Thin Lensesand Chromatic Aberrations
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Panoramas Shoot with the Camera Positioned Vertically As This Will Give the Photo Merging Software More Wriggle-Room in Merging the Images
P a n o r a m a s What is a Panorama? A panoramic photo covers a larger field of view than a “normal” photograph. In general if the aspect ratio is 2 to 1 or greater then it’s classified as a panoramic photo. This sample is about 3 times wider than tall, an aspect ratio of 3 to 1. What is a Panorama? A panorama is not limited to horizontal shots only. Vertical images are also an option. How is a Panorama Made? Panoramic photos are created by taking a series of overlapping photos and merging them together using software. Why Not Just Crop a Photo? • Making a panorama by cropping deletes a lot of data from the image. • That’s not a problem if you are just going to view it in a small format or at a low resolution. • However, if you want to print the image in a large format the loss of data will limit the size and quality that can be made. Get a Really Wide Angle Lens? • A wide-angle lens still may not be wide enough to capture the whole scene in a single shot. Sometime you just can’t get back far enough. • Photos taken with a wide-angle lens can exhibit undesirable lens distortion. • Lens cost, an auto focus 14mm f/2.8 lens can set you back $1,800 plus. What Lens to Use? • A standard lens works very well for taking panoramic photos. • You get minimal lens distortion, resulting in more realistic panoramic photos. • Choose a lens or focal length on a zoom lens of between 35mm and 80mm. -
Chapter 3 (Aberrations)
Chapter 3 Aberrations 3.1 Introduction In Chap. 2 we discussed the image-forming characteristics of optical systems, but we limited our consideration to an infinitesimal thread- like region about the optical axis called the paraxial region. In this chapter we will consider, in general terms, the behavior of lenses with finite apertures and fields of view. It has been pointed out that well- corrected optical systems behave nearly according to the rules of paraxial imagery given in Chap. 2. This is another way of stating that a lens without aberrations forms an image of the size and in the loca- tion given by the equations for the paraxial or first-order region. We shall measure the aberrations by the amount by which rays miss the paraxial image point. It can be seen that aberrations may be determined by calculating the location of the paraxial image of an object point and then tracing a large number of rays (by the exact trigonometrical ray-tracing equa- tions of Chap. 10) to determine the amounts by which the rays depart from the paraxial image point. Stated this baldly, the mathematical determination of the aberrations of a lens which covered any reason- able field at a real aperture would seem a formidable task, involving an almost infinite amount of labor. However, by classifying the various types of image faults and by understanding the behavior of each type, the work of determining the aberrations of a lens system can be sim- plified greatly, since only a few rays need be traced to evaluate each aberration; thus the problem assumes more manageable proportions. -
Determination of Focal Length of a Converging Lens and Mirror
Physics 41- Lab 5 Determination of Focal Length of A Converging Lens and Mirror Objective: Apply the thin-lens equation and the mirror equation to determine the focal length of a converging (biconvex) lens and mirror. Apparatus: Biconvex glass lens, spherical concave mirror, meter ruler, optical bench, lens holder, self-illuminated object (generally a vertical arrow), screen. Background In class you have studied the physics of thin lenses and spherical mirrors. In today's lab, we will analyze several physical configurations using both biconvex lenses and concave mirrors. The components of the experiment, that is, the optics device (lens or mirror), object and image screen, will be placed on a meter stick and may be repositioned easily. The meter stick is used to determine the position of each component. For our object, we will make use of a light source with some distinguishing marking, such as an arrow or visible filament. Light from the object passes through the lens and the resulting image is focused onto a white screen. One characteristic feature of all thin lenses and concave mirrors is the focal length, f, and is defined as the image distance of an object that is positioned infinitely far way. The focal lengths of a biconvex lens and a concave mirror are shown in Figures 1 and 2, respectively. Notice the incoming light rays from the object are parallel, indicating the object is very far away. The point, C, in Figure 2 marks the center of curvature of the mirror. The distance from C to any point on the mirror is known as the radius of curvature, R. -
How Does the Light Adjustable Lens Work? What Should I Expect in The
How does the Light Adjustable Lens work? The unique feature of the Light Adjustable Lens is that the shape and focusing characteristics can be changed after implantation in the eye using an office-based UV light source called a Light Delivery Device or LDD. The Light Adjustable Lens itself has special particles (called macromers), which are distributed throughout the lens. When ultraviolet (UV) light from the LDD is directed to a specific area of the lens, the particles in the path of the light connect with other particles (forming polymers). The remaining unconnected particles then move to the exposed area. This movement causes a highly predictable change in the curvature of the lens. The new shape of the lens will match the prescription you selected during your eye exam. What should I expect in the period after cataract surgery? Please follow all instructions provided to you by your eye doctor and staff, including wearing of the UV-blocking glasses that will be provided to you. As with any cataract surgery, your vision may not be perfect after surgery. While your eye doctor selected the lens he or she anticipated would give you the best possible vision, it was only an estimate. Fortunately, you have selected the Light Adjustable Lens! In the next weeks, you and your eye doctor will work together to optimize your vision. Please make sure to pay close attention to your vision and be prepared to discuss preferences with your eye doctor. Why do I have to wear UV-blocking glasses? The UV-blocking glasses you are provided with protect the Light Adjustable Lens from UV light sources other than the LDD that your doctor will use to optimize your vision. -
Holographic Optics for Thin and Lightweight Virtual Reality
Holographic Optics for Thin and Lightweight Virtual Reality ANDREW MAIMONE, Facebook Reality Labs JUNREN WANG, Facebook Reality Labs Fig. 1. Left: Photo of full color holographic display in benchtop form factor. Center: Prototype VR display in sunglasses-like form factor with display thickness of 8.9 mm. Driving electronics and light sources are external. Right: Photo of content displayed on prototype in center image. Car scenes by komba/Shutterstock. We present a class of display designs combining holographic optics, direc- small text near the limit of human visual acuity. This use case also tional backlighting, laser illumination, and polarization-based optical folding brings VR out of the home and in to work and public spaces where to achieve thin, lightweight, and high performance near-eye displays for socially acceptable sunglasses and eyeglasses form factors prevail. virtual reality. Several design alternatives are proposed, compared, and ex- VR has made good progress in the past few years, and entirely perimentally validated as prototypes. Using only thin, flat films as optical self-contained head-worn systems are now commercially available. components, we demonstrate VR displays with thicknesses of less than 9 However, current headsets still have box-like form factors and pro- mm, fields of view of over 90◦ horizontally, and form factors approach- ing sunglasses. In a benchtop form factor, we also demonstrate a full color vide only a fraction of the resolution of the human eye. Emerging display using wavelength-multiplexed holographic lenses that uses laser optical design techniques, such as polarization-based optical folding, illumination to provide a large gamut and highly saturated color. -
A N E W E R a I N O P T I
A NEW ERA IN OPTICS EXPERIENCE AN UNPRECEDENTED LEVEL OF PERFORMANCE NIKKOR Z Lens Category Map New-dimensional S-Line Other lenses optical performance realized NIKKOR Z NIKKOR Z NIKKOR Z Lenses other than the with the Z mount 14-30mm f/4 S 24-70mm f/2.8 S 24-70mm f/4 S S-Line series will be announced at a later date. NIKKOR Z 58mm f/0.95 S Noct The title of the S-Line is reserved only for NIKKOR Z lenses that have cleared newly NIKKOR Z NIKKOR Z established standards in design principles and quality control that are even stricter 35mm f/1.8 S 50mm f/1.8 S than Nikon’s conventional standards. The “S” can be read as representing words such as “Superior”, “Special” and “Sophisticated.” Top of the S-Line model: the culmination Versatile lenses offering a new dimension Well-balanced, of the NIKKOR quest for groundbreaking in optical performance high-performance lenses Whichever model you choose, every S-Line lens achieves richly detailed image expression optical performance These lenses bring a higher level of These lenses strike an optimum delivering a sense of reality in both still shooting and movie creation. It offers a new This lens has the ability to depict subjects imaging power, achieving superior balance between advanced in ways that have never been seen reproduction with high resolution even at functionality, compactness dimension in optical performance, including overwhelming resolution, bringing fresh before, including by rendering them with the periphery of the image, and utilizing and cost effectiveness, while an extremely shallow depth of field. -
Ground-Based Photographic Monitoring
United States Department of Agriculture Ground-Based Forest Service Pacific Northwest Research Station Photographic General Technical Report PNW-GTR-503 Monitoring May 2001 Frederick C. Hall Author Frederick C. Hall is senior plant ecologist, U.S. Department of Agriculture, Forest Service, Pacific Northwest Region, Natural Resources, P.O. Box 3623, Portland, Oregon 97208-3623. Paper prepared in cooperation with the Pacific Northwest Region. Abstract Hall, Frederick C. 2001 Ground-based photographic monitoring. Gen. Tech. Rep. PNW-GTR-503. Portland, OR: U.S. Department of Agriculture, Forest Service, Pacific Northwest Research Station. 340 p. Land management professionals (foresters, wildlife biologists, range managers, and land managers such as ranchers and forest land owners) often have need to evaluate their management activities. Photographic monitoring is a fast, simple, and effective way to determine if changes made to an area have been successful. Ground-based photo monitoring means using photographs taken at a specific site to monitor conditions or change. It may be divided into two systems: (1) comparison photos, whereby a photograph is used to compare a known condition with field conditions to estimate some parameter of the field condition; and (2) repeat photo- graphs, whereby several pictures are taken of the same tract of ground over time to detect change. Comparison systems deal with fuel loading, herbage utilization, and public reaction to scenery. Repeat photography is discussed in relation to land- scape, remote, and site-specific systems. Critical attributes of repeat photography are (1) maps to find the sampling location and of the photo monitoring layout; (2) documentation of the monitoring system to include purpose, camera and film, w e a t h e r, season, sampling technique, and equipment; and (3) precise replication of photographs. -
Davis Vision's Contact Lens Benefits FAQ's
Davis Vision’s Contact Lens Benefits FAQ’s for Council of Independent Colleges in Virginia Benefits Consortium, Inc. How your contact lens benefit works when you visit a Davis Vision network provider. As a Davis Vision member, you are entitled to receive contact lenses in lieu of eyeglasses during your benefit period. When you visit a Davis Vision network provider, you will first receive a comprehensive eye exam (which requires a $15 copayment) to determine the health of your eyes and the vision correction needed. If you choose to use your eyewear benefit for contacts, your eye care provider or their staff will need to further evaluate your vision care needs to prescribe the best lens options. Below is a summary of how your contact lens benefit works in the Davis Vision plan. What is the Davis Vision Contact you will have a $60 allowance after a $15 copay plus Lens Collection? 15% discount off of the balance over that amount. You will also receive a $130 allowance toward the cost of As with eyeglass frames, Davis Vision offers a special your contact lenses, plus 15% discount/1 off of the balance Collection of contact lenses to members, which over that amount. You will pay the balance remaining after greatly minimizes out-of-pocket costs. The Collection your allowance and discounts have been applied. is available only at independent network providers that also carry the Davis Vision Collection frames. Members may also choose to utilize their $130 allowance You can confirm which providers carry Davis Vision’s towards Non-Collection contacts through a provider’s own Collection by logging into the member website at supply. -
Lecture 37: Lenses and Mirrors
Lecture 37: Lenses and mirrors • Spherical lenses: converging, diverging • Plane mirrors • Spherical mirrors: concave, convex The animated ray diagrams were created by Dr. Alan Pringle. Terms and sign conventions for lenses and mirrors • object distance s, positive • image distance s’ , • positive if image is on side of outgoing light, i.e. same side of mirror, opposite side of lens: real image • s’ negative if image is on same side of lens/behind mirror: virtual image • focal length f positive for concave mirror and converging lens negative for convex mirror and diverging lens • object height h, positive • image height h’ positive if the image is upright negative if image is inverted • magnification m= h’/h , positive if upright, negative if inverted Lens equation 1 1 1 푠′ ℎ′ + = 푚 = − = magnification 푠 푠′ 푓 푠 ℎ 푓푠 푠′ = 푠 − 푓 Converging and diverging lenses f f F F Rays refract towards optical axis Rays refract away from optical axis thicker in the thinner in the center center • there are focal points on both sides of each lens • focal length f on both sides is the same Ray diagram for converging lens Ray 1 is parallel to the axis and refracts through F. Ray 2 passes through F’ before refracting parallel to the axis. Ray 3 passes straight through the center of the lens. F I O F’ object between f and 2f: image is real, inverted, enlarged object outside of 2f: image is real, inverted, reduced object inside of f: image is virtual, upright, enlarged Ray diagram for diverging lens Ray 1 is parallel to the axis and refracts as if from F. -
AG-AF100 28Mm Wide Lens
Contents 1. What change when you use the different imager size camera? 1. What happens? 2. Focal Length 2. Iris (F Stop) 3. Flange Back Adjustment 2. Why Bokeh occurs? 1. F Stop 2. Circle of confusion diameter limit 3. Airy Disc 4. Bokeh by Diffraction 5. 1/3” lens Response (Example) 6. What does In/Out of Focus mean? 7. Depth of Field 8. How to use Bokeh to shoot impressive pictures. 9. Note for AF100 shooting 3. Crop Factor 1. How to use Crop Factor 2. Foal Length and Depth of Field by Imager Size 3. What is the benefit of large sensor? 4. Appendix 1. Size of Imagers 2. Color Separation Filter 3. Sensitivity Comparison 4. ASA Sensitivity 5. Depth of Field Comparison by Imager Size 6. F Stop to get the same Depth of Field 7. Back Focus and Flange Back (Flange Focal Distance) 8. Distance Error by Flange Back Error 9. View Angle Formula 10. Conceptual Schema – Relationship between Iris and Resolution 11. What’s the difference between Video Camera Lens and Still Camera Lens 12. Depth of Field Formula 1.What changes when you use the different imager size camera? 1. Focal Length changes 58mm + + It becomes 35mm Full Frame Standard Lens (CANON, NIKON, LEICA etc.) AG-AF100 28mm Wide Lens 2. Iris (F Stop) changes *distance to object:2m Depth of Field changes *Iris:F4 2m 0m F4 F2 X X <35mm Still Camera> 0.26m 0.2m 0.4m 0.26m 0.2m F4 <4/3 inch> X 0.9m X F2 0.6m 0.4m 0.26m 0.2m Depth of Field 3. -
Choosing Digital Camera Lenses Ron Patterson, Carbon County Ag/4-H Agent Stephen Sagers, Tooele County 4-H Agent
June 2012 4H/Photography/2012-04pr Choosing Digital Camera Lenses Ron Patterson, Carbon County Ag/4-H Agent Stephen Sagers, Tooele County 4-H Agent the picture, such as wide angle, normal angle and Lenses may be the most critical component of the telescopic view. camera. The lens on a camera is a series of precision-shaped pieces of glass that, when placed together, can manipulate light and change the appearance of an image. Some cameras have removable lenses (interchangeable lenses) while other cameras have permanent lenses (fixed lenses). Fixed-lens cameras are limited in their versatility, but are generally much less expensive than a camera body with several potentially expensive lenses. (The cost for interchangeable lenses can range from $1-200 for standard lenses to $10,000 or more for high quality, professional lenses.) In addition, fixed-lens cameras are typically smaller and easier to pack around on sightseeing or recreational trips. Those who wish to become involved in fine art, fashion, portrait, landscape, or wildlife photography, would be wise to become familiar with the various types of lenses serious photographers use. The following discussion is mostly about interchangeable-lens cameras. However, understanding the concepts will help in understanding fixed-lens cameras as well. Figures 1 & 2. Figure 1 shows this camera at its minimum Lens Terms focal length of 4.7mm, while Figure 2 shows the110mm maximum focal length. While the discussion on lenses can become quite technical there are some terms that need to be Focal length refers to the distance from the optical understood to grasp basic optical concepts—focal center of the lens to the image sensor. -
The Plumbers Telescope-English
240.BLT KLAUS HÜNIG than 10mm. Use sandpaper to smooth the hole and then roughen the inside of the plug The Plumber’s Telescope to provide a good base for the glue. Remove Kit for an astronomical refracting telescope with Put a small amount of glue evenly all dust and loose plastic bits. 30x magnification, fromusing any 40mm local drain DIY pipes store around the inner side of the end with the Step 8: tags, again without drops or strings. Apply a generous amount of glue onto the Push the eyepiece into the holder from disk holding the eyepiece and fit it into the the tag side and slide it into place by socket plug so that the hole in the disk sits pushing it onto the work surface so it is centrally over the hole in the plug. Again flush with the six tags. take care that no glue gets onto the surface of the lens. After the glue has set, push the plug into the second push-fit coupling. This •Achromatic objective lens, finishes the construction of the eyepiece Ø 40mm, f +450mm holder. •Colour corrected Plössl eyepiece, 15mm, f +15mm Step 5: D. The final assembly Ø Open the 11mm central hole in Part C Step 9: •Tripod adapter (without tripod) Remove the rubber seal from the open end of (blind) using a sharp knife and then •Indestructible HT tubing Shopping list for the DIY store: remove the part from the cardboard. the eyepiece holder. Then fit the eyepiece Fold the six tags backwards and glue the holder on the open end of the objective lens •Shows Moon craters, phases tube.