Glass Shards • Page 2

Total Page:16

File Type:pdf, Size:1020Kb

Glass Shards • Page 2 GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Spring 2017 Seminar Registration Closing April 26 The NAGC welcomes members That afternoon, we will move to the features a silent auction of donated and other glass enthusiasts to its 33rd Huntington Museum of Art, the largest glass pieces and a talk by Arlie Sulka, annual Seminar, scheduled for May art museum in West Virginia. The mu- owner of Lillian Nassau LLC, who 11–13 in Charleston, West Virginia. seum’s senior curator, Christopher regularly appears on PBS’s Antiques The seminar begins Thursday, May Hatten, will discuss Russel Wright’s Roadshow. 11, with a full-day coach excursion to experimental designs for the Fostoria Registration packets have been the West Virginia Museum of Ameri- Glass Company. A special display of mailed to member; and the detailed can Glass in Weston. The museum’s these rarely seen pieces will be mount- information is also available on our archivist, Tom Felt, will introduce us ed for our visit. Web site, www.glassclub.org. to their glass collection (over 18,000 Saturday will be a mix of free time Two deadlines are fast approaching: pieces on display) and later delve more to explore the capital city, its annual April 21, for hotel reservations at our deeply into their Martin Massman historic district yard/estate sale, and deeply discounted group rate, and Collection of Steuben Glass. informative lectures at the hotel. James April 26, for Seminar registration. Friday’s coach outing takes us to Measell, author and Fenton historian If you did not receive the mailing the Blenko Glass Factory in Milton, and archivist, will present “The Stour- or you have any questions, contact West Virginia. Dean Six, vice presi- bridge School of Art and the Glass In- Loreen Ryan at (914) 337-5554, dent of marketing and sales, will dustry.” Holly McCluskey, curator of e-mail at [email protected]; or address the company’s history and glass at the Oglebay Institute Mansion Karen Petraglia at (603) 714-1249, achievements. Our group will be giv- Museum, will bring us up to date on e-mail [email protected]. en free range to explore the factory the new additions to their glass mu- floor, packing area, and design studio. seum. Saturday night’s banquet New Publication about Stevens & Williams A recent book entitled The Dynasty Crystal). This book is principally Builder: The Hidden Diaries of Samu- about Samuel, his business and family el Cox Williams, Founder of Stevens life and is based on the diaries he kept and Williams, by David Williams- from 1869 to 1883. It also covers the Thomas, should be of interest to many history of the firm from the end of this glass collectors. The book is based on period up to 1998, when the family’s the diaries of one of the principal pro- involvement in the business ended. tagonists in the Victorian handmade The author, David Williams-Thomas, glass industry, Samuel Cox Williams, is Samuel’s great-great-grandson and the “Dynasty Builder.” Samuel lived ran the business throughout his own near Stourbridge for 40 years, found- working life. ing Stevens & Williams in 1846, and A full review by glass historian building it into the most important James Measell will appear in the June Art Glass manufacturer in the world 2017 issue of the NAGC Bulletin. (it was later to become Royal Brierley Glass Shards • Page 2 2017 Spring Glass Show in Corning Are you looking for a quick fix for engraved glass. This year we have ex- Saturday evening, there will be a your glass addiction? Right. Don’t panded the offerings to include some dinner at the Radisson Hotel. Reserva- miss the glass show and sale being china and porcelain as well. American tions are required. Please contact the held at The Corning Museum of Glass, cut and engraved catalog reprints and show chairman for details. April 22 –23, 2017. Show hours are research materials will be available for Additional information about the 10 a.m.–5 p.m. on Saturday, April 22, sale, and replacement stoppers can be weekend can be obtained by contact- and 10 a.m.–3 p.m. on Sunday, April bought or traded. ing the show chairman, Harry Parker, 23. This event is hosted by The Cor- Attendees are also invited to attend at (703) 425-5574, or visit the group’s ning Museum of Glass and presented an informative workshop on Friday, Facebook page at www.facebook.com by the Twin Tiers Glass Collectors. April 21, at 2 p.m. in the Rakow Re- /Twin-Tiers-Glass-Collectors-452865 Admission is free with museum ad- search Library’s seminar room. Gail 801572744 (or enter Twin Tiers Glass mission, or $5.00 at the auditorium Bardhan, Reference and Research Collectors in Facebook’s search bar). door. Preeminent glass dealers from Librarian, will lead a discussion on Visitors can take advantage of a across the United States will be ex- how to research glass materials. She Radisson Hotel Corning special rate hibiting. The show’s emphasis will will also discuss accessing the Ra- over the weekend. Call the hotel di- be on American Brilliant cut and en- kow’s rich archives via the Internet. rectly at (607) 962-5000 and use the graved glass, but will also include LindaJo Hare will share information promo code CGLASS. Steuben, American art glass, English about period catalog images and how Come join us! Who knows, you and European art and engraved glass, they were produced. Samples of the might find a treasure or two! and early American cut glass and images and the blocks used to create them will be available. Glass Penny America got steel cents in 1943 in- The Mint Bureau began internal wreath designed by Anthony Paquet stead of glass, but a remnant of the experiments that eventually led to in the mid-19th century with the words World War II search for a copper sub- adoption of zinc coated steel for the “United States Mint” added in the stitute remains to tantalize collectors. 1943 coins. But the Mint also invited center. Researcher Roger W. Burdette has private companies to test various types The experiments were publicized in reported the only intact 1942 glass of plastic in the event metals were not trade magazines and officials at Blue experimental piece. Made by the Blue available. Ridge Glass Company in Kingsport, Ridge Glass Company it has been Several makers of plastic buttons Tenn., asked to participate. The Mint certified by the Professional Coin and other small items were loaned a had a pair of used dies sent from Colt Grading Service, graded PR-64. The pair of cent-size medal dies prepared Manufacturing Co., one of the plastics glass experimental piece is presently by Mint engraver John Sinnock. The experimenters, and Blue Ridge ob- held in a private collection, according obverse included a portrait of Liberty tained tempered glass “blanks” (or to Burdette. copied from the Columbia two centa- “preforms”) from Corning Glass Co. As he tells its full story, it is made vos. The reverse design was a simple from tempered, yellow-amber trans- parent glass. It is identical in die align- ment to the only other known example, which is broken in half. This is de- scribed and illustrated on pages 95–96 in the book Pattern and Experimental Pieces of WW-II by Burdette. During 1942, the U.S. Mint was searching for a substitute for copper used in the one-cent coin. Copper was a critical war materiel and the War Production Board refused to allocate enough to the Mint to make cents for the next year. Glass penny. Glass Shards • Page 3 President’s Letter Dear Friends, attendance. Everyone was welcoming, For the past two years, I have been helpful, and encouraging and several telling you the sad news about the Spring has arrived to South Jersey individuals became my mentors. Forty- collectors and friends we have lost. and the daffodils and forsythia are one years later, the 2017 seminar will Somehow we overlooked the passing blooming. This is my last letter as be held in Charleston, West Virginia. of James “Jim” Davidson who passed President. I have been a member of If you have not had been able to visit away last year. Jim was a member of NAGC since the 1970s and have the West Virginia Museum of Ameri- the Baltimore Chapter, served on the served on the Board in several posi- can Glass with its vast glass collection, NAGC Board and was Membership tions. I sincerely recommend joining now is your chance. Also it is a great chair for nearly ten years. Jim took the Board and participating in the opportunity to see demonstrations at over the job after Bill and Nancy direction of the NAGC organization. the Blenko Glass Company and view- Sheriff retired from their long service I have made lifelong friends and ing the Huntington Museum of Art’s doing the membership. Jim comput- learned so much about glass. glass collection. A special treat will erized the membership listing and The first seminar I attended was the be our banquet speaker Arlie Sulka, brought his organizational skills to National Capitol Glass Seminar spon- owner of Lillian Nassau LTD special- the position. He was an avid milk sored by the National Early American izing in Tiffany glass and appraiser glass collector and a member of the Glass Club in 1976 at the Kenwood for PBS’ Antiques Roadshow since Milk Glass Collectors Association. Country Club in Bethesda Maryland.
Recommended publications
  • The Depression Era Pdf, Epub, Ebook
    CENTRAL GLASS WORKS: THE DEPRESSION ERA PDF, EPUB, EBOOK Tim Schmidt | 192 pages | 01 Jun 2004 | Schiffer Publishing Ltd | 9780764320163 | English | Atglen, United States Central Glass Works: The Depression Era PDF Book Comic Books. To find a value for your vintage glassware, shop around. Nonetheless, stock prices continued to rise, and by the fall of that year had reached stratospheric levels that could not be justified by expected future earnings. Answer: When we think of Depression Glass, we usually think of the popular dishware manufactured during that period. Lorraine — Also known as pattern No. Model Trains. The early history of the companies and operations which became the Indiana Glass Company are confusing, convoluted and not terribly well documented! And those relief programs for which blacks were eligible on paper were rife with discrimination in practice, since all relief programs were administered locally. Feel the heft of it. Princess is often found in pink and green, followed by yellow and occasionally in light blue. Jobs available to women paid less, but were more stable during the banking crisis: nursing, teaching and domestic work. Many cookie jars were made in colors not originally associated with Mayfair, but the pink and light blue versions can be troublesome for new collectors. It went over to mass production in the s. Consignment shops also must collect a percentage of the sold price. Pyramid — also known as pattern No. For instance, English Hobnail and Miss America can look very similar with just a cursory inspection. Most often found in pink and monax. Lincoln's Depression. Cookie jars and shot glasses have been reproduced in the Mayfair pattern.
    [Show full text]
  • Tiffany Memorial Windows
    Tiffany Memorial Windows: How They Unified a Region and a Nation through Women’s Associations from the North and the South at the Turn of the Twentieth Century Michelle Rene Powell Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts The Smithsonian Associates and Corcoran College of Art and Design 2012 ii ©2012 Michelle Rene Powell All Rights Reserved i Table of Contents List of Illustrations i Introduction 1 Chapter 1: Old Blandford Church, American Red Cross Building, and Windows 8 The Buildings 9 The Windows in Old Blandford Church 18 The Windows in the National American Red Cross Building 18 Comparing the Window Imagery 22 Chapter 2: History of Women’s Memorial Associations 30 Ladies’ Memorial Associations 30 United Daughters of the Confederacy 34 Woman’s Relief Corps 39 Fundraising 41 Chapter 3: Civil War Monuments and Memorials 45 Monuments and Memorials 45 Chapter 4: From the Late Twentieth Century to the Present 51 What the Windows Mean Today 51 Personal Reflections 53 Endnotes 55 Bibliography 62 Illustrations 67 ii List of Illustrations I.1: Tiffany Glass & Decorating Company, Reconstruction of 1893 Tiffany Chapel 67 Displayed at the Columbian Exposition I.2: Tiffany Glass & Decorating Company advertisement, 1898 68 I.3: Tiffany Glass & Decorating Company advertisement, 1895 69 I.4: Tiffany Glass & Decorating Company advertisement, 1899 70 I.5: Tiffany Studios, Materials in Glass and Stone, 1913 71 I.6: Tiffany Studios, Tributes to Honor, 1918 71 1.1: Old Blandford Church exterior 72 1.2: Old Blandford Church interior 72 1.3: Depictions of the marble buildings along 17th St.
    [Show full text]
  • December 2013 Volume 6 Alabama Epscor Alabama’S Graduate Research Scholars Program - GRSP
    GRSP GRADUATE RESEARCH SCHOLARS PROGRAM December 2013 Volume 6 Alabama EPSCoR alabama’s Graduate Research Scholars Program - GRSP - Is unique Among National EPSCoR Programs. Few states have committed major resources toward the sponsorship and development of its next generation of researchers, scientists, and innovators. The GRSP is a state investment in Alabama’s universities that will expand research output, attract quality graduate students and make our universities more competitive for quality faculty hires. The program will provide a highly trained workforce to fuel the growth of high technology companies in Alabama. A significant goal of the GRSP is to encourage interdisciplinary training and research, to train professionals for careers in the scrutinized fields, and to encourage individuals from underrepresented groups to consider careers in these fields. Table of Contents Message from the ALEPSCoR Steering Committee Chair....................................................................4 Message from the ALEPSCoR Executive Director................................................................................5 Overview ......................................................................................................................................................................6 Tables and Statistics............................................................................................................................7 GRSP Presentation to the Alabama Commission on Higher Education .......................................................8
    [Show full text]
  • Life and Art Gift of Louis T
    Morse Museum Object Guide 20) Top to bottom: 22) Top to bottom: Tiffany Studios, Madison Avenue Invitation, February 4, 1913 Louis Comfort showroom, New York City, c. 1927 “Egyptian Fête of the Time of Cleopatra,” Photographic print Tiffany Studios, New York City 2000-024:04 Print on paper Gift of Mrs. Collier F. Platt Tiffany’s Award certificate, 1901 55-030 Pan-American Exposition, Buffalo, New York Synopsis of the Egyptian Fête, Print and ink on paper February 4, 1913 Inscribed: A Silver Medal on Louis C. Tiffany Studios, New York City Louis Comfort Tiffany, c. 1920s. Tiffany for Fountain and Decoration Print on paper Photograph by Blank & Stoller. Life and Art Gift of Louis T. Lusk Gift of Mrs. Collier F. Platt Gift of Mrs. Benjamin Hosking (67-035). 68-060:12 1999-080 Unless otherwise noted, the objects in 1879–1887: LEADING AMERICAN DECORATOR this gallery were designed by Louis 21) The Art Work of Louis C. Tiffany 1916–1933: QUEST OF BEAUTY Comfort Tiffany (1848–1933) or one of 5) Castillo de San Marcos, Embossed gilt bronze, printed vellum his artists and made under the name of St. Augustine, Florida, c. 1883 Louis Comfort Tiffany, 1848–1933, 23) Top to bottom: Oil on canvas binding designer one of his companies. The installation history at various Tiffany residences is Signed, lower right: L.C.T. Charles de Kay, 1848–1935, author Proclamation, 1925–26 92-003 New York: Doubleday, Page & Company, Recognition of Louis C. Tiffany by stated if known. 1914 The Louis Comfort Tiffany Foundation 6) Tile, c.
    [Show full text]
  • Glass Shards • Page 2
    GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Autumn 2019 New Bedford Museum of Glass on the Move! After 3 months of heroic effort last Mt. Washington Glass Company, will relocation possible: Aaron Barr, Mary spring by a team of dedicated volun­ provide a perfect home for the muse­ Jo Baryza, Jeff Costa, David DeMello, teers, the New Bedford Museum of um, and we expect to open our new Brian Gunnison, Peggy Hooper, Maria Glass is happy to report that it has fully glass galleries there later this year. Martell, Luis Marquez, Charlie Moss, vacated its former premises and is now Heart-felt thanks to the following Andrea Natsios, Betsy Nelson, Eric making steady progress toward set­ volunteers (many NAGC members Nelson, Ross Nelson, Karen Petraglia, ting up its new gallery, library, office, among them!) who helped make our and Clint Sowle. and shop spaces in downtown New Bedford’s magnificent James Arnold Mansion! Literally thousands of ex­ amples of beautiful glass, including art glass, paperweights, early Ameri­ can glass, and studio glass by contem­ porary artists, have been carefully packed and moved to the new location, along with more than 50 massive dis­ play cases, a library of 15,000 glass reference books, and countless fasci­ nating odds and ends that help tell the story of approximately 2,500 years of glassmaking history. The mansion, which served as the residence in the 1870s and ’80s of William J. Rotch, the president of New Bedford’s famous The new home of the New Bedford Glass Museum.
    [Show full text]
  • Tiffany Glass
    Woodson Art Museum in your classroom Tiffany Glass Winter 2016-17 Top: Detail from Tiffany Studios, New York, Apple Blossom Library Lamp, ca. 1905, leaded glass, bronze; Below: Tiffany Studios, New York, Clara Driscoll, designer, Wisteria Library Lamp, ca. 1901, leaded glass, bronze. All artworks and images from The Neustadt Collection of Tiffany Glass, Queen, New York. Above: Detail from Tiffany Studios, New York, Begonia Reading Lamp, ca. 1905, leaded glass, bronze; Below: Louis Comfort Tiffany, Favrile Vase, 1909, blown glass; Victorian Art Glass Basket Introduction to Exhibitions on View This winter at the Leigh Yawkey Woodson Art Museum, three complementary exhibitions focused on art glass showcase the range of materials, forms, and designs spanning three iconic movements in American decorative arts: Victorian Era, Gilded Age, and Art Nouveau. Tiffany Glass: Painting with Color and Light includes twenty Tiffany Studios leaded glass lamps, five large stained glass windows, hanging shades, and three forgeries modeled after Tiffany’s iconic lamp designs, all from The Neaustadt Collection of Tiffany Glass. For more information about the exhibition and The Neustadt Collection, check out the Woodson Art Museum’s free app and videos on our Youtube Channel. Two exhibitions from the Woodson Art Museum’s glass collection juxtapose the intricate, feminine designs of the Victorian Era with the more modern and restrained aesthetics of the Art Nouveau period. Enduring Beauty: Art Nouveau Glass features bold iridescent glass in sleek undulating forms typical of the decorative, yet utilitarian, turn-of-the-twentieth-century glassware. Victorian Art Glass Baskets also from the Art Museum’s collection, feature bright colors “woven” throughout delicate glass reminiscent of frills on tutus and unfurling flower petals.
    [Show full text]
  • Antique Glass by Company 121
    ANTIQUE GLASS BY COMPANY 121 Blenko Glass: 1962-1971 Catalogs. Leslie Corning Pyroceram® Cookware. Randy Fenton Glass Compendium: 1970-1985. Piña. Recently, Blenko glass designs from the 1950s & Debbie Coe. A detailed account of Corning’s John Walk. Over 1,160 color photos display and 1960s have caught collectors’ eyes. This book Pyroceram® cookware. 60 plus patterns are Fenton art glass wares, ranging from baskets presents an exact, full-color reprinting of the yearly listed and shown in over 400 color photos. and bells to special order items and vases, made Blenko company catalogs from 1962 through 1971, Reprints of catalogs, brochures, and historical from 1970 through 1985. Every color, form, thus offering a complete, well-illustrated record of material, and a detailed bibliography provide and glass decorating motif is detailed. The text Blenko glass products, including original retail prices much additional information. An index gives easy includes the production history of the beautiful and up-to-date prices. access to the contents. Current values included. art wares produced during this period. Values Size: 8 1/2" x 11" • 180 color photos Size: 8 1/2" x 11" • 423 color photos • Price Guide/ are in the captions and in tables. Price Guide • 160 pp. Index • 160 pp. Size: 8 1/2" x 11" • 1,164 color photos ISBN: 0-7643-1026-7 • hard cover • $29.95 ISBN: 978-0-7643-3139-8 • soft cover • $29.99 Price Guide • 240 pp. ISBN: 0-7643-1344-4 • hard cover • $29.95 Blenko 1972-1983 Catalogs. Introduction by Leslie Piña. This reprint of the twelve 1972-1983 The Artistic Glassware of Dalzell, Gilmore Fenton Glass Compendium: 1985-Present.
    [Show full text]
  • American Glassware, Old and New : a Sketch of the Glass Industry In
    II 6G6-( f pRflMKLlN [WSTITUTE \J3RAR^ FHIL/lDELFHId 5'4 ' S / Class leookB 23 a Accession 4 Digitized by the Internet Archive in 2014 https://archive.org/details/americanglasswarOObarb WASHINGTON (See No. 79) American Glassware Old and New A Sketch of the Glass Industry IN THE United States AND Manual for Collectors of Historical Bottles By EDWIN ATLEE BARBER, A.M., Ph.D. Author of Pottery and Porcelain of the United States, Anglo-American Pottery, Etc., Etc., Etc. Honorary Curator of the Department of American Pottery and Porcelain, Pennsylvania Museum and School of Industrial Art, Philadelphia , Pa. PRESS OF Patterson & White Company philadelphia, pa, MCM Jii n lA 1 900 Copyright 1900 By Edwin A. Barber Cj o MOORE FUND THE GETTY CENTER LIBRARv TO ALL LOVERS OF THE ANTIQUE THE CURIOUS THE BEAUTIFUL IN GLASSWARE PREFACE Collectors of antiquities have recently begun to turn their attention to those curious old de- signs in glassware which illustrate events of im- portance in our nation's progress, or attempt to portray the features of some of the personages who were prominent in the country's history. On account of the absence of distinguishing marks, the origin of these quaint old flasks and bottles and teacup plates has heretofore been en- shrouded in doubt. Whether they were oi foreign or American production, none could posi- tively say. Those whose interest has been aroused in this subject have felt the need of a manual which, while throwing some light on the factories where these objects were produced, shall furnish a refer- ence list of known designs.
    [Show full text]
  • Tiffany Windows in Richmond and Petersburg, Virginia Rachel M
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1997 Tiffany Windows in Richmond and Petersburg, Virginia Rachel M. Bradshaw [email protected] Follow this and additional works at: http://scholarscompass.vcu.edu/etd Part of the History of Art, Architecture, and Archaeology Commons © The Author Downloaded from http://scholarscompass.vcu.edu/etd/4389 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. APPROVAL CERTIFICATE TIFFANY WINDOWS IN RICHMOND AND PETERSBURG, VIRGINIA by RACHEL M. BRADSHAW Th�sis Advisor Reader Dean, School of the Arts Dean, School of Graduate Studies 15;;c;c;i. Date TIFFANY WINDOWS IN RICHMOND AND PETERSBURG, VIRGINIA by RACHEL M. BRADSHAW B.A., Troy State University, 1991 Submitted to the Faculty of the School of the Arts of Virginia Commonwealth University in Partial Fulfillment of the Requirements for the Degree Master of Arts RICHMOND, VIRGINIA April, 1997 Table of Contents Acknowledgements...... lll List of illustrations....... IV Introduction. ................................... .... Catalog ................................................. 20 Monumental Church........... 21 St. Paul's Episcopal Church.... 25 Second Presbyterian Church. ....... 62 69 Grace and Holy Trinity Church ..................... Temple Beth Ahabah ............................ 74 St. James Episcopal Church ....... 77 All Saints Episcopal Church..... 91 Ginter Park Baptist Church ...... 123 Hollywood Cemetery... 139 Old Blandford Church.. 146 Washington Street United Methodist Church........... 182 Conclusion........................................ 186 Selected Bibliography ....................................... 188 ii Acknowledgements I would like to thank my advisor, Dr. Anne Crowe, for her patience, support, and encouragement, and my reader, Dr.
    [Show full text]
  • Renninger's ANTIQUE GUIDE EXTRAVAGANZA DATES
    YOUR GUIDE TO SHOWS, SHOPS, ANTIQUE/FLEA MARKETS AND AUCTIONS • READ US ONLINE CELEBRATING Renninger’s OUR 45TH YEAR ANTIQUE GUIDE VOLUME 45, NUMBER 1 WWW.RENNINGERS.NET JANUARY-FEBRUARY 2019 CURRENT ‘Clobbered’ Porcelain PRICES By Terry and Kim Kovel he English word “clobbered” has been used since at Current prices are recorded least the 1600s, but its meaning has changed. It still IURP DQWLTXHV VKRZV ÁHD PDU means beaten up, badly injured or damaged. But the NHWVVDOHVDQGDXFWLRQVWKURXJK word had a very different meaning in the 1700s. It out the United States. Prices vary describes porcelain dishes or ornaments with blue- in different locations because of and-white7 underglaze decoration that were altered. And in an local economic conditions. auction catalog or antiques display, the clobbered alterations Porcelain vase, double handles, are not bad and not damaging, but enhancing, and not a reason OHDYHVÁRZHUVSLQNJUHHQEURZQ WRSD\DORZHUSULFH7KH&KLQHVHPDGHPRVWRIWKHEOXHDQG continental, 13 x 17 inches, $70. ZKLWHSLHFHVLQWKHODWHVWRHDUO\V7KH\ZHUHVKLSSHG &KHOVHD ÀJXULQH -RKQ 0LOWRQ to many countries and overpainted with colored glazes because standing, leaning on pedestal, gilt WKHSXEOLFZRXOGSD\PRUHIRUFRORUHGXUQVRUGLVKHV7KH highlights, print shirt, purple drap- decorations did not follow the blue-and-white outlines of the ing, 1800, 12 1/2 inches, $120. original glaze, but were applied as new pictures and ornamental -DSDQHVH SULQW 8WDJDZD .XQL GHVLJQVRYHUWKHROGJOD]H7KH(QJOLVKGLGWKHVDPHRYHUJOD]H yoshi, samurai holding large staff, GHFRUDWLQJEXWPDQ\WKRXJKWLWZDVGDPDJHGQRWLPSURYHG7KH beach, waves, blue, orange, cream, Germans called it “schwarzlot” (blackish) decoration. A pair of 1840, 15 x 10 inches, $145. “Chinese Export clobbered porcelain vases” were sold at a New 7D]]DEURQ]HJLOWFDWRZODUD Orleans auction for $5,750.
    [Show full text]
  • North Shore Sample
    T a b l e o f C o n t e n t s Volume I Acknowledgments . iv Introduction . vii Maps of Long Island Estate Areas . xiv Factors Applicable to Usage . xvii Surname Entries A – M . 1 Volume II Surname Entries N – Z . 803 Appendices: ArcHitects . 1257 Civic Activists . 1299 Estate Names . 1317 Golf Courses on former NortH SHore Estates . 1351 Hereditary Titles . 1353 Landscape ArcHitects . 1355 Maiden Names . 1393 Motion Pictures Filmed at NortH SHore Estates . 1451 Occupations . 1457 ReHabilitative Secondary Uses of Surviving Estate Houses . 1499 Statesmen and Diplomats WHo Resided on Long Island's North Shore . 1505 Village Locations of Estates . 1517 America's First Age of Fortune: A Selected BibliograpHy . 1533 Selected BibliograpHic References to Individual NortH SHore Estate Owners . 1541 BiograpHical Sources Consulted . 1595 Maps Consulted for Estate Locations . 1597 PhotograpHic and Map Credits . 1598 I n t r o d u c t i o n Long Island's NortH SHore Gold Coast, more tHan any otHer section of tHe country, captured tHe imagination of twentieth-century America, even oversHadowing tHe Island's SoutH SHore and East End estate areas, wHich Have remained relatively unknown. THis, in part, is attributable to F. Scott Fitzgerald's The Great Gatsby, whicH continues to fascinate the public in its portrayal of the life-style, as Fitzgerald perceived it, of tHe NortH SHore elite of tHe 1920s.1 The NortH SHore estate era began in tHe latter part of the 1800s, more than forty years after many of the nation's wealtHy Had establisHed tHeir country Homes in tHe Towns of Babylon and Islip, along tHe Great SoutH Bay Ocean on tHe SoutH Shore of Long Island.
    [Show full text]
  • The Coming Museum of Glass Newglass Review 23
    The Coming Museum of Glass NewGlass Review 23 The Corning Museum of Glass Corning, New York 2002 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made between der Voraussetzung ausgewahlt, dass sie zwi- October 1, 2000, and October 1, 2001. schen dem 1. Oktober 2000 und dem 1. Okto- ber 2001 entworfen und gefertig wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass please contact: Rew'ewkonnen angefordert werden bei: The Corning Museum of Glass Buying Office One Museum Way Corning, New York 14830-2253 Telephone: (607) 974-6821 Fax: (607) 974-7365 E-mail: [email protected] To Our Readers An unsere Leser Since 1985, New Glass Review has been printed by Seit 1985 wird New Glass Review von der Ritterbach Ritterbach Verlag GmbH in Frechen, Germany. This Verlag GmbH in Frechen, Deutschland, gedruckt. Dieser firm also publishes NEUES GLAS/NEW GLASS, a Verlag veroffentlicht seit 1980 auBerdem NEUES GLAS/ quarterly magazine devoted to contemporary glass- NEW GLASS, eine zweisprachige (deutsch/englisch), making. vierteljahrlich erscheinende Zeitschrift, die iiber zeitge- New Glass Review is published annually as part of the nossische Glaskunst weltweit berichtet. April/June issue of NEUES GLAS/NEW GLASS. It is Die New Glass Review wird jedes Jahr als Teil der Mai- also available as an offprint. Both of these publications, ausgabe von NEUES GLAS/NEW GLASS veroffentlicht. as well as subscriptions to New Glass Review, are avail­ Sie ist aber auch als Sonderdruck erhaltlich.
    [Show full text]