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The Crucible's Legacy of Appropriation and Sexual Shame in Popular Culture
Illinois State University ISU ReD: Research and eData Theses and Dissertations 4-5-2021 Bewitching The Blame: The Crucible'S Legacy Of Appropriation And Sexual Shame In Popular Culture Hope Kristine Morris Illinois State University, [email protected] Follow this and additional works at: https://ir.library.illinoisstate.edu/etd Part of the Theatre and Performance Studies Commons Recommended Citation Morris, Hope Kristine, "Bewitching The Blame: The Crucible'S Legacy Of Appropriation And Sexual Shame In Popular Culture" (2021). Theses and Dissertations. 1395. https://ir.library.illinoisstate.edu/etd/1395 This Thesis is brought to you for free and open access by ISU ReD: Research and eData. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. BEWITCHING THE BLAME: THE CRUCIBLE ’S LEGACY OF APPROPRIATION AND SEXUAL SHAME IN POPULAR CULTURE HOPE MORRIS 61 Pages In The Crucible Arthur Miller uses tropes of female characters, Abigail and Tituba, to tell a story of male heroism. In the process, he dismisses and appropriates the true stories of women who suffered during the Salem witch trials for his own political and personal gain. In this thesis, I argue that Miller’s appropriation and sexualization of women continues into contemporary popular culture depictions of the Salem witch trials including the movie adaptation of The Crucible and the television shows Salem and American Horror Story: Coven . These depictions appropriate and sexualize women’s stories in order to fulfill the male gaze. This thesis also explores how three contemporary women playwrights are writing new plays that address the sexism of Arthur Miller, show how The Crucible perpetuates abuse, and encourage women to confront sexism by creating their own works about the Salem trials. -
Primary Source #3 From: the Diary of Samuel Sewall, 1674-1729
Primary Source #3 From: The Diary of Samuel Sewall, 1674-1729 (Selected excerpts from Collections of the Massachusetts Historical Society, Vol. 5, Series 5, 1878, pages 358 - 464.) April 11th 1692. Went to Salem, where, in the Meeting-house, the persons accused of Witchcraft were examined; was a very great Assembly; ëtwas awfull to see how the afflicted persons were agitated. Mr. Noyes prayíd at the beginning, and Mr. Higginson concluded. [In the margin], VÊ, VÊ, VÊ, Witchcraft. … July 30, 1692. Mrs. Cary makes her escape out of Cambridge ñPrison, who was Committed for Witchcraft. … Augt. 19th 1692. … This day [in the margin, Dolefull! Witchcraft] George Burrough, John Willard, Jno Procter, Martha Carrier and George Jacobs were executed at Salem, a very great number of Spectators being present. Mr. Cotton Mather was there, Mr. Sims, Hale, Noyes, Chiever, &c. All of them said they were innocent, Carrier and all. Mr. Mather says they all died by a Righteous Sentence. Mr. Burrough by his Speech, Prayer, protestation of his Innocence, did much move unthinking persons, which occasions their speaking hardly concerning his being executed. Augt. 25. Fast at the old [First] Church, respecting the Witchcraft, Drought, &c. Monday, Sept. 19, 1692. About noon, at Salem, Giles Corey was pressíd to death for standing Mute; much pains was used with him two days, one after another, by the Court and Capt. Gardner of Nantucket who had been of his acquaintance: but all in vain. Sept. 20. Now I hear from Salem that about 18 years agoe, he was suspected to have stampd and pressíd a man to death, but was cleared. -
Historical Studies Journal 2013
Blending Gender: Colorado Denver University of The Flapper, Gender Roles & the 1920s “New Woman” Desperate Letters: Abortion History and Michael Beshoar, M.D. Confessors and Martyrs: Rituals in Salem’s Witch Hunt The Historic American StudiesHistorical Journal Building Survey: Historical Preservation of the Built Arts Another Face in the Crowd Commemorating Lynchings Studies Manufacturing Terror: Samuel Parris’ Exploitation of the Salem Witch Trials Journal The Whigs and the Mexican War Spring 2013 . Volume 30 Spring 2013 Spring . Volume 30 Volume Historical Studies Journal Spring 2013 . Volume 30 EDITOR: Craig Leavitt PHOTO EDITOR: Nicholas Wharton EDITORIAL STAFF: Nicholas Wharton, Graduate Student Jasmine Armstrong Graduate Student Abigail Sanocki, Graduate Student Kevin Smith, Student Thomas J. Noel, Faculty Advisor DESIGNER: Shannon Fluckey Integrated Marketing & Communications Auraria Higher Education Center Department of History University of Colorado Denver Marjorie Levine-Clark, Ph.D., Thomas J. Noel, Ph.D. Department Chair American West, Art & Architecture, Modern Britain, European Women Public History & Preservation, Colorado and Gender, Medicine and Health Carl Pletsch, Ph.D. Christopher Agee, Ph.D. Intellectual History (European and 20th Century U.S., Urban History, American), Modern Europe Social Movements, Crime and Policing Myra Rich, Ph.D. Ryan Crewe, Ph.D. U.S. Colonial, U.S. Early National, Latin America, Colonial Mexico, Women and Gender, Immigration Transpacific History Alison Shah, Ph.D. James E. Fell, Jr., Ph.D. South Asia, Islamic World, American West, Civil War, History and Heritage, Cultural Memory Environmental, Film History Richard Smith, Ph.D. Gabriel Finkelstein, Ph.D. Ancient, Medieval, Modern Europe, Germany, Early Modern Europe, Britain History of Science, Exploration Chris Sundberg, M.A. -
Torrey Source List
Clarence A Torrey - Genealogy Source List TORREY SOURCE LIST A. Kendrick: Walker, Lawrence W., ―The Kendrick Adams (1926): Donnell, Albert, In Memoriam . (Mrs. Family,‖ typescript (n.p., 1945) Elizabeth (Knight) Janverin Adams) (Newington, N.H., A. L. Usher: unidentified 1926) A. Morgan: Morgan Gen.: Morgan, Appleton, A History Adams-Evarts: Adams, J. M., A History of the Adams and of the Family of Morgan from the Year 1089 to Present Evarts Families (Chatham, N.Y.: Courier Printing, Times by Appleton Morgan, of the Twenty-Seventh 1894) Generation of Cadivor-Fawr (New York: privately Adams-Hastings: Adams, Herbert Baxter, History of the printed, [1902?]) Thomas Adams and Thomas Hastings Families (Amherst, Abbe-Abbey: Abbey, Cleveland, Abbe-Abbey Genealogy: Mass.: privately printed, 1880) In Memory of John Abbe and His Descendants (New Addington: Harris, Thaddeus William, ―Notes on the Haven, Conn.: Tuttle, Morehouse & Taylor, 1916) Addington Family,‖ Register 4 (April 1850) Abbott: Abbott, Lemuel Abijah, Descendants of George Addington (1931): Addington, Hugh Milburn, History of Abbott of Rowley, Mass. of His Joint Descendants with the Addington Family in the United States and England: George Abbott, Sr., of Andover, Mass.; of the Including Many Related Families: A Book of Descendants of Daniel Abbott of Providence, R.I., 2 Compliments (Nickelsville, Va.: Service Printery, 1931) vols. (n.p.: privately printed, 1906) Adgate Anc.: Perkins, Mary E., Old Families of Norwich, Abell: Abell, Horace A., One Branch of the Abell Family Connecticut, MDCLX to MDCCC (Norwich, Conn., Showing the Allied Families (Rochester, N.Y., 1934) 1900) Abington Hist.: Hobart, Benjamin, History of the Town of Agar Anc.: unidentified Abington, Plymouth County, Mass. -
60 Ft John Alden Gaff Double Topsail Schooner 1939/1946 - Sold
HERITAGE, VINTAGE AND CLASSIC YACHTS +44 (0)1202 330 077 60 FT JOHN ALDEN GAFF DOUBLE TOPSAIL SCHOONER 1939/1946 - SOLD Specification DIRIGO II 60 FT JOHN ALDEN GAFF DOUBLE TOPSAIL SCHOONER 1939/1946 Designer John G Alden Length waterline 45 ft 0 in / 13.72 m Engine Yanmar 4JH2-UTE 100 HP Builder Goudy & Stevens, E Boothbay, Maine Beam 15 ft 7 in / 4.75 m Location USA Date 1939 Draft 7 ft 10 in / 2.39 m Price Sold Length overall 72 ft 0 in / 21.95 m Displacement 49 Tonnes Length deck 60 ft 5 in / 18.41 m Construction Carvel, plank on frame These details are provisional and may be amended Specification BROKER'S COMMENTS DIRIGO II is a fully functional classic schooner yacht of impeccable pedigree, still sailing the ocean doing what she was intended and built for - which is to take family, friends, and crew on adventures: voyaging and sailing in style, in both communal and private comfort, and safely. Two major structural refits under present ownership since 2010 leave this handsome and proven schooner a long way from retirement sitting at a dock as another pretty face. In fact her 2019 summer cruise was 6200 miles from Mexico back to the Maine waters of her birth, and taking part in three regattas once there, proving just what a capable and seaworthy family passagemaker DIRIGO II is – still doing exactly what she was conceived for by John G Alden in 1939. • SANDEM AN YACHT COMPANY • • Brokerage Of Classic & Vintage Yachts • www.sandemanyachtcompany.co.uk © Sandeman Yacht Company Limited 2021. -
A Comprehensive Look at the Salem Witch Mania of 1692 Ashley Layhew
The Devil’s in the Details: A Comprehensive Look at the Salem Witch Mania of 1692 __________ Ashley Layhew Nine-year-old Betty Parris began to convulse, seize, and scream gibber- ish in the winter of 1692. The doctor pronounced her bewitched when he could find no medical reason for her actions. Five other girls began ex- hibiting the same symptoms: auditory and visual hallucinations, fevers, nausea, diarrhea, epileptic fits, screaming, complaints of being bitten, poked, pinched, and slapped, as well as coma-like states and catatonic states. Beseeching their Creator to ease the suffering of the “afflicted,” the Puritans of Salem Village held a day of fasting and prayer. A relative of Betty’s father, Samuel Parris, suggested a folk cure, in which the urine of the afflicted girls was taken and made into a cake. The villagers fed the cake to a dog, as dogs were believed to be the evil helpers of witches. This did not work, however, and the girls were pressed to name the peo- ple who were hurting them.1 The girls accused Tituba, a Caribbean slave who worked in the home of Parris, of being the culprit. They also accused two other women: Sarah Good and Sarah Osbourne. The girls, all between the ages of nine and sixteen, began to accuse their neighbors of bewitching them, saying that three women came to them and used their “spectres” to hurt them. The girls would scream, cry, and mimic the behaviors of the accused when they had to face them in court. They named many more over the course of the next eight months; the “bewitched” youth accused a total of one hundred and forty four individuals of being witches, with thirty sev- en of those executed following a trial. -
F, Sr.Auifuvi
NATHANIEL HAWTHORNE' S USE OF WITCH AND DEVIL LORE APPROVED: Major Professor Consulting Professor Iinor Professor f, sr. auifUvi Chairman of" the Department of English Dean of the Graduate School Robb, Kathleen A., Nathaniel Hawthorne;s Fictional Use of Witch and Devil Lore. Master of Arts (English), December, - v 1970, 119 pp., bibliography, 19 titles. Nathaniel Hawthorne's personal family history, his boy- hood in the Salem area of New England, and his reading of works about New England's Puritan era influenced his choice of witch and Devil lore as fictional material. The witch- ci"aft trials in Salem were evidence (in Hawthorne's inter- pretation) of the errors of judgment and popular belief which are ever-present in the human race. He considered the witch and Devil doctrine of the seventeenth century to be indicative of the superstition, fear, and hatred which governs the lives of men even in later centuries. From the excesses of the witch-hunt period of New England history Hawthorne felt moral lessons could be derived. The historical background of witch and Devil lore, while helpful in illustrating moral lessons, is used by Hawthorne to accomplish other purposes. The paraphernalia of witchcraft with its emphasis on terrible and awesome ceremonies or practices such as Black Sabbaths, Devil compacts, image-magic, spells and curses, the Black Man in'the forest, spectral shapes, and familiar spirits is used by Hawthorne to add atmospheric qualities to his fiction. Use of the diabolic creates the effects of horror, suspense, and mystery. Furthermore, such 2 elements of witch and Devil doctrine (when introduced in The Scarlet Letter, short stories, and historical sketches) also provide an aura of historical authenticity, thus adding a v dimension of reality and concreteness to the author's fiction. -
The Crucible Giles Corey
THE CRUCIBLE GILES COREY He is in his early 80s at the time of the trials. He represents the many innocent victims of the witch-trials in Salem His conscience would not let him answer to, of confess to something which he was not guilty of and he paid for this with his life. He is an example of moral integrity and an inspiration for John Proctor when he urges his torturers to place more weights on him. He showed great bravery up to his death. Personality – wise he is an argumentative but fundamentally honest farmer, who seems to have made a hobby out of taking people to court over land issues. He was always under the suspicious eye of the community for something – if ever a fire started or something went missing the first port of call was always Corey. The worst he could be accused of was being a nuisance and a ‘crank’ – but certainly not witchcraft. He didn’t care what other people thought of him and had only come to the church late in life when he had married Martha. He has quarrelled with Thomas Putnam over a piece of land. His mention of his wife’s fondness for reading puts her under suspicion. He knows that if he answers the court’s charge of witchcraft his sons will lose their right to inherit his land so he refuses to answer to the court. If he had denied the charge and been hanged they would have forfeit the right to inherit. He is pressed to death under large stones. -
Salem 1692 Brochure
1 2 3 4 Today Salem, Massachusetts, strives The numbers on the map to be a city of diversity and tolerance, correspond with the sites that but it is important to remember that the appear on the numbered panels. 20 men and women who were executed in All sites except for the Rebecca 1692 were not seeking tolerance. They Nurse Homestead are in Salem. were not witches. They were ordinary men and women seeking justice. 1. Rebecca Nurse Homestead (Danvers, MA) 2. House of the Seven Gables 3. Cemeteries of Salem (3 sites) 4. Salem Witch Trials Memorial Welcome … 5. Salem Witch Hunt: Examine the Evidence to 1692 6. Salem Witch Museum 7. The True 1692 The Rebecca Nurse Homestead The House of the Seven Cemeteries of Salem The Salem Witch Trials 8. Cry Innocent: The People vs. Gables Memorial Bridget Bishop … … … … 9. Witch Dungeon Museum What happened in Salem Town and Salem The Rebecca Nurse Homestead, located in Danvers, The imposing House of the Seven Gables, which has Salem has three cemeteries that are significant to the The Salem Witch Trials Memorial is a place of 10. The Witch House Village (modern-day Danvers) more than MA, (formerly known as Salem Village) is the 17th loomed over Salem Harbor since 1668, remains one of Witch Trials of 1692. Dating back to 1637, Charter meditation, remembrance, and respect for the 20 men 320 years ago still resonates as a measure of century home of Rebecca Nurse, a 71 year old matriarch the oldest surviving timber-framed mansions in North Street Burial Point is the oldest and most visited of and women who were put to death between June and the failure of civility and due process in the who was arrested on suspicion of practicing witchcraft. -
The Case of Elizabeth Howe
Walton 1 Claire Walton HIST 2090 29 November 2017 Final Paper A Pious Woman Condemned by Rumor, Church, and Court: The Case of Elizabeth Howe “Though shee wer condemned before men shee was Justefyed befor god”1 -Goody Safford Prior to the year 1682, Goody Elizabeth Howe enjoyed a reputation defined by piety, honesty, and neighborliness. Two distinct disputes in 1682 would come together ten years later during the Salem witch crisis to place Elizabeth’s life in mortal peril. A “faling [out]” between Samuel Perley and the Howes preceded fits suffered by Samuel’s daughter, who reportedly identified Elizabeth as her tormentor. Although ministerial accounts contested Elizabeth’s culpability, rumors spread and stained Elizabeth’s holy reputation. Her rejection from the Ipswich Church approximately two or three years later, informed by the rumor of witchcraft and other reports from neighbors, exacerbated suspicion, as those involved in the church’s decision attributed maleficium to Elizabeth.2 The second dispute occurred on June 14, 1682, the same year Samuel Perley’s daughter first reported afflictions. The Topsfield men, Thomas Baker, Jacob Towne, and John Howe, Elizabeth’s brother-in-law, challenged John Putnam of Salem Village over his claim to land along the Ipswich River. This dispute pitted the Howe family against the Putnam family, a driving force behind the Salem witch trials of 1692. Ultimately, Elizabeth’s reputation of witchcraft coupled with her relationship to John Howe and by extension association with the Putnam land dispute influenced her conviction as a witch. Although numerous individuals 1 Bernard Rosenthal, et al., eds., Records of the Salem Witch-Hunt (New York: Cambridge University Press, 2009), 341 (Hereafter RSWH). -
Section B Revision Notes the Play: the Crucible by Arthur Miller the Background to the Play and What It Is Based On
Section B Revision Notes The Play: The Crucible by Arthur Miller The background to the play and what it is based on: The play is about the Salem witch trials that took place in the Province of Massachusetts Bay during 1692 and 1693. Early in the year 1692, in the small Massachusetts village of Salem, a collection of girls fell ill, falling victim to hallucinations and seizures. In extremely religious Puritan New England, frightening or surprising occurrences were often attributed to the devil or his cohorts. The unfathomable sickness spurred fears of witchcraft, and it was not long before the girls, and then many other residents of Salem, began to accuse other villagers of consorting with devils and casting spells. Old grudges and jealousies spilled out into the open, fuelling the atmosphere of hysteria. The Massachusetts government and judicial system, heavily influenced by religion, rolled into action. Within a few weeks, dozens of people were in jail on charges of witchcraft. By the time the fever had run its course, in late August 1692, nineteen people (and two dogs) had been convicted and hanged for witchcraft. Set in: 1692. Puritan times What happens in each scene: The scene that we focus on in class and the scenes that you will need to learn are written in bold. Act one Rev. Parris is praying over his daughter, Betty Parris, who lies as if unconscious in her bed. Conversations between Rev. Parris, his niece Abigail Williams and several other girls reveal that the girls, including Abigail and Betty, were found dancing around a fire and a cooking pot in a nearby forest, apparently led by Tituba, Parris's slave from Barbados. -
Social, Religious, and Economic Status of Women in Colonial Days As Shown in the Writings of That Period
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1915 Social, religious, and economic status of women in Colonial days as shown in the writings of that period Sylvia M. Brady The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Brady, Sylvia M., "Social, religious, and economic status of women in Colonial days as shown in the writings of that period" (1915). Graduate Student Theses, Dissertations, & Professional Papers. 3600. https://scholarworks.umt.edu/etd/3600 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE SOCIAL, RELIGIOUS, AND BCOîOMIC STATUS OF WOMM IN COLONIAL DAIS AS SHOWN IN THE WRITINGS OF THAT PERIOD Submitted as a Partial Requirement for the Master of Arts Degree (1912) SYLVIA M. BRADY. (Typed from copy of thesis in Montana State University Library) UMI Number; EP36353 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT DkKMMlation RiMtsMng UMI EP36353 Published by ProQuest LLC (2012).