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Organisms and Human Bodies As Contagions in the Post-Apocalyptic State
CHAPTER 1 Organisms and Human Bodies as Contagions in the Post-Apocalyptic State Robert A. Booth n this chapter, I show how discourses of contagion and pollution not only imbue many post-apocalyptic cinema and television narratives but also mirror public discourse about immigration. Further, I examine the often- I 1 racialized immigrant in post-apocalyptic film and television that is, in essence, a discourse on insider–outsider social divisions and relationships of power. Finally, I elucidate the argument that post-apocalyptic film and television rein- force the primacy of centralized political authority, namely the State, and post- 9/11 post-apocalyptic film in particular reinforces the hegemony of the State. The post-apocalyptic subgenre of science fiction and/or horror has become popular fodder for cinema and television. As Susan Sontag notes, “the science fiction film . is concerned with the aesthetics of destruction, with the pecu- liar beauties to be found in wreaking havoc, making a mess. And it is in the imagery of destruction that the core of a good science fiction film lies.”2 Portrayals of the post-apocalypse often index or echo visual memories of terrible societal traumatic events of the past.3 With the experience of the social, political, economic, and emotional trauma of the 9/11 attacks, one might reasonably assume that Americans would acquire a distaste for graphic destructive violence. Certainly, after the attacks, filmmakers occasionally felt pressured to remove images of the Twin Towers or to change content that might evoke the tragedy, such as planes crashing into skyscrapers. However, post-apocalyptic genres remain ever popular in American television and cinema. -
The Myth of Closure
PROCESS The Myth of Closure PAULINE BOSS* DONNA CARNES† To read this article in Spanish, please see the article’s Supporting Information on Wiley Online Library (wileyonlinelibrary.com/journal/famp). Therapies for grief and loss have traditionally focused on the work of grieving. The goal was to reach an endpoint, now popularly called closure. There are, however, many people who, through no fault of their own, find a loss so unclear that there can be no end to grief. They have not failed in the work of grieving, but rather have suffered ambiguous loss, a type of loss that is inherently open ended. Instead of closure, the therapeutic goal is to help people find meaning despite the lack of definitive information and finality. Hope lies in increasing a family’s tolerance for ambiguity, but first, professionals must increase their own comfort with unanswered questions. In this article, the authors, one a poet, the other a family therapist and theorist, offer a unique blending of theory, reflection, and poetry to experientially deepen the process of self-reflection about a kind of loss that defies closure. Keywords: Ambiguous Loss; No Closure; Unresolved Loss; Unresolved Grief; Meaning Making; Sadness Versus Depression; Self-Reflection; Complex Grief Fam Proc 51:456–469, 2012 n the world of grief and mourning, there is a type of loss that defies closure even with Ihealthy families. It is called ambiguous loss, a term coined in the 1970s to illustrate a unique kind of loss when a loved one disappears in body or mind.1 A family member van- ishes physically with no verification of whereabouts or fate as dead or alive or fades away psychologically from dementia and other cognitive or emotional impairments. -
The Barbara Johnson Reader a John Hope Franklin Center Book the Barbara Johnson Reader the Surprise of Otherness
The Barbara Johnson Reader A John Hope Franklin Center Book The Barbara Johnson Reader The Surprise of Otherness Barbara Johnson edited by melissa feuerstein bill johnson gonzález lili porten keja valens With an Introduction by judith butler and an Afterword by shoshana felman Duke University Press Durham and London 2014 © 2014 Duke University Press Afterword © 2014 Shoshana Felman All rights reserved Printed in the United States of America on acid- free paper ∞ Designed by April Leidig Typeset in Minion Pro by Westchester Publishing Services Library of Congress Cataloging-in-Publication Data The Barbara Johnson reader : the surprise of otherness / edited by Melissa Feuerstein, Bill Johnson Gonzalez, Lili Porten, and Keja Valens, with an introduction by Judith Butler and an afterword by Shoshana Felman. pages cm “A John Hope Franklin Center Book.” Includes bibliographical references and index. isbn 978-0-8223-5419-2 (pbk : alk. paper) isbn 978-0-8223-5403-1 (cloth : alk. paper) 1. Johnson, Barbara, 1947–2009. 2. Feminist literary criticism. I. Feuerstein, Melissa. II. Johnson Gonzalez, Bill, 1970– iii. Porten, Lili. IV. Valens, Keja, 1972– pn98.w64b37 2014 801.'95092—dc23 2013045003 Contents Ac know ledg ments vii Editors’ Preface xi Personhood and Other Objects: The Figural Dispute with Philosophy by Judith Butler xvii Barbara Johnson by Barbara Johnson xxvii part i | Reading Theory as Literature, Literature as Theory 1 The Critical Diff erence: BartheS/BalZac 3 2 Translator’s Introduction to Dissemination (abridged) 14 3 Poetry and Syntax: -
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS
Dance, Music, Art, and Religion Edited by Tore Ahlback SCRIPTA INSTITUTI DONNERIANI ABOENSIS XVI DANCE, MUSIC, ART, AND RELIGION Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th of August 1994 Edited by Tore Ahlbäck, Distributed by ALMQUIST & WIKSELL INTERNATIONAL STOCKHOLM, SWEDEN Dance, Music, Art, and Religion Dance, Music, Art, and Religion Based on Papers Read at the Symposium on Dance, Music, and Art in Religions Held at Åbo, Finland, on the 16th-18th August 1994 Edited by Tore Ahlbäck Published by The Donner Institute for Research in Religious and Cultural History Åbo Finland Distributed by Almqvist & Wiksell International Stockholm, Sweden ISSN 0582-3226 ISBN 951-650-834-0 Printed in Finland by Åbo Akademi University Printing Press Turku 1996 Contents Editorial Note 7 DESMOND AYIM-ABOAGYE Art, Music and Religious Experience in Libation Pouring of Akan Religion 9 UMAR HABILA DADEM DANFULANI Rituals as Dance and Dance as Rituals. The Drama of Kok Nji and Other Festivals in the Religious Experience of the Ngas, Mupun and Mwaghavul in Nigeria 27 VALERIE DEMARINIS With Dance and Drum. A Psychocultural Investigation of the Ritual Meaning-Making System of an Afro-Brazilian, Macumba Community in Salvador, Brazil 59 MONICA ENGELHART The Dancing Picture — The Ritual Dance of Native Australians 75 RAGNHILD BJERRE FINNESTAD Images as Messengers of Coptic Identity. An Example from Con- temporary Egypt 91 MARIANNE GÖRMAN The Necklace as a Divine Symbol and as a Sign of Dignity -
BROKEN HORN BULL a Collection of Essays
BROKEN HORN BULL A Collection of Essays by MARTIN ANBEGWON ATUIRE B.A., University of Colorado, Denver, l998 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Fine Arts Department of English 2011 This thesis entitled: Broken Horn Bull A Collection of Essays written by Martin Anbegwon Atuire has been approved for the Department of English Associate Professor Marcia Douglas Associate Professor John-Michael Rivera _________________________________________ Assistant Professor Noah Eli Gordon Date The final copy of this thesis has been examined by the signatories, and we Find that both the content and the form meet acceptable presentation standards Of scholarly work in the above mentioned discipline. Abstract Atuire, Martin Anbegwon (M.F.A. English, Creative Writing) Broken Horn Bull A Collection of Essays Thesis directed by Associate Professor Marcia Douglas I am a native Buli speaker and belong to the second generation of Bulsa who had the chance to obtain formal education in English. None of my grandparents, and hardly anyone from their generation had the opportunity to go to school. The first schools were established by the British beginning with my father’s generation. My mother never had the opportunity to go to school. She was therefore non-literate in English and Buli. During the colonial era, schools were mostly in the southern part of Ghana while the north, where I come from, was mostly left alone to its native ways and native forms of education. With such background I find myself as a writer working at a very interesting and exciting time in the history of our language and narrative forms. -
Comic Book Crime Truth, Justice, and the American Way
Comic Book Crime Truth, Justice, and the American Way INSTRUCTOR’S GUIDE Superman, Batman, Daredevil, and Wonder Woman are iconic cultural figures that em- body values of order, fairness, justice, and retribution. Comic Book Crime digs deep into these and other celebrated characters, provid- ing a comprehensive understanding of crime and justice in contemporary American comic books. This is a world where justice is deliv- ered, where heroes save ordinary citizens from certain doom, where evil is easily identified and thwarted by powers far greater than mere mortals could possess. Nickie Phillips and Sta- ci Strobl explore these representations and show that comic books, as a historically im- portant American cultural medium, participate in both reflecting and shaping an American ideological identity that is often focused on ideas of the apocalypse, utopia, retribution, and nationalism. Through an analysis of approximately 200 comic books sold from 2002 to 2010, as well as several years of immersion in comic book fan culture, Phillips and Strobl reveal the kinds of themes and plots popular comics feature in a post-9/11 context. They discuss heroes’ cal- culations of “deathworthiness,” or who should be killed in meting out justice, and how these judgments have as much to do with the hero’s character as they do with the actions of the villains. This fascinating volume also analyzes how class, race, ethnicity, gender, and sexual orientation are used to construct difference for both the heroes and the villains in ways that are both conservative and progressive. Engag- ing, sharp, and insightful, Comic Book Crime is a fresh take on the very meaning of truth, justice, and the American way. -
Grace and Peace Home Worship Guide for June 21, 2020 Opening
Grace and Peace Home Worship Guide for June 21, 2020 Opening Prayer Call to Worship Psalm 65:1-4 Song1 “Better Is One Day” Scripture John 6:60-71 Sermon2 “Take A Good Look” Pastor Jonathan Olsen Prayer Giving3 Song “In Christ Alone” Benediction 1 Thessalonians 5:23-24, 28 1 Lyrics are provided in this PDF. 2 A full transcript of the sermon is provided in this PDF. 3 You can give online through our website, our church app, or by mail. Better Is One Day In Christ Alone How lovely is Your dwelling place, O Lord almighty In Christ alone my hope is found, He is my light my strength my song For my soul longs and even faints for You This Cornerstone this solid Ground, firm through the fiercest drought and storm For here my heart is satisfied within Your presence What heights of love what depths of peace I sing beneath the shadow of Your wings When fears are stilled when strivings cease My Comforter my All in All, here in the love of Christ I stand CHORUS: Better is one day in Your courts, better is one day in Your house In Christ alone who took on flesh, fullness of God in helpless babe Better is one day in Your courts than thousands elsewhere This gift of love and righteousness, scorned by the ones He came to save (Than thousands elsewhere) Till on that cross as Jesus died, the wrath of God was satisfied For every sin on Him was laid, here in the death of Christ I live One thing I ask and I would seek, to see Your beauty To find You in the place Your glory dwells There in the ground His body lay, light of the world by darkness slain (REPEAT) -
Karaoke Mietsystem Songlist
Karaoke Mietsystem Songlist Ein Karaokesystem der Firma Showtronic Solutions AG in Zusammenarbeit mit Karafun. Karaoke-Katalog Update vom: 13/10/2020 Singen Sie online auf www.karafun.de Gesamter Katalog TOP 50 Shallow - A Star is Born Take Me Home, Country Roads - John Denver Skandal im Sperrbezirk - Spider Murphy Gang Griechischer Wein - Udo Jürgens Verdammt, Ich Lieb' Dich - Matthias Reim Dancing Queen - ABBA Dance Monkey - Tones and I Breaking Free - High School Musical In The Ghetto - Elvis Presley Angels - Robbie Williams Hulapalu - Andreas Gabalier Someone Like You - Adele 99 Luftballons - Nena Tage wie diese - Die Toten Hosen Ring of Fire - Johnny Cash Lemon Tree - Fool's Garden Ohne Dich (schlaf' ich heut' nacht nicht ein) - You Are the Reason - Calum Scott Perfect - Ed Sheeran Münchener Freiheit Stand by Me - Ben E. King Im Wagen Vor Mir - Henry Valentino And Uschi Let It Go - Idina Menzel Can You Feel The Love Tonight - The Lion King Atemlos durch die Nacht - Helene Fischer Roller - Apache 207 Someone You Loved - Lewis Capaldi I Want It That Way - Backstreet Boys Über Sieben Brücken Musst Du Gehn - Peter Maffay Summer Of '69 - Bryan Adams Cordula grün - Die Draufgänger Tequila - The Champs ...Baby One More Time - Britney Spears All of Me - John Legend Barbie Girl - Aqua Chasing Cars - Snow Patrol My Way - Frank Sinatra Hallelujah - Alexandra Burke Aber Bitte Mit Sahne - Udo Jürgens Bohemian Rhapsody - Queen Wannabe - Spice Girls Schrei nach Liebe - Die Ärzte Can't Help Falling In Love - Elvis Presley Country Roads - Hermes House Band Westerland - Die Ärzte Warum hast du nicht nein gesagt - Roland Kaiser Ich war noch niemals in New York - Ich War Noch Marmor, Stein Und Eisen Bricht - Drafi Deutscher Zombie - The Cranberries Niemals In New York Ich wollte nie erwachsen sein (Nessajas Lied) - Don't Stop Believing - Journey EXPLICIT Kann Texte enthalten, die nicht für Kinder und Jugendliche geeignet sind. -
Travel Writing 1700–1830 an Anthology
OXFORD WORLD’ S CLASSICS TRAVEL WRITING, 1700–1830 DURING the eighteenth century British travellers fanned out to every corner of the world, driven by diverse motives: scientific curi- osity, exploration, colonization, trade, diplomacy, and tourism, which began to flourish during this period. Those at home read voraciously in travel literature, which informed curious Britons about their nation’s activities overseas. The Empire, already estab- lished in the Caribbean and North America, was expanding in India and Africa and founding new outposts in the Pacific. Readers also enjoyed reports of travel closer to home: tours of the Continent and the British Isles themselves, whose beauty spots fuelled the rising fashion for picturesque and sublime scenery. Travel writing fed readers’ desire for adventure and exoticism and reinforced their pride in their nation’s achievements. It addressed scientific questions and gave philosophers food for thought. Political controversies were fought out in travel books, including the slavery question and the French Revolution debate. Above all, travellers’ descriptions of the wider world reveal their perception of themselves. Selected authors include Daniel Defoe, Joseph Addison, Mary Wortley Montagu, Samuel Johnson, James Boswell, James Cook, William Bartram, Mary Wollstonecraft, Dorothy Wordsworth, Walter Scott, Olaudah Equiano, Mungo Park, Ann Radcliffe, Matthew ‘Monk’ Lewis, and Frances Trollope. ELIZABETH A. BOHLS is Associate Professor of English at the University of Oregon. She is the author of Women Travel Writers and the Language of Aesthetics, 1716–1818, recently translated into Japanese, and of articles on travel writing and the novel. She is currently finishing a book on identity and place in writings from the colonial British Caribbean. -
Angry, for the Way I Have Treated Myself
Meet Sam Literary Magazine Staff Members & Editorial/Advertising Policy Anabel Hjellen Editor-in-Chief Suben Hwang Associate Editors-in-Chief Natasha Britt Entertainment Editor Juan Gomez Chyanne Chambers Yaneli Cortes Paul Cummings Jada Jackson Shahed-Fatim Aisheh Staff Writers Kyle LoJacono Advisor Contents By Suben Hwang ........................................................................................................................................... 4 By Juan Gomez .............................................................................................................................................. 8 By Shahed-Fatim Aisheh ............................................................................................................................. 12 By Anabel Hjellen-Diaz ................................................................................................................................ 16 By Chyanne Chambers ................................................................................................................................ 22 By Jada Jackson ........................................................................................................................................... 29 By Paul Cummings ....................................................................................................................................... 38 By Natasha Britt .......................................................................................................................................... 48 By -
Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan James Madison University, [email protected]
James Madison University JMU Scholarly Commons English College of Arts and Letters 2016 "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan James Madison University, [email protected] Follow this and additional works at: http://commons.lib.jmu.edu/eng Part of the American Literature Commons, Chicana/o Studies Commons, and the Latina/o Studies Commons Recommended Citation Fagan, Allison. "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival." College Literature 43.2 (2016). 310-341. This Article is brought to you for free and open access by the College of Arts and Letters at JMU Scholarly Commons. It has been accepted for inclusion in English by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. James Madison University JMU Scholarly Commons English College of Arts and Letters 2016 "La vida es el honor y el recuerdo": Oscar Zeta Acosta's Paratextual Struggle for Survival Allison Fagan Follow this and additional works at: http://commons.lib.jmu.edu/eng Part of the American Literature Commons, Chicana/o Studies Commons, and the Latina/o Studies Commons This Article is brought to you for free and open access by the College of Arts and Letters at JMU Scholarly Commons. It has been accepted for inclusion in English by an authorized administrator of JMU Scholarly Commons. For more information, please contact [email protected]. “LA VIDA ES EL HONOR Y EL RECUERDO”: OSCAR ZETA ACOSTA’S PARATEXTUAL STRUGGLE FOR SURVIVAL ALLISON FAGAN Dead or alive or even both, eh? That’s one thing they can’t take away from you. -
Title "Stand by Your Man/There Ain't No Future In
TITLE "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC by S. DIANE WILLIAMS Presented to the American Culture Faculty at the University of Michigan-Flint in partial fulfillment of the requirements for the Master of Liberal Studies in American Culture Date 98 8AUGUST 15 988AUGUST Firs t Reader Second Reader "STAND BY YOUR MAN/THERE AIN'T NO FUTURE IN THIS" THREE DECADES OF ROMANCE IN COUNTRY MUSIC S. DIANE WILLIAMS AUGUST 15, 19SB TABLE OF CONTENTS Preface Introduction - "You Never Called Me By My Name" Page 1 Chapter 1 — "Would Jesus Wear A Rolen" Page 13 Chapter 2 - "You Ain’t Woman Enough To Take My Man./ Stand By Your Man"; Lorrtta Lynn and Tammy Wynette Page 38 Chapter 3 - "Think About Love/Happy Birthday Dear Heartache"; Dolly Parton and Barbara Mandrell Page 53 Chapter 4 - "Do Me With Love/Love Will Find Its Way To You"; Janie Frickie and Reba McEntire F'aqe 70 Chapter 5 - "Hello, Dari in"; Conpempory Male Vocalists Page 90 Conclusion - "If 017 Hank Could Only See Us Now" Page 117 Appendix A - Comparison Of Billboard Chart F'osi t i ons Appendix B - Country Music Industry Awards Appendix C - Index of Songs Works Consulted PREFACE I grew up just outside of Flint, Michigan, not a place generally considered the huh of country music activity. One of the many misconception about country music is that its audience is strictly southern and rural; my northern urban working class family listened exclusively to country music. As a teenager I was was more interested in Motown than Nashville, but by the time I reached my early thirties I had became a serious country music fan.