The 2010 Great Romantics Festival in Biography of the Composer

Total Page:16

File Type:pdf, Size:1020Kb

The 2010 Great Romantics Festival in Biography of the Composer Founded in 1964 Volume 26, Issue 2, Summer/Fall 2010 Great Romantics Festival (continued from page 9) Italian Chapter Sponsors SATURDAY MORNING, OCTOBER 9 MACNAB PRESBYTERIAN CHURCH Marathon 10.00 VIOLIN AND PIANO: José Cueto (violin) and Nancy Roldán (piano) Concert Series Strauss: Sonata in E-flat Major; Brahms: Sonata in D minor; Kreisler-Rachmaninov: Liebesleid (“Love’s Sorrow”) and Liebesfreud (“Love’s Joy”) AN OFFICIAL PUBLICATION OF THE AMERICAN LISZT SOCIETY, INC. The Italian Chapter of the American 11.00 LECTURE/DEMONSTRATION: Donald Manildi (piano) Liszt Society (Michele Campanella, “Chopin: The Voice of the Piano) President) is sponsoring a series of marathon concerts featuring the entire SATURDAY AFTERNOON corpus of piano compositions written MACNAB PRESBYTERIAN CHURCH Ovations - The 2010 by Franz Liszt!! The series, which TABLE OF CONTENTS takes place at the National Academy of 14.30 PIANO GALA: Homage to Fryderyk Chopin Santa Ceclia in Rome, began on May Great Romantics Festival “Hats off, gentlemen, a genius!” - Robert Schumann 16, 2010 and will conclude on October 1 Ovations - The 2010 23, 2011, the day after the 200th Great Romantics Festival The 15th annual Great Romantics Festival will take place Thursday, , Op. 10 Douze Études anniversary of Liszt’s birth in the October 7 through Saturday, October 9, 2010 in Hamilton, Ontario, Canada. Nos. 1-4 -- Matthew Cameron (USA) small city of Raiding, then in Hungary, Dr. Alan Walker once again hosts this marvelous event, which is presented by the Nos. 5-8 -- José Ramos Santana (Puerto Rico/USA) now Austria. The series includes 2 President’s Message City of Hamilton in association with the American Liszt Society and McMaster Nos. 9-12 -- Valerie Tryon (Britain/Canada) seven days of three concerts each University’s School of the Arts. Here is a daily schedule for the GRF. - morning, afternoon, and evening. (For further details and updates, go to www.artset.net/greatromantics.html) Trois nouvelles Etudes (Op. posth.) 3 Letter from the Editor Included among the performers are Miriam Gómez Morán (Spain) ALS Board members Ksenia Nosikova THURSDAY MORNING, OCTOBER 7 and Steven Spooner, and University of 4 Update: The 2011 ALS CONVOCATION HALL, MCMASTER UNIVERSITY Douze Études, Op. 25 Oregon Chapter President Alexandre Liszt Bicentennial Conference Nos. 1-4 -- William Aide (Canada) Dossin, to name but a few. 9.30 - OPENING REMARKS: Dr. Alan Walker, Festival Founder and Director; Nos. 5-8 -- Steven Spooner (USA) 5 Member News Dr. Thomas Mastroiani, President of the American Liszt Society; and Dr. Keith Nos. 9-12 -- Alexei Gulenko (Canada/Moldova) For more information about the Italian Kinder, Director of the School of the Arts, McMaster University Chapter of the ALS, go to the website In Memoriam SATURDAY EVENING 10.00 - LECTURE: Mark Ainley - “Schumann: The Poet of the Piano” HAMILTON CONVENTION CENTRE http://www.lisztsocieta.it/ita 6 Chapter News 11.00 PIANO RECITAL: Louis Nagel - All-Schumann program: Widmung 19.30 FESTIVAL BANQUET If you are unable to read Italian, (Schumann-Liszt), Papillons, and Fantasy in C major For the complete menu, go to the website at you should be able to find a Google 7 The 2010 Liszt International Los Angeles Competition http://www.artset.net/greatromantics2010/GR2010_Banquet.html translation prompt at the top right THURSDAY AFTERNOON Upcoming Festivals of your complter screen. Click on CHRIST’S CHURCH CATHEDRAL The Sheraton Hamilton Hotel has reserved a number of rooms for Festival guests, the word “Translate,” and you will Newsletter Deadline at a discounted rate. When booking, please request the Great Romantics Festival obtain a reasonably good translation 14.00 ORGAN RECITAL: Ian Sadler - Reger: Toccata in D minor; Brahms: Chorale discount. Sheraton Hamilton Hotel, 116 King St. W., Hamilton, ON L8P 4V3. into English or numerous other world Prelude on “Herzlich tut mich verlangen”; Mendelssohn: Prelude & Fugue in C minor; Great Romantics Festival rate is $144 CDN per night. 8 New Recipients of the ALS Medal languages. For more information Schumann: Sketch in D-flat Major; Liszt: Fantasia & Fugue on “Ad nos, ad salutarem Reservations: 905/529.5515. about the marathon itself, click on the undam” (from Meyerbeer’s opera, Le Prophète) words MARATONE LISZT found at 9 Ian Hobson to Present All-Chopin The Admiral Inn, 149 Dundurn St. North, Hamilton, ON L8R 3E7. Great the upper right portion of the website. Series in NYC 15.00 LIEDER RECITAL: Janet Obermeyer (soprano) and Leslie De’ath (piano) Romantics Festival rate is $95 CDN per night (Wednesday, Thursday are $89; Liszt: Im Rhein im schönen Strome (Heine), O quand je dors (Hugo), and Mignon’s Friday and Saturday are $109, with a blended rate of $95 for all 4 days). 10 Italian Chapter Sponsors All-Liszt Lied (Goethe); Mendelssohn: Neue Liebe (Heine), Frühlingslied (Friederike Robert), Reservations: 905/529.2311. Marathon and Auf Flügeln des Gesänges (Heine); Schumann: Frauenliebe und -leben Perpetuating the ideas of Franz Liszt through excellence in music performance and 10 American Liszt Society scholarship PRESIDENT Thomas Mastroianni Ian Hobson to Give T he Catholic University of America President’s Message Great Romantics Festival (continued from page 1) School of Music All-Chopin/Schumann Washington D.C. 20064 [email protected] Series in NYC PRESIDENT EMERITUS THURSDAY EVENING ALS member Ian Hobson will perform Fernando Laires HAMILTON PLACE a series of 10 concerts in New York City VICE PRESIDENT beginning in August as a tribute to two Jay Hershberger C oncordia College Music Department Dear Members, 20.00 CONCERT: National Academy Orchestra of the world’s greatest composers. The Moorhead, MN 56562 Boris Brott (conductor) and Valerie Tryon (piano) concert series, entitled “The Heritage [email protected] 2011 is nearly here. There is great worldwide excitement Liszt: Symphonic Poem “Les Préludes”; Chopin: Piano Concerto No. 1 in E minor; Liszt: and Legacy of Fryderyk Chopin and regarding the 200th birthday celebration planned for Franz EXECUTIVE/MEMBERSHIP Totentanz; Schumann: “Manfred” Overture SECRETARY Liszt. Many exciting projects are referenced in this issue of Robert Schumann,” to be held at the Justin Kolb the newsletter and on the ALS web site. DiCapo Opera Theatre, will celebrate 1136 Hog Mountain Road Fleischmanns, NY 12430 the bicentenary of Chopin’s and [email protected] ALS takes great pride in the celebration planned for our annual festival, FRIDAY MORNING, OCTOBER 8 Schumann’s births. David Dubal, the which will take place at the University of Georgia with Richard Zimdars as MACNAB PRESBYTERIAN CHURCH noted author, radio host, and pianist TREASURER the local coordinator. Details on the festival schedule, the commissioned Nancy Roldán who is on the faculties of the Julliard PO 1707 works, the book competition and the composition competition, the medal Owens Mills, MD presentation, and the historic recording CD’s are found on the web site and 10:00 PIANO RECITAL: Miriam Gómez Morán School and the Manhattan School (410) 833-5782 here in the newsletter. Chopin-Liszt: Two Polish Songs (Meine Freuden [“My Joys”] and Mädchens Wünsch of Music, will provide historical [email protected] [“The Maiden’s Wish”]); Liszt: Two Pieces from Harmonies poétiques et religieuses commentary. A resurgence in understanding and appreciation of Liszt, his music, and his ALS JOURNAL (“Andante lagrimoso” and “Cantique d’Amour”), and Grand Solo de Concert (1849) Rena Charnin Mueller true historic worth seems abundantly present in our day. Faculty of Arts and Science A new worldwide organization, the International Liszt Association, has Hobson is commemorating Chopin’s New York University 24 Waverly Place, Room 268 been inaugurated. I recently visited Weimar to gather information on 11.00 LIEDER RECITAL: Lenard Whiting (tenor) and Brett Kingsbury (piano) birth with other projects as well, New York, NY 10003 this international organization, and I will report my findings to our Board Brahms: Die Mainacht and Botschaft; Schumann: Dein Angesicht, Lehn’ deine Wang’, including a 16-volume set of recordings [email protected] of Directors at its next meeting in Athens, Georgia. ALS already has Es leuchtet meine Liebe, and Mein Wagen rollet langsam; Mendelssohn: Four Songs comprising Chopin’s complete works. international members and has presented festivals in Russia, China, and ALS NEWSLETTER (Der Tag, Reiterlied, Abschied, and Der Bettler); Schumann: Dichterliebe Edward Rath Brazil. In Italy, Societá Liszt, our local chapter of ALS, has created an School of Music exciting marathon sponsored by Santa Cecelia in Rome, presenting the large Hobson has served as a juror for many University of Illinois and unmatched corpus of Liszt’s works for piano (see page 10). FRIDAY AFTERNOON competitions, including the U.S. 1114 W. Nevada Street Urbana, IL 61801 National Chopin Competition and the [email protected] The importance of Liszt goes beyond the creation of individual works of 14.00 LECTURE/DEMONSTRATION: William Aide (piano) beauty, a trait shared by many important composers. Liszt represents a Schumann International Competition philosophy of beauty and of humanity that is to be treasured today and in “Regarding Robert Schumann’s Kinderszenen” in Germany, and he chaired the jury for BOARD OF DIRECTORS Paul Barnes the future. His view is timeless and will endure. It points to the human the June 2010 New York International Luiz de Moura Castro ennoblement that music provides, and it specifies the extent of the mission 15.00 CHAMBER MUSIC CONCERT: Stephen Pierre (clarinet), Mark Skazinetsky Piano Competition. Alexandre Dossin that this ennoblement entails. Beauty indeed ennobles the human spirit. (violin I), Jayne Maddison (violin II), Chau Luk (viola), Jack Mendelssohn (cello) Gila Goldstein and this consequently carries the obligation of service to humanity. Liszt Jay A. Hershberger Wagner (attributed): Adagio for Clarinet and String Quartet and Brahms: Clarinet Quintet The recital series opens August 24 Geraldine Keeling lived this model, and his music embodies it.
Recommended publications
  • The Toronto Symphony Orchestra WALTER SUSSKIND, Conductor Guest Artist: ANNIE FISCHER, Pianist
    1962 Eighty-fourth Season 1963 UNIVERSITY MUSICAL SOCIETY THE UNIVERSITY OF MICHIGAN Charles A. Sink, President Gail W. Rector, Executive Director Lester McCoy, Conductor Ninth Concert Eighty-fourth Annual Choral Union Series Complete Series 3382 The Toronto Symphony Orchestra WALTER SUSSKIND, Conductor Guest Artist: ANNIE FISCHER, Pianist TUESDAY EVENING, MARCH 12, 1963, AT 8:30 HILL AUDITORIUM, ANN ARBOR, MICHIGAN PROGRAM Overture to ((Leonore," No.3 BEETHOVEN Triptych . MERCURE Concerto No. 3 for Piano and Orchestra Allegretto Adagio religioso Allegro vivace .ANNIE FISCHER, Pianist INTERMISSION Symphony No.4 in G major, Op. 88 DVORAK Allegro con brio Adagio Allegretto grazioso; molto vivace Allegro rna non troppo The University Musical Society has presented the Toronto Symphony Orchestra on three previous occasions: February 10, 1954; February 22, 1956, and March 15, 1961. The Steinway is the official piano of the University Mltsical Society. A R S LON G A V I T A BREVIS PROGRAM NOTES Overture to "Leonore," No.3 LUDWIG VAN BEETHOVEN Beethoven's only opera, Fidelia, or "Wedded Love," has been called a companion piece to the "Eroica" Symphony but the comparison migbt better have been made with its third overture, since in it th: dramatic content of the play-with its crisis--is sum­ marized in musical terms. The Lady Leonore, under whose name the work was first produced in Vienna, had been the subj ect of operas by Cherubini and Mehul, but it remained for Beethoven to raise her story to epic heights. With secondary incidents this was the tale: determined to rescue her husband Florestan from a political prison, where he is threatened with death, Leonore applies for work at the gaol, helps to dig a grave for him, and at last saves his life.
    [Show full text]
  • ANNIE FISCHER Mozart Piano Concerto No.22 Schumann Piano Concerto Op.54
    SWR T al ap n e i s g i r O 1958 • • 1959 D R E E M AST E R ANNIE FISCHER Mozart Piano Concerto No.22 Schumann Piano Concerto Op.54 Radio-Sinfonieorchester Stuttgart des SWR Hans Müller-Kray SWR Sinfonieorchester Baden-Baden und Freiburg Hans Rosbaud Luzidität und Innigkeit Annie Fischer spielt Mozart und Schumann Annie Fischer WOLFGANG AMADEUS MOZART (1756–1791) Annie Fischer steht für eine von klassischer geworden und hatte eine begeisterte Kritik Luzidität und tief empfundener, romantischer verfasst. 1937, 14 Jahre später, sollten die bei- Konzert für Klavier und Orchester Nr. 22 Es-Dur KV 482 34:07 Piano Concerto No.22 E flat Major K482 Innigkeit getragene Kunst als einzigartige Er- den heiraten. 1 scheinung innerhalb der großen ungarischen I Allegro 13:47 Pianistentradition. Geboren am 5. Juli 1914 in 1925 wurde Annie Fischer als Studentin Ar- 2 II Andante 9:35 Budapest in eine jüdische Familie, zeigte sie nold Székélys an der Franz-Liszt-Musikakade- 3 III Allegro. Rondo 10:33 früh herausragende musikalische Begabung. mie in Budapest aufgenommen, wo sie ab Bis heute kursieren allerdings falsche Anga- 1929 von Ern�ő�������������������������������������������������������� Dohnányi, dem großen Kompo- Radio-Sinfonieorchester Stuttgart des SWR ben über ihre ersten Auftritte, die auch noch nisten und Pianisten, unterrichtet wurde und Hans Müller-Kray Eingang in die viel zitierten Nachrufe Allan Georg Solti (damals noch Györg Stern), Louis Kozinns in der New York Times und Niel Im- Kentner und Andor Foldes zu ihren Kommili- ROBERT SCHUMANN (1810–1856) melmans im Independent fanden: Weder trat tonen zählten. Während des Studiums debü- sie achtjährig erstmals öffentlich auf, noch tierte sie 1930 in Paris und 1931 in Rom.
    [Show full text]
  • Music Council Welcomes Flutist Dora Seres
    A monthly guide to your community library, its programs and services Issue No. 217, March 2007 Tax help Music Council welcomes flutist Dora Seres Continuing on Tuesdays through April 10, trained volunteers from the AARP Hungarian flutist Dora Ser- will be available to assist seniors with es won the 2005 Young Concert the preparation of their tax returns. Artists International Auditions in Bring last year’s return. No appoint- New York. She was also awarded ment necessary; no fee. 10 a.m. to 2 p.m the Summis Auspiciis Prize, The Alexander Kasza-Kasser Prize, the Orchestra New England Soloist Prize, the Fredericksburg Festival Library board position of the Arts Prize and the Usedom To be considered for a 5-year term on (Germany) Music Festival Prize. the Library Board of Trustees, you must The library’s Music Advisory be at least 18 years old, a Port Washing- Council hosts Ms. Seres on Sun- ton resident, and be able to attend meet- day, March 18 at 3 p.m. She’ll play ings at least twice each month with ad- classical compositions from Mo- ditional committee meetings as required. zart, Bartok and Poulenc Nominating petitions for this volunteer The Young Concert Artists position are available at the Administra- Series presented Ms. Seres’ re- tion Office Monday through Friday be- cital debuts at Carnegie’s Zankel tween 9 a.m. and 5 p.m., and must be Hall and at the Kennedy Center submitted by Monday, March 12. in Washington, D.C. In March 2006, Ms. Seres performed Vi- valdi’s Concerto for Two Flutes “Per eco” with Paula Robison at Citizenship Classes the Metropolitan Museum of Art.
    [Show full text]
  • Fischer the Essential Collection the Essential Collection Annie Fischer
    ANNIE FISCHER THE ESSENTIAL COLLECTION THE ESSENTIAL COLLECTION ANNIE FISCHER Ludwig van Beethoven: Sonata in F sharp major, Op. 78 (7:32) 1 I. Adagio cantabile. Allegro ma non troppo 4:34 2 II. Allegro vivace 2:58 Ludwig van Beethoven: Sonata in C minor, Op. 111 (25:39) 3 I. Maestoso. Allegro con brio ed appassionato 8:49 4 II. (Arietta) Adagio molto, semplice (e) cantabile 16:46 5 Wolfgang Amadeus Mozart: Rondo for Piano and Orchestra in D major K. 382 9:37 Allegretto grazioso 6 Franz Liszt: Sonata in B minor S. 178 31:36 Lento assai – Allegro energico – Grandioso – Andante sostenuto – Allegro energico Total time: 74:57 ANNIE FISCHER piano BUDAPEST SYMPHONY ORCHESTRA (5) ERVIN LUKÁCS Conductor AAD (1–4), ADD (5–6) Recording producers: János Mátyás and Dóra Antal (1–4), János Mátyás (5-6) Balance engineers: Endre Radányi and Judit Lukács (1–4), Ferenc Takács (5), Judit Lukács (6) Digital remaster: Judit Lukács Recorded on 1977–78 (1–4), April 5, 1965 (5) and January 9, 1953 (6) at Hungaroton Studio. Photo: MTI Fotó, László Várkonyi • Printing editor and cover design: Béla Ujváry Booklet editor: Enikő Gyenge • English translation: Erzsébet Mészáros ℗ 2014 Fotexnet Kft. © 2014 Fotexnet Kft. Catalogue No.: HCD 32730 • Made in Hungary This CD presents four works, a cut from the place. Nevertheless, she appreciated the so- extremely wide horizon of Annie Fischer’s called “minor”, less played pieces as well, such art which, though they do not show the full as e.g. the Sonata in F sharp major, Op. 78.
    [Show full text]
  • 95643 Digibooklet Lucerne Festival Vol. VIII
    HISTORIC PERFORMANCES Annie Fischer Schumann Piano Concerto Philharmonia Orchestra | Carlo Maria Giulini Leon Fleisher Beethoven Piano Concerto No. 2 Swiss Festival Orchestra | George Szell Robert Schumann (1810–1856) Piano Concerto in A minor, Op. 54 Annie Fischer piano Philharmonia Orchestra | Carlo Maria Giulini LUCERNE, KUNSTHAUS, 3 SEPTEMBER 1960 Ludwig van Beethoven (1770–1827) Piano Concerto No. 2 in B-flat major, Op. 19 Leon Fleisher piano Swiss Festival Orchestra | George Szell LUCERNE, KUNSTHAUS, 29 AUGUST 1962 recorded live at LUCERNE FESTIVAL (Internationale Musikfestwochen Luzern) Two truths – Annie Fischer and Leon Fleisher in Lucerne How does a man play the piano? With strong hands; in a clear, unfussy, unsentimental and alert fashion; completely in control, free, measured and purposeful. A woman, on the other hand? She touches the piano delicately; loves the soft notes, the ornamen- tal and the decorative; she is a refined young lady, educated in salons and trained, by well-meaning teachers, to remain faithful to the musical text. If these clichés were to represent the truth, Annie Fischer would be a gentleman-pianist, whilst Leon Fleisher could be said to epitomise female musical virtues. If one hears them, one straight after the other (and not with an interval of two years, as was the case in Lucerne), one could indeed conceive such silly, and yet illuminating, ideas and ask oneself how these musical stereotypes have come to appear back-to-front. After all, a contemporary critic writing about Annie Fischer in the 1960s commented that her tone at the piano demonstrated “an astonishingly resolute steeliness for a woman”.
    [Show full text]
  • YANG & DOVER PLAY DOHNÁNYI THURSDAY, JULY 23, 2020 GERALD R. FORD AMPHITHEATER CONCERT 7 PM Amy Yang, Piano Dover Quartet
    YANG & DOVER PLAY DOHNÁNYI THURSDAY, JULY 23, 2020 GERALD R. FORD AMPHITHEATER CONCERT 7 PM Amy Yang, piano Dover Quartet Joel Link, violin Bryan Lee, violin Milena Pajaro-van de Stadt, viola Camden Shaw, cello Kerry McDermott, violin Clara Neubauer, violin Oliver Neubauer, violin Paul Neubauer, viola HAYDN String Quartet in D minor, Op. 76, No. 2, “Quinten” (20 minutes) Allegro Andante o più tosto allegretto Menuetto: Allegro ma non troppo Vivace assai BACEWICZ Quartet (1949) Allegretto – Allegro giocoso – Poco meno – poco meno – Tempo II Andante tranquillo Molto allegro DOHNÁNYI Quintet No. 1 for Two Violins, Viola, Cello and Piano in C minor, Op. 1 (30 minutes) Allegro Scherzo: Allegro vivace Adagio, quasi andante Finale: Allegro animato String Quartet in D minor, Op. 76, No. 2, “Quinten” (1796-1797) Joseph Haydn (1732-1809) Haydn was universally acknowledged as the greatest living composer upon his return to Vienna in 1795 from his second London venture; he was 63. Though his international renown had been founded in large part upon the success of his symphonies and keyboard sonatas, he repeatedly refused offers to compose further in those genres, and instead concentrated the creative energies of his later years on the string quartet and the vocal forms of Mass and oratorio. Except for the majestic Trumpet Concerto, his only instrumental compositions after 1795 were the six quartets of Op. 76, the two of Op. 77 and the unfinished torso of Op. 103 — they were the culmination of nearly four decades of experience composing in the chamber medium. “The eight quartets which he completed show no signs of flagging powers,” wrote Rosemary Hughes in her study of Haydn’s chamber music.
    [Show full text]
  • On the Art of János Balázs "If You Have Heard János Balázs Perform
    On the art of János Balázs "If you have heard János Balázs perform, you must have experienced a compelling and completely unique concert. He renders a 21st-century interpretation of classical music with spell-binding and superior technic and has a singular knack for capturing the audience. By doing so, he blurs the distance between the performer and his listener. His thematically unparallelled concerts and programme repertoire reach out to crowds - also the younger generations-, which he undertakes solely for the popularisation of classical music." He is keen to demonstrate his improvisation skills in various areas beyond the classical stage, such as jazz, world music, or folk music, which is always imbued with classical music's values and the 20th-century tradition of improvision. Music critiques highlight the delicacy and diverse colours of his piano playing, his unlimited dynamic scale and his fascinating virtuosity. Attending János Balázs’ concerts is a genuine time travel, as he evokes with full force the intimate ambience of the composers and pianists of the so-called 19th century golden age, like Franz Liszt or Frédéric Chopin. He is a returning artist of the Concertgebouw, Amsterdam, the Tchaikovsky Conservatory, Moscow, the Cologne Philharmonic, the Liszt Academy and MüPa in Budapest. He has given celebrated concerts on the stages of the Cité de la Musique, Palau de Musica, Barbican Centre, Wiener Konzerthaus and the Royal Conservatory. In the following season, he is going to collaborate with such famed orchestras and conductors as the Royal Philharmonic Orchestra, Peter Eötvös and the Orchestre de la Suisse Romande, Iván Fischer and the Royal Concertgebouworkest, Mikko Franck and the Auditorium de la Maison de la Radio France.
    [Show full text]
  • Problems Facing Today's Pianists
    1205Clavier_nxtbk.qxd 4/18/12 11:24 AM Page 24 : e g n e l l a h c Photo courtesy of Daniel Wnukowski. Photo courtesy of Daniel r Problems facing e today’s pianists e r An interview with Jacques Leiser by Pete Jutras a he twenty-first century is blessed to be an era with no shortage of talented young pianists, many of whom are armed with impressive technique and a commanding c repertoire. For the pianists themselves, this poses a particular challenge. With a seem- ingly endless supply of competition winners and recording artists facing dwindling audiences and shrinking commercial support for the arts, how can young pianists get noticed and parlay their talents into a sustainable living and a meaningful career? e TFor answers to this question, and ideas on the state of affairs facing pianists today, I interviewed Jacques Leiser, a manager, recording producer, and impresario with decades of experience in all facets of the music business. Mr. Leiser has had a long-term interest in launching careers, and he’s been involved h with some of the biggest in the last sixty years, including Sviatoslav Richter, Maurizio Pollini, Arturo Benedetti Michelangeli, Lazar Berman, Georges Cziffra, Julius Katchen, Annie Fischer, Dame Moura Lympany, Grigory Sokolov, and Krystian Zimerman, among others. T 24 CLAVIER COMPANION MAY/JUNE 2012 1205Clavier_nxtbk.qxd 4/18/12 11:24 AM Page 25 In your view, what are the obstacles facing pianists today? had to negotiate an advertisement in an established American Young pianists today face serious challenges in launching viable record magazine and arrange for an interview to appear in conjunc- careers.
    [Show full text]
  • PDF Download
    Current Review Annie Fischer plays Schumann: Piano Concerto, Op. 54 - Leon Fleisher plays Beethoven: Piano Concerto No. 2 aud 95.643 EAN: 4022143956439 4022143956439 International Piano (Benjamin Ivry - 2016.05.01) No laughing matter ‘Playing’ the piano never seems quite the right way of describing Annie Fischer at the keyboard. Sober, serious and uncompromising are the heroic qualities that she brought to her performances. Benjamin Ivry explores the life and career of an artist who looked tragedy unflinchingly in the eye, bringing a steely intensity to her music-making. In a typically thrilling concert performance from late in her career, a septuagenarian Annie Fischer played Beethoven’s Third Piano Concerto with the NHK Symphony conducted by Miltiades Caridis. In the 1989 video, the granitic Hungarian grandma laid down the law with uncompromising grandeur. One thinks of Irene Worth, the American actress long resident in the UK, whose tough-as-nails, omniscient Grandma Kurnitz in Neil Simon’s film Lost in Yonkers moved audiences. Beyond such matriarchal flamboyance and energy, Fischer’s performances were noted for their intense idiomatic understanding and devil-may-care absolutism, despite wrong notes. Her inspiration derived from the era of Artur Schnabel, during which the musical message was primordial, not the note-for-note perfection expected from studio recordings. There was something sublime in the sheer limpidity of her best solo work, as in a Brahms Sonata in F minor (on BBC Legends 4054-2), recorded at Edinburgh’s Usher Hall in 1961. Yet in Fischer’s renditions, especially from her later years, there can be a noteworthy absence of merriment or festivity in some of the more playful or witty passages, for example in Beethoven and Mozart.
    [Show full text]
  • Rezensionen Für
    Rezensionen für Annie Fischer plays Schumann: Piano Concerto, Op. 54 - Leon Fleisher plays Beethoven: Piano Concerto No. 2 aud 95.643 4022143956439 American Record Guide May / June 2016 (Alan Becker - 2016.05.01) Many will be familiar with Fischer’s 1960 studio recording of the Schumann with Klemperer. This one with Giulini dates from the same year and comes to us from the Lucerne Festival. The performances are similar, though few will be surprised that the sound (particularly the orchestra strings) is better on the studio recording. Still, both are more than acceptable, particularly if you like Fischer’s more aggressive way with the concerto. Fleisher’s way with the Beethoven is already well known from the studio set with Szell and the Cleveland Orchestra. That set is one of the marvels of Beethoven performance and has a recording that leaves nothing to be desired. This Beethoven 2 is similar, though few could make claims for its supremacy as an orchestral recording. The ad hoc ensemble plays well for Szell, and the piano sound here is quite good. Could I recommend purchase of this recording? Well, yes and no. It is certainly a must for admirers of these artists who must have every recording they ever made. No if you already have the studio recordings. Still, I was seduced once again by Fleisher’s marvelous playing. Audio 03/2016 (Andreas Lucewicz - 2016.03.01) Immer wieder bietet das Label Audite historische Trouvaillen, in diesem Fall zwei absolut hörenswerte Dokumente vom Lucerne Festival 1960: Schumanns Klavierkonzert mit Annie Fischer und dem Philharmonia Orchestra unter Carlo Maria Giulini sowie das zweite Klavierkonzert von Beethoven mit Leon Fleisher und dem Swiss Festival Orchestra unter George Szell.
    [Show full text]
  • The Mission of the Liszt Academy, Budapest Who Will Carry Love Over? Is the Question Posed by László Nagy, a Major Hungarian Poet
    We would like to introduce the main venues for you. The most important building for the Hungarian culture of music is the Liszt Academy. This is not only the place where new talents are bred every day, but it is also a beautiful building and concert hall. The mission of the Liszt Academy, Budapest Who will carry love over? is the question posed by László Nagy, a major Hungarian poet. Love and music grow side by side. Both entrance, and this state can only be sustained with the right passion. Who will carry music over, our music, your music, their music, to the far shores of time? The Budapest Liszt Academy is one of the ferrymen. One lives while one can make music, or while one resonates to music. Without music there is no life. Not only is it that ‘flowers we are' (set to music by György Kurtág) but sound, too. Music can sound at any time, from anyone, assuming the Creator, embodied in a composer, wishes it so. The main building, with five concert halls, is the hub of concert life in the capital. Virtually every significant performer and ensemble of the 20th century has appeared on the stage of the Grand Hall, exhaling their art onto the invisible wavelengths of the incomparable acoustics of the chamber, merging it into the spellbound audience, an audience that surrounds the artist in the same way that a clapper is encompassed by the body of a bell. The most significant young talents introduce themselves in this unrivalled atmosphere, students of the academy can share in this as can those individuals yearning for music who make up the audience of the Liszt Academy.
    [Show full text]
  • Annie Fischer Secrets Secrets
    ANNIE FISCHER SECRETS SECRETS ANNIE FISCHER piano DISC ONE Total time: 64:54 24 January, 1978 Franz Schubert: Piano Sonata in A minor, D.845 30:56 1 I. Moderato 9:03 2 II. Andante poco moto 10:43 3 III. Scherzo. Allegro vivace 6:38 4 IV. Rondo. Allegro vivace 4:31 17 February, 1978 Franz Schubert: Piano Sonata in A major, D.959 33:53 5 I. Allegro 10:35 6 II. Andantino 7:32 7 III. Scherzo. Allegro vivace 4:45 8 IV. Rondo. Allegretto 10:58 DISC TWO Total time: 64:07 4 March, 1981 Robert Schumann: Fantasiestücke, Op. 12 26:10 1 I. Des Abends 3:54 2 II. Aufschwung 3:04 3 III. Warum? 1:53 4 IV. Grillen 2:58 5 V. In der Nacht 4:14 6 VI. Fabel 2:52 7 VII. Traumes Wirren 2:34 8 VIII. Ende vom Lied 4:38 26 February, 1978 Robert Schumann: Kreisleriana, Op. 16 31:37 9 I. Äußerst bewegt 2:42 10 II. Sehr innig und nicht zu rasch 8:52 11 III. Sehr aufgeregt 3:16 12 IV. Sehr langsam 4:07 13 V. Sehr lebhaft 2:58 14 VI. Sehr langsam 4:29 15 VII. Sehr rasch 2:17 16 VIII. Schnell und spielend 2:54 17 February, 1978 17 Fryderyk Chopin: Nocturne in C sharp minor, Op. 27 No. 1 6:14 A career in a nutshell and Willem Mengelberg. The backbone of her repertoire consisted of mature Viennese Classical Annie Fischer (1914–1995), the internationally music (Mozart and Beethoven), and the Romantics renowned pianist was a leading figure on the (Schubert, Schumann, Mendelssohn, Chopin, Liszt, Hungarian music world for seven decades.
    [Show full text]