One of the reasons everyone at ACI entered into the field of educating through art is its power to transport us. So while we’re staying put and social distancing, over the next few days, we’ll also be taking tours around the country through art, led by many of Canada’s finest artists. Here is where we’ll be going. We hope you’ll come with us and enjoy the destinations. Sara Angel Founder and Executive Director, Art Canada Institute Visit CHARLEVOIX with Jean Paul Lemieux Jean Paul Lemieux, Those Beautiful Days (Les beaux jours), 1937 Text from Jean Paul Lemieux: Life & Work by Michèle Grandbois Jean Paul Lemieux painted this work at Port-au-Persil, in the Charlevoix region of Quebec, where he and his young wife, Madeleine, spent the summer of 1937. The newly married couple rented a room under the eaves in a rustic canadienne house in this tiny hamlet nestled in a cove, where the expanse of the St. Lawrence widens spectacularly to more than twenty kilometres across. Lemieux effectively captures the sensation of vertigo one feels looking out over the blue immensity from the peaks of the region’s headlands. Read More Visit LAKE SUPERIOR with Michael Snow (and Lawren Harris) Michael Snow, Plus Tard #15, 1977 Text from Michael Snow: Life & Work by Martha Langford In this work contemporary artist Michael Snow captures the image of North Shore, Lake Superior, painted by Lawren Harris in 1926.