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The Early Years of the Acoustic Phonograph Its Developmental Origins and Fall from Favor 1877-1929
THE EARLY YEARS OF THE ACOUSTIC PHONOGRAPH ITS DEVELOPMENTAL ORIGINS AND FALL FROM FAVOR 1877-1929 by CARL R. MC QUEARY A SENIOR THESIS IN HISTORICAL AMERICAN TECHNOLOGIES Submitted to the General Studies Committee of the College of Arts and Sciences of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of BACHELOR OF GENERAL STUDIES Approved Accepted Director of General Studies March, 1990 0^ Ac T 3> ^"^^ DEDICATION No. 2) This thesis would not have been possible without the love and support of my wife Laura, who has continued to love me even when I had phonograph parts scattered through out the house. Thanks also to my loving parents, who have always been there for me. The Early Years of the Acoustic Phonograph Its developmental origins and fall from favor 1877-1929 "Mary had a little lamb, its fleece was white as snov^. And everywhere that Mary went, the lamb was sure to go." With the recitation of a child's nursery rhyme, thirty-year- old Thomas Alva Edison ushered in a bright new age--the age of recorded sound. Edison's successful reproduction and recording of the human voice was the end result of countless hours of work on his part and represented the culmination of mankind's attempts, over thousands of years, to capture and reproduce the sounds and rhythms of his own vocal utterances as well as those of his environment. Although the industry that Edison spawned continues to this day, the phonograph is much changed, and little resembles the simple acoustical marvel that Edison created. -
The Clon User Manual the Command-Line Options Nuker, Version 1.0 Beta 25 "Michael Brecker"
The Clon User Manual The Command-Line Options Nuker, Version 1.0 beta 25 "Michael Brecker" Didier Verna <[email protected]> Copyright c 2010{2012, 2015, 2017, 2020, 2021 Didier Verna Permission is granted to make and distribute verbatim copies of this manual provided the copyright notice and this permission notice are preserved on all copies. Permission is granted to copy and distribute modified versions of this manual under the conditions for verbatim copying, provided also that the section entitled \Copy- ing" is included exactly as in the original. Permission is granted to copy and distribute translations of this manual into an- other language, under the above conditions for modified versions, except that this permission notice may be translated as well. Cover art by Alexis Angelidis. i Table of Contents Copying ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 1 1 Introduction :::::::::::::::::::::::::::::::::::::::::::::::::::: 3 2 Installation:::::::::::::::::::::::::::::::::::::::::::::::::::::: 5 3 Quick Start ::::::::::::::::::::::::::::::::::::::::::::::::::::: 7 3.1 Full Source :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 7 3.2 Explanation ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 7 4 Using Clon :::::::::::::::::::::::::::::::::::::::::::::::::::: 11 4.1 Synopsis Definition ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 11 4.1.1 Synopsis Items ::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: 11 4.1.1.1 Text :::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::: -
Omnipresent and Low-Overhead Application Debugging
Omnipresent and low-overhead application debugging Robert Strandh [email protected] LaBRI, University of Bordeaux Talence, France ABSTRACT application programmers as opposed to system programmers. The state of the art in application debugging in free Common The difference, in the context of this paper, is that the tech- Lisp implementations leaves much to be desired. In many niques that we suggest are not adapted to debugging the cases, only a backtrace inspector is provided, allowing the system itself, such as the compiler. Instead, throughout this application programmer to examine the control stack when paper, we assume that, as far as the application programmer an unhandled error is signaled. Most such implementations do is concerned, the semantics of the code generated by the not allow the programmer to set breakpoints (unconditional compiler corresponds to that of the source code. or conditional), nor to step the program after it has stopped. In this paper, we are mainly concerned with Common Furthermore, even debugging tools such as tracing or man- Lisp [1] implementations distributed as so-called FLOSS, i.e., ually calling break are typically very limited in that they do \Free, Libre, and Open Source Software". While some such not allow the programmer to trace or break in important sys- implementations are excellent in terms of the quality of the tem functions such as make-instance or shared-initialize, code that the compiler generates, most leave much to be simply because these tools impact all callers, including those desired when it comes to debugging tools available to the of the system itself, such as the compiler. -
The Lab Notebook
Thomas Edison National Historical Park National Park Service U.S. Department of the Interior The Lab Notebook Upcoming Exhibits Will Focus on the Origins of Recorded Sound A new exhibit is coming soon to Building 5 that highlights the work of Thomas Edison’s predecessors in the effort to record sound. The exhibit, accompanied by a detailed web presentation, will explore the work of two French scientists who were pioneers in the field of acoustics. In 1857 Edouard-Léon Scott de Martinville invented what he called the phonautograph, a device that traced an image of speech on a glass coated with lampblack, producing a phonautogram. He later changed the recording apparatus to a rotating cylinder and joined with instrument makers to com- mercialize the device. A second Frenchman, Charles Cros, drew inspiration from the telephone and its pair of diaphragms—one that received the speaker’s voice and the second that reconstituted it for the listener. Cros suggested a means of driving a second diaphragm from the tracings of a phonauto- gram, thereby reproducing previously-recorded sound waves. In other words, he conceived of playing back recorded sound. His device was called a paléophone, although he never built one. Despite that, today the French celebrate Cros as the inventor of sound reproduction. Three replicas that will be on display. From left: Scott’s phonautograph, an Edison disc phonograph, and Edison’s 1877 phonograph. Conservation Continues at the Park Workers remove the light The Renova/PARS Environ- fixture outside the front mental Group surveys the door of the Glenmont chemicals in Edison’s desk and home. -
THE DYNAMIC RANGE POTENTIAL of the PHONOGRAPH by Ronald M
THE DYNAMIC RANGE POTENTIAL OF THE PHONOGRAPH By Ronald M. Bauman his article describes a new transmission standards of even lower added to the quietest passages by the approach for analyzing the quality than our current CD standards. cartridge-preamplifier combination dynamic range of the phono- Unless these standards are dramatical- should be essentially inaudible. graphic playback system, in which the ly upgraded (in terms of information Similarly, the cartridge-preamp sys- cartridge and preamplifier are treated content), we may never have a source tem should be able to clearly repro- as an integrated system. I analyzed of music for our homes that sounds ducd the loudest sounds on record the dynamic range potential of several better than the phonograph. without distortion, compression, or combinations of phono cartridges and Are analog records inherently better clipping. preamplifier amplifying devices and in some sense? Your ears may already The same should be true of CD compared the results to CDs. be telling you that analog can sound playback. The quietest passages Additionally, I speculate about the better than today's digital. I will should be reproduced without added drawbacks of frequency domain char- provide quantitative reasons this may noise or distortion of the rnusic acterizations of musical audio compo- be so. caused by amplitude steps, or sam- nents and suggest that the time pling intervals that are too coarse, or domain may be a more natural frame Qualitative Requirements by filter phase shifts and ringing. The of reference for audio instrumentation The subtlety of detail in the grooves of loudest peaks encoded, as for analog development. -
Chapter 186 NOISE
Chapter 186 NOISE §186-1. Loud and unnecessary noise §186-3. Permits for amplifying devices. prohibited. §186-4. Stationary noise limits; maximum §186-2. Loud and unnecessary noises permissible sound levels. enumerated. §186-5. Violations and penalties. [HISTORY: Adopted by the Village Board of the Village of Albany 5-11-1992 as Sec. 11-2- 7 of the 1992 Code. Amendments noted where applicable.] GENERAL REFERENCES Disorderly conduct -- See Ch. 110. Parks and navigable waters -- See Ch. 198, §198-1B(2). Peace and good order -- See Ch. 202. §186-1. Loud and unnecessary noise prohibited. It shall be unlawful for any person to make, continue or cause to be made or continued any loud and unnecessary noise. It shall be unlawful for any person knowingly or wantonly to use or operate, or to cause to be used or operated, any mechanical device, machine, apparatus or instrument for intensification or amplification of the human voice or any sound or noise in any public or private place in such manner that the peace and good order of the neighborhood is disturbed or that persons owning, using or occupying property in the neighborhood are disturbed or annoyed. §186-2. Loud and unnecessary noises enumerated. The following acts are declared to be loud, disturbing and unnecessary noises in violation of this chapter, but this enumeration shall not be deemed to be exclusive: A. Horns; signaling devices. The sounding of any horn or signaling device on any automobile, motorcycle or other vehicle on any street or public place in the village for longer than three seconds in any period of one minute or less, except as a danger warning; the creation of any unreasonable loud or harsh sound by means of any signaling device and the sounding of any plainly audible device for an unreasonable period of time; the use of any signaling device except one operated by hand or electricity; the use of any horn, whistle or other device operated by engine exhaust and the use of any signaling device when traffic is for any reason held up. -
Minding Our Words: Audio Responsibilities in Endangered Languages Documentation and Archiving
Taiwan Journal of Linguistics Vol. 6.2, 59-78, 2008 MINDING OUR WORDS: AUDIO RESPONSIBILITIES IN ENDANGERED LANGUAGES DOCUMENTATION AND ARCHIVING David Nathan Abstract Linguists are addressing the predicted the loss of many of the world's languages through an emerging discipline called Language Documentation, which focuses not on theory but on data, and how the data is acquired, represented, presented, and preserved. For most endangered languages, which are not written, much of this data is audio, and unlike many corpora it is likely to be local, particular, opportunistic, and uneven. New questions are raised, such as: what audio data counts as a record of a language that is likely to disappear? how can coverage and quality be measured? for what purposes and by whom will the data be used? For those of us documenting languages, there are four key audio-related issues: audio quality, its accompanying symbolic data, the usage of data for practical purposes such as language revitalisation, and the need for enhanced sensitivities and protocol in audio access and distribution. Language Documentation has benefited from the knowledge and experience of other disciplines, but perhaps it is now sufficiently experienced to offer some useful advice to others. This paper surveys these issues, and also describes the funding, teaching, archiving and publishing activities of the Endangered Languages Project at SOAS. 1. INTRODUCTION Today the world is facing the impending loss of at least half of its languages. Many linguists are addressing this challenge through an emerging discipline called documentary linguistics. Documentary linguistics (also called “language documentation”) focuses on data, and how data is acquired, represented, presented, and preserved, in contrast to the analytical and theoretical concerns of much of linguistics. -
California Forest Insect and Disease Training Manual
California Forest Insect and Disease Training Manual This document was created by US Forest Service, Region 5, Forest Health Protection and the California Department of Forestry and Fire Protection, Forest Pest Management forest health specialists. The following publications and references were used for guidance and supplemental text: Forest Insect and Disease Identification and Management (training manual). North Dakota Forest Service, US Forest Service, Region 1, Forest Health Protection, Montana Department of Natural Resources and Conservation and Idaho Department of Lands. Forest Insects and Diseases, Natural Resources Institute. US Forest Service, Region 6, Forest Health Protection. Forest Insect and Disease Leaflets. USDA Forest Service Furniss, R.L., and Carolin, V.M. 1977. Western forest insects. USDA Forest Service Miscellaneous Publication 1339. 654 p. Goheen, E.M. and E.A. Willhite. 2006. Field Guide to Common Disease and Insect Pests of Oregon and Washington Conifers. R6-NR-FID-PR-01-06. Portland, OR. USDA Forest Service, Pacific Northwest Region. 327 p. M.L. Fairweather, McMillin, J., Rogers, T., Conklin, D. and B Fitzgibbon. 2006. Field Guide to Insects and Diseases of Arizona and New Mexico. USDA Forest Service. MB-R3-16-3. Pest Alerts. USDA Forest Service. Scharpf, R. F., tech coord. 1993. Diseases of Pacific Coast Conifers. USDA For. Serv. Ag. Hndbk. 521. 199 p.32, 58. Tree Notes Series. California Department of Forestry and Fire Protection. Wood, D.L., T.W. Koerber, R.F. Scharpf and A.J. Storer, Pests of the Native California Conifers, California Natural History Series, University of California Press, 2003. Cover Photo: Don Owen. 1978. Yosemite Valley. -
Press Release
( ( ( ( F i r s t S o u n d s ) ) ) ) making the earliest audio recordings accessible to all people for all time CONTACT: Meagan Hennessey David Giovannoni [email protected] [email protected] The World’s Oldest Sound Recordings Played For The First Time A group of researchers has succeeded in playing a sound recording of a human voice made in 1860 – 17 years before Thomas Edison invented the phonograph. Roughly ten seconds in length, the recording is of a person singing “Au clair de la lune, Pierrot répondit” – a snippet from a French folksong. It was made on April 9, 1860 by Parisian inventor Édouard-Léon Scott de Martinville on his “phonautograph” – a device that scratched sound waves onto a sheet of paper blackened by the smoke of an oil lamp. Scott never dreamed of playing back his recordings. But this morning, the dream Scott never had will come true. A cadre of audio historians, recording engineers, and scientists working in conjunction with the First Sounds initiative has transformed Scott’s smoked-paper tracings into sound. They will premiere Au Clair de la Lune at the annual conference of the Association for Recorded Sound Collections at Stanford University this morning. Examples of sounds evoked from French and American phon- autograph recordings made between 1857 and 1878 will also be played publicly for the first time. First Sounds historians Patrick Feaster and David Giovannoni began their search for surviving phonautograph recordings, or phonautograms, in the fall of 2007. In October they studied 19 examples held by the Edison National Historic Site, made in 1878 by Edison and his associates to study the noise of the Metropolitan Elevated Railroad in Manhattan. -
The Conflict Between the Amazon Kindle License Agreement and the Role of Libraries in a Free Society
DO NOT DELETE 12/23/2010 12:52 PM DIGITIZATION AND DEMOCRACY: THE CONFLICT BETWEEN THE AMAZON KINDLE LICENSE AGREEMENT AND THE ROLE OF LIBRARIES IN A FREE SOCIETY Gregory K. Laughlin† I. INTRODUCTION The mission of libraries is to ensure access . The nature of copyright is to restrict access. There’s a real tension there.1 [T]he [Copyright] Act creates a balance between the artist’s right to control the work during the term of the copyright protection and the public’s need for access to creative works.”2 E-books have become one of the hot topics of consumer technology over the past couple of years.3 While Amazon and Sony are the leading sellers of e-readers and e-books,4 several other companies † Associate Professor of Law and Law Library Director, Cumberland School of Law, Samford University. 1. LEE ANN TORRANS, LAW AND LIBRARIES: THE PUBLIC LIBRARY 61 (2004). 2. Stewart v. Abend, 495 U.S. 207, 228 (1990); see also Elizabeth I. Winston, Why Sell What You Can License? Contracting Around Statutory Protection of Intellectual Property, 14 GEO. MASON L. REV. 93, 94-95 (2006) (“[A] balance must be struck between protecting intellectual property owners’ right to contract and protecting the public’s interest in the promotion of the progress of science and the useful arts.”). 3. See infra Part II. 4. Sara Dunn, What is an E-Reader?, EZINE ARTICLES, http://ezinearticles.com/?What-is- an-E-Reader?&id=1230198 (last visited Nov. 16, 2010). E-reader refers to the physical device on which e-books are stored and read. -
Trenton 9-7-1967 As § 3- 2 of the Revised General Ordinances
Chapter 167. NOISE [HISTORY: Adopted by the City Council of the City of Trenton 9-7-1967 as § 3- 2 of the Revised General Ordinances. Amendments noted where applicable.] GENERAL REFERENCES Barking dogs — See Ch. 21, § 21-7. Peace and good order — See Ch. 201. Nuisances — See Ch. 171. § 167-1. Prohibited noises. It is hereby declared to be a nuisance and it shall be unlawful for any person to make, cause or suffer or permit to be made or caused upon any premises owned, occupied or controlled by him/her or upon any public street, alley or thoroughfare in the City of Trenton, any unnecessary noises or sounds by means of the human voice, or by any other means or methods which are physically annoying to persons, or which are so harsh or so prolonged or unnatural, or unusual in their use, time and place as to occasion physical discomfort, or which are injurious to the lives, health, peace and comfort of the inhabitants of the City, or any number thereof. § 167-2. Loud and unnecessary noises enumerated. [Amended 2-5-2004 by Ord. No. 04-6] The following acts are declared to be loud, disturbing and unnecessary noises in violation of this chapter, but this enumeration shall not be deemed to be exclusive: A. Radios, televisions, phonographs. The playing of any radio receiving set, television, musical instrument, phonograph or other machine or device for the production or reproduction of sound with louder volume than is necessary for convenient hearing of the person so playing, using or operating such instrument or device and any persons who are voluntary listeners thereto, or in such manner as to disturb the peace, quiet and comfort of neighboring inhabitants. -
Mcclim Demonstration
McCLIM Demonstration Daniel Kochmanski´ TurtleWare – Daniel Kochmanski´ Przemysl,´ Poland [email protected] ABSTRACT tectural pattern in a consistent way while also providing We describe what is a Common Lisp Interface Manager[2] defaults and the ability to customize its behavior. implementation called McCLIM[7]. In particular, we de- McCLIM is a free open source implementation of CLIM scribe recent improvements of the code base. We illustrate II specification with extensions proposed by Franz Inc. in the CLIM 2 User Guide, version 2.2.2. As of 2017, Mc- McCLIM and recent development by developing a demo ap- 1 plication \Clamber", which is a book collection managament CLIM (and recently opensourced clim2 ) is the only avail- tool, which was created in purpose of explaining CLIM con- able native graphic user interface toolkit available to the cepts in form of a tutorial. Common Lisp ecosystem . Other solutions are based on foreign tools (LTK2, CommonQt3 or EQL54) or are com- mercial (Common Graphics5, CAPI[?]). Another frequently CCS Concepts used approach is creating web applications with frameworks. •Software and its engineering ! Integrated and vi- A few applications and libraries written in McCLIM are sual development environments; shipped with McCLIM code repository: Keywords • Listener Common Lisp, graphic user interfaces The McCLIM Listener provides an interactive toplevel with full access to the graphical capabilities of CLIM 1. INTRODUCTION and a set of built-in commands intended to be useful for Lisp development and experimentation. The CLIM specification[3] is large and requires some ini- tial work from the programmer to start writing programs • Inspector using CLIM.