DOCSLIB.ORG

Guelph Spring Festival

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Guelph Spring Festival Fourth Annual GUELPH SPRING FESTIVAL Nicholas Goldschmidt — Artistic Director May 1 - 15, 1971 and former Manager of the Metropolitan Opera. concert on May 15. Students will be able to During the past four years the University of The Universitys contribution to the work of purchase tickets at a reduced price. Guelph has played a vital role in the establish- the Foundation has been made in a variety of The University is thus actively involved as ment of a unique town-gown Arts Festival ways. Dr. M. H. M. MacKinnon, Dean of Arts, a partner in an enterprise which has won sup- that is attracting national, and even interna- is the President of the Foundation and Nicholas port from private patrons, business and indus- tional, attention. The Guelph Spring Festival, Goldschmidt, Director of Music for the Uni- try, governments, and arts councils on the an annual two-week program of music, drama, versity, is also Artistic Director of the Festival. provincial and federal levels. Grants and sub- and dance, is the newest, and in some ways The University has supported a number of sidies from sources outside the city amount to the liveliest, festival of arts in the province. Festival events including a successful approximately 38 per cent of the Festivals Unlike its rivals in Stratford and Niagara-on- Beethoven Exhibition which toured many budget. The City of Guelph, firms and indus- the-Lake which focus principally on works of Canadian campuses last year. This spring, the tries which are members of the Guelph Cham- the past, Guelph puts strong emphasis on con- University will sponsor two more art exhibi- ber of Commerce, and local patrons of the temporary music and on original compositions. tions, "Dürer and His Contemporaries" and Foundation contribute about 20 per cent, Since 1967 the Spring Festival has commission- "Life Style of our Forefathers" to be on dis- with the University and students donanting ed world premieres by Canadian composers play here during May. In addition, the Univer- another 4 per cent each. Thanks to such gener- and presented the North American premiere sity is supporting the concert by the Orford ous support the Foundation can present its of "The Prodigal Son" an important church String Quartet and Anton Kuerti on May 2. program for approximately one third of its opera by Benjamin Britten. The Committee of College Presidents, the real cost. Thus local citizens, and with them The originator and sponsor of the Guelph senior level of student government in the faculty and students at the University, can Spring Festival is the Edward Johnson Music University, has agreed to support the Festival enjoy an annual musical program which com- Foundation, an independent non-profit organ- this year with a generous grant towards the pares favourably with those of communities ization named after the famous Guelph tenor costs of the National Arts Centre Orchestra many times the size of Guelph. NATIONAL ARTS CENTRE ORCHESTRA Saturday, ay 15 ORFORD STRING QUARTET — Sun. May 2 BEVERLY SILLS ANTON KUERTI Fri. May 7 The Guelph Spring Festival A FLOWERING ANNUAL The Guelph Spring Festival was described by the "Visualized Music" of Stravinsky, Strauss, in the earlier production will play Misael, the Nathan Cohen, leading Canadian theatre Verdi and Beethoven. youngest and most impulsive of the captive critic, in his last radio broadcast before his Beverly Sills comes to Guelph on May 7. Jews. Ananias, their clear-thinking leader, will recent death, as "an annual spring occasion Acclaimed as one of the worlds greatest be portrayed by Peter Milne, and Azarias, that proves that high-minded programming and coloratura sopranos and elected by "Musical slower but wiser than the other two, by Avo careful budgeting can produce publicly wel- America" as Musician of the Year, Miss Sills Kittask. John Arab, who was a Tempter of come results." will give a recital of songs and arias by fatal charm in "The Prodigal Son," will return High minded programming it certainly is. Donizetti, Handel, Meyerbeer, Milhaud and to Guelph as Nebuchadnezzar. Gary Relyea By defying rumours of public apathy and Strauss. Her vocal and dramatic powers have will play the Herald and the Leader of the careful balancing known first quality music won this New York Opera Company soprano Courtiers, while the double role of the Abbot and new productions, featuring commissioned standing ovations in musical capitals around and the Astrologer will be performed by works, the Edward Johnson Music Foundation, the world. Cornelius Opthof. which sponsors the festival has lined up two The Bach Aria Group, which will give a re- Although the form of Brittens church weeks of extraordinary performances for 1971. cital on May 8, is an ensemble of nine virtuosi. operas was suggested by the Japanese No The roster reads like a whos who and whats Soprano Lois Marshall, contralto Maureen theatre, they have a convention of movement what of music: Beverly Sills, Lois Marshall, Forrester, tenor Richard Lewis and bass- and presentation entirely their own. The ritual- Maureen Forrester, Oscar Shumsky, The Fes- bariton Norman Farrow combine their vocal ized action emerges, as the actors emerge, tival Singers, The Orford String Quartet, talents with the instrumental expertise of from the ranks of the chanting monks, and Anton Kuerti, The National Arts Centre Or- Sam Baron, flute, Robert Bloom, oboe, Ber- when the conflict is resolved the monks re- chestra. It also features imaginative experimen- nard Greenhouse, cello, Osar Shumsky, violin, sume their habits and their role as worshippers, tal theatre, music and dance. and Yehudi Wyner, piano. Founder and con- leaving the audience exhilarated yet at peace. A world premiere will open the Festival on ductor of this exquisite ensemble is William "The Burning Fiery Furnace" will be direct- May 1. The Festival Singers of Canada and Schiede, an authority on the music of Bach. ed musically by Nicholas Goldschmidt, Artistic the Toronto Mendelssohn Choir will present An "Intermedia" concert on May 10 will Director of the Festival. Dramatically, the a new setting of Psalm 148 by Andre Prevost. feature the world premiere of a new work by performance will be guided and inspired by Mr. Prevost, composer of "Terre des Hommes" Dr. Charles Wilson. A poem by D. G. Jones Lode Verstraete, poet, actor, playwright and the musical theme of Expo 67, was commis- titled "Phrases from Orpheus" has been Director of the Belgian National Theatre. sioned to write a new work for the festival by scored for tenor soloist, chorus, modern dan- The church selected for the presentation of the Edward Johnson Music Foundation which cers and narrator. The tenor soloist who por- this dramatic parable on May 12, 13, and 14, every year invests in Canadian composers as trays Orpheus will be Garnet Brooks. is the Church of Our Lady, Guelphs beautiful well as performers. The two hundred voices Members of the Toronto Dance Theatre will cathedral on the hill. will be augmented by a brass ensemble in respond creatively as they scale scaffolding The National Arts Centre Orchestra, under what promised to be a jubilant entry into the above the chorus in this multi level presentation. Mario Bernardi, will bring the Guelph Spring Festival. Also featured on this exciting program will be Festival to a triumphant conclusion. Soloists The Orford String Quartet return to Monteverdi ballet, Brittens "Voices for Today" for the occasion will be Erica Goodman, Guelph on May 2 where they are always and "Five Newfoundland Songs" by Harry harp and Fred Mills and Robert Oades, trum- received joyfully. With pianist Anton Kuerti, Somers. pets. In keeping with the festival tradition of these four gifted young musicians will present "The Burning Fiery Furnace," the second balancing the known and the new, the orches- an evening of Schubert, Ives and Brahms. of Benjamin Brittens trio of musical parables tra will perform Vivaldi, Beecroft, Mendels- The proceeds from this concert will be con- for church performance, will be the featured sohn, Somers and Haydn. tribed to a scholarship fund to be presented opera of the Festival. The first all-Canadian per- So the program is undeniably high-minded, in the memory of Edward Johnson to assist formance of this opera, this production pro- aiming for excellence, for the creation of new promising young musicians to further their mises to achieve once more the artistic and works and the demonstration of the quality careers. critical success of the festivals presentation of of Canadian performers. The careful budgeting The Czech Black Box Theatre will give Brittens "The Prodigal Son." is the concern of the Edward Johnson Music three evening performances and a special mat- In this parable about the trial of faith, Foundation. Everyone else can just enjoy the inee for children. According to Nathan Cohen, tenor Garnet Brooks who sang the title role "the Black Box Theatre has to be one of the most truly unique entertainments in North America. Imagine an animated film cartoon come to life, they manipulate luminously painted objects and make them perform feats that seem to make a mockery of the laws of gravity and anatomy." This remarkable group will perform several new works prepared es- pecially for the Guelph appearance, including The News Bulletin is published by the Department of Information and edited by Mrs. Betty Keeling. Copy for this special edition was prepared by Professor Neil Carson and Mrs. Edwina Carson. Cover design by Eric Barth..
Load more

Recommended publications
  • View PDF Online
    MARLBORO MUSIC 60th AnniversAry reflections on MA rlboro Music 85316_Watkins.indd 1 6/24/11 12:45 PM 60th ANNIVERSARY 2011 MARLBORO MUSIC Richard Goode & Mitsuko Uchida, Artistic Directors 85316_Watkins.indd 2 6/23/11 10:24 AM 60th AnniversA ry 2011 MARLBORO MUSIC richard Goode & Mitsuko uchida, Artistic Directors 85316_Watkins.indd 3 6/23/11 9:48 AM On a VermOnt HilltOp, a Dream is BOrn Audience outside Dining Hall, 1950s. It was his dream to create a summer musical community where artists—the established and the aspiring— could come together, away from the pressures of their normal professional lives, to exchange ideas, explore iolinist Adolf Busch, who had a thriving music together, and share meals and life experiences as career in Europe as a soloist and chamber music a large musical family. Busch died the following year, Vartist, was one of the few non-Jewish musicians but Serkin, who served as Artistic Director and guiding who spoke out against Hitler. He had left his native spirit until his death in 1991, realized that dream and Germany for Switzerland in 1927, and later, with the created the standards, structure, and environment that outbreak of World War II, moved to the United States. remain his legacy. He eventually settled in Vermont where, together with his son-in-law Rudolf Serkin, his brother Herman Marlboro continues to thrive under the leadership Busch, and the great French flutist Marcel Moyse— of Mitsuko Uchida and Richard Goode, Co-Artistic and Moyse’s son Louis, and daughter-in-law Blanche— Directors for the last 12 years, remaining true to Busch founded the Marlboro Music School & Festival its core ideals while incorporating their fresh ideas in 1951.
    [Show full text]
  • The University Mnsical Society The
    The University Mnsical Society The Presents THE CANADIAN OPERA COMPANY DR. HERMAN GEIGER-TOREL, General Director in Cosi Fan Tutte by WOLFGANG AMADEUS MOZART Libretto by LORENZO DA PONTE English Version by RUTH and THOMAS MARTIN with THE CANADIAN OPERA ORCHESTRA SATURDAY AFTERNOON, JANUARY 13, 1973, AT 3:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN Eighth Program International Presentations in Power Center Complete Programs 3801 CAST OF CHARACTERS Fiordiligi, a young lady of Ferrara BARBARA COLLmR HELLY JEDIG Dorabella, her sister NANCY GREENWOOD KATHLEEN RUDDELL Despina, their maid ANN COOPER DODI PROTERO Ferrando, a young officer JOHN ARAB GARNET BROOKS Guglielmo, a young officer PETER BARCZA DONALD ODDm Don Alfonso, an elderly bachelor. PETER MILNE JAN RUBES Servants PHIL STARK, STEVEN THOMAS The action takes place in Naples, Italy, in the Eighteenth Century Director, HERMAN GEIGER-TOREL Music Director and Conductor, JOHN FENWICK Associate Conductor, ERROL GAY Sets designed by GEORG SCHLOGL Costumes designed by ANDREA GRAINGER SYNOPSIS ACT I . Don Alfonso, an elderly cynic of 18th Century Naples, declares to his young fnends, Ferrando and Guglielmo, that no woman can be trusted, including their sweet­ hearts. Enraged, the young men accept Alfonso's wager to let him put the girls to any test he chooses. Don Alfonso announces to the two distressed young ladies that their fiances have to rejoin their regiment immediately. There is a touching farewell scene and the two officers ostensibly sail away. Alfonso bribes the maid, Despina, to help him introduce Ferrando and Guglielmo, who return disguised as strange looking Albanians. Fiordiligi orders the Albanians to leave.
    [Show full text]
  • Fonds Alexander Brott (R12803) Page 1 Finding Aid No
    Date: 2012-04-12 Alexander Brott fonds (R12803) / Fonds Alexander Brott (R12803) Page 1 Finding Aid No. R12803 / Instrument de recherche no R12803 Report: Y:\APP\Impromptu\Mikan\Reports\Description_Reports\finding_aids_&_subcontainers.imr MIKAN Container File/Item Cr. file/item Hierarchy Title, etc Date of/de Extent or Media / Dim. / Access # Contenant Dos./PièceDos./item cr. Hiérarchie Titre, etc création Support ou Média / Dim. / Accès 3985646 Series Correspondence [textual record, graphic 1931-2004 material] 4014008 1 1 File Lotte Brott [194-?]-1997 2 cm of textual records. / 90 S&C : File containing correspondence with Lotte Brott. Several letters also includes other family members. 3987168 1 2 File Boris Brott [ca. 1956]-1962 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 4013971 1 3 File Boris Brott 1963-2004 1.5 cm of textual records. / 90 S&C : File containing correspondence from Boris Brott. 3986023 1 4 File Denis Brott 1962-1969 1.5 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 3986031 1 5 File Denis Brott 1970-1996 1 cm of textual records. / 90 S&C : File containing correspondence from Denis Brott. 4064182 1 6 File Other family members 1935-1962 0.5 cm of textual records. / 90 S&C : File containing correspondence with his mother, Annie Fixman, and Aby Lenson and Saul Brott. 3986019 1 7 File Canadian League of Composers 1952-1956 1.5 cm of textual records. / 90 4002344 1 8 File Canadian League of Composers 1957-1990 1 cm of textual records. / 90 3988428 1 9 File Canadian Music Centre 1959-1963 2 cm of textual records.
    [Show full text]
  • Atlantic Symphony Orchestra Fonds (MS-5-11)
    Dalhousie University Archives Finding Aid - Atlantic Symphony Orchestra fonds (MS-5-11) Generated by the Archives Catalogue and Online Collections on January 24, 2017 Dalhousie University Archives 6225 University Avenue, 5th Floor, Killam Memorial Library Halifax Nova Scotia Canada B3H 4R2 Telephone: 902-494-3615 Email: [email protected] http://dal.ca/archives http://findingaids.library.dal.ca/atlantic-symphony-orchestra-fonds Atlantic Symphony Orchestra fonds Table of contents Summary information ...................................................................................................................................... 4 Administrative history / Biographical sketch .................................................................................................. 4 Scope and content ........................................................................................................................................... 6 Notes ................................................................................................................................................................ 6 Access points ................................................................................................................................................... 6 Bibliography .................................................................................................................................................... 7 Collection holdings .........................................................................................................................................
    [Show full text]
  • Guelph Spring Festival
    FESTIVAL EDITION UNIVERSITY OF GUELPH Vol. 13 No. 14 April I, 1969 Guelph Spring Festival BENJAMIN BRITTEN 1913— the Arts in Religion Music - Theatre - Art Although still a month away, the Guelph cently from a flying visit to London where the Edward Johnson Music Foundation. Spring Festival has already aroused lively he conferred with the composer and the The theme of the Festival this year is interest in Ontario music circles. Writing in Belgian stage director, Lode Verstraete. "The Arts in Religion". From Greek tragedy the Toronto Telegram, music citic Kenneth Music director Nicholas Goldschmidt is to Renaissance painting, much of the world's Winters spoke of "Ontario's most enter- completing arrangements for using a local great art has been inspired by Man's quest prising little Festival". He commented par- boy's choir in the opera which will also for a spiritual meaning in life. Artists and ticularly on the planned performance of feature several prominent Canadian soloists. craftsmen from the days of the caves of Benjamin Britten's new opera "The Prodi- Another "first" for this year's Festival Lascaiux have attempted to adorn their gal Son" which will be given its North Am- will be the performance of a new work by shrines, temples, mosques, churches in a erican premiere in the Church of Our Lady. the Hamilton composer Lorne Betts. The manner worthy of the Gods worshipped This event alone will project the Festival piece will be part of a final concert to be there. A small sample of that rich artistic into the international limelight.
    [Show full text]
  • Guide to the Richard Coulter Collection
    Guide to the Richard Coulter Collection Collection number: MDML–019 Finding Aid prepared by: Eric Braley Edited by: Sharon Rankin Latest revision: 13 July 2016 Collection Summary Title The Richard Coulter Collection Span Dates 1953-1994 Creator Richard Coulter Collection size 24 linear feet Languages Collection material is primarily in English. Some items are in French, as well as German and Italian. Repository Marvin Duchow Music Library, McGill University, 3rd floor, 527 Sherbrooke St., Montréal, Québec, Canada. 514-398-4695 http://www.mcgill.ca/library/branches/music Abstract The Richard Coulter Collection consists of documents and media pertaining to programs written or produced by Richard Coulter for CBC Radio (and, briefly, television) from the 1950s to 1980s, as well as documents from his work, first as Network Executive Producer (1977-82) and later as Coordinator of Radio Training for the English Network (1982-87). The collection contains a wealth of material, including radio and television scripts, correspondence, administrative files, project reports, concert programs, publicity, promotional information, press Guide to the Richard Coulter Collection Page 1 of 40 clippings, payment information, contracts, production and technical information, scores, and audio tapes. Selected Search Terms The following LCSH terms have been used to index the description of this collection in the Library’s catalogue: Coulter, Richard -- (Radio producer) -- Archives Canadian Broadcasting Corporation Music -- Canada -- History -- 20th century The collection entry can be found at: http://mcgill.worldcat.org/oclc/880970664. Administrative Information Provenance Gift from Richard Coulter. Accruals No further accruals are expected. Processing History The Richard Coulter Collection was first processed in June 2014 by Eric Braley.
    [Show full text]
  • News Bulletin Is Published Every Thursday April 27-May 14
    News Bulletin UNIVERSITY OF GUELPH Vol. 16 — Special Edition Postage-Paid-In-Cash At Third Class Rates Permit 721, Guelph, Ontario March 28, 1972 The Guelph Spring Festival - a retrospective view, 1968-1972 by: Eugene Benson years and will hopefully return as president in standing ovation and rave critical notices. 1972-73. Nicholas Goldschmidt, year by year, (It is sometimes jokingly maintained that at When I wrote an article in 'Opera Canada' four brings a wealth of artistic knowledge to the least one member of the Board of Directors years ago introducing Canadian audiences to planning and execution of our Festival. of the Foundation must be a medical doctor the Guelph Spring Festival, few of the organ­ Peter Gifford continues as treasurer and I who can render aid and comfort to the izers dreamed that the Festival would grow so continue as administrative director. Barbara Festival's harried administrative team!) quickly to attain such fame within so short a Wolfond has been responsible each year The festival grows from year to year. Each time. for publicity and she has been largely performer and event is chosen with great That first festival was a very modest one in instrumental in making out-of-town guests care, our productions of opera, like all other terms of budget and the number of artistic appreciate not only the Festival, but the events, are totally professional and always events presented. Very properly, the first charm of the City of Guelph. Finally, incorporate original staging, lighting and festival mounted an artistic exhibition on the Edith Kidd, concert manager at the University costume and presentation.
    [Show full text]
  • GAZETTE ~ Llst4 ED F OR the , ...Cl
    c ~ ~~ I I------i' I------i ~ M••UN Centre for {lilldStud!e! GAZETTE ~ llSt4 ED f OR THE , ...Cl. LTV ,u,j[) STA FF O f MIIllllUR,Al UNIVERS ITY Of "'E ""'OtJI«)LAJrtO JU LY 11, 1969 LIBRARY RECEIVES $27,000 GRA NT FROM CANA DA COUNCIL Th e Library at t he Mem orial University of Newfound land has been awa rded a $27 ,()(X)Canada Counc il Grant to build up research coll ectio ns in the social sciences and huma nities. T he grant was apport ioned to th e Departments of Histor y, English, Socio logy and Anthropology, Romance Languages and Linguist ics. Last yea r th e librar y rece ived S24,()(X) which was d ivided among all o f t he above departments, with the exception of Linguistics. [he Ar ch bishop of 51. Joh n's, Most Revere nd I'J . Sk inner, looks on as 'If. D. M a ~{ ; il vra )' , A~~ i'la n t Director for Memorial was one of 34 universities to recewe Co llect ions .11 the Univl'r'iil) l ibrary, and Lor d Taylor . t hese gran ts wh ich totalled $1 million . Priorit y was President and Yice-Chancellor, look 11 one of ove r 300 given to collections needed for advanced research, ~~I~t:s S~,:~rc\i~a t;~'(~i~t'A~~~~c~~f~~~"tohr,~::nlloJ including graduate studies. SENATE MEETINGS APPROVE RARE SET OF THEOLOGICAL BOOKS NEW REGULATIONS AND A"'ENDMENTS PRESENTED TO MEMORIAL LIBRARY The Senate met May 13 and approved the The Memor'al University of Newfoundland initiat io n of a programme lead ing to the degree of library was presented with a rare co llection of Mast er of Engine ering in t he Faculty of Engineer ing theological wr it ings Jun e 10 by the Archdiocese and Applied Scien ce, to be effec tive September 1, r969 .
    [Show full text]
  • A Canadian Opera Aria Anthology for Soprano
    A CANADIAN OPERA ARIA ANTHOLOGY FOR SOPRANO by Stephanie Eiko Nakagawa M.M., Indiana University, 2011 B.Mus., The University of British Columbia, 2009 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF MUSICAL ARTS in THE FACULTY OF GRADUATE AND POSTDOCTORAL STUDIES (Music) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) June 2017 © Stephanie Eiko Nakagawa, 2017 Abstract A problem that Canadian opera faces is that once works are premiered, they rarely receive any further performances. Singers must overcome numerous barriers to sing these works due to limited score accessibility and lack of aria adaptations and recordings. Even if singers feel passionately about Canadian opera, such obstacles may impede their motivation to perform Canadian repertoire. This thesis aims to increase the awareness and accessibility of Canadian opera through the creation of a “Canadian Opera Aria Anthology for Soprano.” The anthology includes background information about the operas, composer and librettist biographies, opera synopses, and aria adaptations. In addition, performance and interpretive guides have been formed from the author’s own research in performing these works, available recordings, and from information gathered from the author’s interviews with the composers and librettists. Hopefully the arias within this anthology will not only provide singers with useful arias for auditions, but also give them and their audience a lens through which they may better understand Canadian opera and culture. Ultimately, this research aims to increase the recognition of Canadian opera and to develop a greater interest and appreciation for these works so that one day, they may become a part of the standard operatic repertoire and reach both Canadian and international stages.
    [Show full text]
  • Finding Aid to the Richard Coulter Collection
    Finding Aid to the Richard Coulter Collection Collection number: MDML–019 Finding Aid prepared by: Eric Braley Edited by: Sharon Rankin Latest revision: 13 July 2016 Collection Summary Title The Richard Coulter Collection Span Dates 1953-1994 Creator Richard Coulter Collection size 24 linear feet Languages Collection material is primarily in English. Some items are in French, as well as German and Italian. Repository Marvin Duchow Music Library, McGill University, 3rd floor, 527 Sherbrooke St., Montréal, Québec, Canada. 514-398-4695 http://www.mcgill.ca/library/branches/music Abstract The Richard Coulter Collection consists of documents and media pertaining to programs written or produced by Richard Coulter for CBC Radio (and, briefly, television) from the 1950s to 1980s, as well as documents from his work, first as Network Executive Producer (1977-82) and later as Coordinator of Radio Training for the English Network (1982-87). The collection contains a wealth of material, including radio and television scripts, correspondence, administrative files, project reports, concert programs, publicity, promotional information, press Finding Aid to the Richard Coulter Collection Page 1 of 40 clippings, payment information, contracts, production and technical information, scores, and audio tapes. Selected Search Terms The following LCSH terms have been used to index the description of this collection in the Library’s catalogue: Coulter, Richard -- (Radio producer) -- Archives Canadian Broadcasting Corporation Music -- Canada -- History -- 20th century The collection entry can be found at: http://mcgill.worldcat.org/oclc/880970664. Administrative Information Provenance Gift from Richard Coulter. Accruals No further accruals are expected. Processing History The Richard Coulter Collection was first processed in June 2014 by Eric Braley.
    [Show full text]
  • Administrative Notice University Challenge Frank
    ADMINISTRATIVE NOTICE PERSONAL MAIL The co-operation of all faculty and staff is requested in affixing the proper postage on all envelopes and packages prior to using the Brock Mail Service. Stamps for personal mail are no longer available in the Mailroom, but may be obtained from the Bookstore, or a new dispensing unit located with the vending machines on the first floor of the Tower. The Mailroom personnel will co-operate in providing information on postage rates and the weighing of personal parcel post packages. (Extension #289) UNIVERSITY CHALLENGE Candidates for Brock's entry in the C.T.V. network's University Challenge, a fun game of knowledge, are prepping busily under the tutelage of Dr. John Mayer. Michael Tew, Harry Artinian, James Vanderschoot, Peter Kocsis, Ed Bednaryk, Paul Thurston, Marnie Timms and Richard Brown are the students seeking positions on the University's challenge team. Dr. Mayer informs that final selection of four students will be made this week. Meanwhile Robert Arn of the English Department has undertaken to produce a one minute 'commercial' on Brock, to be shown during the program. Camera work, direction and cast will be the responsibility of student Bill Toole The schedule for the participants in ‘University Challenge’ is to leave Toronto at noon Saturday, January 16, arrive Ottawa and met by C.J.O.H. executive producer Lorne Freed, conducted to Skyline Hotel where they are to be accommodated, Saturday p.m. watch production of University Challenge round, at C.J.O.H. studio, Saturday evening free. On Sunday morning rehearsal and then taping the real show on Sunday afternoon.
    [Show full text]
  • The Universitj Musical Society Ot the University of Michigan
    The UniversitJ Musical Society ot The University of Michigan Presents THE CANADIAN OPERA COMPANY DR. HERMAN GEIGER-TOREL, General Directo1' in Cosi Fan Tutte by WOLFGANG AMADEUS MOZART Libretto by LORENZO DA PONTE English Version by RUTH and THOMAS MARTIN with THE CANADIAN OPERA ORCHESTRA SATURDAY EVENING, JANUARY 13 , 1973 , AT 8:00 POWER CENTER FOR THE PERFORMING ARTS ANN ARBOR, MICHIGAN Ninth Program International Presentations in Power Center Complete Programs 3802 CAST OF CHARACTERS Fiordiligi, a young lady of Ferrara BARBARA COLLIER HELLY JEDIG Dorabella, her sister NANCY GREENWOOD KATHLEEN RUDDELL Despina, their maid ANN COOPER DODI PROTERO Ferrando, a young officer JOHN ARAB GARNET BROOKS Guglielmo, a young officer PETER BARCZA DONALD ODDIE Don Alfonso, an elderly bachelor. PETER MILNE JAN RUBES Servants PHIL STARK, STEVEN THOMAS The action takes place in Naples, Italy, in the Eighteenth Century Director, HERMAN GEIGER-ToREL Music Director and Conductor, JOHN FENWICK Associate Conductor, ERROL GAY Sets designed by GEORG SCHLOGL Costumes designed by ANDREA GRAINGER SYNOPSIS ACT I Don Alfonso, an elderly cynic of 18th Century Naples, declares to his young friends, Ferrando and Guglielmo, that no woman can be trusted, including their sweet­ hearts. Enraged, the young men accept Alfonso's wager to let him put the girls to any test he chooses. Don Alfonso announces to the two distressed young ladies that their fiances have to rejoin their regiment immediately. There is a touching farewell scene and the two officers ostensibly sail away. Alfonso bribes the maid, Despina, to help him introduce Ferrando and Guglielmo, who return disguised as strange looking Albanians.
    [Show full text]