Hammered Playbill
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Marvel Universe by Hasbro
Brian's Toys MARVEL Buy List Hasbro/ToyBiz Name Quantity Item Buy List Line Manufacturer Year Released Wave UPC you have TOTAL Notes Number Price to sell Last Updated: April 13, 2015 Questions/Concerns/Other Full Name: Address: Delivery Address: W730 State Road 35 Phone: Fountain City, WI 54629 Tel: 608.687.7572 ext: 3 E-mail: Referred By (please fill in) Fax: 608.687.7573 Email: [email protected] Guidelines for Brian’s Toys will require a list of your items if you are interested in receiving a price quote on your collection. It is very important that we Note: Buylist prices on this sheet may change after 30 days have an accurate description of your items so that we can give you an accurate price quote. By following the below format, you will help Selling Your Collection ensure an accurate quote for your collection. As an alternative to this excel form, we have a webapp available for http://buylist.brianstoys.com/lines/Marvel/toys . STEP 1 Please note: Yellow fields are user editable. You are capable of adding contact information above and quantities/notes below. Before we can confirm your quote, we will need to know what items you have to sell. The below list is by Marvel category. Search for each of your items and enter the quantity you want to sell in column I (see red arrow). (A hint for quick searching, press Ctrl + F to bring up excel's search box) The green total column will adjust the total as you enter in your quantities. -
A Chilling Look Back at Jeph Loeb and Tim Sale's
Jeph Loeb Sale and Tim at A back chilling look Batman and Scarecrow TM & © DC Comics. All Rights Reserved. 0 9 No.60 Oct. 201 2 $ 8 . 9 5 1 82658 27762 8 COMiCs HALLOWEEN HEROES AND VILLAINS: • SOLOMON GRUNDY • MAN-WOLF • LORD PUMPKIN • and RUTLAND, VERMONT’s Halloween Parade , bROnzE AGE AnD bEYOnD ’ s SCARECROW i . Volume 1, Number 60 October 2012 Comics’ Bronze Age and Beyond! The Retro Comics Experience! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks COVER ARTIST Tim Sale COVER COLORIST Glenn Whitmore COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Scott Andrews Tony Isabella Frank Balkin David Anthony Kraft Mike W. Barr Josh Kushins BACK SEAT DRIVER: Editorial by Michael Eury . .2 Bat-Blog Aaron Lopresti FLASHBACK: Looking Back at Batman: The Long Halloween . .3 Al Bradford Robert Menzies Tim Sale and Greg Wright recall working with Jeph Loeb on this landmark series Jarrod Buttery Dennis O’Neil INTERVIEW: It’s a Matter of Color: with Gregory Wright . .14 Dewey Cassell James Robinson The celebrated color artist (and writer and editor) discusses his interpretations of Tim Sale’s art Nicholas Connor Jerry Robinson Estate Gerry Conway Patrick Robinson BRING ON THE BAD GUYS: The Scarecrow . .19 Bob Cosgrove Rootology The history of one of Batman’s oldest foes, with comments from Barr, Davis, Friedrich, Grant, Jonathan Crane Brian Sagar and O’Neil, plus Golden Age great Jerry Robinson in one of his last interviews Dan Danko Tim Sale FLASHBACK: Marvel Comics’ Scarecrow . .31 Alan Davis Bill Schelly Yep, there was another Scarecrow in comics—an anti-hero with a patchy career at Marvel DC Comics John Schwirian PRINCE STREET NEWS: A Visit to the (Great) Pumpkin Patch . -
ADMINISTRATION GUIDE Version 7.2
GUIDE STORMSHIELD ENDPOINT SECURITY ADMINISTRATION GUIDE Version 7.2 Document last update: June 2, 2021 Reference: ses-en-administration_guide-v7.2 SES - ADMINISTRATION GUIDE - V 7.2 Table of contents Preface 9 Thanks! 9 What is the target audience? 9 Contact 9 1. Use environment 10 1.1 Recommendations on security watch 10 1.2 Recommendations on keys and certificates 10 1.3 Recommendations on algorithms 10 1.4 Recommendations on administrators 10 1.5 Recommendations on workstations 10 1.6 Recommendations on administration workstations 11 1.7 Certification and qualification environment 11 2. Stormshield Endpoint Security Overview 12 2.1 Concepts 12 2.1.1 Concept 1: Integrated security 12 2.1.2 Concept 2: Proactive protection 12 2.1.3 Concept 3: Adaptive control 13 2.1.4 Concept 4: Flexible policy control 13 2.1.5 Concept 5: Application of policies based on the organization's directory 13 2.1.6 Concept 6: Information feedback 13 2.1.7 Concept 7: Data encryption 13 2.2 Protection mechanisms 13 2.2.1 Rule-based protection 14 2.2.2 Automatic protections 14 2.3 Architecture 15 2.3.1 Concepts 15 2.3.2 Stormshield Endpoint Security components 15 2.4 Packages and licenses 18 2.4.1 Packages 18 2.4.2 Licenses 21 3. Stormshield Endpoint Security Installation and Uninstallation 24 3.1 Downloading the Stormshield Endpoint Security software 24 3.1.1 Downloading from the client area 24 3.1.2 Checking software authenticity 24 3.2 System prerequisites for Stormshield Endpoint Security under Windows 25 3.2.1 Active Directory prerequisites 25 3.2.2 Stormshield -
Simonson's Thor Bronze Age Thor New Gods • Eternals
201 1 December .53 No 5 SIMONSON’S THOR $ 8 . 9 BRONZE AGE THOR NEW GODS • ETERNALS “PRO2PRO” interview with DeFALCO & FRENZ HERCULES • MOONDRAGON exclusive MOORCOCK interview! 1 1 1 82658 27762 8 Volume 1, Number 53 December 2011 Celebrating The Retro Comics Experience! the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR-IN-CHIEF Michael Eury PUBLISHER John Morrow DESIGNER Rich J. Fowlks . COVER ARTIST c n I , s Walter Simonson r e t c a r a COVER COLORIST h C l Glenn Whitmore e v r a BACK SEAT DRIVER: Editorial by Michael Eury . .2 M COVER DESIGNERS 1 1 0 2 Michael Kronenberg and John Morrow FLASHBACK: The Old Order Changeth! Thor in the Early Bronze Age . .3 © . Stan Lee, Roy Thomas, and Gerry Conway remember their time in Asgard s n o i PROOFREADER t c u OFF MY CHEST: Three Ways to End the New Gods Saga . .11 A Rob Smentek s c The Eternals, Captain Victory, and Hunger Dogs—how Jack Kirby’s gods continued with i m SPECIAL THANKS o C and without the King e g Jack Abramowitz Brian K. Morris a t i r FLASHBACK: Moondragon: Goddess in Her Own Mind . .19 e Matt Adler Luigi Novi H f Getting inside the head of this Avenger/Defender o Roger Ash Alan J. Porter y s e t Bob Budiansky Jason Shayer r FLASHBACK: The Tapestry of Walter Simonson’s Thor . .25 u o C Sal Buscema Walter Simonson Nearly 30 years later, we’re still talking about Simonson’s Thor —and the visionary and . -
Sample Pages to Thor
1 only A Stranger Arrives The air was dry and cold near the small town of Puente Antiguo, New Mexico. Darcy Lewis sat in the driver’s seatReview of an old van full of expensive scientic equipment. She was a college student working with scientist Jane Foster. Another scientist, ForDr. Erik Selvig, sat in the passenger seat. In the back of the van, Jane- opened the roof and climbed onto it. Selvig followed her, and they looked up into the darkness. “So what exactly are we looking for?” Selvig asked. He was a friend of Jane’s father and knew her well. “Why did you ask me to join you here in New Mexico?” “I told youSample. Something strange is happening in the night sky and I need your help,” Jane replied. “It’s a little dierent each time. Once it was a pool of stars in a corner of the sky. But last week it was a rainbow—” A noise from her computer stopped her. “Wait for it!” she said excitedly. Nothing happened. The sky above them stayed calm and black. Darcy put her head out of the window and looked up at Jane. “Can I turn on the radio?” she asked. She sounded bored. “No!” Jane replied angrily. She and Selvig climbed back inside the van. “I don’t understand,” she said. She opened a small book and looked at her notes. She always carried this notebook—inside it was her life’s work. M01_THOR_SB3_GLB_05991.indd 1 3/6/18 1:53 PM 2 “These changes have happened many times, always at night, Erik!” She checked her computer. -
Rune Warriors: Shield of Odin James Jennewein & Tom S. Parker
Rune Warriors: Shield of Odin James Jennewein & Tom S. Parker Reviewed by: Enzo Takagi, 16 Star Teen Book Reviewer of Be the Star You Are! Charity www.bethestaryouare.org This book was very entertaining and funny. I would recommend it for mostly boys because it contains flatulence jokes and other humor along those lines. There is also reference to alcohol consumption and much violence. This book is recommended either as a gift or a book to be borrowed from the library. I liked the humor and the plentiful action a lot, and there were interesting references to Vikings and Norse mythology. The protagonist is Dane, a young man who has recently gone on his first hunt, a rite of passage. The very beginning of the book is about Dane growing up and the influences on his, as well as the love and care given to him. However, the story takes a turn after that. There is an evil king named Thidrek who likes to execute people and rule them by fear. He obviously is not liked by his people, and everyone is afraid of him. In Dane's village, there is an annual competition for Viking sports like axe throwing and archery. One year, Thidrek comes to this celebration and humiliates Dane's father and the rest of the village as well. Then things get worse. Dane's girlfriend, Astrid is kidnapped by Thidrek, and his village is razed to the ground and many people are killed. Dane's father is killed, and the Shield of Odin is stolen. This shield is given from Odin, the Norse god of tactics, and this shield blocks all attacks to the holder. -
Read It Here
Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 1 of 30 UNITED STATES DISTRICT COURT EASTERN DISTRICT OF PENNSYLVANIA DISNEY ENTERPRISES, INC., et al., Plaintiffs, Case No: 5:13-cv-05570 (JSL) VS. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE; JAMES D. MARTIN; FREDERICK W. STEUDLER, JR.; and DWIGHT H. BRUBAKER, Defendants, and STAN LEE MEDIA, INC., Defendant / Intervenor. ENTERTAINMENT THEATRE GROUP d/b/a AMERICAN MUSIC THEATRE, Counterclaim-Plaintiff, and Case No: 5:13-cv-05570 (JSL) STAN LEE MEDIA, INC. Counterclaim-Plaintiff/Intervenor, -against- DISNEY ENTERPRISES, INC.; and MARVEL CHARACTERS, INC., Deadline.comCounterclaim-Defendants. DEFENDANTS' OPPOSITION IN RESPONSE TO PLAINTIFFS' MOTION TO DISMISS AMENDED COUNTERCLAIMS AND INTERVENOR COMPLAINT AND TO STRIKE AMENDED AFFIRMATIVE DEFENSES Case 5:13-cv-05570-JLS Document 64 Filed 03/11/14 Page 2 of 30 Table of Contents Page I. INTRODUCTION 1 II. BACKGROUND 3 III. ARGUMENT 6 A. Legal Standard 6 B. Res Judicata Does Not Bar AMT's Counterclaims And Affirmative Defenses As The Causes Of Action At Issue In This Litigation Are Not The Same Causes Of Action At Issue In The Prior SLMI-Related Litigations. 7 1. The Present Litigation Does Not Involve The Same Cause Of Action As The Prior SLMI-Related Litigations. 8 2. AMT Is Not In Privity With SLMI Or The Abadin Plaintiffs And, Thus, AMT Cannot Be Bound By The Decisions Reached In The Prior SLMI-Related Litigations. 12 C. Collateral Estoppel Or Issue Preclusion Does Not Bar AMT's Counterclaims As Identical Issues Are Not Present And The Issue Of Ownership Has Never Been Actually Litigated 15 D. -
Troyw Breakdown.Doc
Thor / Odin Shader Development Thor Shader Development Captain America and Shield Shader Development Environment Light Look Development Thor and Mjolnir Hammer Shader Development Thor Skin Lighting Development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer Shader Development Strucker and Zola Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Strucker Shader and Lighting Development Environment Lighting and Shader Development Scene Setup and Rendering Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Iceborn Lighting and Look development Loki and Casket Shader Development and Lighting Environment Lighting and Shader Development Scene Setup and Rendering Captain America and Shield Shader Development Environment Light Look Development Environment Lighting and Shading Development Ymir Lighting and Shader Development Scene Setup and Rendering Odin and Mjolnir Hammer and Shader Development Environment Lighting and Shader Development Hale Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Exo-Suit Lighting and Shader Development Scene Setup and Rendering Environment Lighting and Shader Development Colonist Lighting and Shader Development -
ABSTRACT the Pdblications of the Marvel Comics Group Warrant Serious Consideration As .A Legitimate Narrative Enterprise
DOCU§ENT RESUME ED 190 980 CS 005 088 AOTHOR Palumbo, Don'ald TITLE The use of, Comics as an Approach to Introducing the Techniques and Terms of Narrative to Novice Readers. PUB DATE Oct 79 NOTE 41p.: Paper' presented at the Annual Meeting of the Popular Culture Association in the South oth, Louisville, KY, October 18-20, 19791. EDFS PRICE MF01/PCO2 Plus Postage." DESCRIPTORS Adolescent Literature:,*Comics (Publications) : *Critical Aeading: *English Instruction: Fiction: *Literary Criticism: *Literary Devices: *Narration: Secondary, Educition: Teaching Methods ABSTRACT The pdblications of the Marvel Comics Group warrant serious consIderation as .a legitimate narrative enterprise. While it is obvious. that these comic books can be used in the classroom as a source of reading material, it is tot so obvious that these comic books, with great economy, simplicity, and narrative density, can be used to further introduce novice readers to the techniques found in narrative and to the terms employed in the study and discussion of a narrative. The output of the Marvel Conics Group in particular is literate, is both narratively and pbSlosophically sophisticated, and is ethically and morally responsible. Some of the narrative tecbntques found in the stories, such as the Spider-Man episodes, include foreshadowing, a dramatic fiction narrator, flashback, irony, symbolism, metaphor, Biblical and historical allusions, and mythological allusions.4MKM1 4 4 *********************************************************************** * Reproductions supplied by EDRS are the best that can be made * * from the original document. * *********************************************************************** ) U SOEPANTMENTO, HEALD.. TOUCATiONaWELFARE NATIONAL INSTITUTE CIF 4 EDUCATION THIS DOCUMENT was BEEN N ENO°. DOCEO EXACTLY AS .ReCeIVED FROM Donald Palumbo THE PE aSON OR ORGANIZATIONORIGuN- ATING T POINTS VIEW OR OPINIONS Department of English STATED 60 NOT NECESSARILY REPRf SENT OFFICIAL NATIONAL INSTITUTE OF O Northern Michigan University EDUCATION POSITION OR POLICY CO Marquette, MI. -
(“Spider-Man”) Cr
PRIVILEGED ATTORNEY-CLIENT COMMUNICATION EXECUTIVE SUMMARY SECOND AMENDED AND RESTATED LICENSE AGREEMENT (“SPIDER-MAN”) CREATIVE ISSUES This memo summarizes certain terms of the Second Amended and Restated License Agreement (“Spider-Man”) between SPE and Marvel, effective September 15, 2011 (the “Agreement”). 1. CHARACTERS AND OTHER CREATIVE ELEMENTS: a. Exclusive to SPE: . The “Spider-Man” character, “Peter Parker” and essentially all existing and future alternate versions, iterations, and alter egos of the “Spider- Man” character. All fictional characters, places structures, businesses, groups, or other entities or elements (collectively, “Creative Elements”) that are listed on the attached Schedule 6. All existing (as of 9/15/11) characters and other Creative Elements that are “Primarily Associated With” Spider-Man but were “Inadvertently Omitted” from Schedule 6. The Agreement contains detailed definitions of these terms, but they basically conform to common-sense meanings. If SPE and Marvel cannot agree as to whether a character or other creative element is Primarily Associated With Spider-Man and/or were Inadvertently Omitted, the matter will be determined by expedited arbitration. All newly created (after 9/15/11) characters and other Creative Elements that first appear in a work that is titled or branded with “Spider-Man” or in which “Spider-Man” is the main protagonist (but not including any team- up work featuring both Spider-Man and another major Marvel character that isn’t part of the Spider-Man Property). The origin story, secret identities, alter egos, powers, costumes, equipment, and other elements of, or associated with, Spider-Man and the other Creative Elements covered above. The story lines of individual Marvel comic books and other works in which Spider-Man or other characters granted to SPE appear, subject to Marvel confirming ownership. -
Hulk: World War Hulks Vol. 6 Free
FREE HULK: WORLD WAR HULKS VOL. 6 PDF Jeph Loeb,Ed McGuinness | 112 pages | 29 Apr 2011 | Marvel Comics | 9780785142676 | English | New York, United States Hulk, Volume 6: World War Hulks by Jeph Loeb No recent wiki edits to this page. Who is the Red Hulk? The truth is finally out: The identity of the Red Hulk is revealed! Everything Hulk fans have been waiting for pays off here, but it only whets the appetite for the epic final showdown between Red and Green Hulks - a cataclysmic battle that will settle Hulk: World War Hulks Vol. 6 comes out on top once and for all. This series is collected among the following paperbacks:. This edit will also create new pages on Comic Vine for:. Until you earn points all your submissions need to be vetted by other Comic Vine users. This process takes no more than a few hours and we'll send you an email once approved. Tweet Clean. Cancel Update. What size Hulk: World War Hulks Vol. 6 should we insert? This will not affect the original upload Small Medium How do you want the image positioned around text? Float Left Float Right. Cancel Insert. Go to Link Unlink Change. Cancel Create Link. Disable this feature for this session. Rows: Columns:. Enter the URL for the tweet you want to embed. This edit will also create new pages on Comic Vine for: Beware, you are proposing to add brand new pages to the wiki along with your edits. Make sure this is what you intended. This will likely increase the time it takes for your changes to go live. -
Kirby: the Wonderthe Wonderyears Years Lee & Kirby: the Wonder Years (A.K.A
Kirby: The WonderThe WonderYears Years Lee & Kirby: The Wonder Years (a.k.a. Jack Kirby Collector #58) Written by Mark Alexander (1955-2011) Edited, designed, and proofread by John Morrow, publisher Softcover ISBN: 978-1-60549-038-0 First Printing • December 2011 • Printed in the USA The Jack Kirby Collector, Vol. 18, No. 58, Winter 2011 (hey, it’s Dec. 3 as I type this!). Published quarterly by and ©2011 TwoMorrows Publishing, 10407 Bedfordtown Drive, Raleigh, NC 27614. 919-449-0344. John Morrow, Editor/Publisher. Four-issue subscriptions: $50 US, $65 Canada, $72 elsewhere. Editorial package ©2011 TwoMorrows Publishing, a division of TwoMorrows Inc. All characters are trademarks of their respective companies. All artwork is ©2011 Jack Kirby Estate unless otherwise noted. Editorial matter ©2011 the respective authors. ISSN 1932-6912 Visit us on the web at: www.twomorrows.com • e-mail: [email protected] All rights reserved. No portion of this publication may be reproduced in any manner without permission from the publisher. (above and title page) Kirby pencils from What If? #11 (Oct. 1978). (opposite) Original Kirby collage for Fantastic Four #51, page 14. Acknowledgements First and foremost, thanks to my Aunt June for buying my first Marvel comic, and for everything else. Next, big thanks to my son Nicholas for endless research. From the age of three, the kid had the good taste to request the Marvel Masterworks for bedtime stories over Mother Goose. He still holds the record as the youngest contributor to The Jack Kirby Collector (see issue #21). Shout-out to my partners in rock ’n’ roll, the incomparable Hitmen—the best band and best pals I’ve ever had.